South Korea's Online Feminism Movement: Megalia
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Performance, Television, and Social Media, THEATER 118AC, 2020* Four (4) Semester Credits Course Description
Performance, Television, and Social Media, THEATER 118AC, 2020* Four (4) semester credits Course Description This course examines the intersections of performance and media— specifically the media forms of television and social media in the U.S.— with a focus on how various types of difference are enacted, articulated, represented, and played on TV and social media platforms. We will study the many intersections of performance theory and television, which include the TV industry’s roots in New York theater, the unique modes of acting required by television roles, and the numerous ways that television audiences “perform” for one another in response to the media they consume, for example by writing stories based on their favorite shows and sharing them online. We will also study how contemporary social media platforms operate as performance spaces, in which all of the users are the “actors,” performing for one another. We will then discuss how issues pertaining to race/ethnicity, gender, and sexuality are depicted on television and discussed on social media. We will focus on representations of African Americans, indigenous peoples, Latinxs, Asian Americans, women, and LGBTQIA people. Students will be expected to apply the theoretical concepts and frameworks from performance studies (which they will learn in Modules 1 and 2) to the television texts and social media that they analyze. This course has been approved to fulfill the UC Berkeley American Cultures requirement. Prerequisites There are no prior course requirements. Course Objectives After successfully completing this course, you will be able to: ● Identify the core scholarly literature and key concepts and theories of performance studies, media studies, new media studies, critical race studies, and gender studies, particularly theories pertinent to the cultural forms of television and social media. -
Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Bildiri Başlığı YAZAR 1 MENTAL HEALTH for WOMEN WITH
Bildiri Başlığı YAZAR MENTAL HEALTH FOR WOMEN WITH BREAST CANCER Alaa Alutol 1 THE PRINCESS REMEMBERS: Amanda Leong 2 THE HUMAYUNNAMA AS A MIRROR FOR PRINCESSES ANTIGONE IN PALESTINE Anna Di Giusto 3 LUISA MORGANTINI AND THE DEFENSE OF THE OPPRESSED MOBILIZATION AWARENESS OF THE FEMALE GARMENT WORKERS IN BANGLADESH FOR Anowarul Kayes Shimul ESTABLISHING THEIR RIGHTS: ISSUES OF ENTHUSIASM, FEAR, AND INDIGNATION 4 Özlem Kaya Ziybek / FEMALE INEQUALITY OF WOMEN IN THE FIGHT OF POLITICAL EXISTENCE IN HAKKARI 5 Avşin Ayhan Kaya ON PRACTICE OF FEMINISM'S DIGITAL PUBLIC SPHERE- SOCIAL MEDIA PROTESTS Aysun Eyrek Keskin 6 TBMM 26. GENDER PERSPECTIVE IN WRITTEN AND ORAL QUESTIONS OF WOMEN'S Ayşe Kaşıkırık 7 PARLIAMENTARIANS ALTERNATIVE MEDIA'S VIEW OF GENDER INEQUALITY FROM A FEMALE PERSPECTIVE: THE Ayşegül Köse 8 CASE OF COUNTER RADIO-NAMAKBUL PROGRAM WOMEN IN TURKEY DURING TRANSITION TO MODERN LIFE: UNDERSTANDING THE CONTEXT Ayşin Şişman 9 OF TIME AND SPACE TRACING ABORTION POLICIES THROUGH THE POPULATION LAWS IN TURKEY Basak Bozkurt 10 A WAR OF THEIR OWN: FEMALE CONSCRIPTS-VOLUNTEERS Beatrice Juskaite 11 IN THE POST-2015 LITHUANIAN ARMED FORCES 12 POLITICS IN THE EYE OF POLITICAL WOMAN: EXAMPLE OF TEKİRDAĞ Beril Günay THE ROLE OF WOMEN IN PEACEMAKING: THE LINK BETWEEN WOMEN’S PARTICIPATION IN Camila Fernandes THE PEACE TALKS AND GENDER (IN)EQUALITY IN POST-CONFLICT SOCIETIES Thomas 13 THE RISE OF WOMEN IN EDİRNE POLITICS Cemile Ündücü 14 WOMEN'S POSITION IN POLITICAL REPRESENTATION IN TURKEY: BEYOND JUSTICE IN Ceren Avcil 15 REPRESENTATION DISTINCTION -
The Korean Internet Freak Community and Its Cultural Politics, 2002–2011
The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 by Sunyoung Yang A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Anthropology University of Toronto © Copyright by Sunyoung Yang Year of 2015 The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 Sunyoung Yang Doctor of Philosophy Department of Anthropology University of Toronto 2015 Abstract In this dissertation I will shed light on the interwoven process between Internet development and neoliberalization in South Korea, and I will also examine the formation of new subjectivities of Internet users who are also becoming neoliberal subjects. In particular, I examine the culture of the South Korean Internet freak community of DCinside.com and the phenomenon I have dubbed “loser aesthetics.” Throughout the dissertation, I elaborate on the meaning-making process of self-reflexive mockery including the labels “Internet freak” and “surplus (human)” and gender politics based on sexuality focusing on gender ambiguous characters, called Nunhwa, as a means of collective identity-making, and I explore the exploitation of unpaid immaterial labor through a collective project making a review book of a TV drama Painter of the Wind. The youth of South Korea emerge as the backbone of these creative endeavors as they try to find their place in a precarious labor market that has changed so rapidly since the 1990s that only the very best succeed, leaving a large group of disenfranchised and disillusioned youth. I go on to explore the impact of late industrialization and the Asian financial crisis, and the nationalistic desire not be left behind in the age of informatization, but to be ahead of the curve. -
Digital Feminist Activism in Turkey
Media@LSE Working Paper Series Editors: Bart Cammaerts and Nick Anstead DIGITAL FEMINIST ACTIVISM IN TURKEY Gülüm Şener DIGITAL FEMINIST ACTIVISM IN TURKEY GÜLÜM ŞENER1 1 Gülüm Şener ([email protected]) is associate professor at the New Media Department, of 15 November Cyprus University. In 2006, she completed the Communication Sciences Ph.D. programme at Marmara University with her thesis, entitled “New Public Sphere of Global Capitalism: The Use of the Internet by New Social Movements”. Over the last 15 years, she’s been teaching communication and media studies at various universities. Her research interests include digital activism, social movements, and new media culture. Published by Media@LSE, London School of Economics and Political Science ("LSE"), Houghton Street, London WC2A 2AE. The LSE is a School of the University of London. It is a Charity and is incorporated in England as a company limited by guarantee under the Companies Act (Reg number 70527). Copyright, Gülüm Şener © 2021. The author has asserted her moral rights. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior permission in writing of the publisher nor be issued to the public or circulated in any form of binding or cover other than that in which it is published. In the interests of providing a free flow of debate, views expressed in this paper are not necessarily those of the compilers or the LSE. ISSN: 1474-1938/1946 Other papers of the series can be found at: https://www.lse.ac.uk/media-and-communications/research/working-paper-series ABSTRACT This working paper sheds light on digital feminist activism in Turkey. -
K-Wave Experience in Turkey Dr
AUTHOR Buket Yildiz - 1200208 SUPERVISOR K-Wave experience in Turkey Dr. L.O. Black Handling subjugation in a patriarchal DATE society 7th July 2017 MAIR THESIS Abstract Informed by ethnographic research the purpose of this study is to examine the attitudes of Turkish women who consume Korean popular culture with regards to their identity formation and how it relates to the possible transformation of Turkish patriarchal society. The argument made in this study is that people in the K-Wave community have a skewed interpretation of South Korea, because of their admiration of the country through the K-Wave they are exposed to, but that this misconception has an impact on their resistance against patriarchy in their own country. This study argues that it is a two-edged sword: on the one hand K-Wave reinforces patriarchy through the messages it conveys, on the other hand it creates an imaginary space to which women can escape from their daily lives and encourages them to resist the socially defined masculine domination. 2 Contents 1. INTRODUCTION ..................................................................................................................................... 4 2. LITERATURE REVIEW .......................................................................................................................... 6 2.1 PREVIOUS STUDIES ON THE KOREAN WAVE ................................................................................................. 6 2.2 WOMEN IN PATRIARCHAL SOCIETIES: TURKEY AND SOUTH KOREA ................................................ -
K O R E a N C in E M a 2 0
KOREAN CINEMA 2006 www.kofic.or.kr/english Korean Cinema 2006 Contents FOREWORD 04 KOREAN FILMS IN 2006 AND 2007 05 Acknowledgements KOREAN FILM COUNCIL 12 PUBLISHER FEATURE FILMS AN Cheong-sook Fiction 22 Chairperson Korean Film Council Documentary 294 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea 130-010 Animation 336 EDITOR-IN-CHIEF Daniel D. H. PARK Director of International Promotion SHORT FILMS Fiction 344 EDITORS Documentary 431 JUNG Hyun-chang, YANG You-jeong Animation 436 COLLABORATORS Darcy Paquet, Earl Jackson, KANG Byung-woon FILMS IN PRODUCTION CONTRIBUTING WRITER Fiction 470 LEE Jong-do Film image, stills and part of film information are provided by directors, producers, production & sales companies, and Film Festivals in Korea including JIFF (Jeonju International Film Festival), PIFF APPENDIX (Pusan International Film Festival), SIFF (Seoul Independent Film Festival), Women’s Film Festival Statistics 494 in Seoul, Puchon International Fantastic Film Festival, Seoul International Youth Film Festival, Index of 2006 films 502 Asiana International Short Film Festival, and Experimental Film and Video Festival in Seoul. KOFIC appreciates their help and cooperation. Contacts 517 © Korean Film Council 2006 Foreword For the Korean film industry, the year 2006 began with LEE Joon-ik's <King and the Clown> - The Korean Film Council is striving to secure the continuous growth of Korean cinema and to released at the end of 2005 - and expanded with BONG Joon-ho's <The Host> in July. First, <King provide steadfast support to Korean filmmakers. This year, new projects of note include new and the Clown> broke the all-time box office record set by <Taegukgi> in 2004, attracting a record international support programs such as the ‘Filmmakers Development Lab’ and the ‘Business R&D breaking 12 million viewers at the box office over a three month run. -
The Queer Tango Salon 2017: Dancers Who Think and Thinkers Who Dance
Kent Academic Repository Full text document (pdf) Citation for published version Roser i Puig, Montserrat (2018) Authentic by Choice, or by Chance? A Discussion of The Gods of Tango, by Carolina de Robertis. In: Batchelor, Ray and Havmøller, Birthe, eds. Queer Tango Salon Lonson 2017 Proceedings. Queer Tango Project, London, UK, pp. 70-81. DOI Link to record in KAR https://kar.kent.ac.uk/79016/ Document Version Publisher pdf Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Queer Tango Salon London 2017 Proceedings A Queer Tango Project Publication Colophon and Copyright Statement Queer Tango Salon London 2017 - Proceedings Selection and editorial matter © 2018 Ray Batchelor and Birthe Havmøller Written materials © 2018 the individual authors All images and artworks © 2018 the individual artists and photographers This is a Queer Tango Project Publication. -
Korean Culture and Media Films and Korean Culture UNIT 5
Korean Culture and Media Films and Korean Culture UNIT 5 1 Korean Culture and Media Films and Korean Culture UNIT 5 Note: Copyright 2009 by CALPER and The Pennsylvania State University. All rights reserved. No part of the data or content in this workbook may be reproduced without explicit written permission from the Center for Advanced Language Proficiency Education and Research and the authors and no secondary materials may be developed from this data or content. Funding: This project is funded by the U.S. Department of Education (P229A60003). The films treated in Units 3, 4, and 5 were provided by The Korea Foundation, The Korea International Trade Association (KITA), and The Korea Tourism Organization (KTO). Produced by: Center for Advanced Language Proficiency Education and Research The Pennsylvania State University 5 Sparks Building University Park, PA 16802-5203 Website: http://calper.la.psu.edu 2 Korean Culture and Media Films and Korean Culture UNIT 5 CULTURE AND MEDIA SERIES FILMS AND KOREAN CULTURE INTRODUCTION This workbook series has been designed to complement existing pedagogical materials for intermediate, advanced, and heritage learners of Korean. Many of those materials are based on written text using specially selected samples of language for the purposes of teaching grammar, vocabulary, and particular elements of culture. Some include audio and video supplements to more fully represent the sounds, rhythms, and cadence of the language; such supplements, when provided, also well illustrate the social, interactional, and cultural aspects of the linguistic constructions and/or the thematic topics of the lessons at hand. The workbooks in this series are intended to add to the existing range of instructional materials for Korean. -
Gender and Class and Class Gender Edited by Choo Hae Yeon John Lie Laura C
Gender and Class in Contemporary South Korea Gender and Class in Contemporary South Korea Intersectionality & Transnationality Choo, Lie, and Nelson INSTITUTE OF EAST ASIAN STUDIES INSTITUTE OF EAST Edited by Hae Yeon Choo John Lie Laura C. Nelson INSTITUTE OF EAST ASIAN STUDIES UNIVERSITY OF CALIFORNIA ● BERKELEY TK 4 TRANSNATIONAL KOREA 4 TK 4_ FIN.indd 1 2/20/2019 9:57:55 PM Notes to this edition This is an electronic edition of the printed book. Minor corrections may have been made within the text; new information and any errata appear on the current page only. Transnational Korea 4 Gender and Class in Contemporary South Korea: Intersectionality & Transnationality Hae Yeon Choo, John Lie, Laura Nelson, editors ISBN-13: 978-1-55729-183-7 (electronic) ISBN-13: 978-1-55729-182-0 (print) ISBN-10: 1-55729-182-9 (print) Please visit the IEAS Publications website at http://ieas.berkeley.edu/publications/ for more information and to see our catalogue. Send correspondence and manuscripts to Katherine Lawn Chouta, Managing Editor Institute of East Asian Studies 1995 University Avenue, Suite 510H Berkeley, CA 94704-2318 USA [email protected] TRANSNATIONAL KOREA 4 Gender and Class in Contemporary South Korea Intersectionality and Transnationality Edited by Hae Yeon Choo, John Lie, and Laura C. Nelson IEAS-TK4GenderandClass-Text.indd 3 2/22/19 11:26 AM A publication of the Institute of East Asian Studies, University of California, Berkeley. Although the institute is responsible for the selection and acceptance of manuscripts in this series, responsibility for the opinions expressed and for the accuracy of statements rests with their authors. -
Download and Upload Speeds for Any Individual Device That Is Connected to the Network
UC Irvine UC Irvine Electronic Theses and Dissertations Title Acceleration and Information: Managing South Korean Online Gaming Culture Permalink https://escholarship.org/uc/item/2204k0wv Author Rea, Stephen Campbell Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Acceleration and Information: Managing South Korean Online Gaming Culture DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Anthropology by Stephen C. Rea Dissertation Committee: Associate Professor Keith M. Murphy, Chair Professor Tom Boellstorff Professor Bill Maurer 2015 © 2015 Stephen C. Rea TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iii CURRICULUM VITAE v ABSTRACT OF THE DISSERTATION vi CHAPTER 1: Playing at the Speed of Life: Korean Online Gaming Culture and the 1 Aesthetic Representations of an Advanced Information Society CHAPTER 2: “Slow to Industrialize, but Let’s Lead in Informatization”: The Korea 31 Information Infrastructure, the IMF, and Online Games CHAPTER 3: Situating Korean Online Gaming Culture Offline 71 CHAPTER 4: Managing the Gap: The Temporal, Spatial, and Social Entailments of 112 Playing Online Games CHAPTER 5: Crafting Stars: e-Sports and the Professionalization of Korean Online 144 Gaming Culture CHAPTER 6: “From Heroes to Monsters”: “Addiction” and Managing Online Gaming 184 Culture CONCLUSION 235 BIBLIOGRAPHY 242 ii ACKNOWLEDGEMENTS This dissertation would not have been -
UC Santa Barbara Dissertation Template
UNIVERSITY OF CALIFORNIA Santa Barbara Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by David Hur Committee in charge: Professor Yunte Huang, co-Chair Professor Stephanie Batiste, co-Chair Professor erin Khuê Ninh Professor Sowon Park September 2020 The dissertation of David Hur is approved. ____________________________________________ erin Khuê Ninh ____________________________________________ Sowon Park ____________________________________________ Stephanie Batiste, Committee Co-Chair ____________________________________________ Yunte Huang, Committee Co-Chair September 2020 Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic Copyright © 2020 by David Hur iii ACKNOWLEDGEMENTS This journey has been made possible with support from faculty and staff of both the Comparative Literature program and the Department of Asian American Studies. Special thanks to Catherine Nesci for providing safe passage. I would not have had the opportunities for utter trial and error without the unwavering support of my committee. Thanks to Yunte Huang, for sharing poetry in forms of life. Thanks to Stephanie Batiste, for sharing life in forms of poetry. Thanks to erin Khuê Ninh, for sharing countless virtuous lessons. And many thanks to Sowon Park, for sharing in the witnessing. Thirdly, much has been managed with a little