Her Say Women of Discovery

Total Page:16

File Type:pdf, Size:1020Kb

Her Say Women of Discovery Sutton Hoo Her Say Women Of Discovery As a preamble to their performances, traditional storytellers in Majorca would say: “It was so, and it was not so!” So, a warning! This tour is a story-telling of beautiful and mysterious Sutton Hoo. Whilst the known facts have been my starting point - if you are looking for absolute his- torical accuracy the wonderful exhibition here and the many excellent books available in the bookshop are your best next stop after your walk. There is always a lot of gap filling required in archeology - as the constant ebb and flow between our two characters Speculation and Evidence will show and there is also some condensing of time-lines (or the story would have taken hundreds of years to tell) I will confess to a little artistic license but hope that the spirit of the story is sound. 1 The Land Army were housed at Sutton Hoo from 1942. Mrs. Pretty moved out to stay with friends while the women were billeted in her home. She died while she was away so never returned after the war. 2 Mrs. Pretty was the co-heir with her sister of a considerable fortune when their father died. She spent many years caring for her father so she married late in life. Her hus- band first proposed when she was 18 and she finally said yes when she was 43. They bought the house at Sutton Hoo and Basil Brown was employed to investigate the buri- al mounds on her land. Mrs. Pretty was interested in spiritualism - an interest she shared with Basil, according to some of his letters to his wife. 3 The Rabbits - Many reports of the early digs at Sutton Hoo talk about the rabbits who had done as much to make holes in the burial mounds as the archeologists. 4 The Tudors - "the lunch of the disappointed" This was the name given by the 1939 ex- cavators to the attempts by Tudor treasure-seekers. They had managed to completely miss Redwaeld's burial chamber during their dig although they left behind shards of pottery which identified and dated them - their broken lunch-boxes! As you'll hear, we don't KNOW that it was the extraordinary Doctor Dee who dug here - but he had been given a general treasure hunting license and it's interesting to imagine it might have been him - if it was, he wasn't the first. 5 The burial scene. Very little is known about Raedwald's queen - not even her name, but we do know that she was a strong woman who influenced her husband in both poli- tics and religion. He famously kept 'a temple with two altars' - being baptised into Christianity whilst retaining some of his old beliefs to which his wife adhered. This sce- ne is inspired by the ship burial found in the poem 'Beowulf'. Raedwald means ‘Power in counsel’. The grave goods song overleaf is inspired by the finds in the chamber. We send you onto the next world, our master With all you need to meet with mighty Wodin Your purse with coins to pay for your journey He'll smile at the twin-wolves carving. We give you food and fine wine, our master We leave you games to play with mighty Wodin Your shield and sword and fearsome helmet Will show the gods your strength in fighting. We leave you garnets and gold, our master The dead will recognise you for a King A stag-topped sceptre, a wolf-topped wand And the lyre for you to strum and sing. 6 The two photographers Mercie Lack and Barbara Wagstaff were both teachers by pro- fession. Their photographs have left an invaluable record not only of the archeology, but of the people involved too. Peggy Piggot (later known as Margaret Guido) and her hus- band had been called in as part of the Cambridge University team. It was Peggy who found the first piece of the treasure - she later became an expert on ancient British glass beads. The Piggots were not, in reality, at the dig at the same time as Mercie and Barbara but I’ve squashed time in order for them to meet and reveal something about their lives. 7 The museum men. This scene never happened in real life of course - nor anything like it! But as the importance of the finds at the dig increased, it seemed that everyone wanted their own establishment to have been the leading force. Many intense letters and messages were exchanged! 8 Back to the Land - I'm sure that at some time during their stay, the Land Army wom- en may have played host to some chaps from RAF Bentwaters nearby. The airfield was used by RAF Bomber Command and from 1945 the USAF also flew escort missions from there during the war. The Land Army left Sutton Hoo in 1947 and since Edith Pretty's son was only 12 when his mother died, he too never returned to the house. It passed into the ownership of the war office. 9 And now... The 245 acres of Sutton Hoo are finally in the care of the National Trust on behalf of the nation for all to enjoy. The Trust is just about to embark on a big pro- ject supported by the Heritage Lottery Fund - 'Releasing the Story of Sutton Hoo' which will transform the visitor experience on the site. Cast Ryan Adams– Speculation Sophia Barrett– Evidence Dylan Brown– Spirit, Burial Christian, Thomas Kendrick, Jonnie– RAF Brentwaters Lauren Dunning– Spirit, Pagan Priestess, Party Guest Alfie Dye– Stuart Piggot, Ralph Wilson, Lenny– Local Farmer Justin Glenister– Dr Dee, Arthur Fairweather, Chas– Local Butcher Crystal Knott– Rabbit, Burial Pagan, Pauline Eren Kucukkaramuklu– Spirit, Christian Priest, Charles Phillips, Party Guest Lauren Hobbs– Mrs Pretty, Burial Christian Mia Hoy– Peggy Piggot Abigail Laker– Ivy Becca Lomas– Rabbit, Burial Christian, Joyce Bronwyn Murton– Rabbit, Burial Pagan, Lily Jamie Musora– Queen Elizabeth, Party Guest Anna Payne– Rabbit, Barbara, Party Guest Katie Pickering– Rabbit, Burial Christian, Kay William Rice– Basil Brown, Burial Christian Emily Scott– Dolly Chloe Sheehan– Spirit, Queen Raedwald, Party Guest Ryan Smith– Perkin, Guy Maynard, Party Guest Tom Stevens– Spirit, SigeBerht, Greg– RAF Brentwaters Liam Swain– Lambert, Lieutenant Commander Hutchinson, Party Guest Thalia Weavers– Mercie, Mrs Tranmer Brayden Weibel-Seckley–Spirit, Eorpwald, Ralph– RAF Brentwaters Jess Weston– Rabbit, Margie Production Team Gip Luongo– Director Lynn Whitehead– Writer Tim Westerman– Production Manager Robert Andrews and Katie Pickering- Choreography Crew Zoe Cole Ashley Price Jake Cooper-Newton Leanne Smith Nathan Dawes Tanya Starling James Hopwood Doug Tagg Dani Parnell Thanks The cast and crew of Sutton Hoo: Her Say, Women of Discovery would like to thank: the National Trust Volunteers: Linda, Pat and Janice for the Anglo Saxon costumes, Melton Community Primary School for Helmet Sculpture, Masquerade and the Theatre Royal, as well as Iain Slessor for his help on our trip to the site, and Rebecca Harpur for her help through- out the project. Conservatoire EAST Vocational, Industry led training. Electronic Music Production Film Production Music Music Technology Music Performance Performing Arts Performance Production Creative Enterprises Level 4 Music Production Ba (Hons) .
Recommended publications
  • Sutton Hoo and Its Landscape Kindle
    SUTTON HOO AND ITS LANDSCAPE PDF, EPUB, EBOOK Tom Williamson | 220 pages | 01 Jul 2009 | WINDGATHER PRESS | 9781905119257 | English | Macclesfield, United Kingdom Sutton Hoo and its Landscape PDF Book The Anglo-Saxons also practiced coppicing, a process that sees young tree stems repeatedly cut down to near ground level and used to make poles for fencing and housing. National Trust Once complete, the ship sculpture will include a slab in the middle, representing the burial chamber, and etchings on the slab showing where the Sutton Hoo treasures were found. It was, in fact, a spectacular funerary monument comprising a metre-long ship beneath an earth mound nearly three metres high and 30 metres in diameter. The Sutton Hoo grave is remarkable for the majesty of its contents and its monumental scale. Contents A king's grave? By signing up, you agree to our Privacy Notice. The new sculpture at Sutton Hoo. The discovery of the ship burial at Sutton Hoo, with its beautifully crafted grave goods in the Anglo-Saxon style, was instrumental in overturning this idea and revealing the rich culture of the early medieval period in England. Here are some fascinating facts about the Sutton Hoo hoard. Birch would have been used as cattle fodder and the hard wearing oak and sweet chestnut were perfect for building homes and ships. In other recent discoveries, British Museum scientists found that black tarry lumps in the burial were actually pieces of bitumen that had originated beneath the hot Middle Eastern sun before they ended up beneath the damp, cool Suffolk earth.
    [Show full text]
  • LPFG Newsletter Issue 9
    Later Prehistoric Finds Group Issue 9 Summer 2017 Contents Welcome to the latest edition of the LPFG newsletter. In this issue we look at an assemblage of mysterious moulds from Gussage All Saints, and a rare Late Iron Age spindle whorl from Calleva Atrebatum, the Iron Age oppidum which Welcome 2 preceded the Roman town at Silchester. Curious mould 3 matrices from The issue also contains an exclusive conversation between Helen Chittock and Gussage All Saints Elizabeth Foulds—LPFG treasurer—about Elizabeth’s new monograph, Dress and Identity in Iron Age Britain. Congratulations Elizabeth! ‘Dress and 6 Identity in Iron Age Britain’: A conversation with Dr. Elizabeth Foulds Meet the 10 committee A spindle whorl 12 from Silchester Announcements 14 Half a biconical spindle wheel from the Iron Age oppidum of Calleva Atrebatum (Silchester). Read more on page 12. Page 2 Welcome The Later Prehistoric Finds Group was established in 2013, and welcomes anyone with an interest in prehistoric artefacts, especially small finds from the Bronze and Iron Ages. We hold an annual conference and produce two newsletters a year. Membership is currently free; if you would like to join the group, please e-mail [email protected]. We are a new group, and we are hoping that more researchers interested in prehistoric artefacts will want to join us. The group has opted for a loose committee structure that is not binding, and a list of those on the steering committee, along with contact details, can be found on our website: https://sites.google.com/site/laterprehistoricfindsgroup/home. Anna Booth is the current Chair, and Dot Boughton is Deputy.
    [Show full text]
  • The Ulster Journal of Archaeology 1938-2013/2014
    A CONTENTS LIST OF THE THIRD SERIES OF THE ULSTER JOURNAL OF ARCHAEOLOGY 1938-2013/2014 Compiled by Ruairí Ó Baoill on behalf of the Ulster Archaeological Society © Ulster Archaeological Society First published December 2017 Ulster Archaeological Society c/o Centre for Archaeological Fieldwork, Archaeology and Palaeoecology, School of Natural and Built Environment, The Queen’s University of Belfast Belfast BT7 1NN www.qub.ac.uk/sites/uas/ Ulster Journal of Archaeology Vol. 72, 2013/2014 Table of Contents Page The Excavation of a Bronze Age Settlement at Skilganaban, County Antrim 1-54 Jonathan Barkley The Armagh 'Pagan' Statues: a check-list, a summary of their known history 55-69 and possible evidence of their original location Richard B Warner The Excavation of two Early Medieval Ditches at Tullykevin, County Down 70-88 Brian Sloan The Excavation of a Cashel at Ballyaghagan, County Antrim 89-111 Henry Welsh The Excavation of a Multi-Period Ecclesiastical Site at Aghavea, County 112-141 Fermanagh Ruairí Ó Baoill The Early Ecclesiastical Complexes of Carrowmore and Clonca and their 142-160 landscape context in Inishowen, County Donegal Colm O'Brien, Max Adams, Deb Haycock, Don O'Meara and Jack Pennie An Excavation at the Battlements of the Great Tower, Carrickfergus Castle, 161-172 County Antrim Henry Welsh An Excavation at the Inner Ward, Carrickfergus Castle, County Antrim 173-183 Henry Welsh The Cockpit of Ulster: War along the River Blackwater 1593-1603 184-199 James O'Neill Excavations at Tully Castle, County Fermanagh 200-219 Naomi Carver and Peter Bowen Lead Cloth Seals from Carrickfergus, County Antrim, and a London Seal in 220-226 the National Museum of Ireland Brian G Scott Field Surveys undertaken by the Ulster Archaeological Society in 2011 227-236 Grace McAlister Reviews Archaeology and Celtic Myth, An Exploration by John Waddell 237-241 Review by: Christopher J Lynn High Island (Ardoileán), Co.
    [Show full text]
  • Sutton Hoo: the Body in the Mound Tanya Knight Ruffin Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2006 Sutton Hoo: the body in the mound Tanya Knight Ruffin Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Ruffin,a T nya Knight, "Sutton Hoo: the body in the mound" (2006). LSU Master's Theses. 3256. https://digitalcommons.lsu.edu/gradschool_theses/3256 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. SUTTON HOO: THE BODY IN THE MOUND A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Tanya Knight Ruffin B.F.A., Louisiana State University, 1988 August, 2006 Acknowledgements I would like to gratefully acknowledge the diligent supervision of Dr. Kirstin Noreen, whose guidance and encouragement I deeply appreciate. I would like to express gratitude to Dr. Mark Zucker for his advice and inspiring lectures, from as far back as 1983. Also, I would like to acknowledge Dr. Marchita Mauck for her support and assistance. In addition, I need to recognize the support of Roger Busbice and Dr. Barbara Danos, both of whom have been friends and mentors to me throughout my life and career and the assistance of my dear friend Charlotte Cavel.
    [Show full text]
  • NEWSLETTER 33.1 Spring 2021 ISSN 0960 703X | CHARITY No
    NEWSLETTER 33.1 Spring 2021 www.socantscot.org ISSN 0960 703X | CHARITY No. SC010440 The Clava Cairns © ScARF The President writes... Director’s Report I write these notes as your new President in the sleety greyness of early spring in eastern Scotland. country. She presented an authoritative picture Amidst talk of vaccination rates and the first, if of Neolithic and Chalcolithic Scotland, full of the 2 still distant, prospects of life beginning to return to latest insights from research and enhanced by something approaching normality, the grip of the fascinating detail from individual life histories to Dig It! pandemic seems to be loosening. For the moment, the definition of informative regional evidence. however, the Society’s activities remain primarily The lectures were picked up by Radio Orkney, digital, and that, of course, includes our meetings, and excerpts were reported in The Scotsman. 3 of which more in a moment. For those of you who could not be present, the entire series is available on the Society’s website I should begin by thanking my predecessor, Dr and YouTube channel. Alison, moreover, has David Caldwell, who completed an unprecedented since made available online a full bibliography in ScARF six-year period of sterling service and support of the lectures. stewardship of the Society on St Andrew’s Day. I am sad to report that two Councillors – Dr Sally Since then, 2021 has begun with two further 4 Foster and Dr Dawn McLaren – have stood down excellent lectures. Professor Emerita Marilyn due to other commitments, and thank them also Palmer of Leicester University lectured on the impacts of new technologies on ‘Comfort Looking back for their contributions.
    [Show full text]
  • The Dig: a Review by Kanika Aurora
    The Dig: A Review by Kanika Aurora I chanced upon this quiet little movie based on John Preston’s novel, ‘The Dig’ depicting the fascinating true story of the ‘ Sutton Hoo Find’ on Netflix last night. An enchanting and engrossing tale told with stark simplicity and infinite grace, it acquaints us with Basil Brown, the excavator extraordinaire with no formal training played with admirable finesse by Ralph Fiennes who has been hired after some persuasion for Two pounds, no less, by Edith Pretty portrayed with quiet determination by Carey Mulligan. She wants him to dig up huge mounds on her property in Suffolk.She apparently has an acute interest in archaeology and a strong feeling that they shall in fact discover something of value.”My interest in archaeology began like yours,” Edith tells the initially sceptical Basil, “when I was scarcely old enough to hold a trowel.” They literally end up striking gold, discovering a burial chamber within an 88 foot ship dating back to the Anglo Saxon period. Lush English landscapes, an unlikely yet palpable chemistry between the working class Fiennes and the widowed lady with the large estate and a son, who develops an attachment towards Fiennes who has a telescope and an encyclopedic knowledge as well as the impending threat of war in 1939 Suffolk is the backdrop. The plot unfolds at a languid pace;the only urgency displayed when they discover what lies beneath. There is parallel sub plot of sorts with Peggy played by Lily James, part of the new excavation team from the British Museum, whose husband has a glad eye for his male colleague and a suppressed romance waiting in the wings between her and and Edith’s cousin, Rory- the gorgeous Johnny Flynn.
    [Show full text]
  • Dyeing Sutton Hoo Nordic Blonde: an Interpretation of Swedish Influences on the East Anglian Gravesite
    DYEING SUTTON HOO NORDIC BLONDE: AN INTERPRETATION OF SWEDISH INFLUENCES ON THE EAST ANGLIAN GRAVESITE Casandra Vasu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2008 Committee: Andrew Hershberger, Advisor Charles E. Kanwischer © 2008 Casandra Vasu All Rights Reserved iii ABSTRACT Andrew Hershberger, Advisor Nearly seventy years have passed since the series of tumuli surrounding Edith Pretty’s estate at Sutton Hoo in Eastern Suffolk, England were first excavated, and the site, particularly the magnificent ship-burial and its associated pieces located in Mound 1, remains enigmatic to archaeologists and historians. Dated to approximately the early seventh century, the Sutton Hoo entombment retains its importance by illuminating a period of English history that straddles both myth and historical documentation. The burial also exists in a multicultural context, an era when Scandinavian influences factored heavily upon society in the British Isles, predominantly in the areas of art, religion and literature. Literary works such as the Old English epic of Beowulf, a tale of a Geatish hero and his Danish and Swedish counterparts, offer insight into the cultural background of the custom of ship-burial and the various accoutrements of Norse warrior society. Beowulf may hold an even more specific affinity with Sutton Hoo, in that a character from the tale, Weohstan, is considered to be an ancestor of the man commemorated in the ship- burial in Mound 1. Weohstan, whose allegiance lay with the Geats, was nonetheless a member of the Wægmunding clan, distant relations to the Swedish Scylfing dynasty.
    [Show full text]
  • [Hnt3g.Ebook] the Dig Pdf Free
    hnt3g [Mobile library] The Dig Online [hnt3g.ebook] The Dig Pdf Free John Preston ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #410700 in Books 2016-04-19 2016-04-19Original language:EnglishPDF # 1 8.24 x .71 x 5.48l, .81 #File Name: 1590517806272 pages | File size: 78.Mb John Preston : The Dig before purchasing it in order to gage whether or not it would be worth my time, and all praised The Dig: 2 of 2 people found the following review helpful. A publishing and marketing farce....a very poor novel.By Darcy GueThis book, one I highly anticipated reading, is an unfortunate example of choreographed marketing hype. From whom...The publisher, the publishing industry, the press, colleagues? I don't know, but the novel, based on true remarkable events, is more like a self-published $0.99 bid for pay dirt than even average fiction of any genre. I am a lifelong fan of good archaeological novels, which are few and far between....an example of one of the best in recent years is The Egyptologist. I expected writing, research, characterization, and overall novelization of similar quality. The Times Literary Supplement called The Dig "a masterpiece in Chekhivian understatement." Think instead of understatement to the point of minimal substance on every level.The setting had everything going for it -- a genuine, major archaeological discovery and subsequent huge dig in England during 1939, just as the country was entering WWII, with major archaeologist rivals racing to be part of it, yet having to work with the fragile property owner and irrelevantly, her small son.
    [Show full text]
  • SOCIETY of ANTIQUARIES OFFICERS President: PROFESSOR C
    SOCIETY OF ANTIQUARIES OFFICERS President: PROFESSOR C. N. L. BROOKE, M.A., LITT.D., F.B.A. Treasurer: R. M. ROBBINS, C.B.E., M.A. Director: MISS BEATRICE DE CARDI, O.B.E., B.A. Secretary: General Secretary: R. W. LIGHTBOWN, M.A. F. H. THOMPSON, M.C., M.A. Librarian: JOHN H. HOPKINS, M.A. AH communications on Editorial matters and books for review should be addressed to the General Secretary, Society of Antiquaries, Burlington House, Piccadilly, London WiV oHS PUBLICATIONS Copies of the Society's publications may be obtained as follows: (i) Research Reports and Occasional Papers (New Series) from leading booksellers or direct from Thames and Hudson Ltd., 30-34 Bloomsbury Street, London WCiB 3QP. (ii) Archaeologia and Extra Publications from the General Secretary, Society of Antiquaries, Burlington House, Piccadilly, London WiV oHS. (iii) Antiquaries Journal (subscriptions or back numbers) from Journals Subscriptions, Oxford University Press, Walton Street, Oxford OX2 6DP. VETUSTA MONUMENTA Obtainable from the Society Vols. I (i747)-VI (plate 39) (1842).* Vols. VI and VII: all plates available at prices from 2op to 75p. For details, apply to the General Secretary as above. An Index to the4th, 5th and 6th volumes: sop. ARCHAEOLOGIA 1(1770): Vols. 1-56, 58, 6o#. Select Index to Vols. 51-100 (1888-1966): £2-00. Vols. 57, 59, 6i, 62: £4-00 (£2-00 per part) Vols. 63-93: £8-oo (63, 68, 69, 72, 73, 77, 82, 92, 93*). (57 Pt- 1, 59 Pt- z. 61 pt- 2*)- Vols. 94-i°5= £10-00 (94, 97#). Index to Vols.
    [Show full text]
  • Nancy Sandars
    NANCY SANDARS Nancy Katharine Sandars 29 June 1914 – 20 November 2015 elected Fellow of the British Academy 1984 by HELEN HUGHES-BROCK Nancy Sandars (1914–2015) was an archaeologist and prehistorian, the author of original and well-written books and articles examining cultural contacts and inter- actions of peoples in Bronze and Iron Age western and south-eastern Europe, Greece and the eastern Mediterranean as suggested by artefacts and technological develop- ments, particularly in swords and other metalwork. She wrote on European prehis- toric art from Palaeolithic to the Iron Age. She published English versions of poems from ancient Mesopotamia and Syria, notably an influential version of theEpic of Gilgamesh. She was also a poet whose work, mostly published late in life, was highly regarded. Biographical Memoirs of Fellows of the British Academy, XIX, 105–128 Posted 9 June 2020. © British Academy 2020. NANCY SANDARS Nancy Katharine Sandars was one of two women Fellows of the British Academy, near contemporaries, who packed distinguished achievements in a number of separate fields in their very long lives without the advantages of a long-term academic post or support from an institution. Unlike her contemporary Beatrice de Cardi FBA,1 Sandars started without even a BA—FBA but not BA, a rare species.2 She had private means to live on and took full advantage of her freedom to pursue her interests unen- cumbered by professional duties or any need to compete with male colleagues. She worked alongside them as one archaeologist-prehistorian among others and in some cases as a close friend.
    [Show full text]
  • The Walking Dead in Medieval England: Literary and Archaeological Perspectives
    THE WALKING DEAD IN MEDIEVAL ENGLAND: LITERARY AND ARCHAEOLOGICAL PERSPECTIVES A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the Faculty of Humanities 2013 STEPHEN R GORDON SCHOOL OF ARTS, LANGUAGES and CULTURES Contents List of Figures 4 Abbreviations 6 Abstract 11 Declaration 12 Copyright Statement 12 Acknowledgements 13 1. Introduction 14 Ghost Belief: An Overview 15 Defining the Walking Dead 18 Chronological Boundaries 19 Chronological Boundaries: The Twelfth Century 24 Geographical Boundaries 27 Literature Review 29 Aims of Study 38 Methodology 39 Interdisciplinarity: the ‘Anti-Method’ 41 Designing a Method: ‘Texts’ and the Illusory Divide 47 Designing a Method: Orality, Aurality, and Book 48 Theory of Practice 54 Sources 61 Chapter Overview 63 Conclusion 66 2. Pattern and Performance in Medieval Attitudes to Death 69 Aim of Chapter 70 Labyrinths and Knots in Christian Exegesis 72 Christian Funerary Rite: Origins 77 Christian Funerary Rite: Late Medieval 80 Preaching and the Maintenance of the ‘Pattern’ 89 Untangling the Knot: The Dance of Death 92 Conclusion 99 3. The Walking Dead and the Historia Rerum Anglicarum 101 The Northern Church: A Historical Review 103 Cultural Networks and the Truthfulness of Ghosts 105 Revenants and Wonders 109 The Revenant Stories in Context 112 The ‘Buckingham Ghost’ in Context 120 Conclusion 130 2 4. Disease, Nightmares and the Walking Dead 132 Contagion, Decay and the Body 133 Humours and Ill-Health 137 Sin and Ill-Health 141 Nightmares: An Introduction 144 Canonical Nightmares 147 Insular Tradition and the Nightmare 155 Nightmares and Revenants 162 Conclusion 165 5.
    [Show full text]
  • The Excavations
    CC'TSNOLO ARChAEOWGY qj~.Zlt\ CA {let. 1\~5 ROMANO-BRITISH CEMETERIES AT CIRENCESTER - COTSWOLD ARCHAEOLOGICAL TRUST LTD. This volume is dedicated to the memory of Ca lvin Wells ( 1<)( lH-1'J7H) CIRENCESTER EXCAVATIONS II ROMANO-BRITISH CEMETERIES AT CIRENCESTER by Alan McWhirr, Linda Viner and Calvin Wells WITH CONTRIBUTIONS FROM Dorothy Charlesworth, T.e. Darvill, Brenda Dickinson, Margaret Guido, B.R. Hartley, M. Hassall, M. Henig, R.H. Leech, D. Mackreth, R. Reece, Valery Rigby, T. Slater, Clare Thawley, T. Waldron, DJ. Wilkinson AND ILLUSTRATIONS BY Nick Griffiths Published by Cirencester Excavation Committee Corinium Museum, Cirencester, England 1982 © Cirencester Excavation Committee 1982 Corinium Museum, Park Street, Cirencester, Glos., GL7 2BX, England ISBN 0 9507722 1 6 The publication of this volume has been financed by the Department of the Environment. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the Cirenccster Excavation Committee. Produced by Alan Sutton Publishing Limited, 17a Brunswick Road, Gloucester. Printed in Great Britain by Page Bros (Norwich) Ltd. CONTENTS Page Microfiche List of plates 9 List of figures 11 List of tables 14 Acknowledgements 17 Introduction 19 Excavation codes 19 Microfiche 22 Geology and topography 23 Historical Summary of the Quems Pre-Roman period 26 Roman period 26 Post-Roman period by Terry Slater
    [Show full text]