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2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
A Rhetorical Analysis of Wicked's Elphaba
“IT’S JUST THAT FOR THE FIRST TIME, I FEEL… WICKED”: A RHETORICAL ANALYSIS OF WICKED’S ELPHABA USING KENNETH BURKE’S GUILT-PURIFICATION-REDEMPTION CYCLE by Patricia C. Foreman A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies at Liberty University May 2013 Foreman 2 Acknowledgements First and foremost, to “my Dearest, Darlingest Momsy and Popsicle,” and to my brother Gary, thank you so much for your constant support, encouragement, direction and love. I appreciate your words of wisdom and advice that always seem to be just what I need to hear. To each of my fellow graduate assistants, thank you for “dancing through life” with me. Thank you for becoming not only co-workers, but also some of my best friends. To my thesis committee – Dr. William Mullen, Dr. Faith Mullen, and Dr. Lynnda S. Beavers – thank you all so much for your help. This finished thesis is, without a doubt, the “proudliest sight” I’ve ever seen, and I thank you for your time, effort and input in making this finished product a success. Finally, to Mrs. Kim, and all of my fellow “Touch of Swing”-ers, who inspired my love of the Wicked production, and thus, this study. For the long days of rehearsals, even longer nights on tour buses, and endless hours of memories that I’ll not soon forget... “Who can say if I’ve been changed for the better? I do believe I have been changed for the better. And because I knew you, I have been changed for good.” Foreman 3 In Memory Of… Lauren Tuck May 14, 1990 – September 2, 2010 “It well may be that we will never meet again in this lifetime, so let me say before we part, so much of me is made of what I learned from you. -
2014 BUFFALO ROCKET ISSUE 13 PAGE Neighborhoods Funding from Page One Lbs of Affordable, Local, Or- in Support of Western New Ing Green Program
Buffalo Rocket COMMUNITY NEWS Distributing to North Buffalo, West Side and Riverside • Established in 1969 www.buffalorocket.com Publishers of North Buffalo Rocket, West Side Times & Riverside Times Vol. XLV ISSUE No. 13 • Thursday, March 27, 2014 Junior League Awards One For The Record Funds To MAP The Massachusetts capital budget of $650,000 Avenue Project (MAP) is by September 2014. proud to announce that The new Center will the Junior League of Buf- enhance MAP’s mission falo has awarded MAP’s by allowing the organiza- Community Food Training tion to provide food and & Resource Center as the nutrition-related informa- recipient of 2013 Junior tion, resources and train- League/Buffalo News Deco- ing to 15,000 people annu- rators’ Show House Funds. ally, and increase access to The new Community healthy, affordable food. Food Training & Resource The new Center will cre- Center will provide food ate a welcoming and func- and agriculture-based tional teaching kitchen for education, resources and cooking classes, nutrition volunteer opportunities to education and cooperative Buffalo residents, schools, food prep clubs. community gardeners and It will create new meet- City plans to collect any remaining snow left after this past winter to pro- organizations. ing and training space for duce the world's largest snowpile. The Center will include partners working on local City officials are making lots in the effort to get rid "and we will go street to a new indoor and outdoor food systems development plans to collect any snow of what ever snow if still street until we collect ev- training space, a teaching and will increase oppor- left from the 2014 winter around. -
2008–2009 Season Sponsors
2008–2009 Season Sponsors The City of Cerritos gratefully thanks our 2008–2009 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 08/09 YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Morris Bernstein Linda Dowell Ping Ho $50,001-$100,000 Norman Blanco Gloria Dumais Jon Howerton José Iturbi Foundation James Blevins Stanley Dzieminski Christina and Michael Hughes Michael Bley Lee Eakin Melvin Hughes Patron Kathleen Blomo Dee Eaton Marianne and Bob Hughlett, Ed.D. $20,001-$50,000 Marilyn Bogenschutz Susie Edber and Allen Grogan Mark Itzkowitz Linda and Sergio Bonetti Gary Edward Grace and Tom Izuhara National Endowment for the Arts Patricia Bongeorno Jill Edwards Sharon Jacoby Ilana and Allen Brackett Carla Ellis David Jaynes Partner Paula Briggs Robert Ellis Cathy and James Juliani $5,001-$20,000 Darrell Brooke Eric Eltinge Luanne Kamiya Bryan A. Stirrat & Associates Mary Brough Teri Esposito Roland Kerby Chamber Music Society of Detroit Dr. -
Into the Woods July 9 - September 6, 2015 HHC Ad.4.25 X .3.625.Pdf 8/15/11 10:21:07 AM
The Dinner TheaTre of Columbia Presents aPril 23 - JulY 5, 2015 Next at TOBY’s Into the Woods July 9 - September 6, 2015 HHC Ad.4.25 x .3.625.pdf 8/15/11 10:21:07 AM The Howard Hughes Corporation www.howardhughes.com C M Y CM MY CY CMY K Good rates backed by Good Neighbor service That’s State Farm Insurance. 5805 Clarksville Square Drive Suite 5 • Box 315 Clarksville, Maryland 21029 WASH. 301-596-9100 BALT. 410-531-2057 EMAIL: [email protected] EMILY A. KENDALL Agent Like a good neighbor, State Farm is there. State Farm Insurance Companies • Home Offices: Bloomington, Illinois The Dinner TheaTre of Columbia Presents 1776, The Musical Music and Lyrics by Sherman Edwards Book by Peter Stone Based on the concept by Sherman Edwards Directed & Choreographed by Jeremy Scott Blaustein & Shawn Kettering Musical Direction by Douglas Lawler Set Design by Light Design by Sound Design by David A. Hopkins Coleen M. Foley Mark Smedley Costumes by AT Jones & Sons 1776 is presented through special arrangement with Music Theatre International, 421 West 54th Street, New York, NY 10019. 212-541-4684 www.MtiShows.com Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Fog & Strobe effects may be used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com PRODUCTION STAFF Directors/Choreographers ................................ Jeremy Scott Blaustein & Shawn Kettering Music Director .............................................................................................. Douglas Lawler Production Manager ................................................................................. Vickie S. -
Lincoln Center Goes Wireless, Protects Against Viruses
Sept. u9 2003: Smoking ban insults Fordham's A photo essay residents and USG fine food News, pages 6 &7 Opinion, page 10 Arts, page 25 The rvev The Student Voic Lincoln Center September 25, 2003 Volume XXII, Issue 2 Rams butt Columbia; O'Hare honored Homecoming weekend 2003 included game, O'Hare Hall dedication By Monique Diman, FCLC '06 STAFF WRITER HOMECOMING 2003 FORDHAM - Fordham's annual homecoming fes- tivities were held once again at the Rose Hill campus on Sept 20. History was made as two facilities were rededicated in honor of members of the Fordham family and the annual Liberty Cup football game LamdMcGowem/Hie Observer went off without a hitch as the Rams, the defending The Fordham Rams Patriot League champions, took to the field. defeated Columbia at The day began before 7 a.m. as crews made last the Sept. 20 home- minute preparations for the day. The band and cheer- coming football leaders wanned up with a parade around the Rose game, thanks in part Hill campus as the administration, faculty, students, to student and alum- alumni and football fans arrived. ni support. Pictured Shortly after 10 JO ajn., what used to be known as at left, "Freddy pie Millennium Hall was rededicated and renamed Fan," the well-known G'HareHall in honor of theRev. Joseph A/Cfflare, noisemakeratNew S J., Fordham's 31st president who retired in Jury. The York Yankees games, (heat Room was renamed O'Keefe Commons in cheers on the Rams honor ofthe Rev. Vincent T. O'Keefe, SJ., the univer- at the Liberty Cup. -
The Circle.’ Back Row, Left to Right, Travis Vaden, Dou- Glas Weston, Nancy Bell, John Hines, Rebecca Dines and John-David Keller
38th Season • 365th Production MAINSTAGE / AUGUST 31 THROUGH OCTOBER 7, 2001 David Emmes Martin Benson Producing Artistic Director Artistic Director presents by W. SOMERSET MAUGHAM Scenic Design Costume Design Lighting Design RALPH FUNICELLO WALKER HICKLIN YORK KENNEDY Composer/Sound Design Production Manager Stage Manager MICHAEL ROTH TOM ABERGER *SCOTT HARRISON Directed by WARNER SHOOK AMERICAN AIRLINES, Honorary Producers PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Elizabeth Champion-Cheney ............................................................................ *Nancy Bell Arnold Champion-Cheney, M.P. ....................................................................... *John Hines Footman ................................................................................................. *John-David Keller Mrs. Anna Shenstone .................................................................................. *Rebecca Dines Teddie Luton ............................................................................................. *Douglas Weston Clive Champion-Cheney ...................................................................... *Paxton Whitehead Lady Catherine Champion-Cheney ........................................................... *Carole Shelley Lord Porteous .................................................................................. *William Biff McGuire Jr. Footman ..................................................................................................... -
2021 Commencement Booklet
149th COMMENCEMENT May 15, 2021 20Baccalaureate Ceremonies 2 | Graduate School Ceremony 1 D. BRUCE AND GAIL JOHNSTONE COMMENCEMENT SUPPORT ENDOWMENT FUND Recognizing Global Diversity at Buffalo State College Buffalo State College embraces international diversity and welcomes students from many parts of the world. This ideal is supported by the SUNY BUFFALO STATE COLLEGE generosity of the D. Bruce and Gail 1300 Elmwood Avenue Johnstone Commencement Support Buffalo, New York 14222-1095 Endowment Fund. www.buffalostate.edu Dr. Johnston, with the support of his wife, Gail, served as president of Buffalo State from 1979 to 1988 and as chancellor of the State University of New York from 1988 to 1994. The Johnstones’ values emphasize global education as well as the importance of student diversity to enhanced learning. BUFFALO STATE ALMA MATER OUR FINEST HOUR A toast to State, to all the days, All the laughter, all the tears. You have made our friendships great, We’ll triumph through the years. With hope anew we’ll face the storm Beyond which stands your lofty tower – That will be our finest hour. In years to come we’ll look to thee, Yearning for your guiding light. You’ll not fail us, Alma Mater, Keep us through the night. When darkness comes and all hope dies, You will give us strength and power – That will be our finest hour. L. Harry Ray, ’51 WELCOME TO BUFFALO STATE COLLEGE’S 2021 COMMENCEMENT EXERCISES! Congratulations to the Class of 2021! The completion of My greatest wish is that each graduate finds personal happiness, your degree is an important milestone in your academic contributes positively to his or her community, and pursues a career and marks the beginning of a new chapter in career doing what he or she loves. -
Talley's Folly Studio Arena
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Studio Arena Programs Studio Arena 4-24-1981 Talley's Folly Studio Arena Follow this and additional works at: http://digitalcommons.buffalostate.edu/saprograms Recommended Citation Studio Arena, "Talley's Folly" (1981). Studio Arena Programs. 58. http://digitalcommons.buffalostate.edu/saprograms/58 This Book is brought to you for free and open access by the Studio Arena at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in Studio Arena Programs by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. STUDIO ARENA THEATRE I 1 S F J v V .S O JEN ON THE MOVE Vi UP WITH ADIDAS® Serving Western New York since 1893. Downtown, Thruway Mall, Boulevard Mall, Seneca Mall, Eastern Hills X NOTES OS! THE PLAYWRIGHT it s new . It’s exciting THE ALL MEW Premier Center _____' 1— 3445 DELAWARE 2 BLOCKS SOUTH OF SHERIDAN America’s largest Hospitality Entertainment Complex and The New Home of Lanford Wilson was one of the first playwrights of experimental theatre to PREMIER find critical acclaim and commercial success beyond the Off-Off-Broadway stage. His uncanny ability to write strong, LIQUOR naturalistic, fluid blends of dialgoue is The largest Wine and Spirit the foundation on which his Outlet in the United States with a extraordinary perceptions into the 500,000 bottle selection and over 1 spiritual and physical decay of people, mile of display of Whiskies, Gins, individually and collectively, are built. -
New York Post Chief Theater Critic Elisabeth Vincentelli Hosts Tales from the Scripts: Recalling Vintage BAM Theater Moments
New York Post Chief Theater Critic Elisabeth Vincentelli hosts Tales from the Scripts: Recalling Vintage BAM Theater Moments Frank Dunlop, Austin Pendleton, Graciela Daniele and Carole Shelley** to talk about their BAM theater experiences July 16, 7-8:30pm BAM Rose Cinemas 30 Lafayette Ave, Brooklyn, NY Free **Rosemary Harris is unable to attend due to a scheduling conflict. Brooklyn, NY/July, 06, 2012—In a panel discussion moderated by New York Post Chief Theater Critic Elisabeth Vincentelli, theater fans have a chance to relive moments from some of BAM Theater Company’s 1970s productions with rare photos, footage, and testimony of those who were actually there. The talk occurs as part of BAM’s 150th Anniversary celebration. Frank Dunlop, who helmed the BAM Theater Company from 1976-78, will be on hand along with fellow cast and crew members actor Austin Pendleton, chorographer Graciela Daniele, and actress Carole Shelley recounting BAM Theater Company productions including Joseph and the Amazing Color Dream Coat, Waiting for Godot, The Three Sisters, The New York Idea, The Devil's Disciple, and The Play’s the Thing. Inspired by the idea of a New York City- based repertory theater company, the BAM Theater Company was founded by former President and Executive Producer Harvey Lichtenstein in the fall of 1976, running until 1980. Some notable members of the Company included Blythe Danner, Ellen Burstyn, Barnard Hughes, Tovah Feldshuh, and Margaret Hamilton. Elisabeth Vincentelli has been chief drama critic at the New York Post since February 2009. Before that she was at Time Out New York, which she joined in 2000 as music editor; she later served as senior editor, then arts & entertainment editor. -
A Cabaret Exploring the Roles My Age Prevents Me from Playing
University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2020 Just A Number: A Cabaret Exploring the Roles My Age Prevents Me From Playing Monica Andrews University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Andrews, Monica, "Just A Number: A Cabaret Exploring the Roles My Age Prevents Me From Playing" (2020). Electronic Theses and Dissertations, 2020-. 9. https://stars.library.ucf.edu/etd2020/9 JUST A NUMBER: A CABARET EXPLORING THE ROLES MY AGE PREVENTS ME FROM PLAYING by MONICA RAE ANDREWS B.F.A. University of Central Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts (Musical Theatre) in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2020 Major Professor: Earl Weaver © 2020 Monica Rae Andrews ii ABSTRACT Learning your type in the entertainment industry is not an easy lesson for many young performers. This is especially true if you are already being cast as the ‘older woman’ or ‘witty sidekick’ at 13 years old. A wise professor once told me, at the ripe age of 20, that moving to New York City after graduating with my Bachelor of Fine Arts degree in Musical Theatre would be a mistake. -
Incarnations of the Wizard of Oz and the Negotiation of Identity, Race, and Gender, in Popular Culture Carly A
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 7-13-2012 An American Tale: Incarnations of the Wizard of Oz and the Negotiation of Identity, Race, and Gender, in Popular Culture Carly A. Orshan Florida International University, [email protected] DOI: 10.25148/etd.FI12080634 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Recommended Citation Orshan, Carly A., "An American Tale: Incarnations of the Wizard of Oz and the Negotiation of Identity, Race, and Gender, in Popular Culture" (2012). FIU Electronic Theses and Dissertations. 676. https://digitalcommons.fiu.edu/etd/676 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida AN AMERICAN TALE: INCARNATIONS OF THE WIZARD OF OZ AND THE NEGOTIATION OF IDENTITY, RACE, AND GENDER, IN POPULAR CULTURE A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in ENGLISH by Carly A. Orshan 2012 To: Dean Kenneth Furton College of Arts and Sciences This thesis, written by Carly A. Orshan, and entitled An American Tale: Incarnations of the Wizard of Oz and the Negotiation of Identity, Race, and Gender, in Popular Culture, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved.