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Digital Feminist Activism in Turkey Media@LSE Working Paper Series Editors: Bart Cammaerts and Nick Anstead DIGITAL FEMINIST ACTIVISM IN TURKEY Gülüm Şener DIGITAL FEMINIST ACTIVISM IN TURKEY GÜLÜM ŞENER1 1 Gülüm Şener ([email protected]) is associate professor at the New Media Department, of 15 November Cyprus University. In 2006, she completed the Communication Sciences Ph.D. programme at Marmara University with her thesis, entitled “New Public Sphere of Global Capitalism: The Use of the Internet by New Social Movements”. Over the last 15 years, she’s been teaching communication and media studies at various universities. Her research interests include digital activism, social movements, and new media culture. Published by Media@LSE, London School of Economics and Political Science ("LSE"), Houghton Street, London WC2A 2AE. The LSE is a School of the University of London. It is a Charity and is incorporated in England as a company limited by guarantee under the Companies Act (Reg number 70527). Copyright, Gülüm Şener © 2021. The author has asserted her moral rights. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior permission in writing of the publisher nor be issued to the public or circulated in any form of binding or cover other than that in which it is published. In the interests of providing a free flow of debate, views expressed in this paper are not necessarily those of the compilers or the LSE. ISSN: 1474-1938/1946 Other papers of the series can be found at: https://www.lse.ac.uk/media-and-communications/research/working-paper-series ABSTRACT This working paper sheds light on digital feminist activism in Turkey. The opportunities and limitations brought by digital media to feminist movements have been analysed at three levels: visibility, solidarity, and awareness-raising. Based on online observation and semi-structured in- depth interviews with the digital media moderators from nine feminist movements, the qualitative analysis shows that digital platforms have created counter-public spheres, alternative media for feminist movements, and reinforced women solidarity and feminist awareness-raising in Turkey. However, these affordances are limited by several global and local factors such as platforms’ logic challenging the visibility of social movements (commercialisation, temporality, rules of platforms, etc.), digital divide limiting women’s participation, limited organisational resources of feminist groups, political repression and surveillance, and the rise of online misogyny. DIGITAL FEMINIST ACTIVISM IN TURKEY Media@LSE Working Paper #67 –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– INTRODUCTION Communication has always played a crucial role in social movements. Both traditional media and new media play a central role in the formation of social movements, the dissemination of dissident messages, the mobilisation of masses, the formation and strengthening of political identities conceived and owned by activists, and the struggle for seeking rights and justice. Communication networks are essential for the emergence of social movements, the organisation of activists, making their voices heard by politicians and the public, and thus ensuring social change. Activists use various media forms as their ‘repertoires of communication’ (Mattoni, 2013), and develop complex and hybrid ‘information ecologies’, using old and new media together, to fight against injustices (Treré, 2012; Treré, 2019). Digital media have radically changed the ways social movements communicate, organise and take action; and there is a large body of literature on digital activism. Digital media, especially social media, have enabled a new participatory culture and new activism practices. Today’s activists, who engage instantly and permanently in online social networks, create globally and horizontally self-organised movements (Sandoval-Almazan & Gil-Garcia, 2014: 365-378). Activists use traditional and new communication technologies in hybrid and creative ways in order to expose injustices, create agendas, put pressure on politicians, mobilise citizens, organise and maintain solidarity. Cammaerts analyses communicative affordances of social media for social movements putting activist ‘self-mediation logics’ under six categories: dissemination of protests movements’ discourses through a variety of channels, mobilisation and recruitment for online and offline direct actions, internal organisation, coordination of direct actions, self-recording protest events and archiving (2015a: 91). However, technological opportunities of new media may be constrained by “techno-political orientations” that determine how a certain technology is conceived of and utilised.” (Gerbaudo, 2017: 484). This research project aims to examine the role of digital media in feminist movements in Turkey. This study seeks to address the following questions: What impact do digital media have on feminist activism in Turkey? What are the opportunities and limitations of digital media for feminist movements? Which digital tactics do feminist activists use in digital platforms to challenge patriarchy? Digital practices of feminist activists are analysed at three levels, which are interrelated: 1- Visibility: the potential and limits of digital media to create counter-public spheres and alternative media for feminist movements. 2- Solidarity: the potential and limits of digital media for solidarity among women and organisation of feminist movements. 3- Awareness-raising: the potential and limits of digital media to produce feminist subjectivities and to create social change. - 1 - DIGITAL FEMINIST ACTIVISM IN TURKEY Media@LSE Working Paper #67 –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– AFFORDANCES OF DIGITAL FEMINIST ACTIVISM Cyberfeminism dates back to early Internet scholarship, to the late 1980s and the early 1990s. These earlier studies have drawn attention to the potential of the Internet as a new public sphere for women (Schulte, 2011, p. 731). Nowadays, some authors argue that the fourth-wave feminism (Baumgardner, 2011; Martin & Valenti, 2012; Munro, 2013; Bertrand, 2018) has emerged with the proliferation of Web 2.0 technologies through which feminists are engaged in challenging sexism and misogyny, fostering a collective call-out culture (Mendes, Ringrose & Keller, 2019: 24), creating alternative media, and empowering global solidarity among women. However, others suggest that the combination of feminism and the Internet does not itself constitute a shift from third-wave to fourth-wave feminism (Bromley, 2012, cit. by Risam 2015). Korn and Kneese (2015: 707) note, furthermore, that feminist approaches to social media encompass a variety of strategies analysing online feminist practices in light of many concerns such as identity, ethnicity, sexuality, class, infrastructure, design, algorithms, etc. Women are not only combatting patriarchy offline but also online, using various tools and techniques. Digital feminist tactics comprise of hashtag campaigns, disclosure of sexual harassment or abuse on social media, agenda-setting, online feminist call-out culture, video activism, digital archiving, data activism, etc. The digital labour of feminist activists includes a variety of tasks: digital content production and moderation, organising volunteers and “rota systems”, offline training initiatives, engaging in public talks and events, blogging, engaging, designing apps/interface and websites for their campaigns (Mendes et al., 2019: 134-135), writing and updating media guidelines, submitting complaints to formal media regulatory bodies (Gleeson, 2016: 5), attempting to forge affective connections and solidarities among readers (Mendes, Ringrose & Keller, 2019: 91). Due to a lack of institutional solutions, feminist activists are pushing back via “digilantism”, DIY justice online (Jane, 2017a: 11). The purpose of this study is to explore the possibilities and limitations of digital activism for feminist movements through three main interrelated concepts: visibility, solidarity, and awareness-raising. Media visibility is always essential for social movements and activists to achieve public recognition and expose their causes (Cammaerts et al., 2013:10). Both individuals and women's organisations use effectively digital media to create counter-public spheres (Fraser, 1990) and alternative media. Based on critics of the Habermasian idealised bourgeois public sphere, counter-public spheres bring together people who are excluded or who disagree with the dominant organisation of the public sphere, and who often build their own media and networks of communication and with them their counter-publics (Calhoun, 2011: 14). The globalisation of modernity, the crisis of dominant public spheres (Fenton & Downey, 2002: 22), the digitalisation of society, and the rise of networked communication have - 2 - DIGITAL FEMINIST ACTIVISM IN TURKEY Media@LSE Working Paper #67 –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– paved the way to the proliferation of counter-public spheres and alternative media. From an agonistic perspective, “the Internet is a site of political struggle and conflict, a contested terrain, supporting marginalised discourses to develop their own deliberative spaces, to link up with other excluded voices in developing representative, strategically effective counter- discourses and subsequently to contest those meanings and practices dominating mainstream public
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