DOCSLIB.ORG

LUKE ALLEVA Ian White Management

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LUKE ALLEVA Ian White Management LUKE ALLEVA Ian White Management DAN 03 9380 8444 CHOREOGRAPHER 2017 WCPH Social Event Choreographer South Wharf, Melbourne 2016 Saturday Night Fever Choreographer Chapel Off Chapel 2015/17 The Dancin Man Director/ Choregrapher Melb/ Syd/ Regional Vic/ P&O 2015 Hot Shoe Shuffle Assistant Choreographer Sydney 2015 Cabaret Assistant Choreographer Spiegel Tent, Ballarat 2015 Carols By Candlelight Choreographer Channel 9, Daryl Somers 2015 Masters Of Choreography Choreographer Palais & National Theatres 2014/15 Allegro Entertainment Choreographer Corporate Gigs, Melbourne 2013/17 Various Corporate Shows Choreographer Crown/ Etihad Stadium/ The Star 2012 Moonshadow Workshop Resident David Mitchel, Melbourne 2012 Moonshadow the musical Assistant Choregrapher Princess Theatre, Melbourne 2011 Australia’s Got Talent Choreographer Channel 7 2010/17 School Grammars/Colleges Choreographer Throughout Victoria 2008/17 Full Time Theatre Courses Choreographer Vic/ Syd/ Bris/ Perth STAGE 2015/17 The Dancin Man Lead Melb/ Syd/ Regional Vic/ P&O 2016 Dusty the musical Al Saxon The Production Company 2016 Funny Girl Eddie Ryan The Production Company 2015 Hot Shoe Shuffle Spring Sydney 2014 Guys & Dolls Ensemble The Production Company 2013 Chitty Chitty Bang Bang Ensemble Australian Tour 2013 Hot Shoe Shuffle Swing/ Spring, Wing, Slap DAE David Atkins, Australian Tour 2012 Diamonds Lead Spiegel Tent, Arts Centre 2012 A Chorus Line Swing/ Mike, Al, Don, Larry TML, Baayork Lee, Aus Tour 2011 The Boyfriend Jimmy The Production Company 2011 Xanadu the musical Young Danny Docklands, Kelly Abbey 2011 Relations Contempoary Dancer Theatre Works, Melbourne 2010 Mamma Mia u/s Pepper, Eddie LWAA Australian Tour 2009 Guys & Dolls Scranton Slim Ambassodor, Capital Theatre 2008 Rocky Horror u/s Brad, Eddie/Dr Scott Dainty Australian Tour 2007 42nd Street Ensemble The Production Company 2007 Little Me Ensemble The Production Company 2007 West End Rocks Ensemble Reading Theatre, Uk 2006 We Will Rock You Swing Dominion Theatre, London 2005 Saturday Night Fever Swing/Joe, Chester, Cesar Apollo Victoria, London 2004 We Will Rock You Cliff LWAA Australian Tour 2003 Get Happy the musical Brains Sydney Star City Showroom 2002 Man Of La Mancha Juan GFO Australian Tour 2001 Costa Victoria Dancer/Singer Costa Cruise Lines 2001 Australian Dance Awards Lead Dancer Opera House, John O’Connell 2000 Opening/Closing Olympics Featured Dancer 2000 Sydney Olympics 1999 SydneyOlympic Celebration Featured Performer John Farnham, Sydney TELEVISION Helpmann Awards Performer Foxtel Always Greener Actor Channel 7 Launch Of Countdown Singer Fox Channel 1 Mornings with Kerri-Anne Performer Channel 9 Sunrise Performer Channel 7 Paul O’Grady Show Performer BBC FEATURE FILM Moulin Rouge Lead Dancer Bazmark Productions Bootmen Tap Dancer Dein Perry Productions Gallipoli From Above Documentry Tom Usher Films Victoria The Divorce Featured Actor ABC, Kelly Aykers COMMERCIALS XPLOR Featured Actor Online Web Commercial Telstra NBN Featured Actor National Commercial Nurofen Featured Actor National Commercial Commonwealth Bank Featured Actor National Commercial KFC Featured Actor National Commercial PHOTOGRAPH/ STILLS Bakers Delight Featured Actor TOAB, Victoria RYOBI Featured Actor TOAB, Victoria Merinda Homes Featured Actor TOAB, Victoria Rimowa Featured Actor TOAB, Victoria CORPORATE Crown Opening number Tap Dancer Alana Scanlan Good Friday Appeal MC Host Together We Dance Rolling Entertainment Roller Skater Victoria and Interstate Hats Off Performer Sydney & Brisbane RECORDINGS 2011 Xanadu 2010 Mamma Mia SINGING TRAINING Jonathon Welsh Derek Taylor Susan Ann Walker ACTING TRAINING The Rehearsal Room Armadale (With Richard and Thea Mcleod) Sydney Film Workshop (with Tom McSweeney) DANCE TRAINING 1999 Brent Street Cert 4 Dance/ Musical Theatre Sydney, Camperdown Teachers: Cameron Mitchell, Kelly Abbey, Roy Dudley, Dana Jolly, Ian Knowles, Christine Denny DANCE TEACHING/ASSESSMENT VCA UNI Musical Theatre Course Choreographer VCA Melbourne FED UNI Musical Theatre Course Choreographer Fed Uni Ballarat Full Time Courses & Dance Institutions All Styles Of Dance Throughout Aus & Overseas 80th Anniversary Sydney Eisteddfods Judging the Finals Opera House Dance & Singing Competitions/Eisteddfods Judge/ Adjudicator Throughout Australia & NZ .
Load more

Recommended publications
  • 1X 86Min Feature Documentary Press Kit
    ELLA 1x 86min Feature Documentary Press Kit INDEX ! CONTACT DETAILS AND TECHNICAL INFORMATION………………………… P3 ! PROGRAM DESCRIPTIONS.…………………………………..…………………… P4-6 ! KEY CAST BIOGRAPHIES………………………………………..………………… P7-9 ! DIRECTOR’S STATEMENT………………………………………..………………… P10 ! PRODUCER’S STATEMENT………………………………………..………………. P11 ! KEY CREATIVES CREDITS………………………………..………………………… P12 ! DIRECTOR AND PRODUCER BIOGRAPHIES……………………………………. P13 ! PRODUCTION CREDITS…………….……………………..……………………….. P14-22 2 CONTACT DETAILS AND TECHNICAL INFORMATION Production Company WildBear Entertainment Pty Ltd Address PO Box 6160, Woolloongabba, QLD 4102 AUSTRALIA Phone: +61 (0)7 3891 7779 Email [email protected] Distributors and Sales Agents Ronin Films Address: Unit 8/29 Buckland Street, Mitchell ACT 2911 AUSTRALIA Phone: + 61 (0)2 6248 0851 Web: http://www.roninfilms.com.au Technical Information Production Format: 2K DCI Scope Frame Rate: 24fps Release Format: DCP Sound Configuration: 5.1 Audio and Stereo Mix Duration: 86’ Production Format: 2K DCI Scope Frame Rate: 25fps Release Formats: ProResQT Sound Configuration: 5.1 Audio and Stereo Mix Duration: 83’ Date of Production: 2015 Release Date: 2016 ISAN: ISAN 0000-0004-34BF-0000-L-0000-0000-B 3 PROGRAM DESCRIPTIONS Logline: An intimate and inspirational journey of the first Indigenous dancer to be invited into The Australian Ballet in its 50 year history Short Synopsis: In October 2012, Ella Havelka became the first Indigenous dancer to be invited into The Australian Ballet in its 50 year history. It was an announcement that made news headlines nationwide. A descendant of the Wiradjuri people, we follow Ella’s inspirational journey from the regional town of Dubbo and onto the world stage of The Australian Ballet. Featuring intimate interviews, dynamic dance sequences, and a stunning array of archival material, this moving documentary follows Ella as she explores her cultural identity and gives us a rare glimpse into life as an elite ballet dancer within the largest company in the southern hemisphere.
    [Show full text]
  • 2013 Helpmann Awards Winners Announced! Full List of Winners At
    HELPMANN AWARDS MEDIA RELEASE MONDAY 29TH JULY 2013 2013 HELPMANN AWARDS WINNERS ANNOUNCED! FULL LIST OF WINNERS AT www.helpmannawards.com.au The 13th Annual Helpmann Awards were presented tonight live in Sydney at the Joan Sutherland Theatre, Sydney Opera House and broadcast on Foxtel’s Arena. Co-hosts Eddie Perfect and Christie Whelan Browne kicked off the night’s proceedings with an incredibly entertaining opening number written specifically for the occasion by the multi-talented Mr Perfect himself. The Helpmann Awards recognise distinguished artistic achievement and excellence across the major disciplines of Australia's live performance industry. In total 43 awards were presented this evening by some of Australia’s most celebrated talent including, Tina Arena, Baz Luhrmann, Sarah Murdoch, John Waters, Hugh Sheridan, Marcus Graham, Elizabeth Debicki, Patrick Brammall, Chloe Dallimore, Erika Heynatz, Ashley Zukerman, Miranda Tapsell, Rob Mills, Sharon Millerchip, Toby Schmitz, Alison Bell, David Harris, Wayne Scott Kermond, Lynette Curran, Christen O’Leary, Russell Dykstra, Esther Hannaford, The Hon. George Souris, Ewen Leslie, Jennifer Vuletic and Helen Thomson. Further showcasing Australia’s unique and diverse live performance industry, show highlights included live performances by Tim Minchin, the casts of GREASE and HOT SHOE SHUFFLE, Sydney Dance Company, Silvie Paladino and the Sydney Children’s Choir, Emma Birdsall and Timomatic. In addition, as previously announced pop music icon Kylie Minogue OBE and Arts philanthropist David Blenkinsop CBE AM were co-recipients of the 2013 JC WILLIAMSON AWARD. By bestowing this award, Live Performance Australia (LPA) recognises individuals who have made an outstanding contribution to the Australian live entertainment industry and shaped the future of our industry for the better.
    [Show full text]
  • CHICAGO to Tour Australia in 2009 with a Stellar Cast
    MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer.
    [Show full text]
  • 2008, WDA Global Summit
    World Dance Alliance Global Summit 13 – 18 July 2008 Brisbane, Australia Australian Guidebook A4:Aust Guide book 3 5/6/08 17:00 Page 1 THE MARIINSKY BALLET AND HARLEQUIN DANCE FLOORS “From the Eighteenth century When we come to choosing a floor St. Petersburg and the Mariinsky for our dancers, we dare not Ballet have become synonymous compromise: we insist on with the highest standards in Harlequin Studio. Harlequin - classical ballet. Generations of our a dependable company which famous dancers have revealed the shares the high standards of the glory of Russian choreographic art Mariinsky.” to a delighted world. And this proud tradition continues into the Twenty-First century. Call us now for information & sample Harlequin Australasia Pty Ltd P.O.Box 1028, 36A Langston Place, Epping, NSW 1710, Australia Tel: +61 (02) 9869 4566 Fax: +61 (02) 9869 4547 Email: [email protected] THE WORLD DANCES ON HARLEQUIN FLOORS® SYDNEY LONDON LUXEMBOURG LOS ANGELES PHILADELPHIA FORT WORTH Ausdance Queensland and the World Dance Alliance Asia-Pacific in partnership with QUT Creative Industries, QPAC and Ausdance National and in association with the Brisbane Festival 2008 present World Dance Alliance Global Summit Dance Dialogues: Conversations across cultures, artforms and practices Brisbane 13 – 18 July 2008 A Message from the Minister On behalf of our Government I extend a warm Queensland welcome to all our local, national and international participants and guests gathered in Brisbane for the 2008 World Dance Alliance Global Summit. This is a seminal event on Queensland’s cultural calendar. Our Government acknowledges the value that dance, the most physical of the creative forms, plays in communicating humanity’s concerns.
    [Show full text]
  • I Recorded the Complete Schumann
    media release Tuesday 20 June 2017 FOR IMMEDIATE RELEASE TSO’s Tristan und Isolde nominated for 2017 Helpmann Award The Tasmanian Symphony Orchestra was last night included in the list of nominees for the 17th Annual Helpmann Awards in the category ‘Best Symphony Orchestra Concert’ for its acclaimed concert performance of Wagner’s Tristan und Isolde. The concert, which took place on November 19, 2016 at Federation Concert Hall in Hobart, featured world-renowned Swedish soprano Nina Stemme and Australian heldentenor Stuart Skelton reprising their roles as Wagner’s star-crossed lovers direct from The Metropolitan Opera in New York, and was conducted by TSO Chief Conductor and Artistic Director Marko Letonja. Renowned mezzo-soprano Monika Bohinec was also featured in the role of Brangäne. A major cultural coup for Tasmania, concert-goers travelled from all over the country as well as overseas to attend the one-off performance which was greeted with a resounding and spontaneous standing ovation. Established in 2001 by Live Performance Australia (LPA) the annual Helpmann Awards, celebrate and promote the Australian live performance industry, similar to the Tony Awards on Broadway and the Olivier Awards in London, and acknowledge distinguished artistic Federation Concert Hall 1 Davey Street, Hobart, Tasmania, 7000, Australia GPO Box 1450, Hobart, Tasmania, 7001, Australia Telephone (03) 6232 4411 International +61 3 6232 4411 Facsimile (03) 6232 4455 International +61 3 6232 4455 Email [email protected] Website www.tso.com.au achievement and excellence in the many disciplines of Australia's vibrant live performance sectors. The TSO was previously recognised with a 2016 Helpmann Award in the category ‘Best Australian Contemporary Concert’ for its contribution to the concert ‘Kate Miller-Heidke and the Tasmanian Symphony Orchestra with visuals by Amy Gebhardt’ which was part of MOFO 2016.
    [Show full text]
  • The Turquoise Elephant E X T D N F C R T O
    GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT STEPHEN CARLETON BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER E Production Sponsor Meet Augusta Macquarie: Her Excellency, patron of the arts, X formidable matriarch, environmental vandal. THE T D TURQUOISE Inside her triple-glazed compound, Augusta shields herself from the catastrophic elements, bathing in THE TURQUOISE ELEPHANT the classics and campaigning for the reinstatement of global reliance on fossil fuels. Outside, the world lurches from one environmental cataclysm to the next. ELEPHANT N Meanwhile, her sister, Olympia, thinks the best way to save endangered species is to eat them. Their niece, Basra, is intent on making a difference – but how? Can you save the world one blog at a time? F C Stephen Carleton’s shockingly black, black, black political farce won the 2015 Griffin Award. R T It’s urgent, contemporary and perilously close to being real. Director Gale Edwards brings her magic and wry insight to the world premiere of this very funny, clever and wicked new work. O S T CURRENCY PRESS GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER Director Gale Edwards Set Designer Brian Thomson Costume Designer Emma Vine Lighting and AV Designer Verity Hampson Sound Designer Jeremy Silver Associate Lighting Designer Daniel Barber Stage Manager Karina McKenzie Videographer Xanon Murphy With Catherine Davies, Maggie Dence, Julian Garner, Belinda Giblin, Olivia Rose, iOTA SBW STABLES THEATRE 14 OCTOBER - 26 NOVEMBER Production Sponsor Government Partners Griffin acknowledges the generosity of the Seaborn, Broughton and Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986.
    [Show full text]
  • Strange Interlude
    Media Release April 2012 Belvoir presents Strange Interlude Written by SIMON STONE after EUGENE O’NEILL Director SIMON STONE Set Designer ROBERT COUSINS Costume Designer MEL PAGE Lighting Designer DAMIEN COOPER Composer & Sound Designer STEFAN GREGORY With AKOS ARMONT NICHOLAS BAKOPOULIS-COOKE EMILY BARCLAY MITCHELL BUTEL CALLUM McMANIS KRIS McQUADE ELOISE MIGNON ANTHONY PHELAN TOBY SCHMITZ TOBY TRUSLOVE BELVOIR ST THEATRE | UPSTAIRS 5 MAY – 17 JUNE An experimental play from the 1920s may not be the most obvious choice for inclusion in Belvoir’s strikingly contemporary season, but in the hands of Simon Stone theatre-goers will know to expect a radical interpretation of Eugene O’Neill’s Pulitzer Prize-winning play. In the vein of Stone’s The Wild Duck, a sell-out at both Belvoir and Melbourne’s Malthouse Theatre, Strange Interlude will be completely rewritten. Strange Interlude is one of the few modern plays to use soliloquy interwoven with the dialogue, revealing the characters’ inner thoughts; this technique will be maintained in the rewrite. Twenty-year-old Nina Leeds (Emily Barclay) has lost the love of her life in the war. Overcome with grief, she quits university, falls out with her father and moves away from home. What follows is an epic and compelling narrative that spans 25 years in Nina’s life, but the story is compressed into a series of heightened, life altering moments. The significance of each of these moments is revealed as the page-turning story unravels. The cast assembled for this production is truly stellar, with the luminous Emily Barclay as Nina and Mitchell Butel, Toby Schmitz and Toby Truslove as three men in her life, each vying for her attention and affection in his own way.
    [Show full text]
  • Gender Inequity in Achievement and Acknowledgment in Australian Contemporary Dance
    Edith Cowan University Research Online Theses : Honours Theses 2009 Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance Quindell Orton Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Dance Commons, and the Gender and Sexuality Commons Recommended Citation Orton, Q. (2009). Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance. https://ro.ecu.edu.au/theses_hons/1331 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1331 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
    [Show full text]
  • 2000 Dance Graduation Performance of Human Terrain Program Introduction
    2000 Dance Graduation Performance Of Human Terrain Program Introduction In a world of multi-media and virtual reality, with its exciting potential for unimagined worlds to be developed, it is not Blood on the Moon accidental that the title of our 2000 Graduation Season is by Harold Collins MBE Of Human Terrain. Despite the advances of technology and the amazing differences it make to our lives, now more than ever, live human interaction and the achievements of the human body and spirit are being celebrated - as we INTERVAL have recently done in the Sydney Olympics, albeit for most 30 minutes of us via our television screens. Video in foyer Tonight you will see both digital and live dance. In the foyer Choreographers : John Utans I Lisa Wilson you can enjoy a continuous screening of solos danced by all Performed by AD1, AD2, BA1 /2/3 Performance our performance students, choreographed by John Utans Students and Lisa Wilson. Inside the theatre you will experience live performances by these same students. Unlike our first season Dance Bytes, which was an eclectic array of short pieces, the graduation season this year presents two Of Human Terrain substantial works by two experienced and acclaimed by Leigh Warren Australian choreographers. The first, in a classical style, is choreographed by Harold Collins, whose legacy to dance in Queensland is not to be underestimated. Most people understand the stringent requirements of classical ballet even if they do not attend it My thanks to the many talented artists and teachers who have regularly- the difficulty of standing 'en pointe', of maintaining worked with us throughout the year to train these graduates.
    [Show full text]
  • Eddie Perfect
    Eddie Perfect Singer-songwriter, pianist, comedian, writer and actor Eddie Perfect is a multi-talented and multi-award winning Australian performer. A successful singer- songwriter, pianist, comedian, writer and actor, Eddie is also a fabulous MC and entertainer for corporate events. He has thrilled audiences on many occasions by writing and performing an original song for the event. He has become more widely known to television audiences for his role as Mick Holland in Channel Ten’s hit long-running TV series Offspring in which he performs his own music. His television credits also include FOX8’s Ultimate School Musical, The 2011 Logie Awards, Kath and Kim, Stingers, Blue Heelers, MDA and Spicks And Specks, and performing his own comedy on ABC TV’s Stand Up and Sideshow, The Melbourne Comedy Festival Gala, Good News Week. Eddie has written and toured several shows including Angry Eddie, Cliff Hanger: Catch A Falling Star, The Big Con with Max Gillies, Drink Pepsi Bitch, Shane Warne The Musical, Songs From The Middle, a collaboration with The Brodsky Quartet and the Australian National Academy Of Music and most recently the award-winning Misanthropology. He has composed music for Malthouse Theatre’s productions of The Big Con, Babes In The Wood and Helen Noonan’s Voicing Emily as well as composing and performing music for the Helpmann, Awgie and Inside Film Awards and for Offspring. Eddie’s theatre credits include Bat Boy (Loudmouth/MTC), A Poor Student (The Storeroom), Take Flight, Babes in the Wood (Malthouse), The Big Con (Malthouse), Keating! The Musical (Company B Belvoir), Shane Warne The Musical (Token), Misanthropology (Sydney Festival) and The Threepenny Opera (Malthouse).
    [Show full text]
  • Ausdance Queensland Inc. Annual Report 2017
    AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC Ausdance Queensland Inc. Annual Report 2017 Australian Dance Council Ausdance (Qld) Inc. 420 Brunswick Street Fortitude Valley Qld 40066 [email protected] www.ausdanceqld.org.au ABN 46 089 780 388 1 AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC CONTENTS ABOUT AUSDANCE QUEENSLAND pg 3 FROM THE CHAIR/PRESIDENT pg 4 EXECUTIVE DIRECTORS REPORT pg 6 AUSDANCE EDUCATORS QUEENSLAND pg 9 THANK YOU pg 11 ATTACHMENT – AUDITED FINANICAL REPORT YEAR END 2017 2 AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC ABOUT AUSDANCE QUEENSLAND Mission Ausdance Queensland supports, informs and connects dance professionals, and inspires participation that enriches communities with dance. Vision The Queensland dance sector develops and thrives within an environment where artists can explore, excel and enjoy sustainable careers; communities can see and participate in dance; and where dance is Background The association was established in 1992 and provides professional advocacy and industry development for Queensland dance through strong local, regional, national and international networks. We work to bring recognition to the many roles that dance plays in the cultural life of Queensland and to maximise opportunities for practitioners. Our services and programs address the needs of dance artists at any stage of their careers, community dance practitioners, educators and the broader community in relation to dance. We are the state dance industry's primary advocate and advisory representative in regards to government policy, sector planning and industry initiatives. Ausdance Queensland is supported by the Queensland Government through Arts Queensland, part of the Department of Premier and Cabinet with four year organization funding for 2017 – 2019.
    [Show full text]
  • Keir Nuttall Thesis
    I’m With Muriel: Applying a Persona- Centred Songwriting Technique to the Creation of a New Australian Musical Keir Nuttall BMus Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Creative Practice Faculty of Creative Industries, Education and Social Justice QUT 2021 Table of Contents Table of Figures ......................................................................................................................... 5 Abstract ..................................................................................................................................... 6 Statement of Original Authorship .............................................................................................. 8 Acknowledgements ................................................................................................................... 9 Chapter 1: Introduction............................................................................................................ 11 Situating the Researcher ............................................................................................................................. 16 Chapter 2: Literature and Contextual Review ........................................................................... 24 Part One: Authenticity and the Music Business ........................................................................ 24 The Artist vs Culture and Society ................................................................................................................ 25
    [Show full text]