Official Program 2009
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The Shaping of Bulgarian and Serbian National Identities, 1800S-1900S
The Shaping of Bulgarian and Serbian National Identities, 1800s-1900s February 2003 Katrin Bozeva-Abazi Department of History McGill University, Montreal A Thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements of the degree of Doctor of Philosophy 1 Contents 1. Abstract/Resume 3 2. Note on Transliteration and Spelling of Names 6 3. Acknowledgments 7 4. Introduction 8 How "popular" nationalism was created 5. Chapter One 33 Peasants and intellectuals, 1830-1914 6. Chapter Two 78 The invention of the modern Balkan state: Serbia and Bulgaria, 1830-1914 7. Chapter Three 126 The Church and national indoctrination 8. Chapter Four 171 The national army 8. Chapter Five 219 Education and national indoctrination 9. Conclusions 264 10. Bibliography 273 Abstract The nation-state is now the dominant form of sovereign statehood, however, a century and a half ago the political map of Europe comprised only a handful of sovereign states, very few of them nations in the modern sense. Balkan historiography often tends to minimize the complexity of nation-building, either by referring to the national community as to a monolithic and homogenous unit, or simply by neglecting different social groups whose consciousness varied depending on region, gender and generation. Further, Bulgarian and Serbian historiography pay far more attention to the problem of "how" and "why" certain events have happened than to the emergence of national consciousness of the Balkan peoples as a complex and durable process of mental evolution. This dissertation on the concept of nationality in which most Bulgarians and Serbs were educated and socialized examines how the modern idea of nationhood was disseminated among the ordinary people and it presents the complicated process of national indoctrination carried out by various state institutions. -
Milko Kelemen: Life and Selected Works for Violoncello
MILKO KELEMEN: LIFE AND SELECTED WORKS FOR VIOLONCELLO by JOSIP PETRAČ (Under the Direction of David Starkweather) ABSTRACT Milko Kelemen (b. 1924) is one of the most extraordinary Croatian composers of the post-World War II era. He has received numerous prestigious awards for his work, while his compositions are published by major companies, including Schott, Universal, Peters, and Hans Sikorski editions. His music is little studied or known internationally. This paper examines this innovative, avant-garde musician and sheds light both on Kelemen’s life and his compositional technique. The latter is examined in four compositions featuring cello as the main subject: Changeant (1968), Drammatico (1983), Requiem for Sarajevo (1994), and Musica Amorosa (2004). The examination of these compositions is placed in a biographical context which reveals how Kelemen’s keen political and cultural interests influenced his development as a composer. In particular, this document looks at Kelemen’s role as one of the founders, and the first president, of the Zagreb Music Biennale Festival, an event known for its ground-breaking work in bringing together artists and composers from the eastern and western blocs during the Cold War, as well as revitalising Croatia’s old-fashioned and provincial cultural scene. This festival of avant-garde music has been running since 1961. INDEX WORDS: Milko Kelemen, Zagreb Biennale, cello, avant-garde music, Changeant, Drammatico, Requiem for Sarajevo, Musica Amorosa MILKO KELEMEN:LIFE AND SELECTED WORKS FOR CELLO by JOSIP -
1 Damir Očko Zagreb, 1977
Damir Očko Zagreb, 1977 EDUCATION AND RESIDENCIES 2011 Temple Bar Gallery & Studios, Dublin, Ireland 2010 Nordic Art Center Dale, Norway Künstlerresidenz Blumen, Leipzig, Germany 2008-2009 Akademie Schloss Solitude, Stuttgart, Germany 2007 HIAP, Helsinki, Finland KulurKontakt, Vienna, Austria Tirana Institute of Contemporary Art, Tirana, Albania 1997-2003 Academy of Fine Arts, Zagreb, Croatia SELECTED SOLO EXHIBITIONS 2015 Photon - Centre for Contemporary Photography. Ljubljana, Slovenia Studies on Shivering, Gallery Kasia Michalski, Warsaw, Poland 2014 Studies on Shivering, Temple Bar Gallery & Studios, Dublin, Ireland Damir Očko: PST, APOTEKA, Vodnjan, Croatia Studies on Shivering, Künstlerhaus Halle für Kunst & Medien, Graz, Austria (cat.) 2013 Kabinett - ArtBasel Miami (with Yvon Lambert), Miami, US Damir Očko: FILMS, Gallery Tiziana di Caro, Salerno, Italy Psst, TRAPEZ, Budapest, Hungary The Body Score, Yvon Lambert Gallery (project space), Paris, France 2012 Damir Ocko: The Kingdom of Glottis, Palais de Tokyo, Paris, France On Ulterior Scale, FIAC (with Gallery Tiziana di Caro), Paris, France On Ulterior Scale, MultiMedia Center Luka, Pula, Croatia Očko/Tadić, Galerie de l’ESAM, Caen, France (With M. Tadić) We saw nothing but the uniform blue of the Sky, Gallery Tiziana di Caro, Salerno, Italy 2011 On Ulterior Scale, Kunsthalle Dusseldorf, Dusseldorf, Germany (cat.) Jedinstvo Hall - Gallery Močvara, 26th Music Biennale, Zagreb, Croatia 2010 Castle & Elephant, Coventry, UK Event Horizon, Kunstverein Leipzig, Leipzig, Germany The Age of Happiness, Tiziana di Caro Gallery, Salerno, Italy Screening Room, Blumen, Leipzig, Germany 2009 The Age of Happiness, Lothringer13 Städtische Kunsthalle München, Munich, Germany (cat.) The Age of Happiness, Akademie Schloss Solitude, Stuttgart, Germany 2007 The End of the World, Miroslav Kraljević Gallery, Zagreb, Croatia Why does Gravity make things fall?, Tirana Institute of Contemporary Art, Tirana, Albania (With N. -
Slavic Scholar and Educator Pyotr Bezsonov (1827-1898): a Life and Legacy
E-ISSN 2281-4612 Academic Journal of Interdisciplinary Studies Vol 10 No 3 May 2021 ISSN 2281-3993 www.richtmann.org . Research Article © 2021 Kaplin et al.. This is an open access article licensed under the Creative Commons Attribution-NonCommercial 4.0 International License (https://creativecommons.org/licenses/by-nc/4.0/) Received: 17 February 2021 / Accepted: 9 April 2021 / Published: 10 May 2021 Slavic Scholar and Educator Pyotr Bezsonov (1827-1898): A Life and Legacy Alexander Kaplin Department of Historiography, Source Studies and Archeology, V.N. Karazin Kharkiv National University, Kharkiv, Ukraine Olha Honcharova Department of Theory and Practice of the English Language, H.S. Skovoroda Kharkiv National Pedagogical University, Kharkiv, Ukraine Valentyna Hlushych Professor Leonid Ushkalov Ukrainian Literature and Journalism Department, H.S. Skovoroda Kharkiv National Pedagogical University, Kharkiv, Ukraine Halyna Marykivska Department of Social and Humanitarian Disciplines, Kharkiv National University of Internal Affairs, Kharkiv, Ukraine Viktoriia Budianska Department of Pedagogy, Foreign Philology and Translation, Simon Kuznets Kharkiv National University of Economics, Kharkiv, Ukraine Svitlana Lavinda Department of Ukrainian and Russian as Foreign Languages, O.M. Beketov Kharkiv National University of Urban Economy, Kharkiv, Ukraine DOI: https://doi.org/10.36941/ajis-2021-0070 Abstract Nowadays the name of Pyotr Bezsonov, the acknowledged in pre-revolutionary Russia scholar, is known to but a narrow circle of researchers as some myths and stereotypes about him have proved difficult to overwhelm. Yet, he traced in the history of Slavic studies as an assiduous collector of ancient Russian and Slavic literature works and explorer of Bulgarian, Belarusian and Serbian folklore, folk songs in particular, a scrutinizer of the Slavic languages and dialects, a talented pedagogue and editor. -
2009 Door County Folk Festival Syllabus.Pdf
30th Annual Door County Folk Festival Get Your Foot in the Door! Wednesday – Sunday, July 8 – 12, 2009 Sister Bay, Ephraim and Baileys Harbor, Wisconsin http://www.dcff.net/[email protected]/(773-463-2288) DCFF Home Dance Syllabus Advance Regular Discount Price On Paper $19.00 $22.00 OnCD $8.00 $11.00 2009 Door County Folk Festival (DCFF), Wisconsin 2009 Door County Folk Festival Schedule v11 (Subject to Change - Changes Marked with +) Get Your Foot in the Door! Wednesday - Sunday, July 8-12, 2009 - Sister Bay, Ephraim and Baileys Harbor, Wisconsin DCFF Home Phone: (773)-463-2288 or (773)-634-9381 [email protected] Wednesday Start End Where Event Who Afternoon 12:00pm SBVH Staff Arrives Staff & Volunteers 1:00pm SBVH Setup Begins Staff & Volunteers Evening 6:00pm SBVH Registration Begins Staff & Volunteers 6:30pm 9:00pm BHTH TCE Program - Session 1 - Grades K-5 Sanna Longden 8:00pm 1:00am SBVH 8th of July Party with Recorded Music Forrest Johnson & Other Regional Leaders 1:00am 2:30am SBVH Late Night Party Paul Collins & Company Thursday Start End Where Event Who Morning 9:00am SBVH Setup & Registration Continues Staff & Volunteers 9:00am 12:00pm BHTH TCE Program - Session 2 - Grades K-5 Sanna Longden 10:00am 11:45am SBVH Vintage American Round Dances Paul Collins Afternoon 11:45am 1:15pm Lunch Break 12:00pm 1:00pm SBVH Zumba Latin Dance Workout Session Diane Garvey 1:15pm 3:00pm SBVH Swing Dance - Lindy Hop Workshop Maureen Majeski: Lindy Hop 1:15pm 3:00pm BHTH Regional Greek Folk Dance Workshop Rick King, Dit Olshan, Paul Collins Rick: Vlaha -
Programska Knjižica
Prva hrvatska gradiona orgulja, harmonija i glasovira utemeljena 1849. godine Erste Kroatische Orgel-, Harmonien- und Klaviermanufaktur gegründet 1849 The first Croatian builders of organs, harmoniums and pianos established in 1849 Festival 2018. 2 3 PARTNERI FESTIVALA / DIE PARTNER DES FESTIVALS / FESTIVAL PARTNERS VARAŽDINSKE BAROKNE VEČERI Varaždinske barokne večeri zasnovane su 1968. godine na bogatoj tradiciji varaždinske barokne glazbe. Prvi festival održan je 1971. godine. Od tada se u mnoštvu dvoraca i crkava krajem rujna i početkom listopada, razliježe barokna glazba hrvatskih i svjetskih glazbenika i ansambala. Od 1992. taj je državni festival pod pokroviteljstvom predsjednika države, a organizira ga Koncertni ured Varaždin. Die Varaždiner Barockabende wurden 1968 ins Leben gerufen und basieren auf einer reichhaltigen Tradition der in Varaždin gepflegten Barockmusik. Das erste Festival fand 1971 statt. In mehreren Schlössern und Kirchen erklingt seither alljährlich Ende September und Anfang Oktober in dieser Gegend die Barockmusik, interpretiert von namhaften SolistInnen und Ensembles aus Kroatien und aus der ganzen Welt. Ab 1992 genießt dieses staatlich geförderte Festival die Schirmherrschaft des kroatischen Staatsoberhauptes. Organisatorisch wird das Festival vom Konzertbüro Varaždin betreut. Varaždin Baroque Evenings were founded in 1968 on the rich tradition of Varaždin Baroque music. The first festival was held in 1971. Since then, in late September and early October, the music of Croatian and international musicians and ensembles has been heard in many castles and churches. Since 1992, this national festival has been under the patronage of the President of the State, and is organized by Varaždin Concert Office. 4 5 PREGLED KONCERATA | 2. 9. 2018. u 20.30 sati 29. -
Call for the Masterclass for Composers
CALL FOR THE MASTERCLASS FOR COMPOSERS About the Music Biennale Zagreb The Festival is dedicated to new music of all genres and has become an important part of the European cultural scene ever since it was founded in 1961. This year, from 6-13 April 2019, the Festival will focus on creating and presenting music / sound in relation to the idea of city / space. This way, the Music Biennale Zagreb turns to many more or less related fields, such as multimedia arts, sound engineering and acoustics on the one hand, and urbanism, architecture, philosophy on the other. The idea of city will be musically decomposed in various ways – from transforming the sound of a particular location into a site-specific contemporary composition to the problematization of different layers of socio-urban (sound) structures or the creation of an imaginary surrogate city. Along with top performers such as the London Sinfonietta or Cikada Ensemble, guest composers will include some legendary names such as Heiner Goebbels, Alvin Curran, Rolf Wallin, Vinko Globokar, Eivind Buene and Ivan Fedele. Plan of the course for composers Students will enlarge their creative understanding and hone their composing skills through a one-on- one approach at courses with prominent composers and open rehearsals with the resident ensemble. Mentor composers will select their students based on the applications received (see below for more information). Each composer is mentoring 3-4 students. The program of the masterclass for composers consists of: April 8-10 - Individual classes with the students: 2x2h in which applicable pieces will be discussed (or some of student’s pieces). -
University of Zagreb Faculty of Veterinary Medicine
UNIVERSITY OF ZAGREB FACULTY OF VETERINARY MEDICINE DETAILED PROPOSAL OF THE STUDY PROGRAMME VETERINARY MEDICINE IN ENGLISH FOR THE 2019-2020 ACADEMIC YEAR TABLE OF CONTENTS GENERAL INFORMATION ABOUT UNIVERSITY OF ZAGREB ......................................................................3 GENERAL FACTS ON FACULTY OF VETERINARY MEDICINE – ZAGREB ......................................................4 GENERAL INFORMATION ABOUT THE PROPOSED STUDY PROGRAM .....................................................6 COURSE CATALOGUE – OBLIGATORY AND ELECTIVE COURSE LIST .......... Error! Bookmark not defined. REGISTRATION AND EXAMINATION REQUIREMENTS SCHEME ................ Error! Bookmark not defined. LIST OF OBLIGATORY SUBJECTS - 1st STUDY YEAR ................................................................................. 19 LIST OF OBLIGATORY SUBJECTS - 2nd STUDY YEAR ................................................................................ 77 LIST OF OBLIGATORY SUBJECTS – 3rd STUDY YEAR .................................... Error! Bookmark not defined. LIST OF ELECTIVE SUBJECTS ................................................................................................................. 222 USEFUL INFORMATION FOR STUDENTS .................................................... Error! Bookmark not defined. GENERAL INFORMATION ABOUT UNIVERSITY OF ZAGREB UNIVERSITY OF ZAGREB Address: University of Zagreb Trg Republike Hrvatske 14, Zagreb Phone: +385 1 4564111 e-mail: [email protected] The University of Zagreb (Universitas Studiorum -
The Mystery of the Mystery of Bulgarian Voices
Wesleyan University The Honors College The Mystery of The Mystery of Bulgarian Voices by Catherine Willson Class of 2017 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Music Middletown, Connecticut April, 2017 1 Table of Contents Introduction……………………………………………………………………………2 Chapter 1: A Brief History of Bulgaria………………………………………………..4 Chapter 2: Bulgarian Village Music………………………………………….…...…..9 Chapter 3: Obrabotki and Le Mystère des Voix Bulgares…………………………...16 Chapter 4: Bulgarian Music in the U.S. ……………………………………………..29 Chapter 5: Musical Analysis…………………………………………………………31 -“Polegnala e Todora”...………………………………………………………..31 -“Kalimankou Denkou”………………………………………………………..35 Chapter 6: Slavei and Eva Salina…………………………………………………….44 Conclusion…………………………………………………………………………...51 Acknowledgments……………………………………………………………………53 Works Cited………………………………………………………………………….54 Appendix……………………………………………………………………………..57 2 Introduction “Izraslo dŭrvo, dŭrvo visoko- Vrŭh mu oprelo vŭv sinjo nebe, Kloni mu oprelo vŭv dolna zemja Vŭv golemi, mamo, beli manastiri”1 Eight or ten earthy-looking Wesleyan students stood on the stage in Crowell Concert Hall and sang those unfamiliar words to the audience. I sat toward the front of the theater, spellbound. They sang in a clear, sometimes grating tone that I had never heard before, in a language I did not understand. After their first song, they announced themselves to be Slavei, Wesleyan’s only Eastern-European a cappella group. It would be another year before I auditioned for and joined Slavei, but I already knew that this music was special. Three years later, during my senior fall at Wesleyan, I sang with Slavei for a professional vocalist of Bulgarian music named Eva Salina, whom we had brought in for a workshop. -
CAŁY / Art and Documentation No. 22
Redaktor naczelny / Editor in Chief – Łukasz Guzek Sekretarz Redakcji / Managing Editor – Anka Leśniak Redakcja / Editorial Board - Józef Robakowski, Aurelia Mandziuk-Zajączkowska, Adam Klimczak, Adam Kamiński Uczelniana Rada Naukowa – Janina Rudnicka, Grzegorz Klaman, Krzysztof Gliszczyński, Roman Nieczyporowski Rada Naukowa / Board of Scholars – Ryszard W. Kluszczyński, Kristine Stiles, Anna Markowska, Slavka Sverakova, Leszek Brogowski, Bogusław Jasiński, Anna Szyjkowska-Piotrowska, Tomasz Załuski, Tassilo von Blittersdorff, Tomasz Majewski, Wydawca / Publisher Cornelia Lauf, Iwona Szmelter, Hanna B. Hölling, Anne Swartz, Henar Riviere, Jin-Sup Yoon Akademia Sztuk Pięknych w Gdańsku / Academy of Fine Arts in Gdansk Sekcja pod redakcją / Edited Section Make No Mistake! Red. / Edit. by Małgorzata KAŹMIERCZAK Something In Common? Red. / Edit. by Anka LEŚNIAK Galeria im. Andrzeja Pierzgalskiego. Dokumenty Artystów / Andrzej Pierzgalski Gallery. Artists’ Documents / Galerie dédiée à Andrzej Pierzgalski. Documents d’Artistes Siedziba / Office Targ Węglowy 6, 80-836 Gdańsk / Poland Koncepcja i prezentacja / Idea and Form of Presentation / Tel.: +48 791 123 939, e-mail: [email protected] Conception et présentation – Leszek BROGOWSKI http://www.journal.doc.art.pl e.mail: [email protected] Dystrybucja / Distribution Współpraca / Cooperation e-mail: [email protected] Université Rennes 2, Cabinet du livre d'artiste Sans niveau ni mètre. Journal du Cabinet du livre d'artiste Współpraca / Cooperation https://www.sites.univ-rennes2.fr/arts-pratiques-poetiques/ Stowarzyszenie Sztuka i Dokumentacja (SSiD) incertain-sens Art & Documentation Association ul. Wschodnia 29/3, 90-272 Łódź / Poland Druk / Print EUREKA PLUS Agencja Reklamy Ryszard Fedorowicz ul. 3-go Maja 11/10, 35-111 Rzeszów Korekta w języku polskim / Polish proofreading A PROPOS Serwis Wydawniczy Anna Sikorska-Michalak nakład 300 egz. -
ABD Strategy for Drina Sava Region
Author: Natalija Bogdanov Aleksandra Nikolic June 2012 Sava Region Sava Drina for ABD Strategy ABD Strategy for Drina for ABD Strategy Region Sava 1 ABD Strategy for Drina for ABD Strategy Region Sava 2 The project is financed by the European Union This document has been produced with the financial assistance of the European Union. The contents of this document are the sole responsibility of the Regional Rural Development Standing Working Group in South-East Europe (SWG) and can under no circumstances be regarded as reflecting the position of the European Union. This document is output of the IPA Multi-beneficiary Annual Programme 2011 Project Preparation Facility Preparation of a Proposal for an Area Based Development in the Western Balkans Contract number: 2011/271-250 CONTENTS 1 Introduction 3 2 Country (ies) and administrative region covered 6 2.1 ABD selection criteria applied 6 2.2 Geographical area covered by the plan 6 3 A quantified description of the current situation 9 3.1 Natural Resources & Environment 9 3.1.1 Natural resources 9 3.1.2 Environmental protection 10 3.2 Human capital 13 3.3 Economic Structures 15 3.3.1 Agriculture 18 3.3.2 Tourism 20 3.3.3 SME sector 22 3.4 Infrastructure 22 3.5 Social and institutional capital 24 4 The assessment of development capitals 27 4.1 Environmental capital 27 4.2 Cultural capital – identity and share values 28 4.3 Social capital 29 4.4 Institutional capital 29 4.5 Human capital 30 4.6 Economic capital 31 5 SWOT ANALYSIS 34 5.1 SWOT analysis process 35 5.2 SWOT analysis 38 5.3 Identification -
Bibliography
BULGARIAN MUSICOLOGY CONTENT Musicology 1. Sofia, 1977 Our tasks... 3 Stoyanov, Stoyan. Musical Culture in Socialist Bulgaria... 7 Stoyanov, Pencho. Rethinking of the One Part Forms... 14 Zaharieva, Svetlana. The Period and the Bulgarian Folk Song in Conjunction with Genre Specifics... 29 Tontcheva, Elena. Does the Melodies from John Koukouzeles Sounded in Tarnovo During XIV c.?... 39 Racheva Iskra. Wilson Cooker. Music and Meaning... 53 Gajtandžiev, Genčo. Musicology – closer to life... 59 Musicology 2. Sofia, 1978 Kavaldzhiev, Ljubomir. Aesthetic System and the Musical Progress... 3 Karanlakov, Lachezar. The Chamber Symphony Music and Some of its Problems and Creativity of Contemporary Bulgarian Composers... 21 Biks, Rosalia. Traits of Female Characters in Parashkev Hadziev’s Operas... 33 Stanchev, Krasimir, Elena Toncheva. Bulgarian Chants in the Byzantine Akoluties... 39 Todorov, Todor. From the History of the Term “Folklore” and the ssubject of folklore... 71 * * * Preparatory Scientific Session 82... * * * On the Great October 83... * * * Musicological congress in Berkley... 83 * * * Two symposium in Austria... 85 Musicology 3. Sofia, 1979 Ilieva, Bagryana. Actual Methodological Problems in the Study of the Musical Language... 3 Botusharov, Ljuben. The Musical Folkloristics and the Information Systems... 18 Ilieva, Anna. Structural Development of Bulgarian Folk Dances as a Criterion for Historical Stratification... 29 Kujumdzhieva, Svetlana. To the Question of the Character and the Importance of the Rila Singer School Activity during the Renaissance... 41 Džidžev, Todor. A Contribution to the Methodology and Typology of Musical Folklore Study... 60 Kavaldzhiev, Ljubomir. The Third Musical Practice... 65 Krâstev, Venelin. With the Music of the Young Bulgarian Composers... 67 Botusharov, Luben. Reflections on Musicology Today..