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Leonard Bernstein
Leonard Bernstein: The Power of Music is the “first large-scale museum exhibition to illustrate Bernstein’s life, Jewish identity, and social activism,” according to the National Museum of American Jewish History in Philadelphia, where you can catch it until Sept. 2. (A national tour will follow.) There are artifacts ranging from Bernstein’s piano (a Baldwin, though he used to invoke another manufacturer to tell people how to pronounce his name: “No one ever called a Steinway a STEEN-way!”), an annotated copy of Romeo and Juliet in which he formulated ideas for West Side Story, the mezuzah from his studio, the ketubah from his marriage to Costa Rican actress Felicia Cohn Montealegre, and his family Haggadah … which, unsurprisingly, contains additional sheet music. There are dozens of photos, hand-drawn set designs, snippets of costume fabric, personal letters, album covers, and illustrations. There’s the earliest known photograph of teen Lenny conducting; his trademark impressive swoop-y matinee-idol hair is already evident as he theatrically leads a Jewish summer-camp orchestra of seven nebbish-y boys with triangles and tiny cymbals. (The photo is grandiloquently labeled “Onota Rhythm Band and Leonard Bernstein, 1937.”) Celebrations of Bernstein’s 100th birthday are taking place all around the world, including performances of his greatest work: West Side Story in South Africa, Candide in San Francisco and Los Angeles; Fancy Free in Tuscaloosa; and six different operas and theatrical works this summer at Tanglewood, where Bernstein began his career. There’s also a traveling exhibit by the Grammy Museum and, of course, a hashtag campaign (#BernsteinAt100). -
Movement Coordination in Human-Robot Teams: a Dynamical Systems Approach
IEEE TRANSACTIONS ON ROBOTICS, VOL 32, ISSUE. 3, JUN 2016 1 Movement Coordination in Human-Robot Teams: A Dynamical Systems Approach Tariq Iqbal, Samantha Rack, and Laurel D. Riek1 Abstract—In order to be effective teammates, robots need demonstrated a system which enabled humanoid robots to to be able to understand high-level human behavior to imitate complex human whole-body motion [8]. recognize, anticipate, and adapt to human motion. We have However, sometimes it can be difficult for a robot to per- designed a new approach to enable robots to perceive human group motion in real-time, anticipate future actions, and ceive and understand all of the different types of events in- synthesize their own motion accordingly. We explore this volved during these activities to make effective decisions, within the context of joint action, where humans and robots due to sensor occlusion, unanticipated motion, narrow field move together synchronously. In this paper, we present an of view, etc. On the other hand, if a robot is able to anticipation method which takes high-level group behavior make better sense of its environment and understand high- into account. We validate the method within a human-robot interaction scenario, where an autonomous mobile robot level group dynamics, then it can make effective decisions observes a team of human dancers, and then successfully about its actions. If the robot has this understanding of its and contingently coordinates its movements to “join the environment, then its interactions within the team might dance”. We compared the results of our anticipation method reach to a higher-level of coordination, resulting in a fluent to move the robot with another method which did not rely on meshing of actions [9]–[12]. -
SHAMELESS Sunday I SHOWTIME PLAN QUESTIONS with YOUR +DAISY TM WEEK! HAGGARD
SEASONPREMIERE November 10th – 16th, 2019 SHAMELESS sunday I SHOWTIME PLAN QUESTIONS WITH YOUR +DAISY TM WEEK! HAGGARD DOLLY PARTON CARRIE UNDERWOOD REBA MCENTIRE BEST BETS NEWSERIES DUBLIN MURDERS Sunday ISTARZ E! PEOPLE’S CHOICE AWARDS SUNDAY IE! THE 53RD NEWSERIES KINGS OF PAIN ANNUAL TUESDAY IHISTORY NEWMINISERIES THE PREPPY MURDER: CMA DEATH IN CENTRAL PARK WEDNESDAY IAMC SEASONPREMIERE THE MAN IN THE HIGH CASTLE AWALIVE! R WEDNESDAY D S IABC FRIDAY IAMAZONPRIMEVIDEO $3.99 ORIGINALFILM CHRISTMAS UNDER THE STARS SATURDAY HALLMARKCHANNEL New rate plans, now with more minutes! Easier is better with the Jitterbug. The Jitterbug® Flip, from the creators of the original easy-to-use cell phone, has big buttons and an exclusive 5Star® Urgent Response button on the keypad. EASY TO USE Today, cell phones are hard to hear, Plansdifficult as low to dialas Plans as low as and overloaded with features you may never use. That’s not the case with the Jitterbug Flip. A large screen and big buttons$ make99 it $ 99 $ easy to call family and friends. The powerful speaker ensures every month2 conversation will be loud and clear. Plus, straightforward14 YES and NO 14 1 buttons make navigating the menu simple. 2 EASY TO ENJOY Wherever you go, a built-in cameraPlans makes as low it easyas* andPlans fun as forlow you as to capture and share your favorite memories. And a built-in reading magnifier with LED flashlight helps you see in dimly lit areas. With all the $features you99 need,$ the Jitterbug99 $ 2 2 Flip also comes with a long-lasting battery, so you won’t have14 to worrymonth about14 runningmonth out 1 of power. -
Chicago Phil Brass” Brass Quintet
2020-2021 SEASON: TOGETHER Chicago Phil Chamber presents "Chicago Phil Brass” Brass Quintet Sunday, October 11 2020, 4:00pm North Shore Center, Skokie William Denton trumpet Mike Brozick trumpet Fritz Foss horn Jeremy Moeller trombone Matthew Gaunt tuba SCHERZO . JOHN CHEETHAM (b. 1939) AIR POUR LES TROMPETTES . JOHANN SEBASTIAN BACH (1685-1750) (arr. Irving Rosenthal) ‘LITTLE’ FUGUE IN G MINOR . JOHANN SEBASTIAN BACH (1685-1750) (arr. Ronald Romm) BRASS QUINTET No. 1 . .VICTOR EWALD (1860-1935) I. Moderato - Più mosso II. Adagio non troppo lento III. Allegro moderato ENGLISH FOLK SONG SUITE . RALPH VAUGHAN WILLIAMS (1872-1958) (arr. Jari Villanueva) I. March: "Seventeen Come Sunday" II. Intermezzo: "My Bonny Boy" III. March: "Folk Songs from Somerset" SELECTIONS FROM WEST SIDE STORY . LEONARD BERNSTEIN (1918-1990) (arr. Jack Gale) “Maria" “Tonight" “I Feel Pretty” 1 2020-2021 SEASON: TOGETHER “SUMMERTIME” . GEORGE GERSHWIN (1898-1937) (arr. John Glenesk Mortimer) “OUR LOVE IS HERE TO STAY” . GEORGE GERSHWIN (1898-1937) (arr. Bill Holcombe) “A NIGHTINGALE SANG IN BERKELEY SQUARE” . MANNING SHERWIN (1902-1974) (arr. Jack Gale) “THAT’S A-PLENTY” . LEW POLLACK (1895-1946) (arr. Jack Gale) “JUST A CLOSER WALK WITH THEE” . TRADITIONAL (arr. Don Gillis) TRITSCH - TRATSCH POLKA . JOHANN STRAUSS II (1825-1899) (arr. B. A. Kretz) The program begins with one of the all-time classic brass compositions of the 20th century, John Cheetham’s Scherzo. A classic in brass quintet repertoire, Scherzo was an immediate success when it was written. Air Pour Les Trompettes, Irving Rosenthal’s arrangement of Bach's Suite in A, originally for solo harpsichord, showcases the trumpet. -
Richer Connections to Robotics Through Project Personalization
Advances in Engineering Education SUMMER 2012 Richer Connections to Robotics through Project Personalization MELANIE VELTMAN VALERIE DAVIDSON and BETHANY DEYELL University of Guelph Guelph, Ontario, Canada ABSTRACT In this work, we describe youth outreach activities carried out under the Chair for Women in Science and Engineering for Ontario (CWSE-ON) program. Specifi cally, we outline our design and implementation of robotics workshops to introduce and engage middle and secondary school students in engineering and computer science. Toward the goal of increasing the participation of women in science and engineering, our workshop design incorporates strategies presented in work by Rusk et al. (2008) on broadening participation in robotics: 1. focusing on themes, not just challenges; 2. combining art and engineering; 3. encouraging story-telling; and 4. organizing exhibitions, rather than competitions (Rusk et al., 2008, page 1) We discuss three workshop themes designed to highlight creativity and provide choices to par- ticipants. Our “Wild in the Rainforest” workshops make use of the PicoCrickets robotics kits and software used and described by Rusk et al. (2008). We also present Lego Mindstorms workshops themed “So You Think Your Robot Can Dance” and “A Day at the Park”. Our workshops are presented by female role models with academic backgrounds in science and engineering. Although workshop periods are fairly short (60-90 minutes), participants learn that robots have perception, cognition, and action – and are tasked with designing and programming to highlight these abilities. We present the results of our workshops through images and videos of the teams’ creations. Workshop evalu- ation data provided by participants demonstrate that our approach results in rich connections to engineering and technology for participants of both genders. -
West Side Story” (Original Cast Recording) (1957) Added to the National Registry: 2008 Essay by Robert L
“West Side Story” (Original cast recording) (1957) Added to the National Registry: 2008 Essay by Robert L. McLaughlin (guest essay)* Original “West Side Story” cast members at recording session (from left: Elizabeth Taylor, Carmen Gutierrez, Marilyn Cooper, Carol Lawrence) “West Side Story” is among the best and most important of Broadway musicals. It was both a culmination of the Rodgers and Hammerstein integrated musical, bringing together music, dance, language and design in service of a powerful narrative, and an arrow pointing toward the future, creating new possibilities for what a musical can be and how it can work. Its cast recording preserves its score and the original performances. “West Side Story’s” journey to theater immortality was not easy. The show’s origins came in the late 1940s when director/choreographer Jerome Robbins, composer Leonard Bernstein, and playwright Arthur Laurents imagined an updated retelling of “Romeo and Juliet,” with the star- crossed lovers thwarted by their contentious Catholic and Jewish families. After some work, the men decided that such a musical would evoke “Abie’s Irish Rose” more than Shakespeare and so they set the project aside. A few years later, however, Bernstein and Laurents were struck by news reports of gang violence in New York and, with Robbins, reconceived the piece as a story of two lovers set against Caucasian and Puerto Rican gang warfare. The musical’s “Prologue” establishes the rivalry between the Jets, a gang of white teens, children mostly of immigrant parents and claimants of a block of turf on New York City’s west side, and the Sharks, a gang of Puerto Rican teens, recently come to the city and, as the play begins, finally numerous enough to challenge the Jets’ dominion. -
Michael Jackson the Perform a N C
MICHAEL JACKSON 101 THE PERFORMANCES MICHAEL JACKSON 101 THE PERFORMANCES &E Andy Healy MICHAEL JACKSON 101 THE PERFORMANCES . Andy Healy 2016 Michael gave the world a wealth of music. Songs that would become a part of our collective sound track. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And for that the 101 series is dedicated to Michael written works are credited to Andy Healy as author. This Creative Commons licence does not and all the musicians and producers who brought the music to life. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This special Performances supplement is also dedicated to the choreographers, dancers, directors and musicians who helped realise Michael’s vision. I do not claim any ownership of the photographs featured and all rights reside with the original copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. By a fan for the fans. &E 101 hat makes a great performance? Is it one that delivers a wow factor? W One that stays with an audience long after the houselights have come on? One that stands the test of time? Is it one that signifies a time and place? A turning point in a career? Or simply one that never fails to give you goose bumps and leave you in awe? Michael Jackson was, without doubt, the consummate performer. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Grant Gustin Dating Candice Patton
On Wednesday Grant Gustin who plays Barry was spotted sharing a kiss with Candice Patton, who plays Iris, on set in Vancouver, Canada. The couple appeared to be sharing quite the romantic moment. Apr 16, · Grant introduced himself as a star when he played the recurring role of Sebastian Smythe in Glee. Gustin forms one-half of one of the most famous on-screen couples. He and Candice Patton (Iris West) got married in The Flash, and some think that the two famous actors are a couple in real life. However, Grant is married to Andrea La Thoma in real. Feb 05, · Quick Facts: Candice Patton. Candice Patton was born Candice Kristina Patton was born on 24 June in Jackson, Mississippi, the United States to parents; father Paul Patton and mother Arianna Jackson. Patton has a slim figure with a height of 5 feet 5 inches ( m) and the weight of around 57 kgs ( pounds). Candice Patton has been in 2 on-screen matchups, including Rick Cosnett in The Flash () and Grant Gustin in The Flash (). Candice Patton is a member of the following lists: births, births and Southern Methodist University renuzap.podarokideal.ru place: Jackson. The Flash S Candice Patton Dishes On Her On Screen Relationship Candice Patton Grant Gustin Open Up About Westallen S Iconic Grant Gustin And Candice Patton Share A. Grant Gustin came to the defense of Candice Patton on Instagram. Grant Gustin/Instagram In response to a follower who asked if "blocking people without saying a word actually [counts] as vocally defending a costar against racism they've faced for five years," the actor said that "the hate I see isn't worth [Patton's] time or mine.". -
Leonard Bernstein
chamber music with a modernist edge. His Piano Sonata (1938) reflected his Leonard Bernstein ties to Copland, with links also to the music of Hindemith and Stravinsky, and his Sonata for Clarinet and Piano (1942) was similarly grounded in a neoclassical aesthetic. The composer Paul Bowles praised the clarinet sonata as having a "tender, sharp, singing quality," as being "alive, tough, integrated." It was a prescient assessment, which ultimately applied to Bernstein’s music in all genres. Bernstein’s professional breakthrough came with exceptional force and visibility, establishing him as a stunning new talent. In 1943, at age twenty-five, he made his debut with the New York Philharmonic, replacing Bruno Walter at the last minute and inspiring a front-page story in the New York Times. In rapid succession, Bernstein Leonard Bernstein photo © Susech Batah, Berlin (DG) produced a major series of compositions, some drawing on his own Jewish heritage, as in his Symphony No. 1, "Jeremiah," which had its first Leonard Bernstein—celebrated as one of the most influential musicians of the performance with the composer conducting the Pittsburgh Symphony in 20th century—ushered in an era of major cultural and technological transition. January 1944. "Lamentation," its final movement, features a mezzo-soprano He led the way in advocating an open attitude about what constituted "good" delivering Hebrew texts from the Book of Lamentations. In April of that year, music, actively bridging the gap between classical music, Broadway musicals, Bernstein’s Fancy Free was unveiled by Ballet Theatre, with choreography by jazz, and rock, and he seized new media for its potential to reach diverse the young Jerome Robbins. -
Screen Rant Supergirl Season 2 Confirmed for the CW Next: 15
Screen Rant Share On Facebook Comments (45) Follow Us Like 658K Follow @screenrant 80.4K followers SR EXCLUSIVES MOVIE NEWS TV NEWS REVIEWS VIDEOS LISTS + TRAILERS PODCASTS TOP MOVIES Up Next Supergirl Season 2 Confirmed For The CW By Molly Freeman 10 hours ago 45 Comments 839shares 45 Developed by The CW’s DC Comics TV universe architect, Greg Berlanti, along with Ali Adlier (No Ordinary Family, Chuck), Supergirl was first thought to land at the network alongside previously established superhero dramas Arrow and The Flash. However, CBS picked up Supergirl and debuted the first season, which followed Kara Danvers a.k.a. Kara Zor-El (Melissa Benoist) as she began to take on the mantle of Supegirl and avoid the shadow of her cousin, Superman. However, recently the future CBS’s DC Comics series seemed to be in question. Although CBS CEO Les Moonves seemed to indicate Supergirl would receive a second season order, the deadline for an official announcement began to draw closer without any confirmation from the network. Now, it seems Supergirl will receive a second season, but not at CBS. The Wrap is reporting Supergirl has been renewed for season 2, but it will move to The CW – which CBS co-owns with Warner Bros. Television. The report is in line with previous rumors of Supergirl moving to The CW amidst talks of cutting the superhero drama’s budget after a costly freshman season. In addition to the network change, the production of Supergirl will move from Los Angeles, California to Vancouver, Canada where fellow CW shows Arrow, The Flash, and Legends of Tomorrow film – all of which were renewed earlier this year by The CW. -
The Curious Case of Michael Jackson As Gothic Narrative Author(S)
Title “Did I scare you?”: The curious case of Michael Jackson as gothic narrative Author(s) Dennis Yeo Kah Sin Source Studies in Gothic Fiction, 1(1), 13-30 Published by Cardiff University Press Copyright © 2010 The Author This is an Open Access article distributed under the Creative Commons Attribution- NonCommercial 4.0 International License (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc/4.0/). Citation: Yeo, D. K. S. (2010). “Did I scare you?”: The curious case of Michael Jackson as gothic narrative. Studies in Gothic Fiction, 1(1), 13-30. Retrieved from http://studiesingothicfiction.weebly.com/archive.html This document was archived with permission from the copyright holder. “Did I scare you?”: Th e Curious Case of Michael Jackson as Gothic narrative Dennis Yeo Kah Sin INTRODUCTION On June 25, 2009, Michael Jackson died.1 Universally hailed as a musical genius and pop icon, Michael’s tale is shrouded by rumor, speculation and mystery. Even as this article is written, controversy rages not only over the cause of his death but also the legacy he has left behind. 2 Michael manifested all that we loved and loathed of our humanity – a desire to restore the innocence of the world and yet a dark inclination towards deviant transgressions. He was very much an enigma that many imitated but few identifi ed with. Although he was a hypersensitive recluse victimized by an abusive childhood, his transformations of physiognomy caused him to be the focus of uninterrupted media attention. He reportedly gave millions to charitable organizations yet left behind an inheritance of debt and lawsuits.