Annual Report YEAR ENDING DECEMBER 2018
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March 12, 2018, Newsletter
Barnard College Office of Institutional Funding March 12, 2018 Grant Opportunities & News You Can Use Hello Faculty, For a little spring break reading, here’s the latest Grants Opportunities Newsletter. In this issue, we look at Grand Challenges and try to glean the difference between it and the Bill and Melinda Gates Foundation. Also, don't miss Sage Advice for tips on all things grant and research related. As always, we also profile several opportunities with deadlines coming up in April and May, from research fellowships in Australia to several grants from the Russell Sage Foundation to the ever-present National Science Foundation and National Institutes of Health. The latter two have news as well. Inside this issue Featured Funder ............................... 2 Beginning on page nine, we list deadlines coming up over the next six Sage Advice for Competitive Proposals months. For the planners among you, we keep a Grants Calendar with the ......................................................... 3 entire year’s worth of opportunities on the Barnard website at External Grants and Fellowships Grant Opportunities. We update it regularly, as we collect more General Interest ............................... 4 opportunities and retired ones go offline. Arts & Humanities ........................... 4 Education.......................................... 5 For internal grants, the last deadline for this academic year is March 27th, Social Sciences .................................. 5 when applications are due for Barnard Faculty Research Grants and Fund STEM ................................................ 6 for Innovation in Teaching Grants. For more information, visit the Internal News ............................................... 8 Grants & Support page. Deadline Reminders General Interest ............................... 9 If you would like assistance in finding grants for your upcoming research, Arts & Humanities ............................ 10 please contact Kari Steeves. -
Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
Press Release (PDF)
G A G O S I A N G A L L E R Y August 29, 2016 The critic and curator Philip Rawson, an eloquent guide to the means and methods of drawing over the ages, points out that until the Italian Quattrocento, no European sculptor was supposed to be able to draw. In the medieval period, only those sculptors who also worked in two dimensions drew habitually; any other sculptor who needed, say, to show a client a proposed design hired a draftsman to make one. And when sculptors began to make drawings (for their own use or to guide assistants), they tended to do so without thinking of the format of the paper as a frame to which the image should relate. Instead, the image was generally treated as an independent motif, composed of mutually related units and placed anywhere on the sheet. In this approach, the space of the paper outside the image was not incorporated into the design but functioned like the open, empty space around actual sculptures. ... In contrast, Rawson observes, painters' drawings have tended to treat the usually rectangular format of the paper as a frame to which the image content relates. —John Elderfield Gagosian Gallery is pleased to present “Plane.Site,” a cross-generational exhibition of modern and contemporary artists organized by Sam Orlofsky to inaugurate the San Francisco gallery. (Continue to page2) 6 5 7 H O W A R D S T R E E T S A N F R A N C I S C O C A 9 4 1 0 5 T . -
Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
Why Immigrant Entrepreneurs Are Driving the New Economy Immigrant, Inc
Herman Herman (continued from front fl ap) Smith $29.95 USA/$35.95 CAN Praise for Richard T. Herman Robert L. Smith With personal stories of immigrant journeys, the authors reveal the passions motivating America’s Immigrant, Inc. immigrant achievers, their success strategies, Immigrant, Inc. and their power to revive communities and Why Immigrant Entrepreneurs Are Driving the New Economy Immigrant, create new industries. (and how they will save the American worker) he question of what to do about illegal Both a revelation and a call-to-action, Immigrant, immigration stokes enough emotion and Inc. reveals how you can join the new age of “. well researched, wonderfully written, “A rare and insightful look into the culture of controversy to silence civil discussion. Lost innovation—by thinking and acting like an T and a fun, fast read. Like The Millionaire Next immigrant entrepreneurship. Written with in the contentious debate over immigration immigrant. Door (by Stanley & Danko), Robert Smith and love, sensitivity, and the promise of what reform, tragically, has been the impact of legal Immigrant, Inc. is a book that will forever Richard Herman wowed readers with stories immigrants contribute to our great American Immigrant, immigrants and their remarkable success in change the way you look at immigrants ...and of extraordinary people doing extraordinary society.” the New Economy. The companies founded by —Alex Machaskee, former publisher and CEO, America. things, and in the process, they are also immigrants stand as icons of the era: Google, creating a more diverse, vibrant and colorful The Plain Dealer, Chairman of International America. A page turner—I couldn’t put it Orthodox Christian Charities Intel, Yahoo, Hotmail, Sun Microsystems, YouTube, and eBay. -
MEREDITH MONK and ANN HAMILTON: Aaron Copland Fund for Music, Inc
The House Foundation for the Arts, Inc. | 260 West Broadway, Suite 2, New York, NY 10013 | Tel: 212.904.1330 Fax: 212.904.1305 | Email: [email protected] Web: www.meredithmonk.org Incorporated in 1971, The House Foundation for the Arts provides production and management services for Meredith Monk, Meredith Monk & Vocal Ensemble, and The House Company. Meredith Monk, Artistic Director • Olivia Georgia, Executive Director • Amanda Cooper, Company Manager • Melissa Sandor, Development Consultant • Jahna Balk, Development Associate • Peter Sciscioli, Assistant Manager • Jeremy Thal, Bookkeeper Press representative: Ellen Jacobs Associates | Tel: 212.245.5100 • Fax: 212.397.1102 Exclusive U.S. Tour Representation: Rena Shagan Associates, Inc. | Tel: 212.873.9700 • Fax: 212.873.1708 • www.shaganarts.com International Booking: Thérèse Barbanel, Artsceniques | [email protected] impermanence(recorded on ECM New Series) and other Meredith Monk & Vocal Ensemble albums are available at www.meredithmonk.org MEREDITH MONK/The House Foundation for the Arts Board of Trustees: Linda Golding, Chair and President • Meredith Monk, Artistic Director • Arbie R. Thalacker, Treasurer • Linda R. Safran • Haruno Arai, Secretary • Barbara G. Sahlman • Cathy Appel • Carol Schuster • Robert Grimm • Gail Sinai • Sali Ann Kriegsman • Frederieke Sanders Taylor • Micki Wesson, President Emerita MEREDITH MONK/The House Foundation for the Arts is made possible, in part, with public and private funds from: MEREDITH MONK AND ANN HAMILTON: Aaron Copland Fund for -
A Major New Awards Program Honors American Visionaries and Innovators
For Immediate Release December 20, 2005 Press Contact: Rick Kinsel, (212) 472-4720 or [email protected] A MAJOR NEW AWARDS PROGRAM HONORS AMERICAN VISIONARIES AND INNOVATORS NEW YORK, NY —- Today Jan T. Vilcek and Marica F. Vilcek, co-founders of The Vilcek Foundation, announced the creation of a major new annual awards program designed to honor foreign-born Americans who have made extraordinary contributions to society in the arts and biomedical research since immigrating to these shores. Accompanied by a $50,000 cash award and a commemorative object created by noted designer Stefan Sagmeister, The Vilcek Prize is the only national award to honor outstanding creative achievement by new Americans. The first Vilcek Prizes will be bestowed on Tuesday, March 21, 2006, in a gala ceremony at the Mandarin Oriental on Columbus Circle in New York. Special guests include Dr. Harold E. Varmus, President and Chief Executive Officer of the Memorial Sloan-Kettering Cancer Center, who will deliver a keynote address, and Agnes Gund, President Emerita of The Museum of Modern Art. Dr. Vilcek, a professor and research scientist at the New York University School of Medicine, and Mrs. Vilcek, an art historian, established The Vilcek Foundation in 2000. During its first years, the Foundation focused mainly on the support of research in the field of autoimmune diseases. In 2005 The Vilcek Foundation added a new focus—celebrating the achievements of foreign-born individuals living permanently in the U.S.—as a way of to honor innovation in their respective fields and show appreciation for the opportunities they received as newcomers to the United States. -
Freedom to Create. How the Oldest Artist Residency Program in the Country Brought Its Image Into the 21St Century
BERNHARDT FUDYMA DESIGN GROUP Thinking about brands in transition. Freedom to create. How the oldest artist residency program in the country brought its image into the 21st century. © 2009 BERNHARDT FUDYMA DESIGN GROUP www.bfdg.com CoNTExT CELEBRATING 100 YEARS In 2007 The MacDowell Colony marked its centennial as the country’s first artist residency program. Since its founding MacDowell has awarded thousands of Fellowships, ranging from two weeks to two months, to artists of exceptional talent. Many Colony Fellows have become pivotal figures in American culture, their works among our treasured icons.* To help commemorate this milestone and underscore the influence it continues to exert on the arts and culture, MacDowell chose the Bernhardt Fudyma Design Group to create a distinctive new imprimatur that would invigorate the look of the Colony’s many communication materials and present a more contemporary and dynamic depiction of the organization and its mission for the centennial year - and beyond. A National Historic Landmark and listed on the National Register of Historic Places, the Colony is open to the public only one day a year for the presentation of the Edward MacDowell Medal. * The following are a few of the artists and the projects they worked on at the Colony: James Baldwin Giovanni’s Room • Leonard Bernstein Mass • Aaron Copland Billy the Kid • E.L. Doctorow Billy Bathgate Spalding Gray Impossible Vacation • Benny Andrews various paintings • DuBose and Dorothy Heyward Porgy and Bess Oscar Hijuelos The Mambo Kings Play Songs of Love • Alice Sebold The Lovely Bones • Studs Terkel Division Street Wendy Wasserstein Third • Thornton Wilder Our Town © 2009 BERNHARDT FUDYMA DESIGN GROUP www.bfdg.com CoNTExT THE SITUATIoN Previously, the MacDowell Colony used different staff members and outside design consultants to produce their various materials when the need arose. -
The Vilcek Foundation Awards $250,000 in Prizes to Immigrant Scientists Vishva M
Contact Elizabeth Boylan The Vilcek Foundation 212-472-2500 FOR IMMEDIATE RELEASE [email protected] The Vilcek Foundation awards $250,000 in prizes to immigrant scientists Vishva M. Dixit, Markita del Carpio Landry, Hani Goodarzi, and Harris Wang receive 2022 Vilcek Foundation Prizes in Biomedical Science NEW YORK, September 7, 2021—The Vilcek Foundation announces the recipients of the 2022 Vilcek Foundation Prizes in Biomedical Science, totaling $250,000. Awarded annually, the prizes honor the contributions of foreign-born scientists to scientific research, discovery, and innovation in the United States. “Scientists from around the globe have long been drawn to work in the United States due to the opportunities that exist in research science here: Scientists are free to pursue funding for work that they are passionate about, and encouraged to collaborate across institutions in the pursuit of their research goals,” said Vilcek Foundation Chairman and CEO Jan Vilcek. “Immigrants are a vital part of the scientific community in the United States; their contributions have helped establish and maintain the United States’ primacy in biomedical science and research.” In 2022, the Vilcek Foundation is awarding four prizes in biomedical science. The Vilcek Prize in Biomedical Science includes a cash award of $100,000. Three additional prizes—the Vilcek Prizes for Creative Promise in Biomedical Science—each includes a cash award of $50,000. The Vilcek Prize in Biomedical Science The Vilcek Prize in Biomedical Science recognizes an immigrant scientist for outstanding career contributions to biomedical science with a global impact. The recipient of the 2022 Vilcek Prize in Biomedical Science is Vishva M. -
20-A Richard Diebenkorn, Cityscape I, 1963
RICHARD DIEBENKORN [1922–1993] 20a Cityscape I, 1963 Although often derided by those who embraced the native ten- no human figure in this painting. But like it, Cityscape I compels dency toward realism, abstract painting was avidly pursued by us to think about man’s effect on the natural world. Diebenkorn artists after World War II. In the hands of talented painters such leaves us with an impression of a landscape that has been as Jackson Pollack, Robert Motherwell, and Richard Diebenkorn, civilized — but only in part. abstract art displayed a robust energy and creative dynamism Cityscape I’s large canvas has a composition organized by geo- that was equal to America’s emergence as the new major metric planes of colored rectangles and stripes. Colorful, boxy player on the international stage. Unlike the art produced under houses run along a strip of road that divides the two sides of the fascist or communist regimes, which tended to be ideological painting: a man-made environment to the left, and open, pre- and narrowly didactic, abstract art focused on art itself and the sumably undeveloped, land to the right. This road, which travels pleasure of its creation. Richard Diebenkorn was a painter who almost from the bottom of the picture to the top, should allow moved from abstraction to figurative painting and then back the viewer to scan the painting quickly, but Diebenkorn has used again. If his work has any theme it is the light and atmosphere some artistic devices to make the journey a reflective one. of the West Coast. -
33 Years FREE but Not Cheap
faLL 2012 33 Years FREE but not cheap Hay Bale Feeder Diana Suttenfield 2 Issue 134 Vol. XXXIV, No. 3 Established May 1979 Now on the Web! Contents www.shepherdstowngoodnewspaper.org PUBLISHER Shepherdstown Ministerial Association see ARTWORKS in color! Fall 2012 EXECUTIVE EDITOR Randall W. Tremba Essays, Art & Poetry EDITORS 3 Song of Peace for 9/11. By Randall Tremba Nan Broadhurst Libby Howard 9 Freedom’s Defining Moment. By Dan Vermilya and Keith Snyder Sue Kennedy Mark Madison Wendy Mopsik 11–13 ARTWORKS Fran Skiles. By Nan Broadhurst Sarah Soltow Claire Stuart 14 POETRY Shepherdstown 250th Anthology Ed Zahniser 16 Thomas Shepherd Walks at Midnight. By Georgia Lee McElhaney PRE-PRODUCTION EDITOR Libby Howard 17 EARTHBEAT “Earth Beatles.” By Mark Madison SENIOR DESIGNER 20 Hunger and Other Games for Children. By Sarah Soltow Melinda Schmitt DIGITAL IMAGE EDITOR People, Places & Things Nan Doss PHOTOGRAPHER 4 The Making of an Orchestra. By Wendy Mopsik Jessie Schmitt 5 Jay Hurley. By Sue Kennedy TYPISTS Kathy Reid 6 Pronunciator. By Sarah Soltow COPY EDITORS 7 The Joy Line Railroad. By Todd Cotgreave Rie Wilson Claire Stuart 8 Exploring the Spaces Between Fact and Fiction. By Stephen Willingham PROOFREADERS 10 England—Seen Through Raindrops. By Claire Stuart Betty Lou Bryant John Foxen 15 Georgia Lee McElhaney. By Margaret Demer DISTRIBUTION 18 Marker Dedication, Bee Line March. John E. Stealey III Lex Miller TREASURER 19 Driving Marvin Hamlisch. By Mike Henderson Alex Shaw DESIGN & LAYOUT Faith, Hope & Charity Brandon Cornwell, HBP, -
Marian Macdowell Papers
Marian MacDowell Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 1996 Revised 2010 March Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms998022 LC Online Catalog record: http://lccn.loc.gov/mm74049809 Prepared by Beverly W. Brannan Revised by John R. Monagle Collection Summary Title: Marian MacDowell Papers Span Dates: 1876-1969 Bulk Dates: (bulk 1908-1938) ID No.: MSS49809 Creator: MacDowell, Marian, 1857-1956 Extent: 2000 items ; 10 containers ; 3.8 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Correspondence, manuscripts of writings, clippings and other printed material, memorabilia, and other papers relating primarily to Marian MacDowell's activities with the MacDowell Colony, the artist colony in Peterborough, N.H., established to honor her husband, Edward MacDowell. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Brooks, Van Wyck, 1886-1963--Correspondence. Copland, Aaron, 1900-1990--Correspondence. Dreiser, Theodore, 1871-1945--Correspondence. French, Daniel Chester, 1850-1931--Correspondence. Garland, Hamlin, 1860-1940--Correspondence. Guglielmi, O. Louis (Osvaldo Louis), 1906-1956--Correspondence. Hagedorn, Hermann, 1882-1964--Correspondence. Heyward, DuBose, 1885-1940--Correspondence. MacDowell, Edward, 1860-1908. Edward MacDowell papers. MacDowell, Marian, 1857-1956. MacLeish, Archibald, 1892-1982--Correspondence. Richardson, Nina Maud.