Feminist Theory, and Much of Women'sculture

Total Page:16

File Type:pdf, Size:1020Kb

Feminist Theory, and Much of Women'sculture WOMEN'S STIJDIES LIBRARIAN The University ofWisconsin System EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS VOLUME 8, NUMBER 4 WINTER 1989 Published bySusanSearing, Women'sStudies Librarian: University of Wisconsin System 112A Memorial Library> 728 State Street Madison, Wisconsin 53706 )) (608) 262-5754 EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS Volume 8, Number 4 WInter 1989 Periodical literature is the cutting edge of women's scholarship, feminist theory, and much of women'sculture. Feminist Periodicals: A Current Listing of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; andto providethe requisite bibliographicinformation should a reader wish to subscribeto a joumal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues of major feminist journals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of £e. The annotated listing provides the following information on each journal: 1. Year of first publication. 2. Frequency of publication. 3. U.S. subscription price(s). 4. Subscription address. 5. Current editor. 6. Editorial address (if different from subscription address). 7. International Standard Serials Number (ISSN). 8. Library of Congress (LC) catalog card number. 9. OCLC, Inc. Control Number. 10. Locations where the journal is held in the UW System. 11. Publications in which the journal is indexed. 12. Subject focus/statement of purpose of the journal. Please note that in the actual text, only the numbers 1 to 12 are used to identify the different categories of information. ii. Our goal is to have represented in FP all English-language feminist periodicals with a substantial national or regional readership, with an emphasis on scholarly journals and small press offerings. We do not include publications which, though feminist in philosophy, do not focus solely on women's issues. Nor, with few exceptions, do we include newsstand magazines. We are also forced to omit periodicals which lack a complete table of contents. We encourage feminist serials to build a full table of contents into their regular format to facilitate the indexing feminist literature sorely needs. Interested readers will find more complete information on feminist periodicals in The Index/Directory of Women's Media published annually by the Women's Institute for Freedom of the Press (3306 Ross Place, NW, Washington, DC 20008); and in Women's Periodicals and Newspapers: A Union Lid of the Holdings of Madison Area Libraries, edited by James P. Danky, compiled by Maureen E. Hady, Barry Christopher, and Neill E. Strache (Boston: G.K. Hall, 1982). Suggestions for improvements of Feminist periodicals are gratefully received. We would particularly appreciate assistance from readers in the UW-System with our efforts to keep the holding information complete and up to date. Please let us know about new subscriptions, subscriptions we have overlooked, cancellations, or other pertinent information. Feminist Periodicals is also available on microfilm at the library of the State Historical Society of Wisconsin. Alternative Cataloging In Publication Data Feminist periodicals: a cu"ent listing of contents. Madison, WI: University of Wisconsin System Women's Studies LIbrarian quarterly. , "Table of contents pages from cu"ent Issues of major feministJoumals are reproduced... preceded by a comprehensive annotated listing ofallJournals... .. Frequently cited as FP. 1. Feminist periodicals-Directories. 2. Femlnlsm­ Blbllography--Perlodlcals.. 3. Feminist perlodlcals­ Cu"ent awareness services. I. University of Wisconsin System. Women's Studies LIbrarian. (courtesy ofSanford Berman) Feminist Periodicals (ISSN 0742-7433) is published by Susan E. Searing, UW-System Women's Studies Librarian, 112A Memorial Library, 728 State Street, Madison, WI 53706. Phone (608) 263­ 5754. Compilers: Linda Shutt, Ingrid Markhardt. Graphics: Daniel Joe. Publications of the Office of the UW-System Women's Studies Librarian are available free of charge to UW Women's Studies Offices, UWCampusWomen'sCenters, andUW Libraries. Subscriptionsrates: Wisconsin subscrip­ tions: $5 (indiv. affiliated with the UW System), $10 (organizations affiliated with the UW System), $10 (indiv. ornon-profit women's programs), $15 (libraries or other organizations). Out-of-state sub­ scriptions: $20 (indiv. & women's programs), $38 (inst.). Thisfee covers all publications of the Office, including Feminist Collectjons, Feminist Periodicals, New Books on Women & Feminism, and bibliographies, directories, and occasional publications produced throughout the year. Wisconsin subscribers, please addsalestax ($.50 - indiv; $1 .00-libraries). Subscribersoutside the U.S., please add postage ($5.00 - surface; $15.00 - air). III. AFFILlA: JOURNAL OF WOMEN AND SOCIAL WORK 5. Editorial Committee. 1. 1988. 7. ISSN 0197-775X. 2. 41year. 8. lC sn80-11853. 3. $25 (Indlv.), $50 (Inst.). 9. OClC 6113633. 4. Sage Publications, Inc., 2111 W. Hillcrest Dr., Newbury 12. Science fiction and fantasy with a feminist orientation. Park, CA 91320. 5. Betty Sancler. AUSTRALIAN FEMINIST STUDIES 7. ISSN 0886-1099. 1. 1985. 8. lC sn85-3234. 2. 21year. 9. OClC 12871850. 3. $35 (Indlv., airmail), $25 (Indlv., surface mall), $50 (Inst., 10. Madison. airmail), $40 (Inst., surface mall). 11. SocIological Abstracts; Social Work Research and Ab­ 4. Research Centre for Women's Studies, University of stracts. Adelaide, GPO Box 498, Adelaide, South Australia 5001, 12. "This journal Is committed to the discussion and develop­ Australia. ment of feminist values, theories, and knowledge as they 5. Susan Margarey. relate to social work research, education, and practice." 7. 0816-4649. Contains articles, reports, of research, essays, poetry, 11. Australian Serials In Print; Studies on Women Abstracts. and literary pieces. Dedicated to "the task of eliminating 12. "Australian Feminist Studies publishes transdlsclpllnary discrimination and oppression, especially with respect to scholarship and discussion In the fields of feminist re­ gender, but Including race, ettinlclty, class, age, disability, search and women's studies courses. In addition, It alms and sexual and affectlonal preference as well." to attract and encourage discussion of government and trade union Initiatives and policies that concern women; THE AHFAD JOURNAL: WOMEN AND CHANGE examination of the Interaction of feminist theory and 1. 1984. practice; comment on changes In curricula relevant to 2. 21year. women's studies and feminist stUdies... ; reviews, cri­ 3. $20 (Indlv.), $35 (Inst.). Single copies: $10 (lndlv.), $20 tiques, enthusiasms and correspondence:' (Inst.). 4. Suite 1216,4141 N. Henderson Rd., Arlington, VA 22203. BACKBONE: A JOURNAL OF WOMEN'S LITERATURE 5. Amna E. Badrl. 1. 1984. 6. Ahfad University for Women, P.O. Box 167, Orndurman, 2. 2/year. Sudan. 3. $12 (Indlv.), $18 (Inst.). Single copies: $6.50. 7. ISSN 0255-4070. 4. P.O. Box 95315, Seattle, WA 98145. 8. lC sn85-23477. 5. lauren Fortune. 9. OClC 12747640. 7. ISSN 0888-6520. 10. Madison. 12. "Backbone Is a semi-annual, national women's literary 11. ERIC, UMI. Journal. Backbone seeks to publish women writers of 12. "Issues affecting women In Africa, the Middle East and In diverse economic, cultural and stylistic backgrOUnds. We other developing countries; women In development." will publish evocative, finely crafted work of vision that Inspires poetic, feminist and political dialogue." ATLANTIS 1. 1975. BEllES lETTRES 2. 21year. 1. 1985. 3. $21 (Indlv.), $31 (Inst.), plus $6 for U.S. postage. 2. 41year. 4. Mount Saint Vincent University, 166 Bedford Highway, 3. $15 (Indlv.), $12.50 (student), $24 (foreign). $30 (Inst.). Halifax, Nova Scotia, B3M 2J6, Canada. Sample Issue: $2. 5. Drs. Susan Clark, Margaret Conrad, Deborah C. Poff. 4. P.O. Box 987, Arlington, VA 22216. 7. ISSN 0702-7818. 5. Janet Palmer Mullaney, Deanna Cook D'Errlco. 8. lC 0077-32338. 7. ISSN 0884-2957. 9. OClC 3409640. 8. lC sn85-6513. 10. State Historical SocIety. 9. OClC 12357950. 11. Historical Abstracts; America: History and Life; The Alter­ 10. Madison; Milwaukee. native Press Index; Resources for Feminist Research. 12. "Topromote and celebrate writing by women, published by 12. "AlIim1Ia Is an Interdisciplinary Journal devoted to critical trade, university, and small presses In the genres offiction, and creative writing In English or French on the topic of nonfiction, essays, biography, and criticism:' women. Contains scholariy articles, review essays, book reviews, art and poetry:' AURORA 1. 1975. 2. 31year. 3. $10. 4. P.O. Box. 1624, Madison, WI 53701-1624. Iv. BERKELEY WOMEN'S LAW JOURNAL 12. "Broomstick Is a feminist political Journal publishing mate­ 1. 1986. rial by, for and about women over forty. Our priorities are: 2. Annual. to portray clear, positive Images ofolder women; to take a 3. $30
Recommended publications
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • A Rhetorical Analysis of Wicked's Elphaba
    “IT’S JUST THAT FOR THE FIRST TIME, I FEEL… WICKED”: A RHETORICAL ANALYSIS OF WICKED’S ELPHABA USING KENNETH BURKE’S GUILT-PURIFICATION-REDEMPTION CYCLE by Patricia C. Foreman A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies at Liberty University May 2013 Foreman 2 Acknowledgements First and foremost, to “my Dearest, Darlingest Momsy and Popsicle,” and to my brother Gary, thank you so much for your constant support, encouragement, direction and love. I appreciate your words of wisdom and advice that always seem to be just what I need to hear. To each of my fellow graduate assistants, thank you for “dancing through life” with me. Thank you for becoming not only co-workers, but also some of my best friends. To my thesis committee – Dr. William Mullen, Dr. Faith Mullen, and Dr. Lynnda S. Beavers – thank you all so much for your help. This finished thesis is, without a doubt, the “proudliest sight” I’ve ever seen, and I thank you for your time, effort and input in making this finished product a success. Finally, to Mrs. Kim, and all of my fellow “Touch of Swing”-ers, who inspired my love of the Wicked production, and thus, this study. For the long days of rehearsals, even longer nights on tour buses, and endless hours of memories that I’ll not soon forget... “Who can say if I’ve been changed for the better? I do believe I have been changed for the better. And because I knew you, I have been changed for good.” Foreman 3 In Memory Of… Lauren Tuck May 14, 1990 – September 2, 2010 “It well may be that we will never meet again in this lifetime, so let me say before we part, so much of me is made of what I learned from you.
    [Show full text]
  • The Queer Tango Salon 2017: Dancers Who Think and Thinkers Who Dance
    Kent Academic Repository Full text document (pdf) Citation for published version Roser i Puig, Montserrat (2018) Authentic by Choice, or by Chance? A Discussion of The Gods of Tango, by Carolina de Robertis. In: Batchelor, Ray and Havmøller, Birthe, eds. Queer Tango Salon Lonson 2017 Proceedings. Queer Tango Project, London, UK, pp. 70-81. DOI Link to record in KAR https://kar.kent.ac.uk/79016/ Document Version Publisher pdf Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Queer Tango Salon London 2017 Proceedings A Queer Tango Project Publication Colophon and Copyright Statement Queer Tango Salon London 2017 - Proceedings Selection and editorial matter © 2018 Ray Batchelor and Birthe Havmøller Written materials © 2018 the individual authors All images and artworks © 2018 the individual artists and photographers This is a Queer Tango Project Publication.
    [Show full text]
  • 2008–2009 Season Sponsors
    2008–2009 Season Sponsors The City of Cerritos gratefully thanks our 2008–2009 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 08/09 YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Morris Bernstein Linda Dowell Ping Ho $50,001-$100,000 Norman Blanco Gloria Dumais Jon Howerton José Iturbi Foundation James Blevins Stanley Dzieminski Christina and Michael Hughes Michael Bley Lee Eakin Melvin Hughes Patron Kathleen Blomo Dee Eaton Marianne and Bob Hughlett, Ed.D. $20,001-$50,000 Marilyn Bogenschutz Susie Edber and Allen Grogan Mark Itzkowitz Linda and Sergio Bonetti Gary Edward Grace and Tom Izuhara National Endowment for the Arts Patricia Bongeorno Jill Edwards Sharon Jacoby Ilana and Allen Brackett Carla Ellis David Jaynes Partner Paula Briggs Robert Ellis Cathy and James Juliani $5,001-$20,000 Darrell Brooke Eric Eltinge Luanne Kamiya Bryan A. Stirrat & Associates Mary Brough Teri Esposito Roland Kerby Chamber Music Society of Detroit Dr.
    [Show full text]
  • The History of Filipino Women's Writings by Riitta Vartti Sivu on Päivitetty 2.1.2007, Riitta Vartti, [email protected] Updated
    The History of Filipino Women's Writings by Riitta Vartti Sivu on päivitetty 2.1.2007, Riitta Vartti, [email protected] updated An article from Firefly - Filipino Short Stories (Tulikärpänen - filippiiniläisiä novelleja) Riitta Vartti (ed.), Kääntöpiiri, Helsinki 2001 The Philippines can be proud not only because of the country's high literacy rate but also because of her women authors who write and publish in the many languages of the country, both in the Philippines and abroad in diaspora. The development of women's writing is tied to the history of the country and the language question - from oral tradition to silencing of women under Spanish rule, from the English period under American rule to the date when more literature is written in vernacular. In this article is told more about the writers who are not represented elsewhere in the book "Firefly". The Language Question They spoke the language of his childhood, the language he never used in Manila because it was not cosmopolitan enough. Lakambini A. Sitoy: Bones (a short story in the collection Mens Rea) My family thinks in Spanish, feels in Tagalog, prays in Pidgin Latin, and speaks English. Sylvia Mayuga In the Philippines, people speak several tens of languages and dialects which belong to the Southeast Asian Malay group of languages. Tagalog, Visayan (bisaya) and Ilocano are among the most common native languages with their several dialects. Before the Spaniards colonized the islands in the 1500s, many of the indigenous peoples had also already developed their own writing system (1). However, in the Philippines just like in many other former colonized countries, majority of the writing middle class has not much used the languages of their people.
    [Show full text]
  • South Korea's Online Feminism Movement: Megalia
    Responding to Misogyny, Reciprocating Hate Speech - South Korea's Online Feminism Movement: Megalia The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Lee, Wonyun. 2019. Responding to Misogyny, Reciprocating Hate Speech - South Korea's Online Feminism Movement: Megalia. Master's thesis, Harvard Graduate School of Arts and Sciences. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37366046 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Author Responding to Misogyny, Reciprocating Hate Speech South Korea’s Online Feminism Movement: Megalia A Thesis in the Field of Anthropology for the Degree of Master of Arts Harvard University November 2019 Copyright 2019 [Wonyun Lee] Acknowledgements The year in Harvard for me had been an incredibly rewarding experience. Looking back, I cannot believe how much I have learned and grown. This is, for the most part, thanks to my two advisors: Pr. Arthur Kleinman and Pr. Byron Good. I learned so much from them. I have the greatest respect for Arthur Kleinman for his academic rigorousness. His classes were intellectually insightful and resolute with political engagement. His commitment to academic integrity taught me to become a better anthropologist. I express my deepest gratitude to Byron Good, for his classes as well as many hours of our personal conversations. His penetrating wisdom shaped and refined my thesis.
    [Show full text]
  • Into the Woods July 9 - September 6, 2015 HHC Ad.4.25 X .3.625.Pdf 8/15/11 10:21:07 AM
    The Dinner TheaTre of Columbia Presents aPril 23 - JulY 5, 2015 Next at TOBY’s Into the Woods July 9 - September 6, 2015 HHC Ad.4.25 x .3.625.pdf 8/15/11 10:21:07 AM The Howard Hughes Corporation www.howardhughes.com C M Y CM MY CY CMY K Good rates backed by Good Neighbor service That’s State Farm Insurance. 5805 Clarksville Square Drive Suite 5 • Box 315 Clarksville, Maryland 21029 WASH. 301-596-9100 BALT. 410-531-2057 EMAIL: [email protected] EMILY A. KENDALL Agent Like a good neighbor, State Farm is there. State Farm Insurance Companies • Home Offices: Bloomington, Illinois The Dinner TheaTre of Columbia Presents 1776, The Musical Music and Lyrics by Sherman Edwards Book by Peter Stone Based on the concept by Sherman Edwards Directed & Choreographed by Jeremy Scott Blaustein & Shawn Kettering Musical Direction by Douglas Lawler Set Design by Light Design by Sound Design by David A. Hopkins Coleen M. Foley Mark Smedley Costumes by AT Jones & Sons 1776 is presented through special arrangement with Music Theatre International, 421 West 54th Street, New York, NY 10019. 212-541-4684 www.MtiShows.com Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Fog & Strobe effects may be used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com PRODUCTION STAFF Directors/Choreographers ................................ Jeremy Scott Blaustein & Shawn Kettering Music Director .............................................................................................. Douglas Lawler Production Manager ................................................................................. Vickie S.
    [Show full text]
  • Art Archive 02 Contents
    ART ARCHIVE 02 CONTENTS The Japan Foundation, Manila A NEW AGE OF CONTEMPORARY PHILIPPINE CINEMA AND LITERATURE ART ARCHIVE 02 by Patricia Tumang The Golden Ages THE HISTORIC AND THE EPIC: PHILIPPINE COMICS: Contemporary Fiction from Mindanao Tradition and Innovation by John Bengan Retracing Movement Redefiningby Roy Agustin Contemporary WHAT WE DON’T KNOW HistoriesABOUT THE BOOKS WE KNOW & Performativity Visual Art by Patricia May B. Jurilla, PhD SILLIMAN AND BEYOND: FESTIVALS AND THE LITERARY IMAGINATIONS A Look Inside the Writers’ Workshop by Andrea Pasion-Flores by Tara FT Sering NEW PERSPECTIVES: Philippine Cinema at the Crossroads by Nick Deocampo Third Waves CURRENT FILM DISTRIBUTION TRENDS IN THE PHILIPPINES by Baby Ruth Villarama DIGITAL DOCUMENTARY TRADITIONS Regional to National by Adjani Arumpac SMALL FILM, GLOBAL CONNECTIONS Contributor Biographies by Patrick F. Campos A THIRD WAVE: Potential Future for Alternative Cinema by Dodo Dayao CREATING RIPPLES IN PHILIPPINE CINEMA: Directory of Philippine The Rise of Regional Cinema by Katrina Ross Tan Film and Literature Institutions ABOUT ART ARCHIVE 02 The Japan Foundation is Japan’s only institution dedicated to carrying out comprehensive international cultural exchange programs throughout the world. With the objective of cultivating friendship and ties between Japan and the world through culture, language, and dialogue, the Japan Foundation creates global opportunities to foster trust and mutual understanding. As the 18th overseas office, The Japan Foundation, Manila was founded in 1996, active in three focused areas: Arts and Culture; Japanese Studies and Intellectual Exchange; Japanese- Language Education. This book is the second volume of the ART ARCHIVE series, which explores the current trends and concerns in Philippine contemporary art, published also in digital format for accessibility and distribution on a global scale.
    [Show full text]
  • Lincoln Center Goes Wireless, Protects Against Viruses
    Sept. u9 2003: Smoking ban insults Fordham's A photo essay residents and USG fine food News, pages 6 &7 Opinion, page 10 Arts, page 25 The rvev The Student Voic Lincoln Center September 25, 2003 Volume XXII, Issue 2 Rams butt Columbia; O'Hare honored Homecoming weekend 2003 included game, O'Hare Hall dedication By Monique Diman, FCLC '06 STAFF WRITER HOMECOMING 2003 FORDHAM - Fordham's annual homecoming fes- tivities were held once again at the Rose Hill campus on Sept 20. History was made as two facilities were rededicated in honor of members of the Fordham family and the annual Liberty Cup football game LamdMcGowem/Hie Observer went off without a hitch as the Rams, the defending The Fordham Rams Patriot League champions, took to the field. defeated Columbia at The day began before 7 a.m. as crews made last the Sept. 20 home- minute preparations for the day. The band and cheer- coming football leaders wanned up with a parade around the Rose game, thanks in part Hill campus as the administration, faculty, students, to student and alum- alumni and football fans arrived. ni support. Pictured Shortly after 10 JO ajn., what used to be known as at left, "Freddy pie Millennium Hall was rededicated and renamed Fan," the well-known G'HareHall in honor of theRev. Joseph A/Cfflare, noisemakeratNew S J., Fordham's 31st president who retired in Jury. The York Yankees games, (heat Room was renamed O'Keefe Commons in cheers on the Rams honor ofthe Rev. Vincent T. O'Keefe, SJ., the univer- at the Liberty Cup.
    [Show full text]
  • Harvey Studio Arena
    State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Studio Arena Programs Studio Arena 9-13-1994 Harvey Studio Arena Follow this and additional works at: http://digitalcommons.buffalostate.edu/saprograms Recommended Citation Studio Arena, "Harvey" (1994). Studio Arena Programs. 48. http://digitalcommons.buffalostate.edu/saprograms/48 This Book is brought to you for free and open access by the Studio Arena at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in Studio Arena Programs by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. I:..""':::™ . ................. v O ;^6nj on V\ ■' m [ain Street 710 Main Street falo, NY Buffalo, NY P02;1P 4 p L ffi t If u n d s NO REFUNDS * 13.00 u(j Price I p- Price ^ :J S e rie s T h e r e Is N o Be t t e r C ase Fo r Su p p o r t in g T h e A rts T h a n A Fin e P e r f o r m a n c e . Whether it is on stage, on canvas, or on a street corner, the arts need our support. Please join us in making it possible for artists to continue enriching our lives. M & T B a n k TalktoMscT c o n t e n t s PODIATRY AFFILIATES, PC HARVEY September 13 - October 16 3 ...............Title Page 5 ...............Cast Page JEFFREYML CARREL 9 -1 1 ..........Theatre Notes DPM, FACFS DAVID M.
    [Show full text]
  • The Circle.’ Back Row, Left to Right, Travis Vaden, Dou- Glas Weston, Nancy Bell, John Hines, Rebecca Dines and John-David Keller
    38th Season • 365th Production MAINSTAGE / AUGUST 31 THROUGH OCTOBER 7, 2001 David Emmes Martin Benson Producing Artistic Director Artistic Director presents by W. SOMERSET MAUGHAM Scenic Design Costume Design Lighting Design RALPH FUNICELLO WALKER HICKLIN YORK KENNEDY Composer/Sound Design Production Manager Stage Manager MICHAEL ROTH TOM ABERGER *SCOTT HARRISON Directed by WARNER SHOOK AMERICAN AIRLINES, Honorary Producers PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Elizabeth Champion-Cheney ............................................................................ *Nancy Bell Arnold Champion-Cheney, M.P. ....................................................................... *John Hines Footman ................................................................................................. *John-David Keller Mrs. Anna Shenstone .................................................................................. *Rebecca Dines Teddie Luton ............................................................................................. *Douglas Weston Clive Champion-Cheney ...................................................................... *Paxton Whitehead Lady Catherine Champion-Cheney ........................................................... *Carole Shelley Lord Porteous .................................................................................. *William Biff McGuire Jr. Footman .....................................................................................................
    [Show full text]
  • Talley's Folly Studio Arena
    State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Studio Arena Programs Studio Arena 4-24-1981 Talley's Folly Studio Arena Follow this and additional works at: http://digitalcommons.buffalostate.edu/saprograms Recommended Citation Studio Arena, "Talley's Folly" (1981). Studio Arena Programs. 58. http://digitalcommons.buffalostate.edu/saprograms/58 This Book is brought to you for free and open access by the Studio Arena at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in Studio Arena Programs by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. STUDIO ARENA THEATRE I 1 S F J v V .S O JEN ON THE MOVE Vi UP WITH ADIDAS® Serving Western New York since 1893. Downtown, Thruway Mall, Boulevard Mall, Seneca Mall, Eastern Hills X NOTES OS! THE PLAYWRIGHT it s new . It’s exciting THE ALL MEW Premier Center _____' 1— 3445 DELAWARE 2 BLOCKS SOUTH OF SHERIDAN America’s largest Hospitality Entertainment Complex and The New Home of Lanford Wilson was one of the first playwrights of experimental theatre to PREMIER find critical acclaim and commercial success beyond the Off-Off-Broadway stage. His uncanny ability to write strong, LIQUOR naturalistic, fluid blends of dialgoue is The largest Wine and Spirit the foundation on which his Outlet in the United States with a extraordinary perceptions into the 500,000 bottle selection and over 1 spiritual and physical decay of people, mile of display of Whiskies, Gins, individually and collectively, are built.
    [Show full text]