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A Historical Study of Mental Health Programming in Commercial and Public Television from 1975 to 1980
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1985 A Historical Study of Mental Health Programming in Commercial and Public Television from 1975 to 1980 Jan Jones Sarpa Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Education Commons Recommended Citation Sarpa, Jan Jones, "A Historical Study of Mental Health Programming in Commercial and Public Television from 1975 to 1980" (1985). Dissertations. 2361. https://ecommons.luc.edu/luc_diss/2361 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1985 Jan Jones Sarpa A HISTORICAL STUDY OF MENTAL HEALTH PROGRAMMING IN COMMERCIAL AND PUBLIC TELEVISION FROM 1975 TO 1980 by Jan Jones Sarpa A Dissertation Submitted to the Faculty of the Graduate School of L~yola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Education January 1985 Jan Jones Sarpa Loyola University of Chicago A HISTORICAL STUDY OF MENTAL HEALTH PROGRAMMING IN COMMERCIAL AND PUBLIC TELEVISION FROM 1975 TO 1980 There has been little to no research on the subject of mental health programming on television. This dissertation was undertaken to help alleviate this void and to discover trends and answer questions about such programming. The medium of television was researched specifically due to its access (98 percent of all U.S. -
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M V 7>DB4>540AC7)Get a chic blueprint with no carbon footprint | 8]bXST A PUBLICATION OF | P L A N Y O U R N I G H T A T W W W. E X P R E S S N I G H T O U T. C O M | OCTOBER 3-5, 2008 | -- 5A44++ Weekend C74A>03F0AA8>AB --;Pbc]XVWc½bSTQPcTT]STSPUcTa C74A43B:8=B4G?42C0C>D675867C8=?78;;Hk ! 4g_aTbb½STPS[X]T5X]SX]ST_cW R^eTaPVTPcfPbWX]Vc^]_^bcR^\ <R2PX] 2^]RTSTb CHRIS O’MEARA/AP Evan Longoria hit two home runs in the Rays’ win. <XRWXVP] APhbA^[[)Longoria powers Losing ground, Republican Tampa to first playoff win | # writes off battleground state F0B78=6C>=k Republican presidential can- ATbRdT4UU^ac) Push to get didate John McCain conceded battleground Michigan to the Democrats on Thursday, GOP bailout passed gains steam | " officials said, a major retreat as he struggles to regain his footing in a campaign increas- 5^bbTcc2[dTb) Wreckage of ingly dominated by economic issues. These officials said McCain was pulling adventurer’s plane found | # staff and advertising out of the economically distressed Midwestern state. With 17 elec- 4=C4AC08=<4=C toral votes, Michigan voted for Democrat John Kerry in 2004, but Republicans had poured money into an effort to try to place it in their column this year. ?[PhX]V=XRT) The decision allows McCain’s resources Michael Cera acts to be sent to Ohio, Wisconsin, Florida and other more competitive states. But it also sweetly awk- means Obama can shift money to other ward .. -
Rm a N W I N N E Rs I N Primary
Thursday, Jjjna V, -Judges luTstercoordinatod r HQMBOWNERSl for [rvjrigton s : post at UC goes Judge* have been announced for the State GET UP TO 10,0Q0 Outdoor Art' Show'to be held in Irvlngton from in case or at June ^€fe«ss Nighf 9:30 u »>. to 6 p.m. Sunday. {Jain date is June - - •.' .CALL FRAW CUPKLA -rununm."" to Mrs, Krementz ': call •'.' . _, ... ,». ... ,;._-. _ ^ ..Union College will recognize'outstanding . the College ,ahd the community, will be 18. Burbara Guggenheim, and- Ray Ellis., will NO FEES NO CLOSING CQSTS The appointment ofJWrs. WaTtidirr Krefflefflz _menibers of its 1972 'grTduattng class' at 'frs—awarded at-0tass NightasTveihas scholarships select tjie winners in oils, watercolors, mixed W1400 for Police Doparlriient of Short Hills as-nuTsTRg-coordinator for Union:Z^mma\ class Night ceremonies on Kriday fro" m industrial, civic and• colleg- e sources. ' . media, graphics andTculptureT" NO MIDDEN CHARGES or First'Aid Squad ..College was ann.pune.fed (his week by Dr, evening. June 9, il was announced this week by ThoUwu. top awards, the Aluiiinl. Valedic- — The show will be held at Civic Square (bet- Kenneth W.fversen,. president; J. Harrison Morson, dean of.studeilts^ • torian .Priise and the Post-Day Award to. the' ween Springfield and Clinton.avenues), which . «u'f»J «"»• rA«i«n in n U«portmont Mrs. Kremenlz is a graduate of the! Charles S. Academic awards, service ke"ysT and graduate .who. best exemplifies the ideals of has been renamed "Art Mall" for the day. ™Li*£W« "I IndividualInd ™..«m- BENEFICIAL MORTGAGE COMPANY ' 376-6440 for 'hot lino' .A»m« «/1*« ( 67081 -Wilson Memorial Hospital School of Nursing, scholarships will be presented to the students' •" tJnloirCollege.wlll bo reserved for presen- Miss •Guggenheim. -
University International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Allen Rostron, the Law and Order Theme in Political and Popular Culture
OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM OKLAHOMA CITY UNIVERSITY LAW REVIEW VOLUME 37 FALL 2012 NUMBER 3 ARTICLES THE LAW AND ORDER THEME IN POLITICAL AND POPULAR CULTURE Allen Rostron I. INTRODUCTION “Law and order” became a potent theme in American politics in the 1960s. With that simple phrase, politicians evoked a litany of troubles plaguing the country, from street crime to racial unrest, urban riots, and unruly student protests. Calling for law and order became a shorthand way of expressing contempt for everything that was wrong with the modern permissive society and calling for a return to the discipline and values of the past. The law and order rallying cry also signified intense opposition to the Supreme Court’s expansion of the constitutional rights of accused criminals. In the eyes of law and order conservatives, judges needed to stop coddling criminals and letting them go free on legal technicalities. In 1968, Richard Nixon made himself the law and order candidate and won the White House, and his administration continued to trumpet the law and order theme and blame weak-kneed liberals, The William R. Jacques Constitutional Law Scholar and Professor of Law, University of Missouri–Kansas City School of Law. B.A. 1991, University of Virginia; J.D. 1994, Yale Law School. The UMKC Law Foundation generously supported the research and writing of this Article. 323 OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM 324 Oklahoma City University Law Review [Vol. 37 particularly judges, for society’s ills. -
THE Permanent Crisis of FILM Criticism
mattias FILM THEORY FILM THEORY the PermaNENT Crisis of IN MEDIA HISTORY IN MEDIA HISTORY film CritiCism frey the ANXiety of AUthority mattias frey Film criticism is in crisis. Dwelling on the Kingdom, and the United States to dem the many film journalists made redundant at onstrate that film criticism has, since its P newspapers, magazines, and other “old origins, always found itself in crisis. The erma media” in past years, commentators need to assert critical authority and have voiced existential questions about anxieties over challenges to that author N E the purpose and worth of the profession ity are longstanding concerns; indeed, N T in the age of WordPress blogospheres these issues have animated and choreo C and proclaimed the “death of the critic.” graphed the trajectory of international risis Bemoaning the current anarchy of inter film criticism since its origins. net amateurs and the lack of authorita of tive critics, many journalists and acade Mattias Frey is Senior Lecturer in Film at film mics claim that in the digital age, cultural the University of Kent, author of Postwall commentary has become dumbed down German Cinema: History, Film History, C and fragmented into niche markets. and Cinephilia, coeditor of Cine-Ethics: riti Arguing against these claims, this book Ethical Dimensions of Film Theory, Prac- C examines the history of film critical dis tice, and Spectatorship, and editor of the ism course in France, Germany, the United journal Film Studies. AUP.nl 9789089647177 9789089648167 The Permanent Crisis of Film Criticism Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. -
NEA Chronology Final
THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com strengthening the artistic life of this country – was created. panies as there were in 1965. -
Arts and Cultural Programs on Radio and Television. Research Division Report No
DOCUMENT RESUME ED 165 205 CS 502 358 AUTHOR Katzman, Natan; Wirt, Kenneth TITLE Arts and Cultural Programs on Radio and Television. Research Division Report No. 4; INSTITUTION National Endowment for the. Arts, Washington, D.C. PUB DATE Sep 77 NOTE 94p. EDRS PRICE MF-$0.83 Hc-$4.67 Plus Postage. DESCRIPTORS Adiinistrator Attitudes; Broadcast Industry; *Cultural` Activities; *Fine Arts; Material Development; *Media Research; Planning;.*Programing (Broadcast); *Radio; *Television ABSTRACT The findings of a planning study of arts and cultural programing on commercial and public radio and television are summarized in this report. Focusing on the decision making process on arts and cultural subjects in the broadcast industry, the report presents information on the following topics:Alow the phrase "arts and cultural programing" is understood by key broadcast executives, the terminology_USed in the industry to describe significant artsand cultural,programing, the kinds of programing designated by the industry as "arts and cultural," how the amount of money and broadcast time for arts and cultural programs compare-with those provided for other types'of programs, the method used in the industry to determine audiences for arts and cultural programing, the meansof support for such programing, sand the kinds of programs that wouldbe used if they were available. (FL) a 3 *********************************************************************** Reproductions supplied by EARS are the best that can be made from the original document. *****************************4t***************************************** -
National Endowment for the Arts Research Division Report
Arts and Cultural Programs on Radio and Television PREFACE Early in 1976, the Research Division of the National Endowment for the Arts requested competitive proposals for a planning study aimed at a national survey of arts and cultural programming on commercial and public radio and television. This project was requested by the Public Media Program. The proposal from Research and Programming Services was selected. This small media research con sulting firm had been extensively involved in the analysis of program content and audience analysis for a number of organizations in the public broadcasting industry and had extensive knowledge of the various television audience measurement systems at the outset of the project. Plans to follow up this planning study with a national survey have been dropped, partly because of major changes in personnel and program emphasis in the Public Media Program (now called Media Arts). The extensive material collected during this planning study, however, can be so helpful in understanding the decision-making processes on arts and cultural subjects in the media that this condensation of the final report has been prepared for general distribution. This study presents information on the following questions: How is the phrase "arts and cultural programming" understood by key executives? What terminology is used to describe the lroadcasting that includes significant programming about arts and cultural subjects? What kinds of programs are designated by the broad casting industry as arts and cultural? How do the funds -
List of Exhibitions Held at the Corcoran Gallery of Art from 1897 to 2014
National Gallery of Art, Washington February 14, 2018 Corcoran Gallery of Art Exhibition List 1897 – 2014 The National Gallery of Art assumed stewardship of a world-renowned collection of paintings, sculpture, decorative arts, prints, drawings, and photographs with the closing of the Corcoran Gallery of Art in late 2014. Many works from the Corcoran’s collection featured prominently in exhibitions held at that museum over its long history. To facilitate research on those and other objects included in Corcoran exhibitions, following is a list of all special exhibitions held at the Corcoran from 1897 until its closing in 2014. Exhibitions for which a catalog was produced are noted. Many catalogs may be found in the National Gallery of Art Library (nga.gov/research/library.html), the libraries at the George Washington University (library.gwu.edu/), or in the Corcoran Archives, now housed at the George Washington University (library.gwu.edu/scrc/corcoran-archives). Other materials documenting many of these exhibitions are also housed in the Corcoran Archives. Exhibition of Tapestries Belonging to Mr. Charles M. Ffoulke, of Washington, DC December 14, 1897 A catalog of the exhibition was produced. AIA Loan Exhibition April 11–28, 1898 A catalog of the exhibition was produced. Annual Exhibition of the Work by the Students of the Corcoran School of Art May 31–June 5, 1899 Exhibition of Paintings by the Artists of Washington, Held under the Auspices of a Committee of Ladies, of Which Mrs. John B. Henderson Was Chairman May 4–21, 1900 Annual Exhibition of the Work by the Students of the CorCoran SChool of Art May 30–June 4, 1900 Fifth Annual Exhibition of the Washington Water Color Club November 12–December 6, 1900 A catalog of the exhibition was produced. -
The Character of an Art Collection
The Character of an Art Collection: Isabella Stewart Gardner, Henry Clay Frick, Albert C. Barnes, David Lloyd Kreeger, and the Donor Memorial in the U.S. Dana D. Litowitz A Senior Thesis Submitted to the Growth and Structure of Cities Program Bryn Mawr College, Bryn Mawr, PA December 2007 The Character of an Art Collection i ABSTRACT Donor memorial museums represent a unique group of American art collections. These museums, created by private art collectors to perpetuate their own legacies, are among the most interesting institutions in the American art world. House museums like the Isabella Stewart Gardner Museum, the Frick Collection, and the Kreeger Museum are especially intriguing because each iconoclastic collector conceived and implemented a specific vision for how visitors would view the collection. These museums, along with one of the most controversial private art collections in the country, the Barnes Foundation, share many similarities in format and creation. Each is an anomaly in its respective setting and fully projects the force and personality of its creator. The architectural styles of the buildings especially convey the eccentricities of the donors, who chose ostentatious, incongruous architectural vocabularies for 20th century Boston, New York, Philadelphia, and Washington, DC. Strong desires and wishes of the collection creators, coupled with virtually iron-clad legal wills, ensure constancy and permanence for these institutions. Although it no longer seems to be the fashion or convention of the wealthy to devote energies and resources to cultivating such private art collections, these institutions remain popular destinations for art lovers. Their continued existence allows us to understand how people of another age created monuments to themselves—museums that still fascinate and attract us today. -
Organized Crime on Wall Street Hearing Committee on Commerce House of Representatives
ORGANIZED CRIME ON WALL STREET HEARING BEFORE THE SUBCOMMITTEE ON FINANCE AND HAZARDOUS MATERIALS OF THE COMMITTEE ON COMMERCE HOUSE OF REPRESENTATIVES ONE HUNDRED SIXTH CONGRESS SECOND SESSION SEPTEMBER 13, 2000 Serial No. 106–156 Printed for the use of the Committee on Commerce ( U.S. GOVERNMENT PRINTING OFFICE 67–115CC WASHINGTON : 2000 VerDate 11-MAY-2000 15:08 Jan 04, 2001 Jkt 068011 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 E:\HEARINGS\67115 pfrm02 PsN: 67115 COMMITTEE ON COMMERCE TOM BLILEY, Virginia, Chairman W.J. ‘‘BILLY’’ TAUZIN, Louisiana JOHN D. DINGELL, Michigan MICHAEL G. OXLEY, Ohio HENRY A. WAXMAN, California MICHAEL BILIRAKIS, Florida EDWARD J. MARKEY, Massachusetts JOE BARTON, Texas RALPH M. HALL, Texas FRED UPTON, Michigan RICK BOUCHER, Virginia CLIFF STEARNS, Florida EDOLPHUS TOWNS, New York PAUL E. GILLMOR, Ohio FRANK PALLONE, Jr., New Jersey Vice Chairman SHERROD BROWN, Ohio JAMES C. GREENWOOD, Pennsylvania BART GORDON, Tennessee CHRISTOPHER COX, California PETER DEUTSCH, Florida NATHAN DEAL, Georgia BOBBY L. RUSH, Illinois STEVE LARGENT, Oklahoma ANNA G. ESHOO, California RICHARD BURR, North Carolina RON KLINK, Pennsylvania BRIAN P. BILBRAY, California BART STUPAK, Michigan ED WHITFIELD, Kentucky ELIOT L. ENGEL, New York GREG GANSKE, Iowa TOM SAWYER, Ohio CHARLIE NORWOOD, Georgia ALBERT R. WYNN, Maryland TOM A. COBURN, Oklahoma GENE GREEN, Texas RICK LAZIO, New York KAREN MCCARTHY, Missouri BARBARA CUBIN, Wyoming TED STRICKLAND, Ohio JAMES E. ROGAN, California DIANA DEGETTE, Colorado JOHN SHIMKUS, Illinois THOMAS M. BARRETT, Wisconsin HEATHER WILSON, New Mexico BILL LUTHER, Minnesota JOHN B. SHADEGG, Arizona LOIS CAPPS, California CHARLES W. ‘‘CHIP’’ PICKERING, Mississippi VITO FOSSELLA, New York ROY BLUNT, Missouri ED BRYANT, Tennessee ROBERT L.