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2015: the End(S) of Electronic Literature 2015: The End(s) of Electronic Literature 2015: The End(s) of Electronic Literature Electronic Literature Organization Conference Program and Festival Catalog Editors: Anne Karhio, Lucas Ramada Prieto, Scott Rettberg ELMCIP, University of Bergen Dept. of Linguistic, Literary, and Aesthetic Studies, P.O. Box 7805, University of Bergen, 5020 Bergen, Norway. Published in 2015 by ELMCIP with the support of the Irish Research Council and the European Commission. This work ELO 2015: The End(s) of Electronic Literature is licensed under a Creative Commons Attribution-NonCommercial 4.0 International Public License (CC-BY-NC 4.0). ISBN-13 ELO 2015: The End(s) of Electronic Literature (pbk)—ISBN 978-82-999089-6-2 (EPUB)—ISBN 978-82-999089-7-9 (PDF)—ISBN 978-82-999089-8-6 Printed in Ireland at National University of Ireland Galway. Cover and ELO 2015 identity by Talan Memmott. iv Contents Introduction: The End(s) of Electronic Literature Scott Rettberg (University of Bergen) 1 ELO 2015 Conference Organizations Committee Membership 6 ELO 2015 Conference Schedule Events by date and time 8 Keynote Debate: End over End Espen Aarseth and Stuart Moulthrop 17 WORKSHOPS 19 History of Digital Poetry in France Conveners: Philippe Bootz (Université Paris 8) and Johnathan Baillehache (University of Georgia) 21 Multimedia Authoring in Scalar Convener: Samantha Gorman (University of Southern California) 21 Sonic Sculpture Convener: Taras Mashtalir (Independent) 21 Documenting Events and Works in the ELMCIP Electronic Literature Knowledge Base Conveners: Scott Rettberg, Álvaro Seiça and Patricia Tomaszek (University of Bergen) 22 Live Writing Convener: Otso Huopaniemi (University of Arts, Helsinki) 23 Digital Scherenschnitte / Video Compositing with Cut-ups and Collage Conveners: Alison Aune and Joellyn Rock (University of Minnesota— Duluth) 23 Revisiting the Spam Folder: Using 419-fiction for Interactive Storytelling. A Practical Introduction. Conveners: Linda Kronman (Danube University Krems) and Andreas Zingerle (University of Art and Industrial Design, Linz) 24 ROUNDTABLE DISCUSSIONS 27 Intermediality and Electronic Literature John Barber (Washington State University Vancouver), Caitlin Fisher (York University), Samantha Gorman (USC) and Dene Grigar (Washington State University Vancouver) 29 Beyond the Screens: Transmediality in E-literature Domingo Sánchez-Mesa (University of Granada), Nieves Rosendo v Sánchez (University of Granada) and Rui Torres (University Fernando Pessoa) 29 Archiving Roundtable Leonardo Flores (University of Puerto Rico), Marjorie C. Luesebrink (ELO), Stephanie Strickland (ELO) and Rui Torres (University Fernando Pessoa) 30 Curating and Creating Electronic Works in Arts Contexts Rod Coover (Temple University), Sandy Baldwin (West Virgina University), Dene Grigar (Washington State University Vancouver) and Mia Zamora (Kean University) 31 CELL ROUNDTABLE—The Consortium for Electronic Literature Sandy Baldwin (West Virginia University), Maria Angel (University of Western Sydney), Leonardo Flores (University of Puerto Rico), Anna Gibbs (University of Western Sydney), María Goicoechea (Complutense University of Madrid), Robert Kalman (University of Siegen), Eric Dean Rasmussen (University of Stavanger), Johannah Rodgers (The City University of New York), Patricia Tomaszek (University of Bergen) and Rui Torres (University Fernando Pessoa) 31 LIGHTNING TALKS 33 E-Lit and the Borg: The Challenges of Mainstreaming and Commercialization Steven Wingate (South Dakota State University) 35 Time Capsules for True Digital Natives Leonardo Flores (University of Puerto Rico) 35 The Feminist Ends of Electronic Literature Xiana Sotelo (Francisco de Vitoria University of Madrid) 36 Bad Data for a Broken World Mark Sample (Davidson College) 36 Translating E-poetry: Still Avant-Garde José Molina (University of Tuebingen) 36 101 Mediapoetry Lab Natalia Fedorova and Daria Petrova (Saint Petersburg State University) 37 Turesias (Odds of Ends) Judd Morrissey (School of the Art Institute Chicago) 37 Post Digital Interactive Poetry: The End of Electronic Interfaces José Aburto (Independent) 38 Measure for Measure: Moving from Narratives to Timelines in Social Media Networking vi Andrew Klobucar (New Jersey Institute of Technology) 38 The End of Endings David Clark (NSCAD University) 39 ‘HAPPINESS FOR EVERYBODY, FREE, AND NO ONE WILL GO AWAY UNSATISFIED!’ -new developments in the CaveWriting Hypertext Editing System Damon Baker (Independent) 39 RESEARCH PAPERS AND PANELS 41 Motions in Digital Young Adult Literature Ayoe Quist Henkel (Aarhus University) 43 Hypermediacy in Garmanns Sommer Kristin Ørjasæter (The Norwegian Institute for Children’s Books) 44 Ture Schwebs (Bergen University College) 45 Remediating a Hyperfiction in ePub3: When Digital Literature Meets Publishing Models - The Case of Children’s Literature with The Tower of Jezik Nolwenn Tréhondart and Émilie Barbier (Université Paris 8) 46 Reading Apps: An Exploratory Research on Children’s E-lit Reading Profiles Lucas Ramada Prieto (Universitat Autònoma de Barcelona) 47 Between Paper and Touchscreen: Building the Bridge with Children’s Book Kamil Kamysz (Jan Matejko Academy of Fine Arts in Krakow, Faculty of Industrial Design) and Marcin Wichrowski (Polish-Japanese Academy of Information Technology) 48 To Teach Reading by Playing (with) the Literary Wor(l)d: On Kid E-literature and Literacy Agnieszka Przybyszewski (University of Lodz) 49 Digital Artists’ Books and Augmented Fictions: A New Field in Digital Literature? Lucile Haute (EnsadLab), Alexandra Saemmer (Université Paris 8), Aurelie Herbet (Université Paris 1), Emeline Brulé (TélécomParistech, Codesign Lab / Ensadlab) and Nolwen Tréhondart (Université Paris 8) 51 Literary Interaction in the Age of the Post-Digital Søren Bro Pold, Christian Ulrik Andersen and Jonas Fritsch (Aarhus University) 53 Touch and Decay: Tomasula’s TOC on iOS Kathi Inman Berens (Portland State University) 54 vii Jailbreaking the Global Mnemotechnical System: Electropoetics as Resistance Davin Heckman (Winona State University) 56 Keleti Blokk Blokki Facebook Game as an Example of Non-fiction Literary Flash Kaja Puto (Korporacja Ha!art) and Martyna Nowicka (Jagiellonian University) 57 Protest Bots Mark Sample (Davidson College) 58 “Learn to taste the tea on both sides”: AR, Digital Ekphrasis, and a Future for Electronic Literature Robert Fletcher (West Chester University) 58 Conditions of Presence: The Topology of Network Narratives David M. Meurer (York University) 60 Narrative Theory after Electronic Literature Daniel Punday (Purdue University Calumet) 61 Eric Dean Rasmussen: Narrative, Affect and Materialist Aesthetics in Post-Digital Technotexts Eric Dean Rasmussen (University of Stavanger) 62 Sandy Baldwin: Literary Spamming in Games: Coal Dust in Lord of the Rings Online and Endgame in Counter-Strike Sandy Baldwin (West Virginia University) 63 Rob Wittig: Jokes, Prompts and Models: Engaging Player Collaboration in Netprov Rob Wittig (University of Minnesota—Duluth) 64 Mark Marino: A Workbench for Analyzing Electronic Literature Mark Marino (University of Southern California) 64 Imagination, Eventhood, and the Literary Absolute Proposed Panel 65 The Literary “Event” in Electronic Literature Mario Aquilina (Univeristy of Malta) 66 The Literary Absolute: Can It Go Electronic? Ivan Callus (University of Malta) 67 Games, Literature and Imagination Gordon Calleja (University of Malta) 68 A Stitch in Twine: Platform Studies and Porting Patchwork Girl Jim Brown (Rutgers University—Camden) 70 Can We Define Electronic Literature Such as Authoring Tool Literature? Odile Farge (Université Paris 8) 71 viii Alex Mitchell and Tiffany Neo: Beneath the Surface: System Representation and Reader Reception in Electronic Literature Alex Mitchell and Tiffany Neo (National University of Singapore) 72 The Interactive Character as a Black Box Christine Wilks (Bath Spa University) 73 Electronic Literature and the Public Literary Stuart Moulthrop (University of Wisconsin-Milwaukee) 74 We Interrupt for This Breaking Story Rob Wittig (University of Minnesota-Duluth) 76 Publishing without a Publisher’s Peritext: Electronic Literature, the Web, and Paratextual Integrity Patricia Tomaszek (University of Bergen) 76 The Electronic Literature, How, When, Where Lello Masucci and Roberta Iadevaia (Atelier Multimediale) 77 The Myth of the End of a Myth Philippe Bootz (Université Paris 8) 78 E-literary Diaspora—The Story of a Young Scholar’s Journey from Writing to Faces Mette-Marie Zacher Sørensen (University of Copenhagen) 79 Latin American Electronic Literature and Its Own Ends Claudia Kozak (Universidad de Buenos Aires / CONICET) 80 Interaction Between Art and Literature in Arab Digital Poetry and the Issue of Criticism Eman Younis (Beit Berl College) 81 Sankofa, Or Looking Back While Moving Forward: An African Case for E-Lit Kwabena Opoku-Agyemang (West Virginia University) 82 Simon Biggs: A Language Apparatus Simon Biggs (University of South Australia) 83 Aurature and the End(s) of Electronic Literature John Cayley (Brown University) 84 The Many Ends of Network Fictions: Gamebooks, Hypertexts, Visual Novels, Games and Beyond Jeremy Douglass (UC Santa Barbara) 85 “‘Till Algebra is Easier —”: Elements of Computation in the Poems of Emily Dickinson Angus Forbes (University of Illinois at Chicago) 86 Reading, Seeing, and Sensing: The Internet of Things Makes Literature Elizabeth Losh (UC San Diego) 87 ix Data Visualization Poetics Maria Mencia (Kingston University) 88 The S.I.C. Method
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