2011 Australian Dance Awards Presented by Ausdance in Association with QPAC Honouring and Showcasing the Best Australian Dance

Total Page:16

File Type:pdf, Size:1020Kb

2011 Australian Dance Awards Presented by Ausdance in Association with QPAC Honouring and Showcasing the Best Australian Dance 2011 AUSTRALIAN DANCE AWARDS 8 JUNE 2011 2011 Australian Dance Awards Presented by Ausdance in association with QPAC Honouring and showcasing the best Australian dance shortlist of nominees announced for 2011 awards presented for the first time in Queensland The final nominees for this year’s Australian Dance Awards were announced today. Sydney Dance Company, Australian Dance Theatre and Expressions Dance Company stand shoulder to shoulder with multiple nominees. Presented by Ausdance in association with Queensland Performing Arts Centre (QPAC), the dance industry’s premier national award event will be held in Queensland for the first time in its 14 year history in QPAC’s Playhouse on Sunday 24 July 2011. The Awards cover nine categories as well as a Lifetime Achievement award and an induction into the Australian Dance Awards Hall of Fame. Both Australian Dance Theatre (ADT) from Adelaide and Brisbane-based Expressions Dance Company (EDC) have been nominated for four major awards: Outstanding Achievement in Choreography by Garry Stewart (ADT) for Be Your Self and Natalie Weir (EDC) for Where the Heart Is; Outstanding Performance by a Company for ADT’s Be Your Self and EDC’s Where the Heart Is; Outstanding Performance by a Female Dancer for EDC’s Elise May and ADT’s Larissa McGowan and Outstanding Performance by a Male Dancer for EDC’s Richard Causer and ADT’s Kimball Wong. Sydney Dance Company has been nominated for three awards, Outstanding Achievement in Choreography by Rafael Bonachela for 6 Breaths, Outstanding Performance by a Company for We Unfold, and Outstanding Performance by a Female Dancer for Amy Hollingsworth in Irony of Fate. Bangarra Dance Theatre was also nominated for Outstanding Performance by a Company for of earth & sky. Shaun Parker of Shaun Parker and Company was nominated for Outstanding Achievement in Choreography for Happy as Larry. The Awards nominees list for 2011 also features a significant contingent of independent dancers including Kristina Chan for Outstanding Performance by a Female Dancer, Paul White for Outstanding Performance by a Male Dancer and Narelle Benjamin for Outstanding Achievement in Independent Dance for In Glass. …cont www.australiandanceawards.net.au …2 Last year’s winner for Outstanding Achievement in Independent Dance, Sue Peacock has been nominated again for the same category for Sprung. Sue shares this category with Tony Yap and Katrina Lazaroff. In a wide-reaching group, Darwin’s Tracks, Perth-based Steps Youth Dance Company, Canberra’s QL2 Dance, and Mornington Island’s Mirndiyan Gununa are the nominees for Outstanding Achievement in Youth or Community Dance. The Cast of Hairspray, Matt Lee and Verity Hunt-Ballard both for Mary Poppins and Alinta Chidzey for West Side Story are the nominees for Outstanding Performance in a Stage Musical. National President of Ausdance, Professor Susan Street said that the usual high calibre of nominees will be vying for the main awards again this year. “We are delighted that the 2011 Australian Dance Awards are being presented in Queensland for the first time with generous support from Arts Queensland and QPAC. This will be a fabulous evening showcasing and honouring the nation’s best dancers and companies. I urge dance lovers Australia-wide not to miss this dancers’ night of nights,” said Professor Street. The 2011 Australian Dance Awards will feature performances by some Australia’s and Queensland’s best dance companies, including Queensland Ballet and Expressions Dance Company. Initiated in 1986 by Keith Bain as a Dancers’ Picnic, the Awards have grown to become the major event in the national dance calendar bringing prestige to nominees and winners alike. Full shortlist of nominees on following page. Awards website: www.australiandanceawards.net.au Ausdance in association with QPAC presents: 2011 Australian Dance Awards Date: Sunday July 24 at 7.00pm Venue: The Playhouse QPAC South Bank Cultural Centre Tickets: $29 -$39 * Bookings: www.qpac.com.au or call 136 246 Discounts apply for groups and Ausdance Members. *Ticket price includes GST and Booking Fee. Please note transaction fees will apply For media enquiries contact: Cindy Ullrich, Publicity Manager, QPAC ~ 07 3840 7589 ~ 0434 366-038 ~ [email protected] or Leanne Craig, Australian Dance Awards Nominations Coordinator, ~ 02 6248 8992 ~ [email protected] "These are very prestigious; it's great for the company." Stephen Page, Artistic Director of Bangarra Dance Theatre as quoted in 'Top Honours for Bangarra' by Kylie Northover, The Age, 21 June 2010 www.australiandanceawards.net.au ..3 Australian Dance Awards 2011 Shortlisted nominees (in alphabetical order) Services to Dance Gideon Obarzanek Ruth Osborne Lucinda Sharp Carl Vine Services to Dance Education Valda Craig Marilyn Rowe (OBE) Paul Saliba Tasdance Outstanding Achievement in Youth or Community Dance Mirndiyan Gununa Aboriginal Corporation for Mornington Island Gulf Festival QL2 Dance for Hard Yards Steps Youth Dance Company for Phoenix Tracks for The Cook, The Queen & the Kelly Outstanding Achievement in Choreography Rafael Bonachela for 6 Breaths [Sydney Dance Company] Shaun Parker for Happy As Larry [Shaun Parker & Company] Garry Stewart for Be Your Self [Australian Dance Theatre] Natalie Weir for Where the Heart Is [Expressions Dance Company] Outstanding Performance by a Company Australian Dance Theatre for Be Your Self Bangarra Dance Theatre for of earth & sky Expressions Dance Company for Where the Heart Is Sydney Dance Company for We Unfold Outstanding Achievement in Independent Dance Narelle Benjamin for In Glass Katrina Lazaroff for Pomona Road Sue Peacock for Sprung Tony Yap with Madeleine Flynn, Tim Humphrey, Naomi Ota and Ben Rogan for Rasa Sayang Outstanding Performance by a Female Dancer Kristina Chan for In Glass [Narelle Benjamin] Amy Hollingsworth for Irony of Fate [Sydney Dance Company] Elise May for Where the Heart Is [Expressions Dance Company] Larissa McGowan for Be Your Self [Australian Dance Theatre] Outstanding Performance by a Male Dancer Richard Causer for Where the Heart Is [Expressions Dance Company] Daniel Gaudiello for Coppelia [The Australian Ballet] Paul White for In Glass [Narelle Benjamin] Kimball Wong for Be Yourself [Australian Dance Theatre] Outstanding Performance in a Stage Musical The Cast of Hairspray Alinta Chidzey for West Side Story Verity Hunt-Ballard for Mary Poppins Matt Lee for Mary Poppins www.australiandanceawards.net.au .
Recommended publications
  • Chief Executive's Review
    ANNUAL REPORT 2010-2011 Department of the Premier and Cabinet State Administration Centre 200 Victoria Square Adelaide SA 5000 GPO Box 2343 Adelaide SA 5001 ISSN 0816‐0813 For copies of this report please contact Corporate Affairs Branch Services Division Telephone: 61 8 8226 5944 Facsimile: 61 8 8226 0914 . The Hon Mike Rann MP Premier of South Australia 200 Victoria Square ADELAIDE SA 5000 Dear Premier I am pleased to submit to you the Annual Report of the Department of the Premier and Cabinet for the year ended 30 June 2011. The Report has been prepared in accordance with the requirements of the Public Sector Act 2009, the Act’s accompanying regulations, the financial reporting requirements of the Public Finance and Audit Act 1987 and DPC Circular PC013 ‐ Annual Reporting Requirements. It demonstrates the scope of activities undertaken by the Department in meeting our targets for all departmental programs including the South Australia’s Strategic Plan targets for which we have lead agency responsibility. It also provides evidence of our performance in key areas, financial accountabilities and resource management. Yours sincerely Jim Hallion Chief Executive / /2011 Contents Contents ............................................................................................................................................ 2 Chief Executive’s Review................................................................................................................... 4 Our Department...............................................................................................................................
    [Show full text]
  • The Dinner Party 2019 Expressions Dance Company
    EDUCATION NOTES DOCUMENT SECTIONS 1 Introduction 2 Before the Show 3 About Expressions Dance Company 4 About The Dinner Party 5 The Creative Process 6 Character Breakdown 7 Storyboard Structure 8 Production Elements 9 Choreographic Tasks 10 Repertoire Notes 11 Appreciation Tasks 12 Safe Dance Practices 1 INTRODUCTION These education notes have been developed to accompany Expressions Dance Company’s performance of The Dinner Party and associated school workshops. They aim to assist secondary school dance teachers with integrating the themes, stimulus and choreographic processes used when developing The Dinner Party into dance classrooms. All activities directly relate to the Australian Curriculum and Reporting Authority (ACARA) Years 7-10 Dance Curriculum as well as the Queensland Curriculum and Assessment Authority (QCAA) Dance 2019 v1.1 General Senior Syllabus for Years 11-12. 2 BEFORE THE SHOW Read below about the recommended activities to engage with before watching EDC’s performance of The Dinner Party. EXPLORE Click on the link to read more about EDC and The Dinner Party http://expressionsdancecompany.org.au/edc/dinnerparty/ ENGAGE Book a workshop with one or more of our EDC Dancers to build on your students dance practice. Send an email to [email protected] to book or find out more information. RESEARCH Discover more about our previous performance of The Host, of which The Dinner Party is reworked from http://expressionsdancecompany.org.au/edc/the-host/ WRITE Have your students develop a question prior to coming to view the performance. Ask them to consider what they are most curious or excited about seeing.
    [Show full text]
  • Updated Company Info to Be Inserted Into Sycd
    Natalie Weir’s EXPRESSIONS DANCE COMPANY “This prolific company, under the choreographic direction of Natalie Weir, are producing some of the finest contemporary dance works to come out of Australia in recent years” AUSTRALIAN STAGE “This strong company produces some extraordinary performances, matching the best seen on QPAC stage” The Australian “Natalie Weir is one of the most original people working in this area at the moment.” 612 ABC THEATRE REVIEWS Expressions Dance Company is defined by its commitment to excellence in performance, sector development and education, all contributing to the evolution and future of contemporary Australian dance. Under the leadership of internationally acclaimed Artistic Director Natalie Weir (appointed 2009), and with the talents of an extraordinary ensemble of dancers, the company’s work is achieving significant recognition through national awards. Natalie Weir is as an established and acclaimed choreographer, known internationally for her highly physical partner work, her organic movement style and her touching insight into human nature. Natalie’s signature works for EDC include where the heart is (2010 and 2012), R&J (2011) and When Time Stops (2013). 2014 will see the world premiere of Natalie’s fourth signature work - a new contemporary dance adaptation of The Red Shoes. Natalie has also created smaller works for EDC including While Others Sleep, Raw (2010), Don’t, The Lament (2012), and Carmen Sweet (2013). EDC has received invitations to perform in over 16 countries throughout its 28-year history. Recently, EDC’s commitment to cultural collaboration has been articulated through Singapore Dance Theatre’s celebrated Ballet Under The Stars event in 2013, which included the world premiere of Natalie’s 4Seasons and a special performance of EDC’s Carmen Sweet.
    [Show full text]
  • New Breed 2019 August 2019
    Media Release For immediate release Sydney Dance Company and Carriageworks, in conjunction with The Balnaves New Breed 2019 Foundation, announce four Australian choreographers commissioned to create works for the acclaimed New Breed initiative that supports Australia’s next generation of choreographers. Meet the new breed of ‘★★★★ Full of a wonderful sense of adventure, but also with the choreographic and Australian dance theatrical nous to pull off an eclectic and consistently satisfying night of dance.’ – TimeOut creators Co-presented by Carriageworks and Sydney Dance Company – with the generous support of The Balnaves Foundation, New Breed 2019 will provide Australian choreographers Josh Mu (Melbourne), Lauren Langlois (Melbourne), Ariella Casu (Sydney) and Davide Di 28 Nov – 7 Dec Giovanni (Sydney) with an invaluable opportunity to work with Australia’s leading Carriageworks, Sydney contemporary dance company on a newly commissioned dance piece. Showcasing a rich diversity of choreographic ideas, this talented group of emerging choreographers will create brand new pieces on members of Sydney Dance Company. These four new works will comprise the New Breed 2019 season from 28 November to 7 December. The New Breed initiative made its debut in November 2014, supporting five emerging Australian choreographers through the commissioning and presentation of new dance work. Four sold out seasons in 2014, 2015, 2016, 2017 and 2018 ensued. The sixth instalment in the New Breed initiative will see Carriageworks, Sydney Dance Company and The Balnaves Foundation continue their commitment to the future of Australian contemporary dance, by supporting independent choreographers Josh Mu, Lauren Langlois, Ariella Casu and Davide Di Giovanni. From August, these dance makers will benefit from the extensive support of all the departments of Sydney Dance Company in readiness for their premiere season at Carriageworks, later this year.
    [Show full text]
  • 2008, WDA Global Summit
    World Dance Alliance Global Summit 13 – 18 July 2008 Brisbane, Australia Australian Guidebook A4:Aust Guide book 3 5/6/08 17:00 Page 1 THE MARIINSKY BALLET AND HARLEQUIN DANCE FLOORS “From the Eighteenth century When we come to choosing a floor St. Petersburg and the Mariinsky for our dancers, we dare not Ballet have become synonymous compromise: we insist on with the highest standards in Harlequin Studio. Harlequin - classical ballet. Generations of our a dependable company which famous dancers have revealed the shares the high standards of the glory of Russian choreographic art Mariinsky.” to a delighted world. And this proud tradition continues into the Twenty-First century. Call us now for information & sample Harlequin Australasia Pty Ltd P.O.Box 1028, 36A Langston Place, Epping, NSW 1710, Australia Tel: +61 (02) 9869 4566 Fax: +61 (02) 9869 4547 Email: [email protected] THE WORLD DANCES ON HARLEQUIN FLOORS® SYDNEY LONDON LUXEMBOURG LOS ANGELES PHILADELPHIA FORT WORTH Ausdance Queensland and the World Dance Alliance Asia-Pacific in partnership with QUT Creative Industries, QPAC and Ausdance National and in association with the Brisbane Festival 2008 present World Dance Alliance Global Summit Dance Dialogues: Conversations across cultures, artforms and practices Brisbane 13 – 18 July 2008 A Message from the Minister On behalf of our Government I extend a warm Queensland welcome to all our local, national and international participants and guests gathered in Brisbane for the 2008 World Dance Alliance Global Summit. This is a seminal event on Queensland’s cultural calendar. Our Government acknowledges the value that dance, the most physical of the creative forms, plays in communicating humanity’s concerns.
    [Show full text]
  • Newsletter - July 2009
    Tanja Liedtke Foundation Newsletter - July 2009. www.tanja-liedtke-foundation.org Australian Dance Awards 2009 Tanja Liedtke’s work construct won two major awards at the Australia In this edition: Dance Awards, held in Melbourne on June 7th 2009 – Outstanding Achievement in Choreography and Outstanding Australian Dance Awards Achievement in Independent Dance. The audience at the 2009 Victorian Arts Centre’s State Theatre celebrated the ongoing success construct on tour of Tanja’s work, and as her partner and creative associate Sol Twelfth Floor on tour Ulbrich, who accepted the awards on Tanja’s behalf, noted, “It’s a ...and more moment to stand and share with everyone in the dance community. A big moment to acknowledge Tanja”. The work received an additional award with Kristina Chan receiving the award for Outstanding Achievement by a female dancer. Kristina and Tanja were friends from 1999 when they both joined the Australian Dance Theatre as young dancers. Since that time, with Tanja as choreographer, they created several works together in collaboration with other artists such as Paul White, who was also nominated for Outstanding Performance by a male dancer in construct. Sol Ulbrich - remount Director, construct, Paul White & Kristina Chan performers, construct. construct on tour On the 17th of June Tanja’s construct began its Australian national tour taking in Canberra, Frankston, Lismore, Caloundra, Toowoomba, Brisbane, Hobart and finishing in Adelaide. This tour is part of the Australia Council’s Mobile States initiative and is produced and managed by Performing Lines. The touring cast consists of original members Kristina Chan and Paul White, who will be joined by Lisa Griffiths in the role that Tanja created for herself when the work premiered in 2007.
    [Show full text]
  • Gender Inequity in Achievement and Acknowledgment in Australian Contemporary Dance
    Edith Cowan University Research Online Theses : Honours Theses 2009 Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance Quindell Orton Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Dance Commons, and the Gender and Sexuality Commons Recommended Citation Orton, Q. (2009). Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance. https://ro.ecu.edu.au/theses_hons/1331 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1331 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
    [Show full text]
  • Download the Program
    TasDance presents a flight of fancy and the imagination choreographic interpretations of a Tasmanian story 1 Introduction Just as butterflies emerge from their cocoon after their metamorphosis, this season too is a result of a long and wonderful evolution. One of the most rewarding aspects of my position is to see an idea develop and grow. Nearly four years ago author Carmel Bird showed me the wonderful lithograph A Flight of Fair Game that depicts women as butterflies moving from the old country to Van Diemen’s Land. Following her research into the history of the Royal Princess and her cargo of women for the colony, Carmel developed short narrative pieces that have fed the imaginations of our two choreographers, our composer and our set and costume designer. a flight of fancy and the imagination 2 Natalie and Phillip each interpret the story Greg Clarke and his innovative set design based on an intriguing part of Tasmania’s enable the dancers and Natalie to move history and explore notions of entrapment, beyond the floor space and allowed Fair coersion, vilification, moral corruption and Game to take an exciting spatial and the extremes that occur in the relations movement dimension. Likewise he has between men and women. The resulting been able to work to realise Phillip’s fertile works involve universal themes of fear, imagination. It has been particular horror and disgust. rewarding for me to have one designer to work on both set and costumes for the Neither is literal interpretation or a linear production. narrative, but a choreographic exploration and expression.
    [Show full text]
  • 2000 Dance Graduation Performance of Human Terrain Program Introduction
    2000 Dance Graduation Performance Of Human Terrain Program Introduction In a world of multi-media and virtual reality, with its exciting potential for unimagined worlds to be developed, it is not Blood on the Moon accidental that the title of our 2000 Graduation Season is by Harold Collins MBE Of Human Terrain. Despite the advances of technology and the amazing differences it make to our lives, now more than ever, live human interaction and the achievements of the human body and spirit are being celebrated - as we INTERVAL have recently done in the Sydney Olympics, albeit for most 30 minutes of us via our television screens. Video in foyer Tonight you will see both digital and live dance. In the foyer Choreographers : John Utans I Lisa Wilson you can enjoy a continuous screening of solos danced by all Performed by AD1, AD2, BA1 /2/3 Performance our performance students, choreographed by John Utans Students and Lisa Wilson. Inside the theatre you will experience live performances by these same students. Unlike our first season Dance Bytes, which was an eclectic array of short pieces, the graduation season this year presents two Of Human Terrain substantial works by two experienced and acclaimed by Leigh Warren Australian choreographers. The first, in a classical style, is choreographed by Harold Collins, whose legacy to dance in Queensland is not to be underestimated. Most people understand the stringent requirements of classical ballet even if they do not attend it My thanks to the many talented artists and teachers who have regularly- the difficulty of standing 'en pointe', of maintaining worked with us throughout the year to train these graduates.
    [Show full text]
  • Ausdance Queensland Inc. Annual Report 2017
    AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC Ausdance Queensland Inc. Annual Report 2017 Australian Dance Council Ausdance (Qld) Inc. 420 Brunswick Street Fortitude Valley Qld 40066 [email protected] www.ausdanceqld.org.au ABN 46 089 780 388 1 AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC CONTENTS ABOUT AUSDANCE QUEENSLAND pg 3 FROM THE CHAIR/PRESIDENT pg 4 EXECUTIVE DIRECTORS REPORT pg 6 AUSDANCE EDUCATORS QUEENSLAND pg 9 THANK YOU pg 11 ATTACHMENT – AUDITED FINANICAL REPORT YEAR END 2017 2 AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC ABOUT AUSDANCE QUEENSLAND Mission Ausdance Queensland supports, informs and connects dance professionals, and inspires participation that enriches communities with dance. Vision The Queensland dance sector develops and thrives within an environment where artists can explore, excel and enjoy sustainable careers; communities can see and participate in dance; and where dance is Background The association was established in 1992 and provides professional advocacy and industry development for Queensland dance through strong local, regional, national and international networks. We work to bring recognition to the many roles that dance plays in the cultural life of Queensland and to maximise opportunities for practitioners. Our services and programs address the needs of dance artists at any stage of their careers, community dance practitioners, educators and the broader community in relation to dance. We are the state dance industry's primary advocate and advisory representative in regards to government policy, sector planning and industry initiatives. Ausdance Queensland is supported by the Queensland Government through Arts Queensland, part of the Department of Premier and Cabinet with four year organization funding for 2017 – 2019.
    [Show full text]
  • Towards a Cultural Policy for Great Events P
    B. García, Towards a Cultural Policy for Great Events p. 148 e) Government joint initiatives The previous points indicate how, up to year 2000, the approach of most Australian government bodies to support the cultural programme was rather vague and limited. To explain this, scholars such as Louw and Turner have pointed out at the conflict that took place in terms of ‘ownership’ of the Games (2000, pers. comm., 25 Aug). The Games had been awarded to the city of Sydney, so they were designed to be the responsibility of the state of NSW, and the federal government was to have only a secondary role in terms of decision-making and resource allowances. According to Louw and Turner, this led not only to a lack of coordination between state and federal bodies, but also to a certain sense of competition among different states which also wanted to benefit from the Games and had priorities and interests differing from the ones in Sydney and NSW. On some occasions, this led to a defensive posture on the part of SOCOG or NSW. This is best exemplified in their relationship with Queensland, a state very proactive and interested in taking part of the Olympic project which was not allowed a degree of participation as high as it would have expected. The low contributions of federal arts funding during the first three years of the Olympiad could also be understood as a measure to avoid conflicts among states. However, in preparation for the Olympic period, local, state and federal bodies joined their efforts in a common initiative that was to be one of the greatest catalysts for the promotion of the OAF.
    [Show full text]
  • Teacher Resource Pack Contents
    TEACHER RESOURCE PACK CONTENTS Introduction to the Teacher Resource Pack 1 WHEN TIME STOPS Synopsis 2 Creative Team 3 EXCLUSIVE Dance An interview with Choreographer Natalie Weir 5 Music An interview with Composer Iain Grandage 9 Design Set, Costume and lighting design 11 The Protagonist 13 Themes 14 EXAMINE Example Appreciation Tasks 16 Example Choreography Tasks 19 Classroom Tasks 20 EXPERIENCE 22 Excitement Expectations Respect EXPRESSIONS DANCE COMPANY 23 Team CHAMPION PARTNER FOUNDING SIGNATURE SEASON SPONSOR INTRODUCTION This pack is designed to give teachers and students an exclusive insight into the creation and performance of Expressions Dance Company’s 2013 signature work, When Time Stops, created by Natalie Weir with original composition by Iain Grandage. To create the Teacher Resource Pack, we examined the current Senior Dance Syllabus, paying particular attention to teacher and student needs for Appreciation and Choreography. We also sought to provide teachers and students with a unique perspective on the creation of the work, to further their understanding of choreographic process and how this translates into performance. We have provided some example Appreciation and Choreography tasks, which could be used as stimulus for assessment tasks after viewing the performance. EXCLUSIVE | Access to the creative team and their methods EXAMINE | Example assessment and classroom tasks EXTEND | Themes and ideas surrounding the work, and how these could be explored further EXPERIENCE | What your students can expect when they come to the theatre EDC | Background information on Expressions Dance Company We are very interested in the continual improvement of our Teacher Resource Packs. If you have any feedback, please feel free to us know.
    [Show full text]