DOCSLIB.ORG

The Cambridge Companion to Coleridge

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The Cambridge Companion to Coleridge Samuel Taylor Coleridge is one of the most influential, as well as one of the most enigmatic, of all Romantic figures. The possessor of a precocious talent, he dazzled contemporaries with his poetry, journalism, philosophy and oratory without ever quite living up to his early promise, or overcoming problems of dependency and drug addiction. The Cambridge Companion to Coleridge does full justice to the many facets of Coleridge’s life, thought and writing. Specially commissioned essays focus on his major poems, including ‘The Rime of the Ancient Mariner’ and ‘Christabel’, his Notebooks, and his major work of non-fiction, the Biographia Literaria. Attention is given to his role as talker, journalist, critic and philosopher; to his politics, his religion, and his reputation in his own times and afterwards. A chronology and guides to further reading complete the volume, making this an indispensable guide to Coleridge and his work. lucy newlyn is Fellow and Tutor in English at St Edmund Hall, Oxford. She is an authority on Coleridge and Wordsworth, and has published exten- sively on English Romanticism. Her publications include Coleridge, Words- worth and the Language of Allusion (1986), ‘Paradise Lost’ and the Romantic Reader (1993), and Reading, Writing and Romanticism: The Anxiety of Reception (2000), all with Oxford University Press. Cambridge Companions Online © Cambridge University Press, 2006 Cambridge Companions Online © Cambridge University Press, 2006 CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Greek Tragedy The Cambridge Companion to the Classic edited by P. E. Easterling Russian Novel The Cambridge Companion to Old English edited by Malcolm V. Jones and Literature Robin Feuer Miller edited by Malcolm Godden and The Cambridge Companion to the French Michael Lapidge Novel: from 1800 to the Present The Cambridge Companion to Medieval edited by Timothy Unwin Romance The Cambridge Companion to Modernism edited by Roberta L. Krueger edited by Michael Levenson The Cambridge Companion to Medieval The Cambridge Companion to Australian English Theatre Literature edited by Richard Beadle edited by Elizabeth Webby The Cambridge Companion to English The Cambridge Companion to American Renaissance Drama Women Playwrights edited by A. R. Braunmuller and edited by Brenda Murphy Michael Hattaway The Cambridge Companion to Modern The Cambridge Companion to Renaissance British Women Playwrights Humanism edited by Elaine Aston and Janelle Reinelt edited by Jill Kraye The Cambridge Companion to Virgil The Cambridge Companion to English edited by Charles Martindale Poetry, Donne to Marvell edited by Thomas N. Corns The Cambridge Companion to Ovid edited by Philip Hardie The Cambridge Companion to English Literature, 1500–1600 The Cambridge Companion to Dante edited by Arthur F. Kinney edited by Rachel Jacoff The Cambridge Companion to English The Cambridge Companion to Goethe Literature, 1650–1740 edited by Lesley Sharpe edited by Steven N. Zwicker The Cambridge Companion to Proust The Cambridge Companion to Writing of the edited by Richard Bales English Revolution The Cambridge Companion to Thomas edited by N. H. Keeble Mann The Cambridge Companion to English edited by Ritchie Robertson Restoration Theatre The Cambridge Companion to Chekhov edited by Deborah C. Payne Fisk edited by Vera Gottlieb and Paul Allain The Cambridge Companion to British The Cambridge Companion to Ibsen Romanticism edited by James McFarlane edited by Stuart Curran The Cambridge Companion to Brecht The Cambridge Companion to edited by Peter Thomson and Eighteenth-Century Poetry Glendyr Sacks edited by John Sitter The Cambridge Chaucer Companion The Cambridge Companion to the edited by Piero Boitani and Jill Mann Eighteenth-Century Novel edited by John Richetti The Cambridge Companion to Shakespeare edited by Margareta de Grazia and The Cambridge Companion to Victorian Stanley Wells Poetry edited by Joseph Bristow The Cambridge Companion to Shakespeare The Cambridge Companion to the Victorian on Film Novel edited by Russell Jackson edited by Deirdre David The Cambridge Companion to The Cambridge Companion to American Shakespearean Comedy Realism and Naturalism edited by Alexander Leggatt edited by Donald Pizer The Cambridge Companion to Shakespeare The Cambridge Companion to on Stage Nineteenth-Century American Women’s edited by Stanley Wells and Sarah Stanton Writing The Cambridge Companion to Spenser edited by Dale M. Bauer and Philip Gould edited by Andrew Hadfield Cambridge Companions Online © Cambridge University Press, 2006 The Cambridge Companion to Ben Jonson The Cambridge Companion to Beckett edited by Richard Harp and Stanley Stewart edited by John Pilling The Cambridge Companion to Milton The Cambridge Companion to Harold Pinter 2nd edition edited by Peter Raby edited by Dennis Danielson The Cambridge Companion to Tom Stoppard The Cambridge Companion to Samuel edited by Katherine E. Kelly Johnson The Cambridge Companion to Herman edited by Greg Clingham Melville The Cambridge Companion to Mary edited by Robert S. Levine Wollstonecraft The Cambridge Companion to Edith edited by Claudia L. Johnson Wharton The Cambridge Companion to Coleridge edited by Millicent Bell edited by Lucy Newlyn The Cambridge Companion to Henry James The Cambridge Companion to Keats edited by Jonathan Freedman edited by Susan J. Wolfson The Cambridge Companion to Walt The Cambridge Companion to Jane Austen Whitman edited by Edward Copeland and edited by Ezra Greenspan Juliet McMaster The Cambridge Companion to Henry David The Cambridge Companion to Charles Thoreau Dickens edited by Joel Myerson edited by John O. Jordan The Cambridge Companion to Mark Twain The Cambridge Companion to George Eliot edited by Forrest G. Robinson edited by George Levine The Cambridge Companion to Edgar Allan The Cambridge Companion to Thomas Poe Hardy edited by Kevin J. Hayes edited by Dale Kramer The Cambridge Companion to Emily The Cambridge Companion to Oscar Wilde Dickinson edited by Peter Raby edited by Wendy Martin The Cambridge Companion to George The Cambridge Companion to William Bernard Shaw Faulkner edited by Christopher Innes edited by Philip M. Weinstein The Cambridge Companion to Joseph The Cambridge Companion to Ernest Conrad Hemingway edited by J. H. Stape edited by Scott Donaldson The Cambridge Companion to D. H. The Cambridge Companion to F. Scott Lawrence Fitzgerald edited by Anne Fernihough edited by Ruth Prigozy The Cambridge Companion to Virginia The Cambridge Companion to Robert Frost Woolf edited by Robert Faggen edited by Sue Roe and Susan Sellers The Cambridge Companion to Eugene The Cambridge Companion to James Joyce O’Neill edited by Derek Attridge edited by Michael Manheim The Cambridge Companion to T. S. Eliot The Cambridge Companion to Tennessee edited by A. David Moody Williams edited by Matthew C. Roudan ´e The Cambridge Companion to Ezra Pound edited by Ira B. Nadel The Cambridge Companion to Arthur Miller edited by Christopher Bigsby CAMBRIDGE COMPANIONS TO CULTURE The Cambridge Companion to Modern The Cambridge Companion to Modern German Culture Spanish Culture edited by Eva Kolinsky and edited by David T. Gies Wilfried van der Will The Cambridge Companion to Modern The Cambridge Companion to Modern Italian Culture Russian Culture edited by Zygmunt G. Bara nski´ and edited by Nicholas Rzhevsky Rebecca J. West Cambridge Companions Online © Cambridge University Press, 2006 THE CAMBRIDGE COMPANION TO COLERIDGE EDITED BY LUCY NEWLYN St Edmund Hall, Oxford Cambridge Companions Online © Cambridge University Press, 2006 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru , uk 40 West 20 th Street, New York, ny 10011 -4211 , usa 477 Williamstown Road, Port Melbourne, vic 3207 , Australia Ruiz de Alarc on´ 13 , 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface Sabon 10 /13 pt System LATEX 2ε [TB ] A catalogue record for this book is available from the British Library isbn 0 521 65071 2 hardback isbn 0 521 65909 4 paperback Cambridge Companions Online © Cambridge University Press, 2006 CONTENTS List of contributors page ix List of abbreviations x Chronology xiii Acknowledgements xv Introduction 1 lucy newlyn part 1 texts and contexts 1 Coleridge’s life 17 kelvin everest 2 The ‘Conversation’ poems 32 paul magnuson 3 Slavery and superstition in the supernatural poems 45 tim fulford 4 Biographia Literaria 59 james engell 5 The Notebooks 75 josie dixon 6 The later poetry 89 j. c. c. mays part 2 discursive modes 7 The talker 103 seamus perry vii Cambridge Companions Online © Cambridge University Press, 2006 list of contents 8 The journalist 126 deirdre coleman 9 The critic 142 angela esterhammer 10 Political thinker 156 peter j. kitson 11 The philosopher 170 paul hamilton 12 Religious thinker 187 mary anne perkins part 3 themes and topics 13 Gender 203 julie carlson 14 Symbol 217 james c. m c kusick 15 Coleridge’s afterlife 231 john beer Guide to further reading 245 Index 262 viii
Recommended publications
  • Coleridge Family

    Coleridge Family

    Coleridge Family: An Inventory of Their Literary File Photography Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge Family Title: Coleridge Family Literary File Photography Collection Dates: undated Extent: 32 items Abstract: Thirty-two photographs that are primarily portraits of members of the Coleridge family, which includes the Romantic poet, Samuel Taylor Coleridge (British, 1772-1834). Call Number: Photography Collection PH-02899 Language: English Access: Open for research. To make an appointment or to reserve photography materials, please email Visual Materials Reference staff. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. Restrictions on Authorization for publication is given on behalf of the University of Use: Texas as the owner of the collection and is not intended to include or imply permission of the copyright holder which must be obtained by the researcher. For more information please see the Ransom Center's Open Access and Use Policies.
  • Towards a Poetics of Becoming: Samuel Taylor Coleridge's and John Keats's Aesthetics Between Idealism and Deconstruction

    Towards a Poetics of Becoming: Samuel Taylor Coleridge's and John Keats's Aesthetics Between Idealism and Deconstruction

    Towards a Poetics of Becoming: Samuel Taylor Coleridge’s and John Keats’s Aesthetics Between Idealism and Deconstruction Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV (Sprach- und Literaturwissenschaften) der Universität Regensburg eingereicht von Charles NGIEWIH TEKE Alfons-Auer-Str. 4 93053 Regensburg Februar 2004 Erstgutachter: Prof. Dr. Rainer EMIG Zweitgutachter: Prof. Dr. Dieter A. BERGER 1 TABLE OF CONTENTS PAGE DEDICATION .............................................................................................................. I ACKNOWLEDGMENTS ........................................................................................... II ABSTRACT ............................................................................................................... VI English........................................................................................................................ VI German...................................................................................................................... VII French...................................................................................................................... VIII INTRODUCTION Aims of the Study......................................................................................................... 1 On the Relationship Between S. T. Coleridge and J. Keats.......................................... 5 Certain Critical Terms................................................................................................
  • Biographia Literaria

    Biographia Literaria

    Biographia Literaria Samuel Taylor Coleridge Biographia Literaria Table of Contents Biographia Literaria.................................................................................................................................................1 Samuel Taylor Coleridge...............................................................................................................................1 i Biographia Literaria Samuel Taylor Coleridge CHAPTER I. The motives of the present work—Reception of the Author’s first publication—The discipline of his taste at school—The effect of contem− porary writers on youthful minds—Bowles’s sonnets—Comparison between the Poets before and since Mr. Pope. IT has been my lot to have had my name introduced both in conversation, and in print, more frequently than I find it easy to explain, whether I consider the fewness, unim− portance, and limited circulation of my writings, or the retirement and distance, in which I have lived, both from the literary and political world. Most often it has been connected with some charge, which I could not acknowledge, or some principle which I had never entertained. Nevertheless, had I had no other motive, or incitement, the reader would not have been troubled with this exculpation. What my ad− ditional purposes were, will be seen in the fol− lowing pages. It will be found, that the least of what I have written concerns myself per− sonally. I have used the narration chiefly for the purpose of giving a continuity to the work, in part for the sake of the miscellaneous
  • Samuel Taylor Coleridge and the Genesis of the OED

    Samuel Taylor Coleridge and the Genesis of the OED

    University of Montana ScholarWorks at University of Montana English Faculty Publications English 8-1992 "Living Words": Samuel Taylor Coleridge and the Genesis of the OED James C. McKusick University of Montana - Missoula, [email protected] Follow this and additional works at: https://scholarworks.umt.edu/eng_pubs Part of the English Language and Literature Commons Let us know how access to this document benefits ou.y Recommended Citation McKusick, James C., ""Living Words": Samuel Taylor Coleridge and the Genesis of the OED" (1992). English Faculty Publications. 6. https://scholarworks.umt.edu/eng_pubs/6 This Article is brought to you for free and open access by the English at ScholarWorks at University of Montana. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. "Living Words": Samuel Taylor Coleridge and the Genesis of the OED JAMES C. McKUSICK University of Maryland, Baltimore County Today we are at a crucial moment in the evolution of the Oxford En­ glish Dictionary, as the dog-eared volumes are withdrawn from library shelves and replaced by the sleek second edition of 1989. This new OED bears witness to the continuing relevance and utility of the "New English Dictionary on Historical Principles" for the current generation of literary scholars. The event of its publication provides an opportunity for a fresh historical perspective on the circum­ stances surrounding the production of the original OED, which was published between 1884 and 1928 in a series of 125 fascicles and bound up into those thick volumes so familiar to students and teachers of English literature.
  • The Poetry of Coleridge and Hopkins. (Under the Direction of Antony Harrison.)

    The Poetry of Coleridge and Hopkins. (Under the Direction of Antony Harrison.)

    ABSTRACT MORRIS, GABRIEL STEPHEN. Sacramental Conversation: The Poetry of Coleridge and Hopkins. (Under the direction of Antony Harrison.) While much scholarship has considered the theological and metaphysical foundations of Samuel Taylor Coleridge’s and Gerard Manley Hopkins’ poetry, this study seeks to add to the conversation by examining how a conversational mode of meditation unique to Christian sacrament inspires that poetry. Both Coleridge and Hopkins demonstrate an understanding of Christian sacrament that emphasizes engagement and encounter with God through language and creation; in turn, they create a poetry that uses all aspects of the form -- musical sound yoked to philosophical sense -- to record and reenact this sacramental encounter. Chapter 1 discusses how Coleridge, beginning from the Idealism of George Berkeley, counters Berkeley’s passive, non- sacramental reading of nature with a theory of active engagement with nature, man, and God. We see how this theory issues in the “conversation poems,” a set of meditations that enact the sacramental interchange that results from the poet’s awareness of God’s presence in the fullness of creation. Chapter 2 considers how Hopkins steps beyond the subtle machinations of Scotist theology to the meditative engagement of Ignatius Loyola’s Spiritual Exercises. Encouraged by Ignatius’ emphasis on detail and particularity, Hopkins creates a poetic practice that uses the music of words to their fullest sacramental potential, demonstrating in poetry how man encounters God through active engagement with the world and takes on the image of Christ through sacrament. Sacramental Conversation: The Poetry of Coleridge and Hopkins by Gabriel Stephen Morris A thesis submitted to the Graduate Faculty of North Carolina State University in partial fulfillment of the requirements for the Degree of Master of Arts ENGLISH Raleigh 2004 APPROVED BY: _________________________ ________________________ ______________________________ Chair of Advisory Committee ii Dedication to Christ our Lord iii Biography Gabriel S.
  • Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene

    Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene

    TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN
  • Nominalism, Romanticism, Negative Dialectics by Megan A. O'connor A

    Nominalism, Romanticism, Negative Dialectics by Megan A. O'connor A

    Nominalism, Romanticism, Negative Dialectics By Megan A. O’Connor A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Steven Goldsmith, Chair Professor Kevis Goodman Professor Celeste Langan Professor Martin Jay Spring 2019 Nominalism, Romanticism, Negative Dialectics © 2019 by Megan A. O’Connor Abstract Nominalism, Romanticism, Negative Dialectics by Megan A. O’Connor Doctor of Philosophy in English University of California, Berkeley Professor Steven Goldsmith, Chair This dissertation recovers a neglected dialectical tradition within British empiricism and its Romantic afterlife. Beginning with John Locke, I demonstrate how a dialectical tradition developed as a self-critical response to the political, philosophical, and aesthetic problem of nominalism, which holds that universals do not exist and that everything is particular. As contemporaries like Dugald Stewart and S.T. Coleridge observed, British empiricists had revived the medieval nominalist-realist debates and sided with the nominalists. I show that nominalism – what Karl Marx called the “first form” of materialism – was taken up and critiqued by Romantic poets as an impediment to the task of representing abstract social and historical forces. Romantic poets as distinct as Coleridge, William Blake, and Charlotte Smith suggest that, in questioning the validity of social abstractions, the nominalist bent of empiricism tended to disable critical interrogations of larger social structures that otherwise remain inaccessible to the senses. In diagnosing the abstracting force of historical conditions like the commodification of the literary marketplace, however, the texts I examine also respond by affirming particularity.
  • Russell and the Cambridge Moral Sciences Club L by Jack Pitt

    Russell and the Cambridge Moral Sciences Club L by Jack Pitt

    Russell and the Cambridge Moral Sciences Club l by Jack Pitt IN HIS Autobiography Russell records his extreme satisfaction at being elected to the fraternal discussion group at Cambridge familiarly known as the Apostles. 2 In addition to including a number of congratulatory letters from elder Apostles, he writes: "The greatest happiness ofmy time at Cambridge was connected with a body whom its members knew as 'The Society,' but which outsiders, if they knew of it, called 'The Apostles.'''3 The sub­ sequent notoriety of this group obscured the fact that Russell I Gratitude is expressed to those at the University of Cambridge who kindly provided access to the Minutes of the Cambridge University Moral Sciences Club. The Minutes have been invaluable in constructing an historical context in which to locate Russell's participation in the Club, and in providing many details pertinent to that participation. 2 Its complete name is the Cambridge Conversazione Society. Its character and history is treated in Paul Levy's fascinating study, G. E. Moore and the Cam­ bridge Apostles (London: Weidenfeld and Nicolson, 1979). I am indebted to this book for many points of fact in this essay, especially as these concern members of the Society. The interested reader may also wish to consult Peter Allen's The Cambridge Apostles: The Early Years (Cambridge: Cambridge University Press, 1978). 3 Autobiography, 1872-1914 (Boston: Atlantic-Little, Brown, 1967), p. 91. 103 104 Russell winter 1981-82 Russell and the Cambridge Moral Sciences Club 105 maintained membership in other Cambridge societies. for The Athenaeum. Another of those in attendance was Alfred Philosophically the most important, and the one which will con­ Williams Momerie (Mummery), subsequently Professor of Logic cern us here, is the Cambridge University Moral Sciences Club and Metaphysics (1880-91) at King's College, London, and also (CUMSC).
  • Ashby Library Catalogue

    Ashby Library Catalogue

    ASHBY LIBRARY CATALOGUE Abdel-Malek, A., Ed. (1982). Science and Technology in the Transformation of the World. Tokyo, United Nations University. Abdel-Malek, A. and A. N. Pandeya, Eds. (1981). Intellectual Creativity in Endogenous Culture. Tokyo, United Nations University. Abdulkadir, M. S. (2000). "Resistance to Colonial Taxation in Northern Nigeria in the 1930s." FAIS Journal of Humanities 1(2): 32-44. Abdullah, M. M. (1993). Valley of the Giant Buddhas. London, Octagon. Abulafia, A. S. (1995). Christians and Jews in the Twelfth-Century Renaissance. London, Routledge. Achebe, C. (1988). Anthills of the Savannah. New York, Anchor. Achebe, C. (1989). Hopes and Impediments. New York, Doubleday. Ackerman, B. (2006). Before the Next Attack. Preserving Civil Liberties in an Age of Terrorism. New Haven, Yale University. Ackerman, R. (1988). JG Frazer: His Life and Work. Cambridge, Cambridge University. Acort, P. A. (2008). Progress Utopia and Intellectual Practice. Arguments for the Resurrection of the Future, Bright Pen. Acourt, P. A. (2008). Progress, Utopia and Intellectual Practice. Arguments for the Resurrection of the Future, Bright Pen. Acrivos, J. V., et al., Eds. (1984). Physics and Chemistry of Electrons and Ions in Condensed Matter. Dordrecht, Reidel Publishing Co. Aguirre, M. S., et al. (2011). The Case of the "Big Seven" Basque Chefs. Zamudio, Innobasque. Ahlbrandt, C. D. and A. C. Peterson (1996). Discrete Hamiltonian Systems, Kluwer Academic. Airaksinen, T. (1995). The Philosophy of the Marquis de Sade. London, Routledge. Airaksinen, T. and M. A. Bertman, Eds. (1989). Hobbes: War Among Nations. Aldershot, Avebury. Alacevich, M. and A. Soci (2018). A Short History of Inequality. Brookings Institution, Washington, Agenda.
  • Expressions of Legislative Sentiment Recognizing

    Expressions of Legislative Sentiment Recognizing

    MAINE STATE LEGISLATURE The following document is provided by the LAW AND LEGISLATIVE DIGITAL LIBRARY at the Maine State Law and Legislative Reference Library http://legislature.maine.gov/lawlib Reproduced from electronic originals (may include minor formatting differences from printed original) Senate Legislative Record One Hundred and Twenty-Sixth Legislature State of Maine Daily Edition First Regular Session December 5, 2012 - July 9, 2013 First Special Session August 29, 2013 Second Regular Session January 8, 2014 - May 1, 2014 First Confirmation Session July 31, 2014 Second Confirmation Session September 30, 2014 pages 1 - 2435 SENATE LEGISLATIVE RECORD Senate Legislative Sentiment Appendix Cheryl DiCara, of Brunswick, on her retirement from the extend our appreciation to Mr. Seitzinger for his commitment to Department of Health and Human Services after 29 years of the citizens of Augusta and congratulate him on his receiving this service. During her career at the department, Ms. DiCara award; (SLS 7) provided direction and leadership for state initiatives concerning The Family Violence Project, of Augusta, which is the the prevention of injury and suicide. She helped to establish recipient of the 2012 Kennebec Valley Chamber of Commerce Maine as a national leader in the effort to prevent youth suicide Community Service Award. The Family Violence Project provides and has been fundamental in uniting public and private entities to support and services for survivors of domestic violence in assist in this important work. We send our appreciation to Ms. Kennebec County and Somerset County. Under the leadership of DiCara for her dedicated service and commitment to and Deborah Shephard, the Family Violence Project each year compassion for the people of Maine, and we extend our handles 4,000 calls and nearly 3,000 face to face visits with congratulations and best wishes to her on her retirement; (SLS 1) victims at its 3 outreach offices and provides 5,000 nights of Wild Oats Bakery and Cafe, of Brunswick, on its being safety for victims at its shelters.
  • Coleridge and 'Real Life' Tragedy

    Coleridge and 'Real Life' Tragedy

    From The Coleridge Bulletin The Journal of the Friends of Coleridge New Series 29 (NS) Summer 2007 © 2007 Contributor all rights reserved http://www.friendsofcoleridge.com/Coleridge-Bulletin.htm Coleridge and ‘Real Life’ Tragedy Chris Murray ____________________________________________________________________________________________ OLERIDGE, literary critic, voracious reader and chief theorist of the CRomantic Imagination, is not obvious for analysis as an author who writes from real life, and among his most familiar statements are those that discourage the reader such from attention. His own contributions to the Lyrical Ballads Coleridge recalls as being primarily ‘directed to persons and characters supernatural’, and in ‘Dejection: An Ode’, he regrets the extent of his dedication to dehumanising, ‘abstruse research’ (‘Dejection’, l. 89).1 However, Coleridge’s poetic voice is not exclusively indebted to literature. In his preface to ‘The Three Graves’, which Coleridge took over from Wordsworth in 1797 but did not complete, he indicates the poem’s origins: ‘The outlines of the Tale are positive Facts, and of no very distant date’. A letter to Thomas Poole of 1809 indicates Coleridge’s continued interest in catastrophes befalling actual people: ‘Do, do let me have that divine narrative of Robert Walford.’2 Coleridge’s letter alludes to an incident related to him by Poole in 1797. In 1789 John Walford, a charcoal burner, murdered his wife, but became a sympathetic figure despite his crime. Walford’s wife was faulted in accounts of her death as the saboteur of Walford’s engagement to Anne Rice of Adscombe, whose fidelity to Walford to the time of his execution added to the pathos of the episode.3 Due to increasing incidents of murder in Somersetshire, the unconventional decision was made to hang Walford in public and to display his corpse; his exemplary death cast him as a sacrificial victim and therefore a tragic figure.
  • Saving Sarah Fricker: Accurately Representing the Realities of the Coleridges’ Marriage

    Saving Sarah Fricker: Accurately Representing the Realities of the Coleridges’ Marriage

    Saving Sarah Fricker: Accurately Representing the Realities of the Coleridges’ Marriage Saving Sarah Fricker: Accurately Representing the Realities of the Coleridges’ Marriage Cori Mathis Abstract The Lake Poets circle was prolific; they wrote letters to each other constantly, leaving a clear picture of the beginning and eventual decline of the marriage between Samuel Taylor Coleridge and Sarah Fricker Coleridge. Coleridge also was fond of chronicling his personal life in his work. Coleridge’s poetry and prose clearly show that, though he may have come to regret it, he originally married Sarah Fricker for love and was very happy in the beginning of their relationship. The problem with their marriage was that they were just fundamentally incompatible, something that was not Sarah Fricker’s fault—she was a product of her society and simply unprepared to be a wife to someone like Coleridge. Unfortunately, scholars have taken Coleridge’s letters as pure truth and seem to have forgotten that every marriage has two partners, both with their own perspectives. This reflects a deliberate ignorance of Coleridge’s tendency to see situations quite differently from how they actually were. Because of this tradition, Sarah Fricker Coleridge is often portrayed as difficult at best and a harridan at worst. It does not help that she attempted to help her husband’s reputation by the majority of their letters that she possessed—one cannot see her side as clearly. In this essay, I hope to prove that she was simply an unhappy wife, married to a poetic genius who had decided she was the impediment to his happiness while she only wanted to keep their family together and safe.