DOCSLIB.ORG

Madge Macbeth Is Emblematic of Such Constructions/Constnctions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Madge Macbeth Is Emblematic of Such Constructions/Constnctions NOTE TO USERS The original manuscript received by UMI contains broken, slanted and or light print. All efforts were made to acquire the highest quality manuscript from the author or school. Microfilmed as received. This reproduction is the best copy available THE LIFE AND TIMES OF A LITERARY CHAMELEON: MADGE HAMILTON LYONS MACBETH A Thesis Presented to The Faculty of Graduate Studies of The University of Guelph BY TL. CURTIS In partial fùlfilment of requirements for the degree of Master of Arts December, 1996 Q Tara Curtis, 1996 National Library Bibliothèque nationale l*l ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Senrices services bibliographiques 395 Wellington Street 395, nie Wellington Ottawa ON K1AON4 OttawaON KIAOM Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or elecîronic formats. la fome de microfiche/^ de reproduction sur papier ou sur format électronique. The authur retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fium it Ni la thèse ni des extraits substantiels may be printed or otheniise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT THE LIFE AND TIMES OF A LITERARY CHAMELEON: MADGE HAMILTON LYONS MACBETH Tara Curtis Advisor: University of Guelph, 1996 Dr. Doma Palrnateer Pemee This thesis contnbutes to on-going research in Canadian letters to recuperate the works of "forgotten" women writers through an acwunt of the life and works of Madge Hamilton Lyons Macbeth (1878- 1965) in the contexts of her own day, denved in part from original archival research. The thesis utilizes cultural materialist and ferninist fiameworks as its primary tools for analyzing the ways in which notions of nationhood, protocols of genre, academic institutionalization and canon formation, as well as such designations as "popular" have created an infrastructure which places "virile" (masculine) writing at its core. Thus, before women writers of the early twentieth-century cornmited pen to paper, their work was, ipso facto relegated to literary sub-categories. The thesis argues that the career of Madge Macbeth is emblematic of such constructions/constnctions. 1 Acknow ledgements 1 would like to thank most my advisor, Donna Palrnateer Pennee, who inspired me long before this degree began through her exceptional teaching. her many contributions to the environment of the depanment, to srudent morale, and to academic rholarship. 1 consider it a privilege to know her and thank her for her guidance, unflagging suppon and insightful commentary. There are other things for which 1 want to thank Donna--endless drafi submissions patiently read, the Ioan of books, etc.--the List would go on. However, in characreristic fashion, she suggested my acknowledgement page should not sound like a parody of a bad award show acceptance speech, so 1'11 leave it at that and thank her in person. The members of my cornmittee, especially Dr. Mary Rubio, for her humour, patience and insighr; Dr. Helen Hoy for agreeing to act as Thesis Examiner and Dr. Diana Brydon, Examining Cornmi tree Chair. Thanks to Mr. Eric Gaskell for taking time out of his own busy life to assist, encourage, and contnbute to this research. It was a genuine pleasure to meedspeak with someone who knew Madge and who shares my enthusiasm for her work. Thanks to Ms. Mike Macbeth, whose personal refiections have been invaluable to this research. Thanks to the Depanment of English--especially Dr. Catherine Kerrigan-for providing me with teachinglresearch opportunities that have helped with my support over the past 1.5 years; Ms. Eileen Gross, for sticking with me and employing me (thus, helping to defray some of rny research costs) throughout this entire process; Dr. Patrick Holland, whose honesty and enthusiasm are rnatched only by his sense of humour; Dr. Carole Gerson at Simon Fraser University and Barbara Freeman at Carleton University; Jane Boyko of the Onawa Civic Archives: the University of Guelph Iibrary staff, especially Mary Swan; Gai1 McGinnis of the English Depanment; m y fellow graduate students, especiall y Joyce Parsons and Step hen Burke; my colleagues at FACS, panicularly Bill Frisbee, Margo Shœmaker, Colleen O'Brien, and Stacey Darrington; Penny Cinkant and her parents Joan and Ed; Debbie Kortleve and Irene Ellion for allowing me to interview them as part of this research. 1 thank you a11 for your generous assistance and support. Thanks to my parents, Elaine Margaret (Woodcock) and William Alexander Curtis: thank you for supponing and believing in me; my daughter Amanda Leigh: you, more than anyone else in my life, inspired me to choose this path; my husband John: 1 cannot begin to express rny appreciation for your patience. unconditional love and support during my physical and emorional absences. mis thesis is dedicnred tu the two men who contnbuted most to mÿ low of fiterature: Mr. Roy Biomstrom and Mr. Lurry Bryun. ... 111 Table of Contents The Life and Times of a Literary Chameleon: Madge Hamilton Lyons Macbeth Acknowledgements .. .. - .. i ... Table of Contents.. .. .. .. .. .. .. .. .. .. - .. .. 111 Introduction: The Life and Times of a Literary Chameleon: Madge Hamüton Lyons Macbeth ............ ............ ..... .... ...... 1 Methodology .............................................................. 6 Notes: Introduction .. .. .. ... .. 10 Works Cited: Introduction .. - -.. .. 11 Chapter 1: "1s This A Dagger Which 1 See Before Me?" or My Pen 1s Bigger Than Yours: Academia, Anthologization, Canon Formation and The Protocols of Genre ....... .... ... .. ..... .. ......... .... ..... 15 Case Study: What is a Classic? .. 21 Feminist Criticisrn .. .. .. .. .. .. .. .. .. 36 The Protocols of Genre 1: Romance .. .. .. 41 The Protocols of Genre 2: Acceptable Content and Acceptable Style . 52 Notes: Chapter 1 ........................................................ 61 Works Cited: Chapter 1 ................................................. 67 Chapter 2: Stepping Outside the "Woman's Sphere:" Journalism, The Short Story and "The Woman Question" ....... ....... .. ... .... ... ..... .. .. .. ... 74 Journalism ...................................................... .............. 82 The Short Story .............................................................. 94 The Woman Question .......................................................... 100 Notes: Chapter 2 .......................................................... -110 Works Cited: Chapter 2 .................................................. 123 Chapter 3: Madge Macbeth: Novelist . The Canadian Authon' Association and Madge's Literary Reception .......................................... 129 The Canadian Authors' Association ......................................... 133 Macbeth's Novels: Reception History .................................. ..-144 Notes: Chapter 3 ........................................................... 166 Works Cited: Chapter 3 .................................................. Si59 Conclusion: Where Do We Go From Here? ............................................ 175 Notes: Conclusion ..................................................... 179 Works Cited: Conclusion ................................................. 181 APPENDICES Appendix A: The Collected Works of Madge Macbeth .......................... 182 Notes: Appendix A ........................................................ 235 Works Cited: Appendix A ................................................ 248 Appendix B: Macbeth's Magazine Publications: 1917-1 920 .................... 250 Notes: Appendix B ......................................................... 307 Works Cited: Appendix B ............................ .. .................308 Appendix C: Royalty Statements: Novels .........................................-309 Notes: Appendix C ............................................................ 311 Works Cited: Appendix C ................................. .. .............. -313 Appendix D .1 Photograph (Shackles) ................................................. 3 14 Appendix D.2 Photograph (Land of Aftemoon) .................................... 315 1 introduction Madge Hamilton Lyons Macbeth: The Life and Times of a Literary Chameleon There is a world now scattered in the archives und the dut, waiting for whoever wants m try putring if together again. - William Kilbourn, The Firebrand (1956) What is one to do with the writings of a woman who both flouted and reinforced the literary conventions of her tirne? Who was, in her writing and in her life, unconventional, yet who often chose to work within the accepted standards of her day; who could be considered both a popular and a serious writer (according to the literary standards of her own time and ours); who wrote frankly on issues such as divorce, sex (teenage sex, sex both inside and outside of rnarriage, casual sex. sexual desire/longing, sexual pleasure, adultery. sex between individuals of very different ages), religious hypocrisy, marital dissatisfaction, prostitution. and dmg use. yet who often worked within the "traditional" romance genre; who wrote about women
Load more

Recommended publications
  • The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
    Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian
    [Show full text]
  • Spring 2015 Special Section: the Modernist Short Story, and Varia
    Journal of the Short Story in English Les Cahiers de la nouvelle 64 | Spring 2015 Special Section: The Modernist Short Story, and Varia The Tales of Frederick Philip Grove Andrew James Electronic version URL: http://journals.openedition.org/jsse/1569 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 March 2015 ISBN: 978-2-7535-5056-8 ISSN: 0294-04442 Electronic reference Andrew James, « The Tales of Frederick Philip Grove », Journal of the Short Story in English [Online], 64 | Spring 2015, Online since 01 March 2017, connection on 03 December 2020. URL : http:// journals.openedition.org/jsse/1569 This text was automatically generated on 3 December 2020. © All rights reserved The Tales of Frederick Philip Grove 1 The Tales of Frederick Philip Grove Andrew James 1 The twenty-three stories in the original version of Frederick Philip Grove’s Tales from the Margin comprise a cycle: characters recur and the locale is limited to Saskatchewan, Manitoba, and Alberta: the Canadian Prairies. This paper will examine how our perception of Grove’s cycle alters when the stories are viewed as tales. This is the label the author preferred. As he explained in his essay “The Novel,” while the short story deals with characters and incidents “excised” from the “social body” (It Needs to Be Said 120), the tale is concerned with the “border-provinces of human life” or life “on the margin.” Because tales belong to the oral tradition, the style of oration and identity of the teller are also important. Chaucer democratized tales by proving that anyone, irrespective of economic class or educational background, could tell a tale so long as it had sustaining interest to command an audience; Poe used the genre as an invitation to a fantastic, psychologically layered fictional world; and Washington Irving employed narrators who were dramatic figures in their own right, filtering his tales through them (Fallon xvii).
    [Show full text]
  • A Life and Four Landscapes
    A LIFE AND FOUR LANDSCAPES Frederick John Niven William H. New IRE1 REDERIC] K JOHN NIVEN is today almost unknown. That fact alone would warrant a critical investigation of him, but a study thus motivated could easily end by being merely an arid exercise. Fortunately, in Niven's case, the justifications for reappraisal are many. He warrants it because he was un- usual in Canadian letters. He lived by his writing without being a hack; he was a conscious prose stylist at a time when stylists were few; he was concerned with problems which affected his time, not (for all his apparently "regional" settings) with merely local issues; he was a man with wit, humanity, intelligence, and a willingness to exercise all three — and if this caused him to rebel quietly against orthodox social codes, to emigrate from the London literary world of the 1910's to the hinterland of British Columbia, and to dare to write honestly about the life that he knew existed, then so much the better for his fiction. He was also the friend of such diverse literary figures as Hugh Walpole, Christopher Morley, and I. A. Richards; the recipient (until he emigrated) of regular and favourable re- views both in the TLS and from such critics as Rebecca West; and the colleague of John Murray Gibbon and John Buchan. For all this, the man is a paradox, and difficult to assess. It is probably inevitable that thirty-three books of fiction, two of verse, and a vast array of non-fiction should vary in quality ; sometimes his characters were nothing more than stereotypes, and sometimes, too, he found difficulty in reconciling the fiction he was writing with the facts in which his work found its base.
    [Show full text]
  • Notes on Contributors
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Calgary Journal Hosting Notes on Contributors MARGARET ATWOOD was born in Ottawa in 1939 and received de• grees from the University of Toronto and Harvard University. She has taught at a number of Canadian universities and last year was Writer in Residence at the University of Toronto. She won the Governor-General's Award in 1966. Her five books of poems include The Circle Game (1966), The Journals of Susanna Moodie (1970) and Power Politics (1971). She has also written two novels, The Edible Woman (1969), and Surfacing (1972) and a critical book Survival (1972). DOUGLAS BARBOUR lives and works in Edmonton, Alberta. He has four books of postry out, of which the latest is songbook (talon- books, 19731. The others are Land Fall (1971), A Poem as Long as the Highway (1971), and White (1972). S. A. DJWA, Associate Professor, teaches Canadian Literature at Simon Fraser University and is a regular contributor to Cana• dian Literature and the Journal of Canadian Fiction. Professor Djwa has recently completed a book on E. J. Pratt (Copp Clark and McGill-Queen's University Press) and has developed com• puter concordances to fourteen Canadian poets in the prepara• tion of a thematic history of English Canadian poetry. She is now working on an edition of Charles Heavysege's poetry for the University of Toronto Press Literature of Canada Reprint Series. RALPH GUSTAFSON'S eighth book of poems, Fire on Stone, will be published by McClelland & Stewart, Toronto, autumn 1974.
    [Show full text]
  • Linda Christine Knowles Phd Thesis
    IN SEARCH OF A NATIONAL VOICE : SOME SIMILARITIES BETWEEN SCOTTISH AND CANADIAN POETRY 1860-1930 Linda Christine Knowles A Thesis Submitted for the Degree of PhD at the University of St Andrews 1981 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/15190 This item is protected by original copyright In Search of a National Voice: Some Similarities Between Scottish and Canadian Poetry 1860-1930. by Linda Christine Knowles 1981 ProQuest Number: 10167356 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10167356 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 s tv3. This thesis has been composed by me, and the work of which it is a record has been done by myself. It has not been accepted in any previous application for a higher degree. I have carried out research in Canadian and Scottish poetry in the Department of English, University of St Andrews under the supervision of Dr R.P.
    [Show full text]
  • Book Reviews
    Book Reviews Desmond Pacey, ed. The Letters of Frederick Philip Grove, Toronto and Buffalo: University of Toronto Press, 1976. pp. 584. $25.00. On January 15, 1941, a 23-year-old professor of English at Brandon College wrote to Frederick Philip Grove in Simcoe, Ontario, requesting information needed for a radio talk on the former Manitoba novelist. Just out from Cambridge, the young scholar had been asked to participate in "The University of the Air" series, to which the University of Manitoba was contributing a number of "Manitoba Sketches." "I was asked to cover the field of Manitoba literature," the professor recalls, "[and] as the only Manitoba literature I had then read was Grove's novels, I made [his] novels the SUbject of my talk." It is likely that Grove did not hear this talk, broadcast over local Manitoba stations, but this exchange of letters marked the beginning of Desmond Pacey's formal study of Grove, which culminated in his book-length study of the novelist in 1945. In the thirty-five years that have elapsed since that first letter, Pacey has been singularly dedicated to keeping Grove's name before the public, and though he has been upstaged recently by the sleuthing of Douglas Spettigue in regards to Grove's life, his body of critical assessments about his fiction still stands as a requisite for the Grove scholar. It is therefore fitting that Pacey should have capped his career with this monumental collection of Grove's letters, completed just before his untimely death on July 4, 1975, which to my knowledge is, aside from the Selected Letters of Malcolm Lowry, the only collection of letters ever published on a major Canadian literary figure.
    [Show full text]
  • Generic and Discursive Patterns in Catharine Parr Traill's The
    GATHERING UP THE THREADS: GENERIC AND DISCURSIVE PATTERNS IN CATHARINE PARR TRAILL'S THE BACKWOODS OF CANADA by Suzanne James B .A., University of British Columbia, 1980 M.A., University of British Columbia, 1987 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English O Suzanne James 2003 SIMON FRASER UNIVERSITY August 2003 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME: Suzanne James DEGREE: Doctor of Philosophy (English) TITLE OF THESIS: Gathering up the Threads: Generic and Discursive Patterns in Catharine Parr Traillls "The Backwoods of Canada" Examining Committee: Chair: David Stouck Professor . Carole Gerson Professor 'hzgaret I5inley Assistant Professor Mason Harris Associate Professor ~ackl~ittk Professor, History Intern+l/External Examimq Michael Peterman Professor, English Trent University External Examiner PARTIAL COPYRIGHT LICENCE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission.
    [Show full text]
  • 1971-72-Rapport-Annuel.Pdf
    Le collage que Charles Gagnon a fait pour illustrer notre couverture s'lnstitute Aceraceae. Les férus de botanique y auront reconnu, sous sa forme latine, le nom de famille de l'érable: acéracées. 15e Rapport annuel Consei I des Arts du Canada 1971-I 972 L’honorable Gérard Pelletier, Secrétaire d’Etat du Canada, Ottawa, Canada. Monsieur le Ministre, Conformément à I’article23de la Loi sur le Conseil des Arts du Canada (5-6 Elisabeth II, 1957,chapitre3), j’ai I’honneurdevous transmettre, pour présentation au Parlement, le rapport du Conseil des Arts du Canada pour l’exercice financierqui s’est terminé le 31 mars 1972. Veuillez agréer, Monsieur le Ministre, I’assurancedemessentimentsdistingués. Le président, John G. Prentice. Le 30 juin 1972. 2 -- Les membres et le personnel du Conseil des Arts désirent rendre hommage à M. Peter Dwyer, qui a quitté la direction du Conseil au cours de l’année, après avoir été associé à son action depuis le début. M. Dwyer a joué un rôle de premier plan dans la vie artistique canadienne à une époque particu- lièrement active de son développement, et continue de rendre des services dans ce domaine à titre de conseiller. Nous nous plaisons à rappeler ici que parmi tous les rédacteurs de rapports annuels, il est sans doute le seul dont la prose ait mérité de figurer dans une anthologie des meilleurs textes canadiens. 3 Table des matières Les arts Les humanités et les sciences sociales Autres programmes 10 Introduction 57 Introduction 102 Prix et distinctions 12 Niveaux des subventions, 1967-68 à 60 Niveaux des subventions, 1967-68 à 103 Échanges culturels 1971-72 1971-72 108 Commission canadienne pour Wnesco 13 La musique et l’opéra 61 Formation des chercheurs Bourses de doctorat; Bourses de maîtrise 112 Stanley House 21 Le théâtre en sciences sociales comportant un stage de recherche en Amérique latine; Finances 26 La danse répartition des bourses de doctorat par 114 Introduction discipline.
    [Show full text]
  • Martha Ostenso, Literary History, and the Scandinavian Diaspora
    Martha Ostenso, literary history, and the Scandinavian diaspora Literary history […] is governed by profound metanarrative designs. It has a didactic purpose that is aimed at constructing an idea of a nation, and it does so by giving it a certain form in both time and space. It requires clarity of origin and precise delimitation. As history, it constructs a past by selecting texts (canonization) and commemorating events so that the nation may be imaginatively shaped […] into a kind of central protagonist that is born, grows, and reaches a certain maturity. (10) - E. D. Blodgett, Five-Part Invention: A History of Literary History in Canada Migrant and diasporic writers pose particular challenges to the narratives of nation constructed in literary histories. Their critical reputations often reveal the way that historians of literature police the borders of their imagined nations, rejecting certain writers on the basis of ethnic origin or place of residence, and even ignoring particular texts because of where they are set. The exclusionary practices of literary history, and the ability of migrant writers to destabilise constructs of nation and also region, are explored in this article through a case study of Martha Ostenso, a Norwegian-born writer who lived at different times in both Canada and the US. Her first novel, Wild Geese (1925), was remarkably successful and won a high-profile American prize.[i] According to the standard narrative of her career presented in Canadian literary histories, Ostenso produced an early classic of Canadian prairie literature, and then abandoned Canada for the States, where she published a succession of inferior books with US settings.
    [Show full text]
  • Valedictions: Pacey and Crawley
    VALEDICTIONS Pacey and Crawley IT IS A CURIOUS THING about living in Canada, in its literary world, that one can know a person, work with him, correspond with him, share some close thoughts with him, and yet, distances and our way of life being what they are, realize when it all comes to an end how rarely one has met him in the flesh. Recently two men have died who played great roles in the development of literature in Canada, mediational as well as creative roles, and I have felt the sadness one feels when friends depart. And yet, when I come to remember, I realize that I met Alan Crawley once only in the flesh, twenty-six years ago when I first came back to Canada from England, and that I can have sat and talked with Desmond Pacey no more than three times in the last decade. Nevertheless, there was so much in common, so much in shared thoughts and hopes that went beyond mere links of letters or of disembodied voices at the ends of wires, that I believe I knew them, and know I valued and understood what they sought to achieve and in such large measure did achieve. Of Desmond Pacey, two men who in fact knew him more closely and directly than I did, Roy Daniells and Fred Cogswell, are writing in the pages of this issue. I myself have said what I feel I must of him in an article published recently in the Toronto Globe and Mail, in which I remarked on his importance as a literary historian, on his more limited but genuine virtues as a critic, on his role in encour- aging younger scholars and fostering literary magazines, on the long unchallenged position of his Creative Writing in Canada as "the only up-to-date handbook of our literary history that we had available." I remarked that "Pacey's role in arousing interest in Canadian writers and writing has been enormous, and rivalled EDITORIAL in recent years, I think, only by that of A.
    [Show full text]
  • S:\CAB\Finding Aids\Cultural Heritage Division\Literary Arts
    Library and Archives Bibliothèque et Archives Canada Canada Canadian Archives and Special Direction des archives canadiennes Collections Branch et collections spéciales DESMOND PACEY FONDS MG30-D339 Finding Aid No. 1729 / Instrument de recherche no 1729 Prepared in 1988 by D. Enns and in 1999 by Préparé en 1988 par D. Enns et en 1999 par Bill Green and Anne Goddard of the Social Bill Green et Anne Goddard pour les and Cultural Archives Archives sociales et culturelles TABLE OF CONTENTS CORRESPONDENCE AND RESEARCH ..........................................1 Poet Files..............................................................1 Novelists and other Writers Files...........................................11 CORRESPONDENCE ...................................................24, 97, 99 Ryerson Press Files .....................................................24 Scholarly Files...................................................25, 97, 99 English Department Files...........................................34, 97, 99 MANUSCRIPTS .......................................................46, 97, 99 Creative Writing Files................................................46, 99 Short Stories.....................................................47 Articles and Speeches Files ............................................50, 97 RESEARCH..............................................................54, 99 Bliss Carman Files......................................................54 Frederick Philip Grove Files ........................................55, 97, 99 Pacey’s
    [Show full text]
  • Report on the Strax Case at the University of New-Brunswick (1969)
    Academic Freedom and Tenure Committee Report on the Strax Case at the University of New Brunswick April 1969 Academic Freedom and Tenure Committee \\ Report on the Strax Case at the University of New Brunswick April 1969 Dr. Norman Strax (Ph.D., Harvard) was appointed Several Deans and senior faculty members appeared at Assistant Professor of Physics at the University of the library to "remonstrate" with Prof. Strax and some New Brunswick in 1966 on a 2-year contract. This students at various times during these periods over was renewed for a 1-year term for the 1968-69 the three days involved (from about 6 to 8 p.m. on academic year. On 24 September 1968 he was Friday; 4:30 to about 5:15 on Saturday; and from 9:15 suspended by the President, Colin B. Mackay. No to just before closing at 10 p.m. on Monday). formal reasons were given for this action at the time. The suspension appears to have been related to the While Prof. Strax appears to have earned the efforts of Professor Strax, in company with some reputation in many quarters on and off the campus at students, to oppose or challenge the requirement that Fredericton as an "activist", it has been consistently identification cards be used when borrowing books at claimed by the University that the suspension was the university library. The actions in the library, occasioned only by the library incidents, with no which judging from all accounts were non-violent, reference to any previous actions on his part either in appear to have taken place over several days: on his capacity as teacher or as citizen.
    [Show full text]