Adventures of Don Quixote Chapter- 3

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MOUNTSION SCHOOL Sector- 12/ D, B.S. City Session 2020-21 Class- V Sub - English II Note- All assignment to be done in English II copy only Assignment - 5 Adventures of Don Quixote Chapter- 3 Hard words- 1. Province 2. Quixana 3. Rocinate 4. Sancho Panza 5. valiant 6. scattered 7. spurred 8. lance 9. dismounted 10. briskly Word meanings- 1. queer- strange or unusual 2. Quixana- pronounced kee- ha- da 3. knight errant- a knight who travels around looking for adventure 4. Don- a Spanish title 5. Quixote- pronounced ki- ho- the or kwik-sot 6. Rocinante- pronounced ro-ssi- nate 7. squire- a knight's assistant 8. dismounted- got down Read and answer Q2. Who was Don Quixote? What did he want to be? How did he get the idea? Ans- Don Quixote was a fifty year old named Mr. Quixana. He wanted to be a knight. He got the idea from all the books about knights that he read. Q3. What preparations did he make to fulfil his ambition? Ans- In order to become a knight , he wore armour changed his name from Quixana to Don Quixote, named his horse ' Rocinante ' and employed a poor labourer called Sancho Panza his squire. Q4. What did Don Quixote promise Sancho? How did Sancho react? Ans- Don Quixote promised Sancho that he would conquer an Island and make Sancho its Governor. Sancho was very pleased to hear the promise and thanked Don Quixote. After thinking it over for a little while, he asked the knight to conquer a large island for him. Q5. Don Quixote thought the windmills were giants. How do the two compare? Ans- Giants are much bigger than human beings and so are the windmills; they are similar in size. Don Quixote had read that giants had very long arms, sometimes as long as two miles. The windmills also had long arms as Don Quixote saw it. However, those arms were actually their sails. Q6. What was the outcome of the attack on the windmill? Ans- Don Quixote charged at the windmill with his lance. The lance was thrust into one of the windmill's sails. But as the sail kept rotating, it carried the lance with it and broke it. Don Quixote and his horse were thrown down to the ground. Q7. How did Don Quixote explain his foolishness? Ans- Don Quixote said that the wicked magician, Freston had turned the giants into windmills. Think and answer Q1. Do you like Don Quixote? Why? Ans- I do not like Don Quixote. I do not believe Don Quixote was a bad man as when he chose to become a knight , he wanted to do honourable deeds but his brain was addled from lack of sleep, so basically , he was a mad man. Even though he means well when he tries to fight the giants, the only results of his actions is that a sail is torn and his lance is broken. Q2. Do you think Don Quixote was a good man who wanted to defend people in trouble? Give reasons. Ans- Yes, I do believe that Don Quixote was a good man. All the stories of knights that he had read had inspired him to become a virtuous knight himself. He wanted to conquer an island only to make his squire its Governor and he wanted to fight the giants because they were dangerous to humans. .

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Don Quixote and Legacy of a Caricaturist/Artistic Discourse
Don Quixote and the Legacy of a Caricaturist I Artistic Discourse Rupendra Guha Majumdar University of Delhi In Miguel de Cervantes' last book, The Tria/s Of Persiles and Sigismunda, a Byzantine romance published posthumously a year after his death in 1616 but declared as being dedicated to the Count of Lemos in the second part of Don Quixote, a basic aesthetie principIe conjoining literature and art was underscored: "Fiction, poetry and painting, in their fundamental conceptions, are in such accord, are so close to each other, that to write a tale is to create pietoríal work, and to paint a pieture is likewise to create poetic work." 1 In focusing on a primal harmony within man's complex potential of literary and artistic expression in tandem, Cervantes was projecting a philosophy that relied less on esoteric, classical ideas of excellence and truth, and more on down-to-earth, unpredictable, starkly naturalistic and incongruous elements of life. "But fiction does not", he said, "maintain an even pace, painting does not confine itself to sublime subjects, nor does poetry devote itself to none but epie themes; for the baseness of lífe has its part in fiction, grass and weeds come into pietures, and poetry sometimes concems itself with humble things.,,2 1 Quoted in Hans Rosenkranz, El Greco and Cervantes (London: Peter Davies, 1932), p.179 2 Ibid.pp.179-180 Run'endra Guha It is, perhaps, not difficult to read in these lines Cervantes' intuitive vindication of the essence of Don Quixote and of it's potential to generate a plural discourse of literature and art in the years to come, at multiple levels of authenticity.
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Los nombres de los personajes de la novela de Miguel de Cervantes, Don Quijote de la Mancha DOMINIQUE REYRE* l propio Miguel de Cervantes nos brindó el tema del presente curso in- E vitándonos a investigar el significado de los nombres de personajes de su genial novela Don Quijote de la Mancha, al decir en la última frase de su pri- mer capítulo, a propósito de la dama del héroe: Don Quijote vino a llamarla Dulcinea del Toboso, porque era natu- ral del Toboso; nombre a su parecer, músico y peregrino, y significativo, como a todos los demás que a él y a sus cosas había puesto1. Esta frase nos autoriza a preguntarnos lo que Cervantes entendía por “sig- nificativo” y, una vez aclarado este concepto clave, nos convida a emprender el desciframiento de los nombres de sus personajes. Dicho concepto tan só- lo puede aprehenderse resituándolo en el marco general de la teoría del len- guaje que seguía vigente entre los hombres de principios del Seiscientos. De esta teoría nos da una idea Sebastián de Covarrubias, quien en el prólogo de su Tesoro de la lengua castellana (1611) afirmó que: El lenguaje no [era] adquirido ni inventado por ellos, sino infundido del Señor, y con tanta propiedad que los nombres que Adán puso a los animales terrestres y a las aves fueron los propios que les competían; por- * LEMSO, Universidad de Toulouse-Le Mirail. 1 Citamos por la edición de Diego Clemencín, El ingenioso hidalgo don Quijote de la Mancha, Edi- ción IV Centenario, Madrid, Ediciones Castilla, 1967. Daré las indicaciones de la parte, del capítulo y de la página de dicha edición.
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