Winter Arts Season 2012
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2008, WDA Global Summit
World Dance Alliance Global Summit 13 – 18 July 2008 Brisbane, Australia Australian Guidebook A4:Aust Guide book 3 5/6/08 17:00 Page 1 THE MARIINSKY BALLET AND HARLEQUIN DANCE FLOORS “From the Eighteenth century When we come to choosing a floor St. Petersburg and the Mariinsky for our dancers, we dare not Ballet have become synonymous compromise: we insist on with the highest standards in Harlequin Studio. Harlequin - classical ballet. Generations of our a dependable company which famous dancers have revealed the shares the high standards of the glory of Russian choreographic art Mariinsky.” to a delighted world. And this proud tradition continues into the Twenty-First century. Call us now for information & sample Harlequin Australasia Pty Ltd P.O.Box 1028, 36A Langston Place, Epping, NSW 1710, Australia Tel: +61 (02) 9869 4566 Fax: +61 (02) 9869 4547 Email: [email protected] THE WORLD DANCES ON HARLEQUIN FLOORS® SYDNEY LONDON LUXEMBOURG LOS ANGELES PHILADELPHIA FORT WORTH Ausdance Queensland and the World Dance Alliance Asia-Pacific in partnership with QUT Creative Industries, QPAC and Ausdance National and in association with the Brisbane Festival 2008 present World Dance Alliance Global Summit Dance Dialogues: Conversations across cultures, artforms and practices Brisbane 13 – 18 July 2008 A Message from the Minister On behalf of our Government I extend a warm Queensland welcome to all our local, national and international participants and guests gathered in Brisbane for the 2008 World Dance Alliance Global Summit. This is a seminal event on Queensland’s cultural calendar. Our Government acknowledges the value that dance, the most physical of the creative forms, plays in communicating humanity’s concerns. -
Annual Report 2015 LETTER to MINISTER
Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison. -
Gender Inequity in Achievement and Acknowledgment in Australian Contemporary Dance
Edith Cowan University Research Online Theses : Honours Theses 2009 Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance Quindell Orton Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Dance Commons, and the Gender and Sexuality Commons Recommended Citation Orton, Q. (2009). Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance. https://ro.ecu.edu.au/theses_hons/1331 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1331 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
2000 Dance Graduation Performance of Human Terrain Program Introduction
2000 Dance Graduation Performance Of Human Terrain Program Introduction In a world of multi-media and virtual reality, with its exciting potential for unimagined worlds to be developed, it is not Blood on the Moon accidental that the title of our 2000 Graduation Season is by Harold Collins MBE Of Human Terrain. Despite the advances of technology and the amazing differences it make to our lives, now more than ever, live human interaction and the achievements of the human body and spirit are being celebrated - as we INTERVAL have recently done in the Sydney Olympics, albeit for most 30 minutes of us via our television screens. Video in foyer Tonight you will see both digital and live dance. In the foyer Choreographers : John Utans I Lisa Wilson you can enjoy a continuous screening of solos danced by all Performed by AD1, AD2, BA1 /2/3 Performance our performance students, choreographed by John Utans Students and Lisa Wilson. Inside the theatre you will experience live performances by these same students. Unlike our first season Dance Bytes, which was an eclectic array of short pieces, the graduation season this year presents two Of Human Terrain substantial works by two experienced and acclaimed by Leigh Warren Australian choreographers. The first, in a classical style, is choreographed by Harold Collins, whose legacy to dance in Queensland is not to be underestimated. Most people understand the stringent requirements of classical ballet even if they do not attend it My thanks to the many talented artists and teachers who have regularly- the difficulty of standing 'en pointe', of maintaining worked with us throughout the year to train these graduates. -
June 2019 – Issue No
SINGLE? FREE We have your partner MONTHLY Affordable chilled meals FRESH NOT FROZEN FREE delivery to metro area Dedicated matchmakers helping you Order online to meet genuine, suitable partners. www.tbtorder.com Forget ‘online’ dating! Be matched safely or contact our friendly staff and personally by people who care. See Friend to Friend page for 9397 8018 Solutions Contacts Column [email protected] SOLUTIONS 9371 0380 for more information LIFESTYLE OPTIONS FOR THE MATURE WESTERN AUSTRALIAN www.solutionsmatchmaking.com.au PRINT POST 100022543 VOLUME 28 NO. 11 ISSUE NO. 327 JUNE 2019 Proud partner AGL - It’s gas, plus a whole lot more Shock, horror possums, Dame Edna is back! “Sex is the most beau- tiful thing that can take place between a happily married man and his sec- retary. New Zealand is a country of thirty thousand IN THIS ISSUE million sheep, three mil- let’s go lion of whom think they travelling are human.” Dame Edna confess- • Steve Collins’ train es that while she’s been adventure on board rising to superstardom, Rovos Rail, South Africa Humphries continued to • Winter in the West get a giggle with lines like: • QE2 celebrates 50 years “The diffi culty about a theatre job is that it inter- feres with party going.” “Australia is an outdoor Have a Go News Jo Allison country. People only go speaks with author inside to use the toilet. Tricia Stringer And that’s only a recent development.” “To live in Australia per- • Retire in Style - 12 pages manently is rather like go- • Where opinions matter ing to a party and dancing • Food & Wine all night with one’s moth- - reviews, recipes and more er.” Dame Edna agrees she and Humphries have COMPETITIONS/GIVEAWAYS endured with sell-out Ad Words - $200 Shopping voucher shows. -
Ausdance Queensland Inc. Annual Report 2017
AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC Ausdance Queensland Inc. Annual Report 2017 Australian Dance Council Ausdance (Qld) Inc. 420 Brunswick Street Fortitude Valley Qld 40066 [email protected] www.ausdanceqld.org.au ABN 46 089 780 388 1 AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC CONTENTS ABOUT AUSDANCE QUEENSLAND pg 3 FROM THE CHAIR/PRESIDENT pg 4 EXECUTIVE DIRECTORS REPORT pg 6 AUSDANCE EDUCATORS QUEENSLAND pg 9 THANK YOU pg 11 ATTACHMENT – AUDITED FINANICAL REPORT YEAR END 2017 2 AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC ABOUT AUSDANCE QUEENSLAND Mission Ausdance Queensland supports, informs and connects dance professionals, and inspires participation that enriches communities with dance. Vision The Queensland dance sector develops and thrives within an environment where artists can explore, excel and enjoy sustainable careers; communities can see and participate in dance; and where dance is Background The association was established in 1992 and provides professional advocacy and industry development for Queensland dance through strong local, regional, national and international networks. We work to bring recognition to the many roles that dance plays in the cultural life of Queensland and to maximise opportunities for practitioners. Our services and programs address the needs of dance artists at any stage of their careers, community dance practitioners, educators and the broader community in relation to dance. We are the state dance industry's primary advocate and advisory representative in regards to government policy, sector planning and industry initiatives. Ausdance Queensland is supported by the Queensland Government through Arts Queensland, part of the Department of Premier and Cabinet with four year organization funding for 2017 – 2019. -
Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers. -
The Australian Ballet 1 2 Swan Lake Melbourne 23 September– 1 October
THE AUSTRALIAN BALLET 1 2 SWAN LAKE MELBOURNE 23 SEPTEMBER– 1 OCTOBER SYDNEY 2–21 DECEMBER Cover: Dimity Azoury. Photography Justin Rider Above: Leanne Stojmenov. Photography Branco Gaica Luke Ingham and Miwako Kubota. Photography Branco Gaica 4 COPPÉLIA NOTE FROM THE ARTISTIC DIRECTOR Dame Peggy van Praagh’s fingerprints are on everything we do at The Australian Ballet. How lucky we are to have been founded by such a visionary woman, and to live with the bounty of her legacy every day. Nowhere is this legacy more evident than in her glorious production of Coppélia, which she created for the company in 1979 with two other magnificent artists: director George Ogilvie and designer Kristian Fredrikson. It was her parting gift to the company and it remains a jewel in the crown of our classical repertoire. Dame Peggy was a renowned Swanilda, and this was her second production of Coppélia. Her first was for the Borovansky Ballet in 1960; it was performed as part of The Australian Ballet’s first season in 1962, and was revived in subsequent years. When Dame Peggy returned to The Australian Ballet from retirement in 1978 she began to prepare this new production, which was to be her last. It is a timeless classic, and I am sure it will be performed well into the company’s future. Dame Peggy and Kristian are no longer with us, but in 2016 we had the great pleasure of welcoming George Ogilvie back to the company to oversee the staging of this production. George and Dame Peggy delved into the original Hoffmann story, layering this production with such depth of character and theatricality. -
Media Kit Colossus
MEDIA KIT COLOSSUS STEPHANIE LAKE COMPANY STUDIO UNDERGROUND WED 19 FEB – SUN 23 FEB Click here for images. COLOSSUS Presented in collaboration with WAAPA and STRUT Dance Fifty dancers flood the stage, filling the theatre with a living, breathing, dizzying mass of pulsating bodies, moving in intricate unison and wild individuality. As complex patterns ripple through the heaving throng, a single movement triggers a chain reaction wheeling the fragile whole from chaos to order. Riveting and hypnotic, Colossus is a monumental dance work that explores relationships between the individual and the collective, solitary striving and joyous union. The sheer energy of Lake’s mass of performers performing as one brings an infectious edge that is bound to leave you changed. COMPANY CREDITS: Choreographer Stephanie Lake Lighting Designer Bosco Shaw Composition & Sound Designer Robin Fox Costume Designer Harriet Oxley Dancers TBC Rehearsal Assistant TBC Production Manager TBC Producer Claire Bradley Duke This project was originally commissioned by Arts Centre Melbourne and Melbourne Fringe as part of the Take Over Program. Thank you to WAAPA and STRUT Dance for their support. STEPHANIE LAKE COMPANY Stephanie Lake Company is a multi-award-winning Australian dance company that tours the world. Known for a gutsy, poetic choreographic style and striking visual aesthetic, Stephanie Lake Company strives to create performances that are affecting and relevant. Working in collaboration with Australia’s leading dancers, designers and composers, the company has been presented in major festivals and venues around Australia and toured internationally to France, Germany, Hong Kong, Denmark, Singapore and the UK. Artistic Director Stephanie Lake has won Helpmann, Green Room and Australian Dance Awards for Choreography and is a Sidney Myer and Australia Council Fellow. -
Alexander Ekman
CONTENTS INTRODUCTION What is a Student Matinee? 3 Learning Outcomes 5 TEKS Addressed 6 PRE-PERFORMANCE INFORMATION Attending A Ballet Performance 16 Rock, Roll & Tutus: Program 17 What’s That?!: Mixed Repertory 19 Meet the Creators: Choreographers & Composers 20 Rock, Roll & Tutus: Tutu Exhibit 28 It Takes Teamwork: Pas de Deux 29 My Predictions: Pre-Performance Activity 30 POST-PERFORMANCE ACTIVITIES Dancing Shapes 32 Found Sound 34 Show What You Know 35 Word Search/Crossword 36 Review & Reflect/Discussion Questions 39 LEARN MORE! All About Arms 41 All About Legs 42 Why Do They Wear That? 43 Houston Ballet: A Brief History 44 Glossary 45 2 WHAT IS A STUDENT MATINEE? Student Matinees are full length performances by Houston Ballet with live orchestra held during school hours. Your students experience these professional performances with interactive intermissions at significantly discounted ticket prices. This study guide has information and activities for before and after the performance that are intended to extend the learning experience. WHAT TO EXPECT Arrival and Departure As a result of the damage from Hurricane Harvey, Houston Ballet’s performance home, the Wortham Theater, has been closed until further notice. Consequently, Houston Ballet is on a “Hometown Tour” for its 2017-18 season. The Rock, Roll & Tutus Student Matinee will be held in Hall A at: George R. Brown Convention Center 1001 Avenida De Las Americas Houston, TX 77010. Your bus will drop off and pick up students in the bus depot in theNorth Garage on Rusk Street. 3 If you are arriving by bus: You will enter bus parking on the north side of Rusk Street. -
Media Kit the World's Favourite Musical Returns
MEDIA KIT THE WORLD’S FAVOURITE MUSICAL RETURNS TO AUSTRALIA The world’s favourite musical has returned to Australia. The London Palladium production of The Wizard of Oz had its Australian Premiere in Brisbane at the Lyric Theatre, QPAC on 4 November 2017. It will play at the Capitol Theatre, Sydney from 30 December, the Festival Theatre, Adelaide from 3 April, and the Regent Theatre, Melbourne, from 15 May. Australia’s leading musical theatre star Anthony Warlow plays The Wizard and Professor Marvel, while Lucy Durack plays Glinda the Good Witch, and Jemma Rix is The Wicked Witch of the West. Rising star Samantha Dodemaide breaks out of the chorus to wear the ruby slippers of Dorothy Gale. Eli Cooper plays the role of the Scarecrow, Alex Rathgeber is the Tin Man, and John Xintavelonis plays the Lion. The ensemble cast includes Paul Hanlon as Uncle Henry and Sophie Weiss as Auntie Em, alongside Justin Anderson, Sheridan Anderson, Lewis Beer, Shay Debney, Sage Douglas, Mikey Halcrow, Zoe Ioannou, Bree Langridge, Rubin Matters, Scott Morris, Justine Puy, Michael Roache, Mitchell Roberts, Emma Russell, Dean Schulz, Darren Tyler, Caleb Vines, Stephanie Wall and Rachael Ward. “With Anthony Warlow, Lucy Durack and Jemma Rix starring, and the extraordinary Samantha Dodemaide in her breakout role as Dorothy, we have a matchless leading cast. I can’t wait to hear Samantha sing one of the most-beloved songs of all time, Over The Rainbow,” said producer John Frost. “This beautiful, sumptuous production was a huge hit in London, and audiences enjoyed revisiting the classic story that’s universally loved.” “I’m thrilled that Lucy and Jemma will reunite to play the roles that shot them to stardom in Wicked in this new Australian tour of The Wizard of Oz. -
LUKE ALLEVA Ian White Management
LUKE ALLEVA Ian White Management DAN 03 9380 8444 CHOREOGRAPHER 2017 WCPH Social Event Choreographer South Wharf, Melbourne 2016 Saturday Night Fever Choreographer Chapel Off Chapel 2015/17 The Dancin Man Director/ Choregrapher Melb/ Syd/ Regional Vic/ P&O 2015 Hot Shoe Shuffle Assistant Choreographer Sydney 2015 Cabaret Assistant Choreographer Spiegel Tent, Ballarat 2015 Carols By Candlelight Choreographer Channel 9, Daryl Somers 2015 Masters Of Choreography Choreographer Palais & National Theatres 2014/15 Allegro Entertainment Choreographer Corporate Gigs, Melbourne 2013/17 Various Corporate Shows Choreographer Crown/ Etihad Stadium/ The Star 2012 Moonshadow Workshop Resident David Mitchel, Melbourne 2012 Moonshadow the musical Assistant Choregrapher Princess Theatre, Melbourne 2011 Australia’s Got Talent Choreographer Channel 7 2010/17 School Grammars/Colleges Choreographer Throughout Victoria 2008/17 Full Time Theatre Courses Choreographer Vic/ Syd/ Bris/ Perth STAGE 2015/17 The Dancin Man Lead Melb/ Syd/ Regional Vic/ P&O 2016 Dusty the musical Al Saxon The Production Company 2016 Funny Girl Eddie Ryan The Production Company 2015 Hot Shoe Shuffle Spring Sydney 2014 Guys & Dolls Ensemble The Production Company 2013 Chitty Chitty Bang Bang Ensemble Australian Tour 2013 Hot Shoe Shuffle Swing/ Spring, Wing, Slap DAE David Atkins, Australian Tour 2012 Diamonds Lead Spiegel Tent, Arts Centre 2012 A Chorus Line Swing/ Mike, Al, Don, Larry TML, Baayork Lee, Aus Tour 2011 The Boyfriend Jimmy The Production Company 2011 Xanadu the musical