DOCSLIB.ORG

I La Desfamiliarización Del Otro Y Del Uno Para

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
I La Desfamiliarización Del Otro Y Del Uno Para LA DESFAMILIARIZACIÓN DEL OTRO Y DEL UNO PARA REPENSAR LA VIOLENCIA Y LA INDIGENEIDAD AMAZÓNICA PERUANA by Andrea Elvira Cabel García B.A. in Literature, Pontificia Universidad Católica del Perú, 2009 M.A. in Literature, University of Pittsburgh, 2014 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy I University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH The Dietrich School of Arts and Sciences This dissertation was presented by Andrea Elvira Cabel García It was defended on December 7th, 2017 and approval by John Beverley, PhD, Distinguished Professor Hispanic Languages and Literatures Jerome Branche, PhD, Professor Latin American Literature John Markoff, PhD, Distinguised professor of Sociology Dissertation Advisor: Gonzalo Lamana, PhD, Professor Latin American Literature IIIIII Copyright © by Andrea Elvira Cabel García 2017 III LA DESFAMILIARIZACIÓN DEL OTRO Y DEL UNO PARA REPENSAR LA VIOLENCIA Y LA INDIGENEIDAD AMAZÓNICA PERUANA Andrea Elvira Cabel García, PhD. University of Pittsburgh, 2017 This research examines the persistence of violence towards indigenous Amazonians of Peru through this century. My analysis of the deep relationship between violence and invisibilization leads me to propose “defamiliarization” as a possible path to stop the violence against Amazonians. I contend that Amazonian violence has two basic forms: spectacular and everyday. The former consists of dramatic instances of open strife, like the Baguazo, an event that I analyze through three texts: a Sentencia, a testimony, and several interviews with the indigenous leader Santiago Manuim. I examine the latter, “everyday violence,” which describes general political indifference to the region through several communiqués from indigenous organizations, interviews with their leaders, and an analysis of The Green House by Mario Vargas Llosa. I contend that the root of both forms of violence lies in “invisibilization,” and by that I mean two seemingly opposed but reinforcing facts. On the one hand, the Amazonians are invisible to the rest of Peru, since they are largely absent from national history and literature. On the other hand, these absences facilitate the government's “hyper-visualization” of Amazonians. By “hyper-visualization,” I refer to the ubiquitous circulation of the image of Amazonians through tourist campaigns that misrepresent and stereotype them. The very limited research that exists casts Amazonians as victims, contributing to their invisibilization through the IV obliteration of their voice. In that regard, I develop the concept “forestism” to analyze the complex forms of making them invisibile. This dissertation seeks to challenge the aforementioned landscape by fleshing out the heterogeneous panorama of both forms of violence, as well as the diverse strategies employed by the Indians to confront them. Each chapter is a particular path to examine Amazonian peoples’ —agency— their own ways of making sense of their invisibility, and their own strategies for denouncing and confronting it, including irony, humor, and armed violence. V TABLE OF CONTENTS 1.1 LA MIRADA ROTA VS. LA DESFAMILIARIZACIÓN ............................................. 23 1.2 LAS PARTES DEL CENTRO: NUESTRO CORPUS ................................................... 38 2.1 INTRODUCCIÓN .............................................................................................................. 48 2.2 SOBRE LAS VOCES DE LOS COMUNICADOS Y LA VOZ DEL TESTIMONIO . 53 2.3 LOS COMUNICADOS DE LOS GUERREROS DEL LÁPIZ Y EL PAPEL ............. 56 2.4 CRITERIOS DE SELECCIÓN DE LOS COMUNICADOS ......................................... 63 2.4.1 Primer texto: La carta de la Junta Directiva de Santa Rosa Serjali ........ 65 2.4.2 Segundo texto: Comunicado de AIDESEP sobre la carta previa. ............ 72 2.4.3 Tercer texto: un Comunicado de AIDESEP contra las excavaciones petroleras .................................................................................................................... 80 2.4.4 Cuarto texto: Comunicado por el asesinato de líderes ashánikas ............. 84 2.4.5 Nada es lo mismo, nada es igual ................................................................... 88 2.4.6 Las contradicciones entre los líderes indígenas .......................................... 90 2.4.7 Quinto comunicado: ONAMIAP y las dobles invisibilizaciones ............... 94 2.5 EL BAGUAZO Y LA MIRADA FORESTISTA ........................................................... 102 2.6 EL FORESTISMO POSITIVO Y NEGATIVO ............................................................ 114 2.7 EL TESTIMONIO VISUAL Y VERBAL DE LIOVIR SIN OJO ............................... 120 VI 3.1 INTRODUCCIÓN ............................................................................................................ 142 3.2 ¿LO INDÍGENA Y SUS CARACTERÍSTICAS? ......................................................... 162 3.3 LA MODERNIDAD DE LOS AWAJÚN-WAMPIS DESDE LA VOZ DE SANTIAGO MANUIM .......................................................................................................................... 186 3.4 SANTIAGO MANUIM Y LAS CARACTERÍSTCAS DE LOS AWAJÚN-WAMPIS ............................................................................................................................191 3.5 ¿EL ENFOQUE INTERCULTURAL? .......................................................................... 207 3.6 EL ERROR DE COMPRENSIÓN ¿CULTURALMENTE CONDICIONADO? ...... 220 3.7 REFLEXIONES FINALES ............................................................................................. 224 4.1 INTRODUCCIÓN ............................................................................................................ 229 4.2 DE IZQUIERDA A DERECHA: LOS DEVENIRES DE MARIO VARGAS LLOSA ............................................................................................................................233 4.3 UNA LECTURA DEL MOVIMIENTO EN SU ESTRUCTURA ............................... 247 4.3.1 Las cinco tramas de la novela ..................................................................... 247 4.3.2 La mirada clásica sobre su estructura ....................................................... 254 4.4 EL “OTRO” MOVIMIENTO A TRAVÉS DEL SISTEMA PRIMARIO Y EL INTERNO ......................................................................................................................... 261 5.1 INTRODUCCIÓN ............................................................................................................ 278 5.2 “BONIFACIA: CHARAPA TONTA Y ARDIENTE .................................................... 282 5.3 PRIMER MOVIMIENTO ÍNTIMO: “¿VES QUE NO SOY TONTA?” ..................... 285 VII 5.4 SEGUNDO MOVIMIENTO ÍNTIMO: DE LA SELVA AL ARENAL ........................ 295 5.5. TERCER MOVIMIENTO ÍNTIMO: “LA SELVÁTICA: PRISMA QUE MULTIPLICA Y NUBLA” ............................................................................................. 296 5.6 CUARTO MOVIMIENTO ÍNTIMO: LA DOBLE CONSCIENCIA DE LA SELVÁTICA ..................................................................................................................... 303 5.7 DOS POR DOS: VIOLENCIA E INVISIBILIDAD ..................................................... 308 5.8 QUINTO MOVIMIENTO ÍNTIMO: “JUM: ¿EL INDIO IMPENSABLE DE MVLL? ............................................................................................................................320 5.8.1 La guerra de la que nace el Jum literario ................................................. 323 5.9 SEXTO MOVIMIENTO ÍNTIMO: “PRIMEROS ENCUENTROS Y LA IMPORTANCIA DE LA “COOPERATIVA”” ............................................................ 326 5.10 SÉPTIMO MOVIMIENTO ÍNTIMO: “OTROS ENCUENTROS O EL DISCURSO DEL CUERPO” ................................................................................................................ 339 5.11 ¿LA VENGANZA DE JUM? .......................................................................................... 345 6.1 LA POTENCIA DE LA DESFAMILIARIZACIÓN .................................................... 357 6.2 NOS ESTAMOS OBSERVANDO AMBOS .................................................................. 366 6.3 Lazos................................................................................................................................... 378 BIBLIOGRAFIA…………………………………………………………………..........……..346 VIII LISTA DE FIGURAS Figure 1: Carta de la Junta Directiva de Santa Rosa Serjali………………………………….57 Figure 2: Segunda carta de la carta………………………………………………………...…58 Figure 3: Comunicado de AIDESEP en La República………………………………….........63 Figure 4: Segundo comunicado de AIDESEP en La República…………………………………74 Figure 5: Spot Marca Perú………………………………………………………………..…120 Figure 6: Foto de Liovir. Marchantes organizados…………………………………….……122 Figure 7: Foto de Liovir. Los awajún escuchando las noticias………………………….…..122 Figure 8: Esquema de movimiento en La Casa Verde……………………………………...228 Figure 9: “Clase de antropología visual” (2015)……………………………………………318 IX PREFACIO Esta disertación es el producto de cuatro años de trabajo de campo intermitente y de más de siete años de contacto continuo con la Amazonía. Es decir, esta disertación no es producto únicamente de atender a clases, congresos, coloquios y de leer abundante material bibliográfico. Esta disertación me ha implicado viajes en canoa, peque-peque, barco, bus, avión, 4x4 y me
Load more

Recommended publications
  • Juan E. De Castro. Mario Vargas Llosa. Public Intellectual in Neoliberal Latin America
    Juan E. De Castro. Mario Vargas Llosa. Public Intellectual in Neoliberal Latin America. Tucson: University of Arizona Press, 2011. Print. 179 Pp. ──────────────────────────────── CARLOS AGUIRRE UNIVERSITY OF OREGON Mario Vargas Llosa, one of Latin America’s most important writers and intellectuals and the recipient of, among numerous other awards, the 2010 Nobel Prize in literature, is not only the author of an admirable corpus of novels, theater plays, and essays on literary criticism, but also somebody that has been at the center on countless political and literary controversies ever since he came into the literary and political spotlight in 1962 when he won the Biblioteca Breve award for his novel Time of the Hero at the age of twenty-six: the novel was received with great hostility in his home country, Peru, where prominent members of the military accused him of being a Communist and a traitor; in 1967, when he won the Rómulo Gallegos prize for his novel The Green House, he engaged in a dispute (at that time private) with Cuban officials such as Haydeé Santamaría who allegedly wanted him to make a fake donation of the cash prize to Che Guevara’s guerrilla movements; in 1971, he publicly and loudly denounced the Cuban government after the imprisonment and public recounting of Heberto Padilla and other writers accused of counter-revolutionary activities; in 1974, he criticized the confiscation of media in Peru by a military regime that he had hitherto supported and became the subject of a fierce polemic in his country; in 1976, he was
    [Show full text]
  • Plagiat Merupakan Tindakan Tidak Terpuji
    PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI NATIONALISM IN MARIO VARGAS LLOSA’S LIFE AS REFLECTED THROUGH THE SETTING AND MAIN CONFLICTS IN THE STORYTELLER AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By SAVERIN PUNKAS Student Number: 084214023 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2013 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI NATIONALISM IN MARIO VARGAS LLOSA’S LIFE AS REFLECTED THROUGH THE SETTING AND MAIN CONFLICTS IN THE STORYTELLER AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By SAVERIN PUNKAS Student Number: 084214023 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2013 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ccc ‘Human is condemned to be free; because once thrown into the world, he or she is responsible for everything he or she does’ Jean-Paul Sartre iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI for You to whom I owe the life, for Bapak, Ibu, and Mas, who are depicted to understand me as a character v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS Considering the process I underwent to do this thesis, I must say that I owe much to some people who have contributed their supports in various ways. I address my first gratitude to my advisor, Dr. F. X. Siswadi, M. A., for he is very helpful in terms of not only academic advice but also motivation.
    [Show full text]
  • The Cambridge Companion to Mario Vargas Llosa Edited by Efraín Kristal and John King Frontmatter More Information
    Cambridge University Press 978-0-521-86424-4 - The Cambridge Companion to Mario Vargas Llosa Edited by Efraín Kristal and John King Frontmatter More information the cambridge companion to mario vargas llosa One of the major novelists in world literature over the last five decades, Mario Vargas Llosa (b. 1936) is also one of Latin America’s leading public intellectuals, a critic of art and culture, and a playwright of distinction. This Companion’s chapters chart the development of Vargas Llosa’s writings, from his rise to prominence in the early 1960s to the award of the Nobel Prize in Literature in 2010. The volume traces his literary trajectory, and the ways in which he has reinvented himself as a writer. His vast output of narrative fiction is the main focus, but the connections between his concerns as a creative writer and his rich career as a cultural and political figure are also teased out in this engaging, informative book. efraı´n kristal is Professor and Chair in Comparative Literature at UCLA. john king is Professor of Latin American Cultural History at the University of Warwick. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86424-4 - The Cambridge Companion to Mario Vargas Llosa Edited by Efraín Kristal and John King Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86424-4 - The Cambridge Companion to Mario Vargas Llosa Edited by Efraín Kristal and John King Frontmatter More information THE
    [Show full text]
  • Press Release
    NEWS FROM THE GETTY news.getty.edu | [email protected] DATE: March 21, 2017 MEDIA CONTACT FOR IMMEDIATE RELEASE Julie Jaskol (310) 440-7607 [email protected] J. PAUL GETTY TRUST ANNOUNCES J. PAUL GETTY MEDAL TO GO TO ARTIST ANSELM KIEFER AND WRITER MARIO VARGAS LLOSA Awards to be presented at a celebratory dinner at the Morgan Library in New York City, November 13, 2017 Mario Vargas Llosa Anselm Kiefer LOS ANGELES – The J. Paul Getty Trust announced today it will present the annual J. Paul Getty Medal to artist Anselm Kiefer and writer Mario Vargas Llosa at a dinner in New York City on November 13, 2017. Since it was established in 2013 by the trustees of the J. Paul Getty Trust, the medal has been awarded to six individuals to honor their extraordinary contributions to the practice, understanding and support of the arts. “We shall honor two of the world’s great artists. Anselm Kiefer and Mario Vargas Llosa are both engaged in big ideas and historic moments, and they share with the Getty a passionate commitment to global culture,” said Maria Hummer-Tuttle, chair, J. Paul Getty Board of NEWS FROM THE GETTY news.getty.edu | [email protected] Trustees. Mario Vargas Llosa is a Peruvian writer, politician, journalist, college professor and recipient of the 2010 Nobel Prize in Literature. His books have been translated into more than 40 languages. “Mario Vargas Llosa shares with the Getty an unshakeable commitment to the moral and intellectual value of the arts,” said James Cuno, president of the J.
    [Show full text]
  • Vargas Llosa
    Vargas Llosa ● The Cubs and Other Stories ● The Time of the Hero ○ Leoncio Prado Military Academy ○ gang called The Circle ● The Green House ○ Aquilino ○ Antonia Tonita ○ Anselmo ○ Juana Barra ○ Chunga ○ Lituma ○ Fushia ● Conversation in the Cathedral ○ Santiago Zavala ○ Ambrosio ○ meet at a dog pound ● Captain Pantoja and the Special Service ○ Pantaleon ○ The Brazilian ○ Pochita ● Aunt Julia and the Scriptwriter ○ radio Panamericana ○ Pascual ○ Pedro Camacho ● The War of the End of the World ○ Antonio Conselheiro ○ Canudos (place) ● The Real Life of Alejandro Mayta ● Who Killed Palomino Molero? ● The Storyteller ○ Saul Zuratas ○ Tasurinchi ○ Machiguenga Indians ○ Mascarita ● In Praise of the Stepmother ○ Fonchito ○ Lucrecia and Rigoberto ● Death in the Andes ○ Corporal Lituma ○ Tomas Carreno ○ Naccos (town) ● Notebooks of Don Rigoberto ● The Feast of the Goat ○ Urania Cabral ○ Agustin Cabral ○ Rafael Trujilllo ○ Johnny Abbes Garcia ○ Joaquin Balaguer ○ Antonio Imbert Barrera ○ Salvador Estrella Sadhala ○ Amado Garcia Guerrero ● The Way to Paradise ○ biography of Paul Gauguin and Flora Tristan ● The Bad Girl ○ very similar to Madame Bovary ● The Dream of the Celt ● The Discrete Hero ● The Perpetual Orgy ○ analysis of Flaubert and Madame Bovary ● A Writer's Reality ● A Fish in the Water ● Archaic utopia ● Letters to a Young Novelist ● Nationalism as a new threat ● The Language of Passion ● The Temptation of the Impossible ○ examines Hugo’s Les Miserables ● Touchstones: Essays on Literature, Art, and Politics ● In Praise of Reading and Fiction: The Nobel Lecture ● The basis for interpretation of Ruben Dario ● Garcia Marquez: Story of a Deicide .
    [Show full text]
  • In 'Prison-House of Love'i: the Bad Girl and Bad Girls of Mario Vargas Llosa
    In ‘prison-house of love’i: The Bad Girl and bad girls of Mario Vargas Llosa Tajuddin Ahmed Netaji Subhas Ashram Mahavidyalaya, India Abstract Mario Vargas Llosa’s recent novel The Bad Girl centers around a sexually liberated woman who is in search of individual emancipation through transgressions of all social norms. The issue of female sexuality and its relation with woman liberation occupies an important and debatable position in Feminist discourse. Llosa’s own attitude to liberated female sexuality had been an ambivalent one. In this paper I would like analyse and explore the question of woman’s liberation in the novel of Mario Vargas Llosa, taking into account the major conflicting Feminist discourses as well as the presence and erasure of female sexuality in the history of Latin American novels. [Keywords: Sexuality, Transgression, Feminism, Identity, Emancipation, Oppression, Eroticism] One must wear one's vices like a royal mantle, with poise. Like an aureole that one is unaware of, that one pretends not to perceive. It is only natures entirely given over to vice whose contours do not grow blurred in the hyaline mire of the atmosphere. Beauty is a marvelous vice of form.ii The above representative fragment from a poem by Cesar Moro was used by Mario Vargas Llosa as an epigraph to his novel In Praise of the Stepmother (1988). The poem by Moro shows the poet’s personal obsession with two, “recurrent and related themes: a disdain for the rational elements and social conventions that censure the imagination and an exploration of forbidden experiences…” (Kristal, p.13).
    [Show full text]
  • Narrative and Cultural Intervention in Mario Vargas Llosa's El Hablador
    Inti: Revista de literatura hispánica Volume 1 Number 29 Article 12 1989 Writer-Speaker? Narrative and Cultural Intervention In Mario Vargas Llosa's El hablador Maria Isabel Acosta Cruz Follow this and additional works at: https://digitalcommons.providence.edu/inti Part of the Fiction Commons, Latin American Literature Commons, Modern Literature Commons, and the Poetry Commons Citas recomendadas Cruz, Maria Isabel Acosta (Primavera 1989) "Writer-Speaker? Narrative and Cultural Intervention In Mario Vargas Llosa's El hablador," Inti: Revista de literatura hispánica: No. 29, Article 12. Available at: https://digitalcommons.providence.edu/inti/vol1/iss29/12 This Estudio is brought to you for free and open access by DigitalCommons@Providence. It has been accepted for inclusion in Inti: Revista de literatura hispánica by an authorized editor of DigitalCommons@Providence. For more information, please contact [email protected]. WRITER-SPEAKER? SPEAKER-WRITER? NARRATIVE AND CULTURAL INTERVENTION IN MARIO VARGAS LLOSA'S EL HABLADOR María Isabel Acosta Cruz Clark University Mario Vargas Liosa's novel El hablador, "The Storyteller," unfolds his obsessions with the relationship between fiction and reality, and about Peru, present in his earlier novels. It expands the narrative strategies that appeared in Aunt Julia and the Scriptwriter and uses them to explore the situation of Amazonian Indians featured in The Green House. El hablador and Aunt Julia are alike in their use of postmodern problematics of writing; in both novels Vargas Llosa examines the "death of the author" motif, but here, instead of an autobiographical game, he critiques the problematic link between fiction and reality in order to examine important questions of marginality and social problems that remain hopelessly unresolved.
    [Show full text]
  • A Matter of Life and Death: Jose Maria Arguedas, Mario Vargas Llosa, and the Postmodern Condition
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 A Matter of Life and Death: Jose Maria Arguedas, Mario Vargas Llosa, and the Postmodern Condition. Lynn Marie Walford Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Walford, Lynn Marie, "A Matter of Life and Death: Jose Maria Arguedas, Mario Vargas Llosa, and the Postmodern Condition." (2000). LSU Historical Dissertations and Theses. 7235. https://digitalcommons.lsu.edu/gradschool_disstheses/7235 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • The Nobel Prizes 2010
    CONTRIBUTIONS to SCIENCE, 7 (2): 155–161 (2011) Institut d’Estudis Catalans, Barcelona DOI: 10.2436/20.7010.01.121 ISSN: 1575­6343 The Nobel Prizes 2010 www.cat-science.cat The role of autobiography, biography, and history in the works of Mario Vargas Llosa. On the Nobel Prize in Literature awarded to Mario Vargas Llosa* Joaquim Marco Department of Spanish Literature, Faculty of Philology, University of Barcelona, Barcelona Resum. Aquesta vegada el Premi Nobel de Literatura ha estat Summary. On this occasion the Nobel Prize for Literature was concedit a un autor que els lectors de llengua castellana conei­ awarded to an author that Spanish readers know very well. xen molt bé. D’una manera significativa, la carrera d’aquest es­ This author’s career has been significantly linked to the city of criptor està lligada a la ciutat de Barcelona des de ben aviat. Nas­ Barcelona since its early stages. Born in Peru (Arequipa, 1936), cut al Perú (Arequipa, 1936), universitari a San Marcos de Lima i he was both student and worked as an instructor for a short professor en aquesta mateixa universitat durant un curt temps, time at San Marcos University in Lima, but soon won a scholar­ obtingué aviat una beca que li permeté traslladar­se a Espanya ship that allowed him to move to Madrid to write his doctoral per fer una tesi doctoral i s’instal·là a Madrid. Ja l’any 1959 rebé thesis. As early as 1953 he received the Leopoldo Alas Prize for el Premi Leopoldo Alas, per a contes, a Barcelona, per Los jefes; stories, in Barcelona, for Los jefes, and a few years later he i, pocs anys després, guanyà el Premi Biblioteca Breve 1962 won the Biblioteca Breve Prize in 1962 for La ciudad y los per- amb La ciudad y los perros.
    [Show full text]
  • Centre AIXOIS D'etudes Romanes, EA
    Studii de ştiinţă şi cultură Volumul XIII, Nr. 2, iunie 2017 THE AGUARUNA GIRL. THE CHARACTER BETWEEN CIVILIZATION AND BARBARISM IN MARIO VARGAS LLOSA’S THE GREEN HOUSE AGUARUNA. PERSONAJUL ÎNTRE CIVILIZAȚIE ȘI BARBARISM ÎN ROMANUL LUI MARIO VARGAS LLOSA, CASA VERDE Otilia-Cătălina HERCUŢ Liceul Teoretic „Ady Endre” Universitatea din Oradea [email protected] Abstract Through his novels, especially through Green House, the writer Mario Vargas Llosa highlights the tares of the Peruvian society and its pseudo-civilization. Comparing the city to the selva, the latter is virtuously superior, as true acts of kindness and humanity are being created in the selva. Standing out of the narrative mosaic, Bonifacia, an Aguaruna christened by nuns, abides the drama of an alienated, humiliated, abused woman in the context of the Peruvian machismo. Her life is a symbolic outline of the selva destiny in contact with civilization. Rezumat Prin intermediul romanelor sale, cu precădere prin „Casa verde”, scriitorul Mario Vargas Llosa evidenţiază tarele societăţii peruviene şi pseudo-civilizaţia acesteia. Comparând oraşul cu selva, ultima se dovedeşte a fi superioară din punct de vedere moral, de vreme ce adevăratele acte de bunătate şi umanitate se nasc în selvă. Ieşită în relief din mozaicul narativ, Bonifacia, o aguarună încreştinată de maici trăieşte drama femeii dezrădăcinate, meprizate şi abuzate în contextul machismului peruan. Viaţa ei este un rezumat simbolic al destinului selvei în contact cu civilizaţia. Key words: Aguaruna, identity, otherness, alienated, machismo, abuse Cuvinte cheie: aguarună, identitate, celălalt, dezrădăcinat, machism, abuz Introduction In his speech of acceptance of the Rómulo Gallegos prize (1967) for his novel The Green House, Llosa vehemently denounces the abuses committed by the authorities in the Amazonian area and the confinement of the indigenous in some of the regions.
    [Show full text]
  • Liberation Through Land Rights in the Peruvian Amazon
    IWGIA LIBERATION THROUGH LAND RIGHTS IN THE PERUVIAN AMAZON LIBERATION LIBERATION THROUGH LAND RIGHTS IN THE PERUVIAN AMAZON PEDRO GARCÍA HIERRO DOCUMENT SØREN HVALKOF ANDREW GRAY INTERNATIONAL WORK GROUP FOR INDIGENOUS AFFAIRS US$ 20.00 ISBN 87-90730-05-4 90 LIBERATION THROUGH LAND RIGHTS IN THE PERUVIAN AMAZON Pedro García Hierro Søren Hvalkof Andrew Gray IWGIA Document No. 90 Copenhagen 1998 3 LIBERATION THROUGH LAND RIGHTS IN UCAYALI, PERU Editors: Alejandro Parellada and Søren Hvalkof Copyright: The authors and IWGIA (International Work Group for Indigenous Affairs) ISBN: 87-90730-05-4 ISSN: 0105-4503 Traduction from Spanish: Elaine Bolton Cover, maps and layout: Jorge Monrás Prepres: Christensen Fotosats & Repro Copenhagen, Denmark Print: Eks-Skolens Trykkeri aps Copenhagen, Denmark INTERNATIONAL WORK GROUP FOR INDIGENOUS AFFAIRS Fiolstraede 10, DK 1171 - Copenhagen K, Denmark Tel: (+45) 33 12 47 24 - Fax: (+45) 33 14 77 49 E-mail: [email protected] 4 5 6 CONTENTS Foreword: .............................................................................................8 Atalaya: Caught in a Time Warp by Pedro García Hierro ............................................. 13 From Slavery to Democray: The Indigenous Process of Upper Ucayali and Gran Pajonal by Søren Hvalkof........................................................ 81 Demarcating Development: Titling Indigenous Territories in Peru by Andrew Gray...................................................... 163 Photographers...........................................................................
    [Show full text]
  • Mario Vargas Llosa's Conversation in the Cathedral
    Mario Vargas Llosa's Conversation in the Cathedral JOHN M. KIRK, University of British Columbia A recent review of the English translation of Vargas Llosa's third novel sums up a frequent misinterpretation of the Peruvian writer's work: ". a long layered tale about indolence, greed, violence, corruption, sexual perversion and general animal cunning in modern Peru." Since the appearance of his first novel, La ciudad y los perros (translated as The Time of the Hero) in 1963, many critics have focused their attention almost exclusively on the more sensational elements of his literary production, and Manuel Pedro Gonzalez's reaction ("the tiresome perversity of language typical of lavatories and brothels")2 is indicative of the attitude of many scholars. In part this can be explained by the succès de scandale generated by the public burning of a thousand copies of The Time of the Hero in the grounds of the Leoncio Prado Military College in Lima (setting for the novel), since this has undoubtedly haunted the reception of Vargas Llosa's subsequent work. This unfortunate process has been further abetted by the highlighting of the more "colorful" episodes in Vargas Llosa's novels, which has resulted in the impression that the writer's overriding concern is to show merely the sordid and perverse aspects of life in contemporary Peru. Without any doubt this strong—and at times overbearing—interest in the more unusual details of human sexuality is a common ingredient of Vargas Llosa's work, but fortunately, in the last analysis, this represents a relatively insignificant feature of his novels.
    [Show full text]