GRANDE RETURN XCLUSIVE Discover the Woman Behind the Image “INSTI: for Instant Peace of Mind.”
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Issue 241 Nov 9, 2018 Download
The IndypendenT #241: nOVeMBeR 2018 • IndypendenT.ORG AMAZOn’S nyC pOWeR pLAy p5 The MeXICAn BeRnIe SAndeRS p14 FILM: GAy SOCCeR heROeS p19 The BeGInnInG OF The end hOW MUCh LOnGeR CAn TRUMpUBLICAnS hOLd BACK The FUTURe? By nIChOLAS pOWeRS DAVID HOLLENBACH Reverend Billy The StopShopping Choir LOVE NO BORDER Sundays at 2pm $15 nov 25 dec 2, 9, 16, 23 Joe's Pub at The Public 2 COMMUNITY CALENDAR The IndypendenT THE INDYPENDENT, INC. 388 Atlantic Avenue, 2nd Floor Brooklyn, NY 11217 212-904-1282 www.indypendent.org Twitter: @TheIndypendent facebook.com/TheIndypendent BOARD OF DIRECTORS: THRU NOV 24 SCREENING: AT HOME IN THE PEOPLE’S FORUM GIVING: VEGAN THANKS- Six short films by black Ellen Davidson, Anna Gold, WED–SUN 1PM–6PM • UTOPIA 320 W. 37th St., Mnhtn GIVING BONANZA creators, each demon- Alina Mogilyanskaya, Ann FREE In the 1920s, thousands of Help share vegetarian gro- strating different nar- Schneider, John Tarleton ART: A CONFLICT OF immigrant Jewish factory NOV 16–JAN 31 ceries and gourmet vegan ratives of black culture. INTEREST workers escaped New TUE–FRI, 11AM–6PM, meals with thousands Talk to the directors after EDITOR-IN-CHIEF: Featuring six artists York’s slums into the com- SAT by appointment • in need at the world’s the screening. John Tarleton whose interpretations munity of their dreams; FREE largest vegan Thanksgiv- STARR BAR ASSOCIATE EDITOR: of the phrase “confl ict four apartment houses PHOTOGRAPHY: AUNTY!: ing. In addition to giving 214 Starr St., Bklyn Peter Rugh of interest” range from they built in the Bronx AFRICAN WOMEN IN out 100,000 pounds of political to surreal. -
The Queer Tango Salon 2017: Dancers Who Think and Thinkers Who Dance
Kent Academic Repository Full text document (pdf) Citation for published version Roser i Puig, Montserrat (2018) Authentic by Choice, or by Chance? A Discussion of The Gods of Tango, by Carolina de Robertis. In: Batchelor, Ray and Havmøller, Birthe, eds. Queer Tango Salon Lonson 2017 Proceedings. Queer Tango Project, London, UK, pp. 70-81. DOI Link to record in KAR https://kar.kent.ac.uk/79016/ Document Version Publisher pdf Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Queer Tango Salon London 2017 Proceedings A Queer Tango Project Publication Colophon and Copyright Statement Queer Tango Salon London 2017 - Proceedings Selection and editorial matter © 2018 Ray Batchelor and Birthe Havmøller Written materials © 2018 the individual authors All images and artworks © 2018 the individual artists and photographers This is a Queer Tango Project Publication. -
South Korea's Online Feminism Movement: Megalia
Responding to Misogyny, Reciprocating Hate Speech - South Korea's Online Feminism Movement: Megalia The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Lee, Wonyun. 2019. Responding to Misogyny, Reciprocating Hate Speech - South Korea's Online Feminism Movement: Megalia. Master's thesis, Harvard Graduate School of Arts and Sciences. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37366046 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Author Responding to Misogyny, Reciprocating Hate Speech South Korea’s Online Feminism Movement: Megalia A Thesis in the Field of Anthropology for the Degree of Master of Arts Harvard University November 2019 Copyright 2019 [Wonyun Lee] Acknowledgements The year in Harvard for me had been an incredibly rewarding experience. Looking back, I cannot believe how much I have learned and grown. This is, for the most part, thanks to my two advisors: Pr. Arthur Kleinman and Pr. Byron Good. I learned so much from them. I have the greatest respect for Arthur Kleinman for his academic rigorousness. His classes were intellectually insightful and resolute with political engagement. His commitment to academic integrity taught me to become a better anthropologist. I express my deepest gratitude to Byron Good, for his classes as well as many hours of our personal conversations. His penetrating wisdom shaped and refined my thesis. -
Steven F. Dansky Papers, 1968-2016 Coll2015-014
http://oac.cdlib.org/findaid/ark:/13030/c84j0jhm No online items Finding aid to the Steven F. Dansky papers, 1968-2016 Coll2015-014 Kyle Morgan ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California © 2015 909 West Adams Boulevard Los Angeles, California 90007 [email protected] URL: http://one.usc.edu Finding aid to the Steven F. Coll2015-014 1 Dansky papers, 1968-2016 Coll2015-014 Language of Material: English Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Title: Steven F. Dansky papers creator: Dansky, Steven Identifier/Call Number: Coll2015-014 Physical Description: 0.8 Linear Feet2 boxes. Date (inclusive): 1968-2016 Abstract: Clippings, writings, periodicals, correspondence, exhibit records, marriage records, photographs, and promotional materials of Steven F. Dansky, 1968-2016. Dansky is a writer, photographer, videographer, and activist, and was an initial member of the Gay Liberation Front (GLF) in New York City. The collection also includes photographs and video interviews from Dansky's project, "Outspoken: Oral History from LGBTQ Pioneers." Biographical / Historical For more than a half-century from the 1960s through the early 21st century, Steven F. Dansky has been a political activist, writer, and photographer. He has been referenced as such, particularly as a figure within the modern LGBT movement, continuously from the formative era to the present—from The Gay Militants (1971); Homosexual: Oppression and Liberation (1971); to Victory: The Triumphant Gay Revolution (2012); Radical Relations: Lesbian Mothers, Gay Fathers, and Their Children in the United States since World War II (2013); and Historical Dictionary of the Lesbian and Gay Liberation Movements (2013). -
Gendered Practices and Conceptions in Korean Drumming: on the Negotiation of "Femininity" and "Masculinity" by Korean Female Drummers
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Gendered Practices and Conceptions in Korean Drumming: On the Negotiation of "Femininity" and "Masculinity" by Korean Female Drummers Yoonjah Choi Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/413 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Gendered Practices and Conceptions in Korean Drumming: On the Negotiation of “Femininity” and “Masculinity” by Korean Female Drummers by Yoonjah Choi A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 2014 Yoonjah Choi All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Emily Wilbourne, Chair of Examining Committee Date Norman Carey, Executive Officer Professor Jane Sugarman Professor Peter Manuel Professor Anderson Sutton Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract Gendered Practices and Conceptions in Korean Drumming: On the Negotiation of “Femininity” and “Masculinity” by Korean Female Drummers by Yoonjah Choi Ph.D. in Ethnomusicology Advisor: Professor Jane Sugarman Korean drumming, one of the most popular musical practices in South Korea, currently exists in a state of contradiction as drumming, historically performed by men, is increasingly practiced by women. -
Gay Sunshine Records, 1955-2005, Bulk 1970-2005 Coll2011.011
http://oac.cdlib.org/findaid/ark:/13030/c8h41q5v No online items Finding aid of the Gay Sunshine records, 1955-2005, bulk 1970-2005 Coll2011.011 Finding aid prepared by Kyle Morgan ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California, 90007 (213) 741-0094 [email protected] © 2011 Finding aid of the Gay Sunshine Coll2011.011 1 records, 1955-2005, bulk 1970-2005 Coll2011.011 Title: Gay Sunshine records Identifier/Call Number: Coll2011.011 Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Language of Material: English Physical Description: 57.7 linear feet.18 record boxes, 52 archive cartons, 9 clamshell photograph binders, 8 flat boxes, 1 map-case drawer Date (bulk): Bulk, 1970-2005 Date (inclusive): 1955-2005 Abstract: The records, 1955-2005, comprise the publications, editorial records, audio-visual materials, and administrative and personal records collected, used and/or created by Winston Leyland as the publisher of Gay Sunshine Journal, Gay Sunshine Press, and Leyland Publications, 1970-2005. The records include the works, interviews, and/or correspondence of William Burroughs, Allen Ginsberg, John Giorno, Lou Harrison, Christopher Isherwood, Taylor Mead, John Rechy, Ned Rorem, Samuel Steward, Gore Vidal, and Tennessee Williams among others. creator: Gay Sunshine Press. creator: Leyland Publications. creator: Leyland, Winston, 1940- Separated Materials Publications annotated by Winston Leyland, autographed to Winston Leyland, or essential for archival context have been maintained in the collection. The following publications did not fall into these categories and have been separated from the collection, but they may still be accessed in the ONE National Gay and Lesbian Archives periodical and book collections. -
Troll Feminism: the Rise of Popular Feminism in South Korea
Troll Feminism: The Rise of Popular Feminism in South Korea Euisol Jeong PhD University of York Women’s Studies September 2020 Abstract This dissertation explores a new form of feminist movement in South Korea that has emerged online. The movement, which I refer to as the ‘Megalia phenomenon’, was catalysed by ‘man-hating trolling’ in 2015, which distinguishes this new digital feminism from extant feminist movements. The dissertation interrogates how South Korean digital practices have shaped a specific form of popular feminism – which I term ‘troll feminism’. In this dissertation, I ask: how the digital venues on the South Korean web have interacted and intertwined with the Megalia phenomenon; how Megalian trolls devised their activist practices based on the digital habits; and how Megalians’ digital discourses were materialised through forms of practical activism. I trace how the participants in the Megalian movement appropriated the practices of online misogynists (such as aggressive and offensive trolling acts) in order to respond to prevalent online misogyny, which led them to develop a feminist movement. The fun entailed in trolling altered how people ‘do’ feminism in this movement, making participants experience it as game playing, hence ‘gamifying’ the activism. As the activism of ‘chasing fun’ through ‘man-hating’ enabled many women to question the gendered reality of their world, the politics of trolling provided a feminist critique of South Korean society that made women’s lives intelligible and made social oppression recognisable, resulting in their involvement in political resistance. I analyse the materialist orientation of feminist politics in the Megalian movement, arguing that its inclination to prioritise what is actual and material, practical and pragmatic derives from Megalians’ nature as digital users, and as gamers, who seek out direct and immediate reactions to their actions – which they experience as ‘triumphs’ in the gender war they are involved in. -
Leaveshealone: Feminist Hashtag Activism and Carnival Popular Culture in the Caribbean
. Volume 17, Issue 2 November 2020 #LeaveSheAlone: Feminist hashtag activism and Carnival popular culture in the Caribbean Hanna Klien-Thomas, Independent Scholar, UK Abstract: In 2017 Caribbean activists initiated the campaign #LeaveMeAlone and #LeaveSheAlone in response to a high-profile murder and peak in violence against women. The hashtag refers to the song ‘Leave Me Alone’ marking the comeback of the iconic calypsonian Calypso Rose, who has denounced women’s oppression throughout her career. Feminists have used the hashtag to campaign against gender-based violence and raise awareness on issues of consent. This paper firstly discusses how Calypso Rose’s symbolic power unfolds and is appropriated in the local negotiation of trends such as popular and celebrity feminism. Secondly, the focus lies on the visual media practices of young women who have used the hashtag. #LeaveSheAlone’s strong presence on Instagram invites investigation of how visibility is negotiated in terms of both the objectification of female bodies, and the body as a site of agency in Carnival. Calypso Rose as signifier and the diverse forms of user participation, also give insights into how the increasing incorporation of Caribbean Carnival into neoliberal regimes structures the wider context for the hashtag, thereby magnifying, contesting and marginalising different feminist voices. Keywords: Caribbean feminism, cyberfeminism, hashtag activism, Caribbean Carnival, #LeaveSheAlone, visual practices, visuality Introduction Hashtag activism has become an established tool for feminist activists and movements. Since #MeToo was trending in 2017, this form of digital activism has received much public attention as well as media coverage, often promoting the belief that hashtag feminism is a strategy easily accessible to women worldwide and suitable to voice their experiences of oppression and resistance. -
Marching for Pride: the Basics
Marching for Pride: • When did the first Pride marches take place? the way they chanted, “Say it clear, say it loud, gay is good, The first Pride marches, parades, and celebrations were held gay is proud,” “Out of the closets and into the streets,” and The Basics in June 1970 to mark the one-year anniversary of the 1969 up- “Gay power!” rising at the Stonewall Inn gay bar in Greenwich Village. They Despite fears of anti-gay violence, the marchers were have been held annually ever since. mainly greeted with looks of wonder and bewilderment from A collaboration of the NYC LGBT Historic Sites Project, Sunday tourists and passersby. The march ended in Central Making Gay History, New York Public Library, GLSEN, • Where was the first Pride march held? Park’s Sheep Meadow at a planned “Gay-In” gathering where Contrary to popular belief, the first Pride march did not take National Parks Conservation Association, ONE Archives the two thousand marchers were joined by thousands more. place in New York City, but in Chicago. The Chicago march Foundation, and the Stonewall 50 Consortium. took place on Saturday, June 27, 1970, with between 150 and • Who marched? 200 people marching from the city’s Washington Square Park In addition to the individual LGBTQ people who had traveled to Daley Plaza. New York City was second on Sunday, June 28, from across the northeastern United States to participate, along with Los Angeles, where 1,200 marched down Holly- more than 20 organizations were represented at the march, in- wood Boulevard, and San Francisco, where approximately 30 cluding the Gay Activists Alliance, the Gay Liberation Front, people marched down Polk Street and a “Gay-In” gathering the Mattachine Society of New York, the Daughters of Bilitis, was held in Golden Gate Park. -
Art Shows to Leave the House for This Month
15 March 2019 Lexi Manatakis & Ashleigh Kane "Self-Portrait", 1988 Collection particulière © Robert Mapplethorpe Foundation. Used by perMission Art shows to leave the house for this Month From Mapplethorpe to Basquiat, DNA testing and Darwinism, female surrealists, and David Bailey’s famous swinging sixties photographs IMPLICIT TENSIONS: MAPPLETHORPE NOW, GUGGENHEIM, NEW YORK On 9 March 1989, New York luminary Robert Mapplethorpe passed away from complications due to Aids. Marking 30 years since the artist’s passing is the Guggenheim’s year-long exhibition, Implicit Tensions: Mapplethorpe Now. The show draws on the museum’s extensive Mapplethorpe archive – that houses over 200 photographs and objects from the late artist – to curate two sequential shows. Part one (on until 10 July 2019) is a Mapplethorpe retrospective showing work at all phases of the photographer's life, including his early Polaroids, collages, and mixed media works. Through leather-clad portraits and classic nudes, the show will also display the artist’s exploration of New York’s BDSM and queer underground comMunities. Phase two (24 July 2019 – 5 January 2020) will explore Mapplethorpe’s legacy on portraiture and self-representation through the lens of contemporary artists who reference his work and explore the same themes through different angles of race and sexuality. Photographers Catherine Opie and Paul Mpagi Sepuya will feature alongside Lyle Ashton Harris, and more. Implicit Tensions: Mapplethorpe Now runs at New York’s Guggenheim until 5 January 2020 SOUL OF A NATION, VARIOUS, THE BROAD, LOS ANGELES Soul of a Nation caused a sensation when it launched at London’s Tate Modern in 2017. -
A Computational Textual Analysis of Womad, a South Korean Online “Feminist” Community
International Journal of Communication 15(2021), 1891–1911 1932–8036/20210005 Feminism Without Morality, Neoliberalism as Feminist Praxis: A Computational Textual Analysis of Womad, a South Korean Online “Feminist” Community JIHAE KOO1 Kookmin University, South Korea MINCHUL KIM Sungkyunkwan University, South Korea Womad, a South Korean online “feminist” community, has since its inception been the center of national controversy stemming from its avowed belief in the biological superiority of women (and the innate inferiority of men). Using computational textual analysis (topic modeling), we reveal how Womad’s espousal of biological essentialism is inextricable from a neoliberalist belief in individual capacity. That is, neoliberalism allows the community to reconceive feminism as a means to advance individual cis-women’s power over other identities. Womad’s communal rhetoric is thus closely linked to its users’ enthusiasm for neoliberal self-fashioning as the means to overcome female oppression, an optimism simultaneously complicated by the desire to escape Korea and the latter’s patriarchal nationalism. In sum, Womad’s vision of female emancipation—problematic as it is—needs to be situated alongside both its criticism of South Korean nationalism and its faith in neoliberalism as a means to escape the patriarchy. Keywords: feminism, right wing movements, neoliberalism, antinationalism, South Korea, topic modeling On May 4, 2019, there appeared in New York’s Times Square—off 54th and Broadway, to be exact— an advertisement with the cryptic message “Womad Release the Truth.” Beneath the message was a silhouette of a woman—meaningless perhaps to the bulk of the American public, but easily recognizable to South Koreans as the silhouette of Geun-Hye Park, former South Korean president who was impeached in 2017 and is currently serving a more than 25-year sentence for a total of 21 charges, including abuse of power, coercion, and bribery. -
Download Download
LA REVUE EN SCIENCES INFIRMIÈRES • THE NURSING JOURNAL Vol.1, Numéro 1/Vol.1, Issue 1. ISSN: 1918-1345 Sommaire/Content ARTICLE 1 GJ ANDREWS 6 1930 A FORCE FROM THE BEGINNING: WELLBEING IN THE AFFECTIVE INTENSITIES OF POP MUSIC ARTICLE 2 J HOLMGREN, A EMAMI, LE ERIKSSON, & H ERIKSSON REPLICATING THE FAMILY: THE BIOPOLITICS OF INVOLVEMENT DISCOURSES CONCERNING RELATIVES IN NURSING HOME INSTITUTIONS 2014: Vol.6, Numéro 4/Vol.6, Issue4 Numéro4/Vol.6, Vol.6, 2014: Éditorial/Editorial ARTICLE 3 PJ CAPLAN & JC FORD THE VOICES OF DIVERSITY: WHAT STUDENTS OF DIVERSE RACES/ETHNICITIES AND BOTH SEXES TELL US ABOUT THEIR COLLEGE EXPERIENCES AND THEIR PERCEPTIONS ABOUT THEIR INSTITUTIONS/ PROGRESS TOWARD DIVERSITY Éditorial/Editorial In an effort to optimize healthcare, people (that is, patients, providers, and funders) have started to increasingly scrutinize nurses’ practices, whether these relate to assessments, plans of care, interventions, or evaluations. What people want to know is, what is the utility, efficacy, and effectiveness of the services being recommended, delivered, and paid for? Do these interventions induce their intended outcomes, or do they cause more harm than good? This trend, which is commonly known as evidence-based practice, has challenged all healthcare practices. There are no sacred practices seemingly beyond the apparently critical gaze of evidence-based practice. From this lens, everything should be subject to critique and critical review. While the foregoing aim of evaluating everything seems ideal, it is not as comprehensive in practice. What is lost in this new movement is the actual practice of critical appraisal. In decrying the previous approach of providing care based on anecdotal evidence, personal opinion, and historical practice trends, we have failed to maintain the foundational premise of critical reflection: to question and challenge everything.