Free Knitting Pattern Lion Brand® Woolease® Patchwork Sampler
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Fandango Bobble Cape No
Fandango Bobble Cape No. 1006-201-5265 Sizes: XS, S, M, L, XL, 2XL, 3XL, 4XL Abbreviations used in this pattern: Skill Level: Intermediate Ch - chain Crochet Hook: 5 mm (US size H) Dc - double crochet Materials: Stitch markers Sc - single crochet Yarn: Fandango - Veracruz (03) FPdc - front post double crochet How much yarn do you need? BPdc - back post double crochet Size XS - 1 skein Bobb - bobble stitch - [yarn over, insert Size S - 4XL - 2 skeins hook and pull out a loop, yarn over and Gauge: 14 dc - 10 cm pull through 2 loops on the hook] repeat 5 10 rows - 10 cm (in repeated pattern) times in total. Yarn over and pull through all loops on hook. Buy your yarn here: Inc - Increase (2 dc in the same stitch) http://shop.hobbii.com/fandango-bobble St (s) - Stitch (es) -cape Hobbii Friends - Catalina Ungureanu - Copyright © 2020 - All rights reserved. Page 1 Pattern notes: ● The ch 3 at the beginning of the round counts as first dc. ● The ch 1 at the beginning of the round doesn’t count as first sc. ● Numbers for sizes S, M, L, XL, 2XL, 3XL and 4XL are written between brackets. If not, the pattern applies to all sizes. ● The cape is worked in circular rounds starting with the collar. Hobbii Friends - Catalina Ungureanu - Copyright © 2020 - All rights reserved. Page 2 Final Measurements: Numbers for sizes S, M, L, XL, 2XL, 3XL and 4XL are written between brackets. Neck line a: 32 cm (32, 32, 32, 36, 36, 36, 36) Cape width b: 74 cm (81, 89, 98, 108, 116, 125, 133) Length d: 33 cm (33, 35, 35, 36, 36, 37, 37) Stitch Chart: The stitch pattern has a 4 row repeat. -
Senior Textile Artist Badge Workshop
Senior Textile Artist Badge Workshop An At-Home Program GSCCC Senior Textile Artist Badge Workshop (At-Home) • When you see fabrics, yarn, or string off all colors and textures what do you think of? Do you envision all of the things you could create? Let’s turn those visions into reality! Program Outline Materials: - Computer - Internet access - Materials for craft of choice Step 1: Choose your textile art There are a number of textile arts in the world from macramé to crocheting to quilting and much more. In this step you will be doing some research to learn about a textile art that you find interesting and that you would like to learn. Some of the most common textile arts are macramé, embroidery, cross-stitch, needlework, knitting, crocheting, weaving, and quilting. Do some research to find out about these or other textile arts. Below are some helpful links to start with. Here are a few links to get your search started – crochet, macramé, embroidery, weaving. Click here to see what some current textile artists are doing. Step 2: Find your tools and materials Now that you have chosen your art, you need to gather materials. Crocheting needs crochet hooks and yarn. Embroidery needs needles, embroidery floss, hoops, and fabric. Do some research about what you will need for your chosen textile art form. What all is involved? Do you know anyone who already has the supplies? Would they be willing to lend you some materials? Below are some great resources to learn about materials needed for the most common textile arts. -
Elegant Shoulderette ¤ 1999 by Leef Bloomenstiel
1 Elegant Shoulderette ¤ 1999 by Leef Bloomenstiel This shrug pattern can be a wel- come addition to any wardrobe. It can be worn as a dressy acces- sory, or look equally well with jeans. It is not a tight fitting shrug, but more loosely fitted with an ele- gant drape. The pattern will fit a wide range of sizes, but you must take your arm span measurement first. Stand with your arms com- fortably at your side, and measure from the top of your wrist (where you like the cuffs of your sweaters to fit) up your arm to the top of the shoulder, over the shoulder and to the middle of your back, to the nape of the neck. Write this measurement down as you will re- fer to it often. The pattern is knit sideways from the left wrist STITCH LEGEND to the right wrist. There is a garter stitch border ———————————— at both the top and bottom. The top garter K - knit stitch border is gently increased to provide a P - purl fold back collar, and the center panel is in- st - stitch creased from the arms to cover the length of sts- stitches the back from the neck, to the lower middle M1 - make one (an increase) RS - right side of the back. The directions are given for the WS - wrong side first half of the sweater, as the second half is k2tog - knit 2 sts together knitted exactly the same as the first half, with p2tog - purl 2 sts together decreases where increases were made. PM - place marker The use of a row counter is highly recommended. -
Mechanism and Formation of Woven Selvage Lines
Mechanism and Formation of Woven Selvage Lines By Sei Uchiyama, Member,TMSJ Takatsuki Institute, Toyobo Co., Ltd. Takatsuki, Osaka Pref. Basedon Journalof the TxetileMachinery Society of Japan, Vol.19, No.11, T284-289(1966); Vol.19, No. 12, T309-315 (1966); Vol.20, No. 2, T49-56 (1967) ; Vol.20 , No.2, T57-60 (1967) Abstract This article discussestheoretically the mechanismof a woven selvage line and establishesbasic knowledgeabout, among other things, its dynamic construction, the differencesbetween the selvage and the body of a fabric, the process of stabilizingthe form of a selvage. interlaced to form a selvage is x,=C. This location 1. Introduction is a function of T-,, a force which pulls the selvage- formation point to the left ; and of T+,, a force which This work is an attempt to clarify the weaving pulls that point to the right. mechanism of a selvage as part of a research into the xi=f (T-1, T+1) .........(1) function of weaving. Seldom is the selvage of a fabric Assume that, with the progress of weaving cycles, specially woven. It is a by-product, so to say, of a fabric. xi transforms into, sucessively, x2, x3 and x; and is However, it should not be ignored, because it improves stabilized on reaching xn. xi, an optional point x at that the quality of a fabric, protects its ground and facili- time, is given as a function of xi-1. That is, tates the processing and handling of the fabric. It is xi=~5i-i(xi-,) believed, therefore, that establishing a theoretical basis xi-1=~Si-2(xi-2) for obtaining a uniform selvage is an undertaking of Also, practical value and will help to expand the range of x1~x2C"' "'.xi-1Cxi+1"' "'xn=xn+j reseach into weaving. -
STITCH AWAY SCARF Pattern 1: “Quaker Ridging” (40 Sts) Row 1: Knit
STITCH AWAY SCARF Pattern 1: “Quaker Ridging” (40 sts) Row 1: Knit. Chicago Yarn Crawl Pattern 2019 Row 2: Purl. Row 3: Knit. This scarf was inspired by Barbara Walker’s Row 4: Purl. A Treasury of Knitting Patterns. There are seven Row 5: Knit. different stitch patterns used in this scarf, starting Row 6: Knit. out with easy and becoming more difficult. At Row 7: Knit. times you may need to increase or decrease the Row 8: Purl. number of stitches on your needles in order to Row 9: Knit. Row 10: Purl. accommodate the various stitch patterns. So, cast Row 11: Knit. on and “stitch away”! Row 12: Knit. Row 13: Purl. YARN: Kelbourne Woolens Germantown, 2 Row 14: Knit. skeins Repeat rows 1-14 until pattern 1 measures 8”. Needles: U.S. 8 Knit 5 rows. Knit 1 more row, increasing 1 after the initial K4. Cast on 40 stitches and knit every row for 6 rows. The first 4 stitches and last 4 stitches are knit Pattern 2: “Broken Rib” (41 sts) every row (garter stitch). You should place a Row 1: Knit th marker after the 4 stitch and before the last 4 Row 2: Purl stitches to “remind” you to work these stitches in Row 3: (K1, P1) repeat, end with K1. garter. The following stitch patterns are worked in Row 4: (P1, K1) repeat, end with P1. between these markers. Repeat these 4 rows until you have worked 8” in Pattern 2. Source: Walker, Barbara G., A Treasury of Knitting Patterns, published by Charles Scriber’s Knit for 6 rows. -
Free Knitting Pattern Lion Brand® Woolease® Tonal Grape Jam
Free Knitting Pattern Lion Brand® WoolEase® Tonal Grape Jam Wristers Pattern Number: L50323 Free Knitting Pattern from Lion Brand Yarn Lion Brand® WoolEase® Tonal Grape Jam Wristers Pattern Number: L50323 SKILL LEVEL: Beginner (Level 1) SIZE: One Size Finished Circumference About 7 in. (18 cm) Finished Length About 8 in. (20.5 cm) CORRECTIONS: (applied Mar 10, 2016) MATERIALS 635145 WoolEase Tonal: Plum 635144 WoolEase Tonal: Amethyst MATERIALS *WoolEase Tonal (Article #635). 80% Acrylic, 20% Wool; package size: 4.00oz/113.00 gr. (124yds/113m) pull skeins • 635144 Lion Brand Wool Ease Tonal: Amethyst 1 Ball • Lion Brand Knitting Needles Size 11 [8 mm] • Lion Brand LargeEye Blunt Needles (Set of 6) GAUGE: 13 sts = about 4 in. (10 cm) over Rows 7 and 8 of pattern. When you match the gauge in a pattern, your project will be the size specified in the pattern and the materials specified in the pattern will be sufficient. The needle or hook size called for in the pattern is based on what the designer used, but it is not unusual for gauge to vary from person to person. If it takes you fewer stitches and rows to make your swatch, try using a smaller size hook or needles; if more stitches and rows, try a larger size hook or needles. Making a Gauge Swatch NOTES: 1. Wristers are worked in one piece with ribbing at both edges. 2. Wristers are seamed, leaving openings for thumbs. WRISTERS (make 2) Cast on 23 sts. Row 1 (RS): P1, *k1, p1; repeat from * across. -
Patons 220 Aran Knits from Stitchcraft
1 liT 1 1 L 1 1 1 1 ISm ARAN KNITS from stitchcraft For centuries, people in the fishing villages around the coasts of the British Isles have been knitting beautiful textured and patterned sweaters. In the Aran Isles, off the West coast of Ireland, the style of these traditional sweaters has developed into highly textured garments with all-over patterning. Each traditional stitch pattern has a special name and significance, some recalling everyday things in the lives of the fishing communities and others being directly traceable to 3,000 year old Celtic culture, when symbols were of religious importance. In an age where mass-produced goods are all around us, the charm of this type of hand knitted sweater is unbeatable. In this book, the second in our Special Series from Stitchcraft, we have chosen a collection of beautiful hand-knits in Aran style for all the family, using both traditional and combinations of traditional stitches. Each one is knitted in Batons Capstan, a yarn specially designed for Aran knitting, and now including many bold, bright colours in its range. Patons Capstan C4B=slip next 2 sts on cable needle to back of A rugged sports yarn originally designed for work, K2. then K2 from cable needle. Aran knitting, but now available in bold striking 1 colours as well. his and her BACK Keep balls bands for washing and pressing instruc- With No 34 mm needles, cast on 95 [101, 107, tions. collared jackets 113, 117, 123] sts and work 12 rows in Kl, PI rilj, C.4UTION. -
Behind the Scenes Behind the Scenes
A Noro aficionado for more than twenty-five years, designer Cornelia Tuttle Hamilton took the trip of a BehindBehind lifetime, traveling to Japan from her home in Sweden thethe ScenesScenes to meet the man by Cornelia Tuttle Hamilton behind the yarn. y relationship with all that is Noro began in the early 1980s. It is obvious that every new day still brings new discoveries of color and I had just returned from a train trip around Europe that I form based largely on an acute observation of nature and its rhythms, M undertook to find direction in my professional life. The outcome seasons, textures and colors. Mr. Noro’s calm dignity and humor were was an ambitious decision to pursue careers in both photography and evident even though we needed an interpreter to communicate. hand-knit design. As fate would have it, the design part of my decision quickly developed and pushed out the photography—at least for the time The Company being. Eisaku Noro was raised in the town of Ichinomiya in Central Japan, a Upon my return to Manhattan I took a sales job at Fiberworks, which region known for its yarn and textile production. Impatient with school, was probably the most avant-garde yarn shop in New York at the time. Noro began working in the yarn industry after his basic education in Owned by crochet designer Judith Copeland, Fiberworks was more a spinning and dyeing was completed. He quickly learned the ropes. gallery than a yarn shop, where handcrafted yarns from Noro lit up the An innovator with an artistic eye even back then, Noro soon became shelves and were featured in artfully displayed handknit garments. -
Fibers and Fabrics Level 1 Oregon 4-H Clothing Construction Fact Sheets: Basic Skills—Level 1
Archival copy. For current version, see: https://catalog.extension.oregonstate.edu/4-h32017 Fibers and Fabrics Level 1 Oregon 4-H Clothing Construction Fact Sheets: Basic Skills—Level 1 4-H 320-17 • October 2014 Natural and man-made fibers Fibers are the basic component of fabrics. Each type of fiber has unique characteristics, and fabrics have the same characteristics as the fibers they are made from. Learning about fibers is important because it helps you understand how the fabric will perform and what care the fabric needs. Fibers can be natural or man-made. Natural fibers Natural fibers come from natural sources, such as plants and animals. There are four natural fibers: cotton, linen, silk, and wool (figure 1). These fibers are naturally absorbent and porous. This is why fabrics made from natural fibers will be comfortable to wear in a variety of temperatures. However, natural fibers will Figure 1. Cotton is an example of a also shrink if they are not handled carefully. natural fiber. Man-made fibers The term “man-made fiber” refers to all fibers not found in nature. Man-made fibers are made from a synthetic source (chemicals, such as petroleum) or a cellulose source that has been enhanced in a lab (figure 2). Man-made fibers include nylon, polyester, olefin, rayon, acetate, triacetate, spandex, and acrylic. These fibers are highly resilient, so they resist creases. However, because they are not very absorbent or porous, they may be uncomfortable in hot or humid weather. Woven, knitted, and other fabric construction Fibers or yarns made from fibers can be used in many ways to make fabrics. -
A Pair of Scissors Wool a Sewing Needle Small Knitting
Easy peasy (well, it is if you take a look at the champion ‘how to knit’ guide at www.learn2knit.co.uk which will give you everything you need.) But if you’ve 1. Pop your feet up with a cup of tea. done a bit in the past, here’s a reminder of the main stitch. 2. Using double knitting yarn and some small needles, cast on 28 stitches. You’ll need this stuff: 3. Knit 2 rows. Then, starting with a knit row, work in stocking stitch (knit 1 row, purl 1 row, knit 1 row etc) for 12 more rows. small knitting 4. For the next row, knit 2 together to the end (14 a sewing a pair perhaps wool needles stitches). And for the row after that, purl 2 together needle of scissors some bobbles (31/4 mm - 4mm) to the end (7 stitches). 5. When you’ve finished, cut the yarn leaving about 25 cm. Thread the cut end of the yarn through a sewing needle, then run it through the loops and 1. Insert the tip of the right needle through the first loop remove the knitting needle (fig. A). on the left needle, from front to back. Then wrap the working yarn around the tip of the right needle. 6. Tighten the yarn (fig. B) and sew the little hat together at the side (fig. C). Once finished, turn it right-side out so that the seam you've just sewn runs up the inside. 7. Just to check you’re on the right track we reckon 2. -
19. Principles of Yarn Requirements for Knitting
19. Principles of Yarn Requirements for Knitting Errol Wood Learning objectives On completion of this lecture you should be able to: • Describe the general methods of forming textile fabrics; • Outline the fibre and yarn requirements for machine knitwear • Describe the steps in manufacturing and preparing yarn for knitting Key terms and concepts Weft knitting, warp knitting, fibres, fibre diameter, worsted system, yarn count, steaming, clearing, winding, lubrication, needle loop, sinker loop, courses, wales, latch needle, bearded needle Introduction Knitting as a method of converting yarn into fabric begins with the bending of the yarn into either weft or warp loops. These loops are then intermeshed with other loops of the same open or closed configuration in either a horizontal or vertical direction. These directions correspond respectively to the two basic forms of knitting technology – weft and warp knitting. In recent decades few sectors of the textile industry have grown as rapidly as the machine knitting industry. Advances in knitting technologies and fibres have led to a diverse range of products on the market, from high quality apparel to industrial textiles. The knitting industry can be divided into four groups – fully fashioned, flat knitting, circular knitting and warp knitting. Within the wool industry both fully fashioned and flat knitting are widely used. Circular knitting is limited to certain markets and warp knitting is seldom used for wool. This lecture covers the fibre and yarn requirements for knitting, and explains the formation of knitted structures. A number of texts are useful as general references for this lecture; (Wignall, 1964), (Gohl and Vilensky, 1985) and (Spencer, 1986). -
August 2021 Class Descriptions
4436 Indianola Ave. Columbus, OH 43214 614-670-5629 August 2021 Class Schedule www.614knitstudio.com Beginning Crochet: Crochet is hotter than ever! Whether you have never picked up a hook or are a knitter looking to expand your skill set, this class is for you. Learn the basics, in this two- part class, such as the slip knot cast on, chain stitch, and single crochet; different hook styles and which will work best for you; the slip stitch, half-double crochet, and double crochet. You will also learn how to read a crochet pattern by getting to know stitch abbreviations and following a pattern, you will make a granny square. No Pre-requisite Skills Required! • Wednesdays, August 11 & 18 from 1- 3 p.m. with Terri • $60 plus supplies Beginning Knit: Knitting is now more popular than ever, and you can learn too! In this 2-part class, students will learn how to cast on, the knit & purl stitch, knit and purl combination stitches in the same row, and how to read a pattern. During the second class, you will learn how to shop for and start your first project, the Wheat Scarf by Tin Can Knits. No Pre-requisite Skills Required! • Mondays, August 16 & 23 from 3-5 p.m. with Susan • $60 plus supplies Beginning Knit Socks: There is nothing cozier than wearing hand knit socks. In this three-week class, you will learn all the techniques needed to knit top-down socks, including knitting in the round on double pointed needles, working a heel flap, short rows, picking up stitches and the Kitchener (grafting) stitch.