Standards of Archival Description in Catalonia (NODAC)
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One Hundred Years of Science Policy and the Institute of Catalan Studies
CONEIXEMENT I SOCIETAT 14 ARTICLES ONE HUNDRED YEARS OF SCIENCE POLICY AND THE INSTITUTE OF CATALAN STUDIES Josep M. Camarasa* and Antoni Roca i Rosell** The Institute of Catalan Studies (Institut d’Estudis Catalans, henceforth the IEC) was founded in 1907 by Enric Prat de la Riba with the aim of promoting scientific policy. The underlying rationale was that an institute promoting high culture would reinforce Catalonia’s aspirations for political autonomy. Nonetheless, in addition to this original aim, the IEC has acquired a considerable degree of functional autonomy, indicating preferred directions for research and the dissemination of knowledge, and contributing greatly to the development of a Catalan scientific community. The autonomy of the IEC was unrestricted during the dictatorship of Primo de Rivera (1923-1930), although it received no public funding of any kind. During the Second Republic –covering the years 1931 to 1939 and including the Civil War– the IEC had premises in the Casa de Convalescència (attached to the old Hospital de la Santa Creu). During the Franco dictatorship, the IEC was taken to be defunct, although it was never, in fact, explicitly closed down, and continued to operate in semi-clandestine form. In 1963, Òmnium Cultural (a body promoting Catalan identity, culture and language), granted the IEC premises in the Palau Dalmases. The IEC thus acquired a certain public presence that enabled it to support the activities implemented by its subsidiary societies. In 1976, the IEC was publicly recognised by the governments of Catalonia and of Spain. In recent decades, in an academic context that is very different from that existing in the opening decades of the 20th century and against a very different political background, the IEC has battled to carve out a niche for itself in the Catalan research sector. -
Rutes Insòlites Per Barcelona L'elegia Barcelonina De Gaziel Albert Serra
COBERTA 92_BCNM 06/06/14 12:51 Página 1 www.barcelonametropolis.cat Número 92 / Juny - June - Junio 2014 - 6 € Barcelona Metròpolis 92 - Juny / June / Junio 2014 Junio / June / Juny - 92 Metròpolis Barcelona Rutes insòlites per Barcelona Unique routes through Barcelona Rutas insólitas por Barcelona L’elegia barcelonina de Gaziel Gaziel’s Barcelona elegy www.bcn.cat/bcnmetropolis http://twitter.com/bcnmetropolis 9 2 La elegía barcelonesa de Gaziel Entrevista / Interview 8 400214 062238 Albert Serra COBERTA 92_BCNM 06/06/14 12:51 Página 2 BM92-1-3 Editorial-JordiOK-def_. 06/06/14 09:23 Página 1 Editorial Les imatges que il·lustren l’editorial i l’interior de la portada presenten diversos aspectes de la Barcelona insòlita a la qual dediquem el nostre dossier monogràfic. Fotos: Dani Codina i Albert Armengol Ulls nous sobre Barcelona Una de les imatges més curioses que podem trobar avui a d’entrada de turistes i la muntanya cada vegada serà més Marc Puig i Guàrdia Barcelona és la d’un turista ensumant encuriosit una parada transitable, un cop la carretera de les Aigües es converteixi Director de Comunicació i de Bicing. És un dels pocs serveis que ofereix la ciutat que en un gran corredor verd. Barcelona Metròpolis us convida Atenció Ciutadana li són vedats. Com nosaltres, el turista agafa el metro, el bus a trencar unes muralles invisibles que hem anat construint o un taxi, però ben sovint, després de mirar-se amb perple- al voltant d’una idea fixa de la ciutat. xitat totes aquelles bicicletes arrenglerades, opta per fer Barcelona ocupa la sisena posició del primer rànquing una de les coses més antigues del món: caminar. -
BARCELONA IS Much More NATURE, CULTURE, ENTERTAINMENT, GASTRONOMY
FREE ISSUE JANUARY 2017 Monthly agenda OFFICIAL FREE GUIDE! BARCELONA IS MUCH MORE NATURE, CULTURE, ENTERTAINMENT, GASTRONOMY... A HOST OF OPTIONS NEAR THE CITY ESSENTIAL THE AGENDA WITH GASTRONOMIC BEST ART MORE THAN EXPERIENCES GALLERIES 200 ACTIVITIES CONTENTS January 2017 Skiing at Masella. 08 BARCELONA 20 IN THE CITY IS MUCH MORE First class music, Enjoy the flavors while discovering history. Unforgettable activities theatre and dance Nature, sport, culture, The best music of all styles gastronomy... a host of activities combined with flamenco, C/ Mercaders 10 outside the city. dance and theatre. 08003 Born - Barcelona 14 ART 22 El Raval Art galleries Tradition and modernity Tel: + 34-932956467 Discover Barcelona’s rich variety go hand in hand in this neighbourhood. www.arcanobcn.com of artistic offerings by zones. 18 FOOD AND DRINK 23 SHOPPING The best gastronomic Catalan crafts in Ciutat Vella activities The best stores stocking Savour our gastronomy heritage related items. through the many activities 25 AGENDA and experiences offered by More than 200 daily restaurants. activities. Publisher: Turisme de Barcelona. Passatge de la Concepció, 7-9. Tel. 93 368 97 00. visitbarcelona.com · Design & layout: ZetaCorp (Ediciones Reunidas SA - Grupo Zeta). Tel. 93 227 94 16 · Advertising: Director Comercial, Juan Garçon. ZETA Gestión de Medios. Tel. 93 484 66 00 DL: B 12.919.2016 Follow us on social media: @VisitBCN_EN facebook.com/visitbarcelona pinterest.com/visitbcn/ youtube.com/c/visitbarcelonaofficial instagram.com/visitbarcelona plus.google.com/+visitbarcelonaofficial 2 visitbarcelona.com tickets.visitbarcelona.com 3 THE HOT Sa. 14 Mo. 23 LIST FOOTBALL MUSIC El Raval January 2017 FC Barcelona- American band neighbourhood. -
Catalonia La Pedrera****
(http://bibliotecnica.upc.edu/LIBER2011) Inici > CATALONIA LA PEDRERA**** website Còrcega 368 08037 Barcelona Telephone: (+34) 93 208 19 19 How to get from the hotel to: FRIDAY 1st JULY, 19h.: THURSDAY 30th JUNE, 19h.: CONFERENCE VENUE: 29th RECEPTION AT THE NATIONAL LIBRARY OF JUNE – 1st JULY MUSEUM OF THE HISTORY CATALONIA OF CATALONIA Route A: Train and Metro 1) Train: Barcelona Airport - Passeig de Gracia: (30 mins.) Line R2 from Barcelona Airport to Passeig de Gracia station. Trains every 30 mins. 2) Metro: Passeig de Gracia - Diagonal: (5 mins.) Line 3 (green) from Passeig de Gracia station (in the direction of Trinitat Nova) to Diagonal (1 stop). From Diagonal station to the hotel is 10 mins. on foot. Route B: Aerobús (bus) and Metro 1) Aerobús (bus): Barcelona Airport - Plaça Catalunya: (35-40 mins.) You can take one outside the airport. Aerobús every 15 mins. 2) Metro: Passeig de Gracia - Diagonal: (10 mins.) Line 3 (green) from Plaça Catalunya (in the direction of Trinitat Nova) to Diagonal (2 stops). From Diagonal station to the hotel is 10 mins. on foot. Route C: Taxi (about 50 mins.) You can take one outside the airport. The price is about 45 €. * Ticket prices: Aerobús (bus): Single ticket: 5,05 €. You can buy one in the bus (T-10 travel card is not valid on these buses). Metro: Single ticket: 1,40 € T-10 travel card: 7,95 €. It is valid for 10 trips anywhere on Barcelona's public transport network (train, bus, tram and metro). You can buy one at any metro station, tram station or at the entrance of the RENFE railway platform at Barcelona Airport. -
Raval-Ang.Pdf
FROM THE XINO TO THE RAVAL Culture and Social Transformation in Central Barcelona Directors Joan Subirats Joaquim Rius FROM THE XINO TO THE RAVAL Culture and Social Transformation in Central Barcelona This study has been carried out at the initiative of, and financed by, the Centre de Cultura Contemporànea de Barcelona (Centre of Contemporaru Culture of Barcelona) on the occasion of its tenth anniversary. Research directors: Joan Subirats and Joaquim Rius. Research team: Joaquim Rius, Laia Ollé, Andrés Scagliola and Ismael Blanco, with the collaboration of Júlia Humet. © Centre de Cultura Contemporània de Barcelona, 2006 Montalegre, 5 08001 Barcelona http://www.cccb.org All rights reserved. Index Presentation and first elements 7 Transformations 11 Many Ravals 31 Culture as a referent: 47 the presence of the CCCB and the Plaça dels Àngels cluster Conclusions and recommendations 69 Bibliography 73 5 PRESENTATION AND FIRST ELEMENTS Introduction The Raval today is a great space of social change, a territory of creation, a laboratory of social and cultural blending in the city of Barcelona. This study, which was commissioned by the CCCB, aims to analyse the processes of social, economic and symbolic transformation in the Raval neighbourhood. We wish to symbolise these processes by calling this study “From the Xino1 to the Raval”. In other words, we describe how in twenty years the neighbourhood has gone from being the Xino, which is to say a stigmatised area with a reputation of social exclu- sion and neglect, to being a neighbourhood in the middle of a process of renovation, one that is socially and culturally mixed and a place that is visited by residents of Barcelona and visitors from abroad alike. -
Direct PDF Link for Archiving
Jane Van Nimmen exhibition review of Japonismo: La fascinación por el arte japonés Nineteenth-Century Art Worldwide 13, no. 1 (Spring 2014) Citation: Jane Van Nimmen, exhibition review of “Japonismo: La fascinación por el arte japonés,” Nineteenth-Century Art Worldwide 13, no. 1 (Spring 2014), http://www.19thc- artworldwide.org/spring14/van-nimmen-reviews-japonismo. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Nimmen: Japonismo: La fascinación por el arte japonés Nineteenth-Century Art Worldwide 13, no. 1 (Spring 2014) Japonismo: La fascinación por el arte japonés CaixaForum Barcelona June 14 – September 15, 2013 CaixaForum Madrid October 17, 2013 – February 16, 2014 Curator: Ricard Bru i Turull Catalogue: Japonismo: La fascinación por el arte japonés. Japonisme: La fascinació per l'art japonès. Edited by Ricard Bru i Turull; essays by Bru i Turull, Fernando García Gutiérrez, S. J., Akiko Mabuchi, Teresa-M. Sala; entries by Bru i Turull, Eliseo Trenc, Pilar Vélez, and others. Barcelona: Obra Social “la Caixa,” 2013. 248 pages; 347 color illustrations, 9 b&w; bibliography; checklist. €35 ISBN: 978-84-9900-082-4 [Castilian] 978-84-9900-083-1 [Catalan] In mid-June 2013, the first exhibition in Spain on international Japonisme opened in Barcelona’s CaixaForum and traveled in October to the CaixaForum in Madrid for a second, four-month showing. The bank “La Caixa” opened its new cultural center in Barcelona in 2002 at the foot of Montjuic, an area rebuilt for the 1929 world’s fair with the vast Palau Nacional (now the National Museum of Catalonian Art) crowning the hilltop. -
To See the Full Issue
VOLUME 12 | ISSUE 2 | DECEMBER 2016 Thematic issue on Activities of the Academia Europaea Barcelona Knowledge Hub 2013–2016 Volume 12 | Issue 2 | December 2016 OPEN ACCESS JOURNAL www.cat-science.cat http://revistes.iec.cat/contributions/ FRONT COVER INSIDE PICTURES and BACK COVER (Centre) Gaudí’s ceramic dragon at the en- Articles of this thematic issue of Contribu- trance of Park Güell, Barcelona. With its bright tions to Science show in their first page one scales of small tiles, it represents Python, Del- photograph of a "trencadís". The Catalan archi- phian guardian of the underground waters, the tect Antoni Gaudí (1852–1926) used them in source of wisdom. Python, Gaia’s son, spelled many projects, among which Barcelona's Parc oracles, early symbol of the communication Güell. Gaudí graduated from the Provincial of knowledge and science. This Gaudi's icon School of Architecture in 1878. Upon gradu- is also an adequate, artistic representative of ation, Gaudí initially worked in the artistic vein the AE-BKH and was included, together with of his Victorian predecessors, but he soon a sketch of the Mediterranean, in the AE-BKH developed his own style, composing his works logotype. (Bottom) Barcelona’s skyline with with juxtapositions of geometric masses and "trencadís", a type of mosaic made with bro- animating the surfaces with patterned brick or ken tiles characteristic of Catalan Modernism stone, bright ceramic tiles and floral or reptilian (©MBerlanga). (Background) Map of Barce- metalwork. An architect’s designs is the best lona in 1563, from Anton van den Wyngaerde representation of his own personality. -
Dialect of Catalan Or Autonomous Language?
Annals of Language and Literature Volume 3, Issue 2, 2019, PP 9-18 ISSN 2637-5869 The Origins of Catalan, the Valencian: Dialect of Catalan or Autonomous Language? Ana Montaner Bueno, Andrés Montaner Bueno* Department of Language and Literature Didactics, University of Murcia, Spain *Corresponding Author: Andrés Montaner Bueno, Department of Language and Literature Didactics, University of Murcia, Spain, Email: [email protected] ABSTRACT When we talk about the spread of western Catalan beyond the Principality, we consider Valencian as a dialect of Catalan. This question has been one of the most discussed and controversial has aroused. That is why, we will treat the issue individually. To solve this dilemma, the first thing that we will consider is to define the concepts of language and dialect, to later consider the origins of the Valencian and from them to see if they really coincide with the characteristics that we have defined for the terms language and dialect. Keywords: Catalan; Valencian; language; dialect; autonomy; (in) dependence. THE CATALAN AND ITS DIALECTS Tarragona is divided between the eastern and western dialects. We understand by Catalan the language that for centuries has been spoken as vernacular in the Following its expansion to the south, beyond the Principality of Catalonia (Lérida, Barcelona, Principality, the western Catalan extends to the Tarragona and Gerona), in the valleys of non-Castilian part of the provinces of Castellón, Andorra, in the French department of the Valencia and Alicante, while the eastern branch Eastern Pyrenees, in the eastern part of Aragon, in the Balearic Islands. Following this criterion, in most of Valencia, in the Balearic Islands and we can reach a first dialectal division, which in the city of Alguer located on the northwest includes the following regions coast of the island of Sardinia. -
Vine-Growing in Catalonia: the Main Agricultural Change Underlying the Earliest Industrialization in Mediterranean Europe (1720–1939)
Vine-growing in Catalonia: the main agricultural change underlying the earliest industrialization in Mediterranean Europe (1720–1939) MARC B A D I A-M I R Ó AND E N R I C T E L LO Economic History, Faculty of Economics and Business, Universitat de Barcelona, Av. Diagonal, 690, Barcelona, Spain, [email protected] We present a model of vine-growing specialization that explains the key agricultural change carried out before and throughout the Catalan industrialization. The results confirm the role played by a “Smithian” market-pull force exerted from the Atlantic demand, together with the “Boserupian” population-push on land-use intensification. They jointly put in motion a process of opening and closing of an inner frontier of vineyard planting, whose local impact was conditioned by the agro- ecological endowments as well as to the different levels and trends of income inequality. Vineyard planting gave rise to less inequality up to the 1820s, but it grew again afterwards. 1. Introduction We present an intensive frontier model to explain vine-growing specialization in Catalonia, and the municipalities of the province of Barcelona, which is deemed to be the key agricultural change that preceded and accompanied industrialization. This is a relevant case, given that the province of Barcelona was the earliest industrialized region in Southern Europe. In 1860, industry contributed 37 per cent of value added and employed 32 per cent of active population, compared with 47 percent in the UK and 24 percent in the whole of France. With 1,847 per capita GDP (1990 GK $US), the Barcelona province ranked above the average figures of Germany (1,639) or Austria (1,778) and just below France (1,892) of the time. -
Press Release
Klimt Press Release CaixaForum Seville From 4 March to 20 August 2017 Press Release A major retrospective devoted to one of our country’s most outstanding Post- Impressionist painters, based on works from the collection conserved by ”la Caixa” During the splendour of modernism, the Spanish artist who enjoyed the greatest international fame was Hermen Anglada-Camarasa (Barcelona, 1871 - Port de Pollença, Majorca, 1959). In his early years, Anglada- Camarasa cultivated a highly-detailed, solid rural realism, but his sojourn in Paris led him to develop a light-filled, highly personal Post- Impressionist style with powerful symbolic resonances. At the start of his career, he endured poverty and hardship, but his fame soon spread around the world. In later periods he found inspiration in the folklore of Valencia, creating a bright, colourful language that won him admiration from the likes of Kandinsky, Meyerhold and Diaghilev. After the First World War, Anglada-Camarasa took refuge in Majorca, an experience which caused another transformation in his style. His last truly creative paintings were made during the Spanish Civil War, and feature the peculiar, rugged geography of Mount Montserrat. The exhibition Anglada- Camarasa. 1871-1959 , presented here for the first time, is formed by 94 works, including several large oils and a large selection from the artist’s lithographic production. Most of these works are from the ”la Caixa” Anglada-Camarasa Collection, and as a rule can only be seen at CaixaForum Palma. Added to them are pieces on loan from the Museum of Fine Arts of Asturias, the Barceló Foundation in Palma, the Library of Catalonia and the private collection of Josep Coll in Valldemossa. -
Act on Library Services
Act on Library Services Generalitat of Catalonia Official Gazette no. 1727 - 29.3.1993 PROVISIONS THE PRESIDENTIAL OFFICE OF THE GENERALITAT ACT 4/1993, of 13 March, of the Catalan library system THE PRESIDENT OF THE GENERALITAT OF CATALONIA Be it known to all citizens that the Parliament of Catalonia has approved and I, in the name of the King and in accordance with the provision of article 33.2 of the Statute of Autonomy, promulgate the following ACT I. In 1981, emerging from a long stage of non-existence of self-government institutions in Catalonia, Parliament approved the Libraries Act which has been in force up till now. More than ten years later, the country has been organised from a territorial viewpoint, there have been progressive changes in the role of administrative organisations of local government, and the districts or “comarcas” have been created, to become, jointly with the municipalities, the main articulation of the region. The large cultural infrastructures, as in the case of the Catalan Library, have gradually become defined, with institutional agreement, so as to assume the corresponding national identity. The growth of the library networks has made overall planning necessary in order to correct the current inequality in library services in the country. A system has to be defined, then, which interrelates the whole of the library infrastructure, and also incorporates the state-owned centres which are managed by the Generalitat. All these aspects have led to the need to change and enrich the Libraries Act of 1981. That Act, valuable in that it was the start of this necessary ordering of the cultural infrastructures and, in this case, the library panorama of the country, now needs to be adapted to new premises. -
Catalan Law and Legal Information in a Global Context 15-19 September
INTERNATIONAL ASSOCIATION OF LAW LIBRARIES · ~.-~ . 1 ~ - 32nd Annual Course on lnternational Law an~ Legal IQ.!,.,~ ~~.·on ~., Catalan Law and Legal lnformatioriljn a ~~~ ~Con x ~ · Barcelona, 15-19 September, 2013 ' ~ · ,. - ,1 • ) Catalan Law and Legal Information in a Global Context 15-19 September 2013 Aula Magna Faculty of Law, University of Barcelona Barcelona Knowledge B:KC Campus -4l) ~Universitat de Barcelona Campus of lnternational Excellence 1Contents Welcome from the President ........................................................................ 2 Welcome to the University of Barcelona ...................................................... 3 Welcome to the Faculty of Law .................................................................... 4 Conference Programme ................................................................................ 5 Summaries of Presentations and Biographies of Speakers ........................ 10 Visits ............................................................................................................19 Sponsors ...................................................................................................... 21 IALL Officers ................................................................................................ 23 Local Planning Committee Members .......................................................... 26 Delegates List .............................................................................................. 27 Conference Map .........................................................................................