Portraits of Vocal Psychotherapists: Singing As a Healing Influence for Change and Transformation
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Chöömij of Mongolia a Spectral Analysis of Overtone Singing Ronald Walcott SELECTED REPORTS in Ethnomusicology Volume II, No
Soundtransformation, Michael Ormiston & Candida Valentino Web Pages The Chöömij of Mongolia A Spectral Analysis of Overtone Singing Ronald Walcott SELECTED REPORTS IN Ethnomusicology Volume II, No. 1 1974 CHÖÖMIJ* is the Mongolian name for a solo style of overtone singing where two distinct pitch lines are sounded throughout. One, a nasal-sounding drone of relatively constant pitch, corresponds to the fundamental; the other, consisting of piercing, whistle like tones, forms a melody, line above the drone and results from the reinforcement of individual overtones within the ambitus of the 5th through 13th partials. Reinforcement of partials is achieved by characteristic changes in the shape and volume of the mouth cavity. This is reminiscent of the principle of the Jew's harp,' where a vibrating tongue sounded at the lips produces a drone fundamental which the player modifies by shaping his mouth cavity so as to form a resonance chamber of critical volume. The volume of this chamber, functioning on the principle of a Helmholtz resonator, reinforces a narrow frequency band area within an existing spectrum. This band is sufficiently narrow to enable the singer to select a given single partial above the drone in accordance with the degree of modification made by him. The principle involving the reinforcement of discrete partials by a specific shaping of the mouth cavity is thus common to both chöömij and the Jew's harp. A difference, however, lies in the physical origination of the fundamental. In the Jew's harp it is produced at the lips, in the chöömij it originates in the throat region. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
The Notion of Song, Identities, Discourses, and Power
The Notion of Song, Identities, Discourses, and Power: Bridging Songs with Literary Texts to Enhance Students’ Interpretative Skills Elroy Alister Esdaille Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Elroy Alister Esdaille All Rights Reserved Abstract Sometimes students struggle to interpret literary texts because some of these texts do not lend themselves to the deduction of the interpretative processes with which they are familiar, but the same is not true when students pull interpretations from songs. Is it possible that students’ familiarity with songs might enable them to connect a song with a book and aid interpretation that way? This study attempted to explore the possibility of bridging songs to literary texts in my Community College English classroom, to ascertain if or how the use of song can support or extend students’ interpretive strategies across different types of texts. I investigated how songs might work as a bridge to other texts, like novels, and, if the students use songs as texts, to what extent do the students develop and hone their interpretative skills? Because of this, how might including songs as texts in English writing or English Literature curriculum contribute to the enhancement of students’ writing? The students’ responses disclosed that the songs appealed to their cognition and memories and helped them to interpret and write about the novels they read. Moreover, the students’ responses revealed that pairing or matching songs with novels strengthened interpretation of the book in a plethora of ways, such as meta-message deduction, applying contexts, applying comparisons, and examining thematic correlations. -
COMM∆ND SMEDI∆ Inc. TORONTO
COMM∆ND S MEDI∆ iNc. TORONTO email > [email protected] telephone > +1 (604) 688-4217 w∆rnelivesey - production discography 2021 full length lp - production, mixing and engineering [except where noted] •recent work midnight oil - The Makarrata Project - new LP for release 2021 andee - lost in rewind (single) kandle - just to bring you back (single) [co-write, production, mixing] kelly heeley - EP [mixing] •less recent work midnight oil - diesel and dust - blue sky mining - redneck wonderland - capriconia - 20,000watts r.s.l the the - infected - mindbomb matthew good band - underdogs - beautiful midnight - audio of being matthew good - lights of endangered species - avalanche - white light rock n’ roll review - in a coma - chaotic neutral - i miss new wave (beautiful midnight revisited EP) - something like a storm - moving walls kim churchill - silence/win [co-songwriting/ production/ engineering/ mixing] - into the steel [string arrangements / co-production] - weight falls [co-songwriting, production 3 songs] xavier rudd - koonyum sun [mixing] email > [email protected] telephone > +1 (604) 688-4217 1 w∆rnelivesey - discography continued… julian cope - saint julian house of love - babe rainbow [co-songwriting / production] deacon blue - when the world knows your name [production / engineering] sinhead o’conner / the the - kingdom of rain (track from collaborations lp) paul young - other voices [production] jesus jones - perverse 54-40 - yes to everything - goodbye flatland [mixing] - northern soul [mixing] mark hollis - mark hollis [co-songwriting] -
2020 Internship Reflection Book
i CONTENTS 1 ABOUT THE REFLECTION ESSAYS Butzin Internship Fund 19 Spending a Summer in Gratitude for Service Dogs 12 Legal Internship 2 A LOOK AT OUR INTERNSHIP FUNDS Sophia Myers ’21 Doing Investigative Work Nick Pomper ’21 20 A Summer of Archival Work 7 REFLECTION ESSAYS in Northfield and Rice County (listed alphabetically by fund, then student) Center for Community and Hannah Zhukovsky ’21 Civic Engagement (CCCE) Abeona Endowed Fund Fellowships Chang-Lan Endowed Fund for International Internships 13 An Internship at the YMCA 21 Researching Protein Engineering 8 Learning about the Film Industries Reveals the Importance in a Lab and Overcoming of France and the United States of Social Connections Research Challenges Alison Hong ’22 Carly Bell ’21 Yiqiu Zhang ’22 9 Autism Research 14 Understanding Disparate in a Virtual Internship Food Access in Rice County Sara Liu ’22 Emily Hall ’21 PICTURED ON COVER American Studies Grant 16 Serving Up much more than Top row: AARON FORMAN ’21, Food in a Community Food Shelf HODAN MOHAMED ’22, 10 Seeing Behind the Curtain MAYA ROGERS ’22, Jack Johnson ’21 of a Political Campaign Office ASTRID PETROPOULOS ’23 Rebecca McCartney ’21 17 The Kaleidoscopic of Richness and Second row: KRISTIN MIYAGI ’22, Diversity of Life in Rice County NARIAH SIMS ’21, MADI SMITH ’22, 11 Supporting Tribal Alexander Kucich ’21 MAX VALE ’22 Sovereignty and Boosting Indigenous Rights 18 Interning at a Food Shelf, Third row: SUAD MOHAMED ’23, TREVOR HUGHES ’21, Thomas White ’22 and Confirming an Interest ANWESHA MUKHERJI ’23, -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
Contesting and Appropriating Chineseness in Sinophone Music
China Perspectives 2020-2 | 2020 Sinophone Musical Worlds (2): The Politics of Chineseness Contesting and Appropriating Chineseness in Sinophone Music Nathanel Amar Electronic version URL: https://journals.openedition.org/chinaperspectives/10063 DOI: 10.4000/chinaperspectives.10063 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2020 Number of pages: 3-6 ISSN: 2070-3449 Electronic reference Nathanel Amar, “Contesting and Appropriating Chineseness in Sinophone Music”, China Perspectives [Online], 2020-2 | 2020, Online since 01 June 2020, connection on 06 July 2021. URL: http:// journals.openedition.org/chinaperspectives/10063 ; DOI: https://doi.org/10.4000/chinaperspectives. 10063 © All rights reserved Editorial china perspectives Contesting and Appropriating Chineseness in Sinophone Music NATHANEL AMAR he first special issue of China Perspectives on “Sinophone Musical itself as a more traditional approach to Chinese-sounding music but was Worlds” (2019/3) laid the theoretical foundation for a musical appropriated by amateur musicians on the Internet who subvert accepted T approach to Sinophone studies (Amar 2019). This first issue notions of Chinese history and masculinity (see Wang Yiwen’s article in this emphasised the importance of a “place-based” analysis of the global issue). Finally, the last article lays out in detail the censorship mechanisms for circulation of artistic creations, promoted in the field of Sinophone studies by music in the PRC, which are more complex and less monolithic than usually Shu-mei Shih (2007), and in cultural studies by Yiu Fai Chow and Jeroen de described, and the ways artists try to circumvent the state’s censorship Kloet (2013) as well as Marc Moskowitz (2010), among others. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Trust and Self-Trust in Leadership Identity Constructions: a Qualitative Exploration of Narrative Ecology in the Discursive Aftermath of Heroic Discourse
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Lundberg, Maria Doctoral Thesis Trust and self-trust in leadership identity constructions: A qualitative exploration of narrative ecology in the discursive aftermath of heroic discourse PhD Series, No. 20.2019 Provided in Cooperation with: Copenhagen Business School (CBS) Suggested Citation: Lundberg, Maria (2019) : Trust and self-trust in leadership identity constructions: A qualitative exploration of narrative ecology in the discursive aftermath of heroic discourse, PhD Series, No. 20.2019, ISBN 978-87-93744-83-7, Copenhagen Business School (CBS), Frederiksberg, http://hdl.handle.net/10398/9736 This Version is available at: http://hdl.handle.net/10419/222894 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. -
American Dolorologies
American Dolorologies Item Type Book Authors Strick, Simon DOI 10.1353/book.28834 Publisher SUNY Press Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 29/09/2021 04:15:19 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item https://www.sunypress.edu/p-5822-american-dolorologies.aspx AMERICAN DOLOROLOGIES AMERICAN DOLOROLOGIES Pain, Sentimentalism, Biopolitics SIMON STRICK State University of New York Press Published by State University of New York Press, Albany © 2014 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production, Laurie Searl Marketing, Anne M. Valentine Library of Congress Cataloging-in-Publication Data Strick, Simon, 1974– American dolorologies : pain, sentimentalism, biopolitics / Simon Strick. pages cm Includes bibliographical references and index. ISBN 978-1-4384-5021-6 (hardcover : alk. paper) 1. Pain—Social aspects—United States. 2. Suffering—Social aspects—United States. 3. United States—Civilization. 4. Sentimentalism. I. Title. BJ1409.S85 2014 306.4—dc23 2013014434 10 9 8 7 6 5 4 3 2 1 CONTENTS LIST OF ILLUSTRATIONS vii ACKNOWLEDGMENTS ix CHAPTER ONE What Is Dolorology? 1 CHAPTER TWO Sublime Pain and the Subject of Sentimentalism 19 CHAPTER THREE Anesthesia, Birthpain, and Civilization 51 CHAPTER FOUR Picturing Racial Pain 93 CHAPTER FIVE Late Modern Pain 147 NOTES 169 WORKS CITED 199 INDEX 219 ILLUSTRATIONS Figure 4.1 gordon: The Scourged Back/Escaped slave displays wounds from torture. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Thinking in Song
THINKING IN SONG Prosody, Text-Setting and Music Theory in Eighteenth-Century Germany A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Martin Kuester January 2012 © 2012 Martin Kuester THINKING IN SONG Prosody, Text-Setting and Music Theory in Eighteenth-Century Germany Martin Kuester, Ph.D. Cornell University 2012 Eighteenth-century music theorists habitually used terms that were apparently im- ported from grammar, rhetoric and poetics. While historians of music theory have commonly described these words as reflecting metaphorical attempts to understand music by analogy with language, this study emphasizes their technical value, especially with respect to vocal music, which includes both domains. In the case of Johann Mat- theson, Johann Adolph Scheibe, Joseph Riepel and Friedrich Wilhelm Marpurg, the literal meaning of this common vocabulary can be recovered by viewing their general composition rules���������������������� in the previously une�amined������������ conte��������������������������������t of their theories for compos- ing te�t and music of vocal works. Chapter One questions the applicability of a ‘metaphor of music as a language’ to eighteenth-century musical thought and proposes a new framework, centered on what Scheibe and others considered �����������������������������������������������the origin of both music and language, prosody. Chapter Two e�amines Mattheson’s famous minuet analysis and concludes that a prosodic sub-discipline of music theory provided a vocabulary that applied, in ten- dency, to words and notes of vocal music, simultaneously. Chapter Three traces the interaction of prosodic parameters in the longer history of ‘musical feet,’ pointing out eighteenth-century theorists’ successful efforts to adapt or re-adapt their terminol- ogy to the practice of modern vocal composition.