DOCSLIB.ORG

BTC Catalog 156.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
BTC Catalog 156.Pdf BETWEEN THE COVERS RARE BOOKS, INC. 112 Nicholson Rd (856) 456-8008 Gloucester City, NJ 08030 [email protected] www.betweenthecovers.com C ATALOG 156: More Treasures from Below (below $100, that is) You see before you another catalog of interesting but reasonably priced books (all less than $100, in fact), intended to distract you while you are closeted away this frigid January (or not, I guess, depending on where you live), and before we send out our next list of more expensive stuff. Much of the last month at Between the Covers has been spent doing what we do best: amus- ing ourselves, and if it isn’t too much trouble to us, in trying to amuse you as well, at our new Between the Covers blog site: http://betweenthecoversblog.wordpress.com/ Dan, Matt, and I have been trying to regularly contribute articles, bon mots, soupcons, and other nuggets of wonderment about rare books, book fairs, the book trade, our digestion, or whatever else seems to come to mind when Blogmaster General Matt, says “got anything for the blog?” once a week or so. In the future, we hope to have additional staff members contribute as well, assuming that they can aspire to the high standards of mediocrity that we have so far established. Presumably this could distract you for a few minutes now and again, while providing us with an excuse to foist our unsolicited opinions upon you. I keep asking Matt if our blog has “gone viral.” I don’t actually know what this means, but I understand that on the Internet, this is a good thing. I’m not sure that it has yet, but hope springs eternal. Tom C. Terms of Sale All books are First Editions unless otherwise noted. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. Institutions will be billed to meet their requirements. For private individuals, payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. We accept VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER and PayPal. Gift certificates available. Domestic orders please include $5.00 postage for the first item, $2.00 for each item thereafter. Overseas orders will be sent airmail at cost (unless other arrangements are requested). N.J. residents please add 7% sales tax. All items are insured. All items subject to prior sale. Members ABAA, ILAB Cover by Tom Bloom. © 2010 Between the Covers Rare Books, Inc. Note: Color pictures of all available items in this catalog can be seen at www.betweenthecovers.com by searching under author or title. 1 ADAMS, Richard. Education for Literature: The First Archibald Yell Smith IV Lecture. Chattanooga, Tennessee: The Baylor School 1976. First edition. Octavo. Printed white wrappers. A little age- toning to the white wrappers, else fine. [BTC #310749] 2 AGEE, James. Letters of James Agee to Father Flye. New York: George Braziller 1962. First edition. Fine in fine dustwrapper. Uncommon in this condition. [BTC #276683] 3 ALBEE, Edward. Counting the Ways and Listening: Two Plays. New York: Atheneum 1977. First edition. Fine in fine dustwrapper. [BTC #106053] 4 —. Three Tall Women. New York: Dutton (1995). First edition. Fine in fine dustwrapper. A beautiful copy of this Pulitzer Prize-winning play. A very uncommon title. [BTC #100672] 5 ALLEN, Woody. The Floating Light Bulb. New York: Random House (1982). First edition. Remainder stripe on the topedge, else fine in near fine dustwrapper with a little rubbing and a tiny tear near the crown. A play. [BTC #285194] 6 ANDERSON, Sherwood. Poor White. London: Jonathan Cape (1921). First English edition. Fine in a spine-tanned, very good dustwrapper. Author’s fifth book, a novel, and considered by many critics to be his best. A very nice copy in the uncommon jacket. [BTC #314483] 7 (Animation). JONES, Chuck. Chuck Amuck: The Life and Time of an Animated Cartoonist. New York: Farrar Straus and Giroux (1989). First edition. Foreword by Steven Spielberg. Small quarto. Fine in fine dustwrapper. Signed by Chuck Jones on the half-title. Invitation to a signing party laid in. [BTC #312877] 8 (Anthology). ALLEN, Donald and Robert CREELEY, edited by. New American Story. New York: Grove Press (1965). First edition. Introduction by Warren Tallman. Fine in fine dustwrapper. Contributions by Robert Creeley, Jack Kerouac (“The Railroad Earth, Part 1”), Williams Burroughs (“Ordinary Men and Women”), William Eastlake, LeRoi Jones, Hubert Selby, Jr., John Rechy, and others. Uncommon. [BTC #307640] 9 (Anthology). GARRET, George, Desmond O’GRADY, Patrick CREAGH, Sean O CRIADAIN, Ned O’GORMAN, and Robert BAGG. A Reading of New Poems. Rome: American Academy in Rome 1959. First edition. Corners a little bumped, near fine in printed red wrappers. Poetry first presented in a public reading at the American Academy in Rome on May 10, 1959. [BTC #277540] 10 (Anthology). COUZYN, Jeni, edited by. Twelve to Twelve. Poetry D-Day Camden Festival 1970. London: Poets Trust 1970. First edition. Octavo. Wrappers. Fine. Contains poems by Ted Hughes, Stevie Smith, George MacBeth, Peter Redgrove, Adrian Henri, Lee Harwood, Tom Pickard, Michael Hamburger, Edward Lucie-Smith, Seamus Heaney, Jon Silkin, and William Plomer. [BTC #275187] 11 (Anthology). (HUGHES, Ted and others). Moments of Truth: Nineteen Short Poems by Living Poets. London: The Keepsake Press 1965. First edition. Stapled stiff wrappers, with quarter hand- decorated paste-paper overlay. Poetry by George Barker, Martin Bell, John Betjeman, Edwin Brock, Robert Conquest, Gavin Ewart, Roy Fuller, Thom Gunn, Bernard Gutteridge, Francis Hope, Ted Hughes, Edward Lowbury, Kathleen Nott, Peter Porter, Peter Redgrove, James Reeves, Peter Russell, David Wevill, and Hugo Williams. A trifle rubbed at the spine fold, else fine. Each represented poet was given twelve copies, and 100 were offered for sale. This is one of the 100. [BTC #276385] 12 (Anthology). LEVERTON, Denise, edited by. 1968 Peace Calendar & Appointment Book. Out of the War Shadow: An Anthology of Current Poetry. New York: War Registers League 1967. First edition. Spiral bound wrappers. Fine. A compilation of anti-war poetry by many prominent poets including Levertov, Muriel Rukeyser, Galway Kinnell, Robert Bly, Hayden Carruth, Robert Creeley, Robert Duncan, Jim Harrison, John Hollander, Gary Snyder, William Stafford, Louis Zukofsky, and others. [BTC #277656] 13 (Architecture). BAYER, Herbert, Walter GROPIUS, and Ise GROPIUS, edited by. Bauhaus 1919-1928. Boston: Charles T. Branford Company (1952). Second edition. Quarto. A faint stain on the rear board, near fine in very good dustwrapper with a corresponding stain on rear panel and light chipping near the crown. [BTC #303576] 14 (Art). CASTELLI, Leo. Jasper Johns: 35 Years. (New York: Leo Castelli Gallery and Abrams 1993). First edition. Edited by Susan Brundage. Essay by Judith Goldman. Design by Smatt Florence. Quarto. Illustrated spiral-bound boards. As new in publisher’s shrinkwrap. [BTC #309168] 15 ASHBERY, John. April Galleons. New York: Viking Press (1979). First edition. Oblong octavo. Fine in fine dustwrapper. [BTC #99730] 16 —. Can You Hear, Bird. New York: Farrar Straus and Giroux (1995). First edition. Fine in fine dustwrapper with the slightest of rubbing. [BTC #109217] 17 AUDEN, W.H. Secondary Worlds: Essays. New York: Random House (1968). First American edition. Fine in fine dustwrapper. A beautiful copy. [BTC #100124] 18 —. City without Walls and Other Poems. London: Faber and Faber (1969). First edition. Fine in fine dustwrapper. [BTC #102257] 19 —. The Platonic Blow. Washington, DC: Guild Press 1970. First illustrated edition. Stapled illustrated wrappers. Slight rubbing, very near fine. Homoerotic poem illustrated with explicit photographs. [BTC #306607] 20 BALLARD, J.G. Running Wild. (London): Hutchinson (1988). First edition. Fine in fine dustwrapper. Signed by the author. [BTC #306464] 21 —. War Fever. London: Collins 1990. First edition. Fine in fine dustwrapper. [BTC #306402] 22 BANVILLE, John. The Untouchable. (London): Picador (1997). First edition. Fine in fine dustwrapper. Signed by the author. [BTC #307258] 23 BARAKA, Amiri (LeRoi Jones). Am/ Trak. New York: Phoenix Book Shop 1979. First edition. Fine in self-wrappers. One of 100 numbered copies (of a total edition of 126) Signed by the author. [BTC #105913] 24 BARCLAY, Mrs. Hubert. A Dream of Blue Roses. New York: Hodder & Stoughton (1912). First edition. Very nearly fine in cloth with a touch of soiling to the back cover and spine and the endpapers lightly spotted, without dustwrapper as issued. An uncommon romance. [BTC #69684] 25 BARKER, George. The View from a Blind I. London: Faber & Faber (1962). First edition. Fine in fine dustwrapper. Unsigned, but with six lines of poetry in manuscript in the author’s hand on each of pages 10 and 12. [BTC #309146] 26 (Basketball). RILEY, Pat. The Winner Within: A Life Plan for Team Players. New York: G.P. Putnam’s Sons (1993). First trade edition. Fine in fine dustwrapper. Signed by Riley. [BTC #290421] 27 BATES, H.E. Edward Garnett. London: Parrish 1950. First edition. Fine in very good dustwrapper with a faint tidemark at the bottom of the front panel. [BTC #109027] 28 BECKETT, Samuel. Film: Complete Scenario/Illustrations/Production Shots. New York: Grove Press (1969). First edition. Paperback original. Illustrated. Wrappers. Fine. A beautiful copy. [BTC #274069] 29 —. Worstward Ho. New York: Grove Press (1983). First edition. Fine in fine dustwrapper. [BTC #104917] 30 BERRY, Wendell. The Hidden Wound. Boston: Houghton Mifflin Company 1970. First edition. Fine in fine dustwrapper with the slightest of wear. [BTC #308440] 31 BERSSENBRUGGE, Mei-mei. Four Year Old Girl. (Berkeley): Kelsey St. Press 1998. First edition. Oblong octavo. Decorated wrappers. Very near fine.Inscribed by Berssenbrugge to the poet Ray DiPalma.
Load more

Recommended publications
  • The Macdowell Colony Annual Report 2007-2008
    ARCHITECTS | COMPOSERS | FILMMAKERS | INTERDISCIPLINARY ARTISTS | THEATRE | VISUAL ARTISTS | WRITERS MacDowell FREEDOM TO CREATE ANNUAL REPORT April, 2007 through March, 2008 THE The MacDowell Colony nurtures the arts by offering creative individuals of the highest talent an inspiring environment in which to produce enduring MISSION works of the imagination. The Colony was founded in 1907 by American composer Edward MacDowell and Marian MacDowell, his wife. Since its inception, the Colony has supported the work of more than 6,000 women and men of exceptional ability. Situated on 450 acres of woodlands and fields in Peterborough, New Hampshire, the Colony offers 32 studios to artists in seven disciplines. MacDowell is listed in the National Register of Historic Places and is a National Historic Landmark. Works of art conceived, developed, and completed during residencies at the Colony have added immeasurably to our country’s cultural life. In 1997, The MacDowell Colony was awarded the National Medal of Arts for “nurturing and inspiring many of this century’s finest artists.” More than 250 Fellows work at the Colony each year from all parts of the United States and abroad. Anyone may apply. The sole criterion for acceptance is talent as judged by a juried committee in the applicant’s discipline. A Fellowship lasts from two weeks to two months. Accepted artists are given a private studio in which to work as well as room and all meals. There is no fee. The Colony encourages artists from all backgrounds to apply and does not discriminate on the basis of age, race, handicap, sex, religion, sexual orientation, marital status, or national origin.
    [Show full text]
  • Medal Day 2019
    Vol. 48, No. 1, Summer/Fall 2019 IN THIS ISSUE Jackie Sibblies Drury Wins Pulitzer, Orange and Norman Earn Nominations 2 Fellows Accolades in Theatre, plus Arts and Letters Honors 3 Charles Gaines Becomes 60th Edward MacDowell Medalist Before 1,400 5 National Benefit Raises More than Half-a-Million for Programs 10 Architects | Composers | Filmmakers | Interdisciplinary Artists | Theatre Artists | Visual Artists | Writers Medal Day 2019 100 High Street, Peterborough, NH 03458-2485 NH Peterborough, Street, High 100 PETERBOROUGH, NH PETERBOROUGH, PERMIT NO. 55 NO. PERMIT PAID U.S. POSTAGE U.S. NON-PROFIT ORG. NON-PROFIT Playwright Jackie Sibblies Drury Wins Pulitzer Prize Jackie Sibblies Drury (11) whose play Fairview has been earning acclaim since opening Off-Broadway at Soho Repertory Theatre last summer, is the winner of the 2019 Pulitzer Prize for Drama. In making the award, the Pulitzer board called the play “a hard-hitting drama that examines race in a highly conceptual, layered structure, ultimately bringing audiences into the actors’ community to face deep-seated prejudices.” Two other Fellows were finalists for Pulitzer Prizes. Writer Tommy Orange (14, 19) was nominated for the fiction award for his novel There There, and compos- er Andrew Norman (5x 08-14) was nominated for the award in music composi- tion for his orchestral work Sustain. Two Fellows Take LETTER FROM THE DIRECTOR The New York Artists Illuminate Times Notable Home GRAMMYs Our Way Forward We also congratulate two Fellows who took home Book List 2018: GRAMMYs at the beginning of the year. Aaron Jay A few years ago, on my first visit to Pales- Kernis (1989, 1991, 1992) won the Best Contemporary tine, I met a gentleman who told me this In its latest list of the 100 Notable Books of the Classical Composition GRAMMY for his Violin Concerto, story: after years of petitioning the govern- Year, The New York Times included 18 titles by while Steven Lance Ledbetter (1995) was the co-com- ment to allow him to build a home for his MacDowell Fellows.
    [Show full text]
  • 1 LEE FRIEDLANDER Born, 1934, Aberdeen, Washington Lives In
    LEE FRIEDLANDER Born, 1934, Aberdeen, Washington Lives in New City, New York AWARDS & HONORS 2018 Lucie Award for Lifetime Achievement in Photography 2010 Lead Award Gold Medal, MONOPOL Magazine 2006 Lifetime Achievement Award, The International Center of Photography, Infinity Awards 2005 Erna and Victor Hasselblad Foundation International Award in Photography Doctor of Fine Arts, The Art Center School of Design, Pasadena, CA 2004 Doctor of Fine Arts, University of Pennsylvania Doctor of Fine Arts, Yale University 1999 Fellow of the American Academy of Arts and Sciences French Chevalier of the Order of Arts and Letters 1990 John D. and Catherine T. MacArthur Foundation Award 1986 Edward MacDowell Medal 1981 Medal of the City of Paris 1980 National Endowment for the Arts Grant Friends of Photography Peer Award 1979 National Endowment for the Arts Grant 1978 National Endowment for the Arts Grant 1977 National Endowment for the Arts Grant John Simon Guggenheim Memorial Foundation Fellowship Mellon Chair, Rice University 1972 National Endowment for the Arts Grant 1962 John Simon Guggenheim Memorial Foundation Fellowship 1960 John Simon Guggenheim Memorial Foundation Fellowship SELECTED SOLO EXHIBITIONS 2020 Lee Friedlander, Luhring Augustine, New York, NY 2019 Lee Friedlander: Dog’s Best Friend, Andrew Smith Gallery, Tucson, AZ Signs, Fraenkel Gallery, San Francisco, CA 2018 Lee Friedlander / MARIA, Deborah Bell Photographs, New York, NY Lee Friedlander in Louisiana, New Orleans Museum of Art, New Orleans, LA 1 Lee Friedlander: American Musicians,
    [Show full text]
  • LGBTQ+ Artists Represented Int the Performing Arts Special Collections
    LGBTQ+ Artists Represented in the Performing Arts Special Collections in the Library of Congress Music Division Aaron Copland with Samuel Barber and Gian Carlo Menotti, 1945 (Aaron Copland Collection, Box 479 Folder 3) Compiled by Emily Baumgart Archives Processing Technician January 2021 Introduction The artistic community has always had many LGBTQ+ members, including musicians, dancers, choreographers, writers, directors, designers, and other creators. The Music Division holds a wealth of information about these LGBTQ+ artists in its performing arts special collections, which contain musical scores, correspondence, scripts, photographs and other documents of their lives and careers. This survey brings together some of the highlights from these holdings, providing an opportunity to learn more about LGBTQ+ creators and to recognize and celebrate their artistic achievements. The sexual and gender identity of many historical figures has been obscured over time; moreover, it can be difficult to determine how such individuals would identify by today’s terminology, especially when little of their personal life is known. Other figures, however, have disclosed their identity through their private correspondence or other writings. We do not wish to ascribe to any person an identity that they may have disagreed with, but at the same time we recognize that many of the queer community’s accomplishments have been hidden through oppression, prejudice, and forced closeting. By increasing awareness of LGBTQ+ identity in the Music Division’s special collections, we can make relevant primary source materials more readily accessible for students, educators, and scholars to study these creators and their contributions. This survey does not claim to be comprehensive, neither in terms of identifying every LGBTQ+ artist within the Music Division’s special collections nor in terms of identifying every collection in which those artists are represented.
    [Show full text]
  • Merce Cunningham Dance Company Friday and Saturday, February 6–7, 8 Pm, 2004 Zellerbach Hall
    CAL PERFORMANCES PRESENTS Merce Cunningham Dance Company Friday and Saturday, February 6–7, 8 pm, 2004 Zellerbach Hall Dancers Cédric Andrieux Jonah Bokaer Lisa Boudreau Holley Farmer Jennifer Goggans Rashaun Mitchell Koji Mizuta Marcie Munnerlyn Daniel Roberts Daniel Squire Jeannie Steele Derry Swan Robert Swinston Andrea Weber Musicians Loren Kiyoshi Dempster Stuart Dempster Takehisa Kosugi John Shiurba Choreography Merce Cunningham Founding Music Director Assistant to the Choreographer John Cage (1912–1992) Robert Swinston Music Director Executive Director Takehisa Kosugi Jeffrey H. James Trevor Carlson, general manager James Hall, wardrobe supervisor Josh Johnson, lighting director Will Knapp, production manager Andy Russ, music supervisor Eddie Schneller, company manager Jeannie Steele, rehearsal assistant David Vaughan, archivist This performance is made possible with public funds from the National Endowment for the Arts and the New York State Council on the Arts, a state agency. Major support for the Merce Cunningham Dance Company’s 50th Anniversary was provided by the Howard Gilman Foundation, Sage and John Cowles, The Andrew W. Mellon Foundation, and Phyllis Wattis. These performances have been made possible, in part, by members of the Cal Performances Producers Circle. Cal Performances thanks the William and Flora Hewlett Foundation and the Zellerbach Family Foundation for their generous support. Cal Performances receives additional funding from the National Endowment for the Arts, a federal agency that supports the visual, literary, and performing arts to benefit all Americans. C AL PERFORMANCES 1 FRIDAY PROGRAM FRIDAY PROGRAM This dance was begun by processing phrases of movement into DanceForms, the dance computer program I utilize. It continues my interest in dancers dealing with movement complexities.
    [Show full text]
  • David Diamond-Bernard Rogers Correspondence
    DAVID DIAMOND–BERNARD ROGERS CORRESPONDENCE Special Collections 1996.24 RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed in Spring 2006; revised by David Peter Coppen. Subsequently revised by Gail E. Lowther, November 2020 1 TABLE OF CONTENTS Description of Collection 3 Description of Series 5 INVENTORY Series 1: Correspondence 7 2 DESCRIPTION OF COLLECTION Shelf location: M1B 4, 1 Physical extent: 1 linear foot Biographical Sketch David Diamond (1966). Photograph attributed to Pach Bros. From ESPA 36-16 (8x10). The composer David Diamond was born in Rochester, New York on July 9, 1915. He began playing the violin at the age of seven and would often experiment with his own compositions. He did not receive formal musical training, however, until 1927, after his family moved to Cleveland, OH; there, his talent came to the attention of Andre di Ribaupierre, who arranged for the young violinist to study with him at the Cleveland Institute of Music (1928–29). After the Diamond family returned to Rochester, Diamond studied composition with Bernard Rogers at the Eastman School of Music (1930–34) and, thereafter, with Roger Sessions at the New Music School in New York, NY. In 1936, Diamond traveled to Paris, where he studied with Nadia Boulanger. Throughout the 1940s, Diamond’s income was derived primarily from composition, facilitated by numerous grants and awards, including multiple Guggenheim Fellowships (1938, 1941, 1958), the Prix du Rome (1942), a National Academy of Arts and Letters grant (1944), and a commission from the Koussevitzky Foundation (1945, for his Symphony No.
    [Show full text]
  • Jazzflits.Nl
    1 13de JAARGANG, NR. 237 27 APRIL 2015 IN DIT NUMMER: 1 NIEUWS 4 JAZZ OP DE PLAAT Ray Anderson, Pascal Schumacher, Velkro, Peter Beets, WOFO, Silje Nergaard, Rogier Telderman, Wolfgang Hafner, Jakob Bro e.a. 13 JAZZ OP DE PLANKEN I Compani, John Engels, Fred Hersch e.a. EN VERDER: 17 New York Calling (Roos Plaatsman) 18 Bestsellers Jazz Center Den Haag 20 Nominaties JJA Awards 2015 JAZZ FLITS 238 staat 11 MEI op http://www.jazzflits.nl JAZZFLITSEN ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 Han Bennink ‘artist in residence’ ‘DE WERELD DRAAIT DOOR’ MAAKT JAZZSPECIAL van North Sea Jazz Festival 2015 Drummer Han Bennink is ‘artist in resi- dence’ van het North Sea Jazz Festival 2015. Op vrijdag 10 juli speelt Bennink in een trio met pianist Oscar Jan Hoog- land en trompettist Peter Evans. Zater- dag 11 juli treedt hij op met zijn eigen Han Bennink Trio, met daarin klarinettist Joachim Badenhorst en pianist Simon Toldam. Op zondag 12 juli staat Bennink op het podium met het ICP Orchestra. Komende Amsterdam Jazz Festival eert Hans Dulfer Het Amsterdam Jazz Festival staat dit jaar voor een groot deel in het teken van saxofonist Hans Dulfer. Hij viert dit jaar zijn vijfenzeventigste verjaardag. Om Een beeld van de afsluitende sessie in de jazzspecial van ‘De hem te eren presenteert de organisatie Wereld Draait Door’ met vlnr: de saxofonisten Hans Dulfer en een selectie aan artiesten onder de Tini Thomsen, fluitist Ronald Snijders en gitarist Anton Goudsmit. naam ‘Dulfers Choice’. Uiteraard treedt Hans Dulfer zelf ook op. Andere artiesten Het dagelijkse televisieprogramma ‘De Wereld Draait die hun medewerking hebben toegezegd Door’ stond maandag 13 april volledig in het teken van de jazz.
    [Show full text]
  • Composers | Filmmakers | Interdisciplinary Artists
    Vol. 49, No. 1, Summer/Fall 2020 IN THIS ISSUE Modified Reopening Under Way 2 Rosanne Cash Named 61st MacDowell Medalist 3 First Virtual MacDowell Galvanizes Artists 6 Jacqueline Woodson Inspired to Create Residency 8 Architects | Composers | Filmmakers | Interdisciplinary Artists | Theatre Artists | Visual Artists | Writers 100 High Street, Peterborough, NH 03458-2485 NH Peterborough, Street, High 100 NASHUA, NH NASHUA, PERMIT NO. 375 NO. PERMIT PAID U.S. POSTAGE U.S. NON-PROFIT ORG. NON-PROFIT LETTER FROM THE DIRECTOR Doomed to Hope Modified Reopening Under Way "We are doomed to hope, and what is happening today cannot be the end of history" MacDowell reopened its studios to a limited cohort of nine Fellows on October 21 after closing its doors last March Syrian playwright Saadallah Wannous in the face of the COVID-19 pandemic. Resident Director David Macy was guided by Mike Lindberg, M.D., chief medical officer at Monadnock Community Hospital, and Ricardo Nuila, M.D., an internist at Baylor University Medical Center in By any standards, these are challenging Houston and MacDowell Fellow, in developing a comprehensive safety plan that has been adapted to allow for bringing times. And the preceding words by Syrian artists back to the Peterborough program, albeit in a limited manner. playwright Saadallah Wannous, whose death in 1997 was termed “a cultural “We are fortunate that MacDowell’s studios were purpose-built to support the solitary work of artists,” said Macy. “In tragedy,” reverberate decades after they a necessary trade-off to reactivate MacDowell as a sanctuary for artists, we are putting some limitations on the social were composed.
    [Show full text]
  • 10 Pm April 7, 2016 Toni Morrison
    100 High Street Peterborough, New Hampshire 03458 603.924.3886 phone 603.924.9142 fax EMBARGOED FOR RELEASE: 10 PM APRIL 7, 2016 TONI MORRISON TO RECEIVE 2016 EDWARD MACDOWELL MEDAL Nobel and Pulitzer winner joins venerated group of recipients and will be honored at free public event August 14. Peterborough, NH – The MacDowell Colony will award novelist Toni Morrison its 57th Edward MacDowell Medal on Sunday, August 14. MacDowell, one of the nation’s leading contemporary arts centers, has awarded the medal annually since 1960 to an artist who has made an outstanding contribution to American culture. Morrison is a Nobel Prize- and Pulitzer Prize-winning novelist, editor, and professor known for writing novels that explore the American experience through the lenses of race, sex, and power with vast themes, rich dialogue, and finely drawn characters. Among her best known novels are The Bluest Eye, Sula, Song of Solomon, Beloved, and A Mercy. Past Medal recipients include Aaron Copland (1961), Robert Frost (1962), Georgia O’Keeffe (1972), John Updike (1981), Joan Didion (1996), Stephen Sondheim (2013), Betye Saar (2014), and Gunther Schuller (2015). “If any writer could be called our nation’s conscience, that writer would be Toni Morrison,” said best-selling author Dave Eggers, chair of the Edward MacDowell Medal Selection Panel, and editor and founder of the literary publishing house McSweeney’s. “And though she was recognized with the Nobel Prize in 1993, since then she has continued to produce novels of astonishing power and beauty. She
    [Show full text]
  • The Macdowell Colony Newsletter Is Residency
    Vol. 34, No. 2, Winter 2005 100 High Street Peterborough, NH 03458 The MacDowell ColonyNewsletter Postscript, 24 Spotlight, 15 2005 Medal Day A Tribute to David Diamond • The New Hampshire Benefit Spotlight on the Tonys, the National Book Awards, and more! Open Studio, 23 Letter from the Director The MacDowell Mission: The Arts Have Value The MacDowell Colony nurtures the arts by offering creative individu- als of the highest talent an inspiring always look forward to the Winter issue of the newsletter because it reminds me of Medal environment in which they can produce enduring works of imagination. The I Day and how much fun it was. We hope you enjoy reading the keynote speeches by Colony was founded in 1907 by com- composer David Lang and sculptor Richard Serra — both provide insight into what it is poser Edward MacDowell and Marian about composer Steve Reich that won him the Edward MacDowell Medal. MacDowell, his wife. Fellows receive room, board, and exclusive use of a Whether it be through awarding the MacDowell Medal or a MacDowell residency, studio. The sole criterion for acceptance recognition of the value of artists to American culture is at the core of what we do. We take is talent, as determined by a panel rep- resenting the discipline of the applicant. very seriously our eloquently stated mandate from 1907: “to promote the arts …encourage The MacDowell Colony was awarded study, research, and production in all branches of art; to develop a sympathetic understand- the National Medal of Arts in 1997 for “nurturing and inspiring many of this ing of their correlation and appreciation of their value; and to broaden their influence.” century’s finest artists.” Applications are Medal Day combines all of these elements in an extraordi- available from either the New Hamp- nary way with public recognition for outstanding work and shire or New York addresses below, or at our Web site: visits to artist studios.
    [Show full text]
  • ISAMU NOGUCHI Education Solo Exhibitions
    ISAMU NOGUCHI 1904 Born November 17, Los Angeles 1988 Died December 30, New York Education 1923–26 Columbia University, New York 1924 Leonardo da Vinci Art School, New York Solo Exhibitions 2021 ‘Isamu Noguchi: Ways of Discovery’, Tokyo Metropolitan Art Museum, Japan 2020 ‘The Sculptor and the Ashtray’, Noguchi Museum, New York ‘Compositions for Idlewild Airport’, Noguchi Museum, New York ‘Cutting Edge: Isamu Noguchi’s Aluminum Monolith Sesshu 1958’, Wadsworth Atheneum Museum of Art, Hartford, Connecticut 2019 ‘Noguchi: Body-Space Devices’, Noguchi Museum, New York ‘In Search of Contoured Playground’, Noguchi Museum, New York ‘Models for Spaces’, Noguchi Museum, New York ‘Unfolding Noguchi’, Cameron Art Museum, Wilmington, North Carolina 2018 ‘Beyond the Pedestal: Isamu Noguchi and the Borders of Sculpture’, Portland Museum of Art, Maine ‘Akari: Sculpture by Other Means’, Noguchi Museum, New York ‘Isamu Noguchi: Inside and Out’, SFO Museum, San Francisco International Airport, California 2017 ‘Isamu Noguchi: From Sculpture to Body and Garden’, Oita Prefectural Art Museum, Japan; The Kagawa Museum, Takamatsu, Japan; Tokyo Opera City Art Gallery, Japan ‘Waiting Room: Noguchi/Stadler’, Collective Design Fair, New York ‘Self-Interned, 1942: Noguchi in Poston War Relocation Center’, Noguchi Museum, New York ‘Noguchi’s Playscapes’, San Francisco Museum of Modern Art, California ‘Birth and Death’, Noguchi Museum, New York 2016 ‘Isamu Noguchi: Archaic/Modern’, Smithsonian American Art Museum, Washington, D.C. ‘Noguchi’s Playscapes (Los Parques
    [Show full text]
  • Roger Sessions, Composer and Teacher: a Comparative Analysis of Roger Sessions' Philosophy of Educating Composers and His Approach to Composition in Symphonies No
    ROGER SESSIONS, COMPOSER AND TEACHER: A COMPARATIVE ANALYSIS OF ROGER SESSIONS' PHILOSOPHY OF EDUCATING COMPOSERS AND HIS APPROACH TO COMPOSITION IN SYMPHONIES NO. 2 AND 8 BY STEVEN MORTON KRESS A DISSERTATION PRESENTED TO THE GRADi/aTE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1982 Copyright 1982 by Steven Morton Kress I '-f—3-- . ACKNOWLEDGEMENTS :>' H This paper represents the efforts of more people than simply the myself. While it is impossible to mention them I all , I would like to extend my great appreciation to those who make the research and writing much easier. ^ First, I would like to thank my committee whose S guidance helped me come to a greater understanding of the subject matter and a greater appreciation of what goes into a work of this magnitude. Thanks also go to G. Schirmer, Inc., who gave permission to reprint excerpts of Sessions' Symphony No. 2 and to Edward B. Marks Music Corporation who gave the same permission for Sessions' Symphony No . 8 . To Roger Sessions, who gave of his time for an interview and answered all my correspondence, I give my undying gratitude. In the beginning steps of my research, questionnaires were sent to several of Sessions' former students. I would like to thank Milton Babbitt and David Diamond for their informative and helpful letters in answer to these questionnaires Thanks go to Don Carlson who gave of his time to help with logistics by moving furniture to house the typing equipment Ill .
    [Show full text]