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Prva hrvatska gradiona orgulja, harmonija i glasovira utemeljena 1849. godine Erste Kroatische Orgel-, Harmonien- und Klaviermanufaktur gegründet 1849 The first Croatian builders of organs, harmoniums and pianos established in 1849 Festival 2018. 2 3 PARTNERI FESTIVALA / DIE PARTNER DES FESTIVALS / FESTIVAL PARTNERS VARAŽDINSKE BAROKNE VEČERI Varaždinske barokne večeri zasnovane su 1968. godine na bogatoj tradiciji varaždinske barokne glazbe. Prvi festival održan je 1971. godine. Od tada se u mnoštvu dvoraca i crkava krajem rujna i početkom listopada, razliježe barokna glazba hrvatskih i svjetskih glazbenika i ansambala. Od 1992. taj je državni festival pod pokroviteljstvom predsjednika države, a organizira ga Koncertni ured Varaždin. Die Varaždiner Barockabende wurden 1968 ins Leben gerufen und basieren auf einer reichhaltigen Tradition der in Varaždin gepflegten Barockmusik. Das erste Festival fand 1971 statt. In mehreren Schlössern und Kirchen erklingt seither alljährlich Ende September und Anfang Oktober in dieser Gegend die Barockmusik, interpretiert von namhaften SolistInnen und Ensembles aus Kroatien und aus der ganzen Welt. Ab 1992 genießt dieses staatlich geförderte Festival die Schirmherrschaft des kroatischen Staatsoberhauptes. Organisatorisch wird das Festival vom Konzertbüro Varaždin betreut. Varaždin Baroque Evenings were founded in 1968 on the rich tradition of Varaždin Baroque music. The first festival was held in 1971. Since then, in late September and early October, the music of Croatian and international musicians and ensembles has been heard in many castles and churches. Since 1992, this national festival has been under the patronage of the President of the State, and is organized by Varaždin Concert Office. 4 5 PREGLED KONCERATA | 2. 9. 2018. u 20.30 sati 29. 9. 2018. u 18 sati 27. 10. 2018. u 19 sati 23. 11. 2018. u 19 sati Župna crkva sv. Fabijana i Sebastijana, Župna crkva sv. Dominika, Konjščina Župna crkva sv. Lovre, Petrinja Francuski paviljon, Savska cesta 25, Zagreb KONZERTÜBERSICHT | Donji Humac, Brač Orgulje / Orgel / Organ Antun Schimenz Orgulje / Orgel / Organ August Faullend Orguljski pozitiv / Postiv / Postive Organ, Orgulje / Orgel / Organ Francesco Dacci (1862.) Heferer (1936.) T. Faullend Heferer (2018,) CONCERTSCHEDULE | (1775.) / Giusepe Giraradi (c. 1856.) MARIJA LEŠAJA, sopran DARIO GOLČIĆ, oboa MARIJANA CIRKVENI, sopran ------------------------------------------------------------- ANA DOMANČIĆ KRSTULOVIĆ, flauta ELIZABETA ZALOVIĆ, orgulje MIRTA KUDRNA, orgulje SONJA RUNJE, mezzosopran 22. 7. 2018. u 18 sati BORNA BARIŠIĆ, orgulje ------------------------------------------------------------- ------------------------------------------------------------- LJERKA OČIĆ, orguljski pozitiv Župna crkva Presvetoga Trojstva, ------------------------------------------------------------ 7. 10. 2018. u 19.30 sati 28.10.2018. u 19.30 sati ------------------------------------------------------------- Krapinske Toplice 4. 9. 2017. u 19.30 sati Župna crkva sv. Petra, Vlaška 93, Zagreb Župna crkva sv. Terezije Avilske, Nova 21. 12. 2018 u 19 sati Orgulje / Orgel / Organ Leonard Ebner (1860.) Crkva Majke Božje Jeruzalemske, Trški Vrh, Orgulje / Orgel / Organ Ivan Faullend Heferer Gradiška Župna crkva sv. Ivana Krstitelja, Nova Ves BRUNO PHILIPP, klarinet Krapina (1971.) Orgulje / Orgel / Organ Ivan (Johann) Pumpp 64a, Zagreb EDMUND BORIĆ-ANDLER, orgulje Orgulje / Orgel / Organ Antonius Römer MARIN ZOKIĆ, truba (1850./1929.) Orgulje / Orgel / Organ Ferdinand Heferer -------------------------------------------------------------- (1763.) ELIZABETA ZALOVIĆ, orgulje MATEJ PREDOJEVIĆ, tenor (1899.) 22. 7. 2018. u 21 sat SILVIO RICHTER, violina ------------------------------------------------------------- MARIO PENZAR, orgulje ANA FORTUNA, sopran Župna crkva sv. Jakova, Opatija KREŠIMIR HAS, orgulje 13. 10. 2018. u 18 sati ------------------------------------------------------------- MARKO ĐURAKIĆ, orgulje Orgulje / Orgel / Organ Braća Zupan (c. 1905.) ------------------------------------------------------------- Dvor Veliki Tabor, Desinić 29.10.2018 u 19.30 sati ------------------------------------------------------------- VALENTINA FIJAČKO KOBIĆ, sopran 9. 9. 2018. u 12 sati Orguljski pozitiv nepoznatog graditelja iz 1. Dvorska kapela Sv. Trojstva dvorca ALEN KOPUNOVIĆ LEGETIN, orgulje Župna crkva Ranjenog Isusa, Gradec pol. 18. st. iz kapele sv. Ivana, Ivanić Miljanski / Prandau-Normann, Valpovo ------------------------------------------------------------- Orgulje / Orgel / Organ Ferdinand Heferer Positiv eines unbekanten Orgelbauers aus der Orgulje / Orgel / Organ József Angster (1876.) 19. 8. 2018. u 19 sati (1880.) ersten Hälfte des 18. Jahrhunderts aus Kapelle MATEJ PREDOJEVIĆ, tenor Župna crkva sv. Križa, Sveti Križ Začretje Muški vokalni ansambl SV. MARKO St. Johann, Ivanić Miljanski / A positive organ MARIO PENZAR, orgulje Orgulje / Orgel / Organ Ferdinand Heferer KRIŽEVČANIN of an unknown builder from the 1st half of ------------------------------------------------------------- (1894.) MARKO ĐURAKIĆ, orgulje the 18th century from chapel St. John, Ivanić 31. 10. 2018. u 20 sati DUBRAVKA KRUŠELJ JURKOVIĆ, sopran ------------------------------------------------------------- Miljanski Evangelička crkvena općina Zagreb, VEDRAN JURKOVIĆ, tenor 9. 9. 2018. u 17 sati ANA JEMBREK, sopran Gundulićeva 28, Zagreb MIRTA KUDRNA, orgulje Župna crkva sv. Vida, Ozalj JASMINA BELOŠEVIĆ, orguljski pozitiv Orgulje / Orgel / Organ Mihael Heferer (1885.) ------------------------------------------------------------- Orgulje / Orgel / Organ Josef Brandl (1908.) ------------------------------------------------------------- LAURA VADJON, violina 1. 9. 2018 u 19.30 sati BRANKO MIHANOVIĆ, oboa 20. 10. 2018. u 18 sati KREŠIMIR HAS, orgulje Samostanska crkva sv. Klare, Split EDMUND ANDLER - BORIĆ, orgulje Župna crkva sv. Jakova apostola, Gorjani ------------------------------------------------------------- Orgulje / Orgel / Organ Petar Nakić (c. 1750.) ------------------------------------------------------------- Orgulje / Orgel / Organ Andrija Fabing (1861.) 3. 11. 2018. u 19 sati MARTINA GOJČETA SILIĆ, mezzosopran 27. 9. 2018. u 21 sat TRIO “FIAT LUX” Župna crkva sv. Lovre, Petrinja BORNA BARIŠIĆ, orgulje Crkva sv. Florijana, Varaždin JOSIPA LONČAR, sopran Orgulje / Orgel / Organ August Faullend ------------------------------------------------------------- Orgulje nepoznatog graditelja (sagrađene DARIO TESKERA, truba Heferer (1936.) 1. 9. 2018. u 20 sati prije 1644.) / Die Orgel eines unbekanten ALEN KOPUNOVIĆ LEGETIN, orgulje HELENA LUCIĆ ŠEGO, mezzosopran Katedrala Uznesenja Blažene Djevice Orgelbauers (gebaut vor dem Jahr 1644) / The ------------------------------------------------------------- MILAN HIBŠER, orgulje Marije na nebo, Varaždin organ of an unknown builder (built before 21. 10. 2018. u 19.30 sati ------------------------------------------------------------- Orgulje / Orgel / Organ Wolfgang Julius Braun 1644) Župna crkva Mučeništva sv. Ivana 10.11.2018. u 19 sati (1988.) U suradnji s / In Zusammenarbeit mit / In Krstitelja, Županja Crkva sv. Martina, Vlaška 36, Zagreb NONET DONUM cooperation with Varaždinske barokne Večeri Orgulje / Orgel / Organ Ferdinand Heferer ELEONORA BIŠĆEVIĆ, poprečna flauta VIŠESLAV JAKLIN, orgulje / Varaždiner Barockabende / Varaždin Baroque (1899.) HRVOJE TRINKI, orgulje ------------------------------------------------------------ Evenings TRIO “FIAT LUX” ------------------------------------------------------------- NONET DONUM JOSIPA LONČAR, sopran VIŠESLAV JAKLIN, orgulje DARIO TESKERA, truba ------------------------------------------------------------- ALEN KOPUNOVIĆ LEGETIN, orgulje ------------------------------------------------------------- 6 7 Sveta glazba kao izričaj riječima cantantibus organis (uz pjesmu provenijencije mogli zasjeniti jasnoću Božje riječi. te posjeduju svoja likovna obilježja. Budući da orgulja). Upravo zbog tog izraza i bez obzira Zbog toga se ranokršćanska Crkva odlučila za su jug i sjever Hrvatske bila dva područja pod radosti kršćanskog življenja, na problematičnost njezinih hagiografskih tzv. koralno pjevanje koje obuhvaća sve inačice različitim političkim, društvenim, socijalnim, podataka, sv. Cecilija je od kraja srednjega jednoglasnog zbornog pjevanja u zapadnoj Crkvi crkvenim i političkim utjecajem, orgulje i a zvuci orgulja uzdižu srca k vijeka u Katoličkoj Crkvi proglašena zaštitnicom ili tzv. gregorijansko ili ambrozijansko pjevanje orguljarstvo se je kao kulturno dobro i različito Bogu i k nebeskim stvarima crkvene glazbe i njezinog najodličnijeg atributa bez pratnje glazbenih instrumenata. razvijalo. Orgulje na području sjeverne Hrvatske – orgulja! razvijale su se pod utjecajem kulturnih središta Konstitucija o svetoj liturgiji Sacrosanctum Orgulje su dijete Mediterana, čiji se izum Austrije, Njemačke, Slovenije, Češke i Mađarske, Concilium Drugog vatikanskog sabora (1963.) Sv. Cecilija svjedoči o tome da su radost, pripisuje mehaničaru Ktesibiju (oko 246. dok je u južnoj Hrvatskoj bio presudni utjecaj potiče vjernike da pjevaju te „neka se najvećom smijeh, pjesma i glazba bitni i sastavni dijelovi godine prije Krista), koji je djelovao u egipatskoj Venecije i drugih gradova. brigom čuva i promiče blago svete glazbe. Neka kršćanstva. Kakva je vjera morala prožimati tu Aleksandriji. Rođene na ušću rijeke Nila, orgulje neprestano napreduju pjevački zborovi, naročito mladu djevojku, koja je u času svoje grozne su stigle u zapadni svijet, u
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    MILKO KELEMEN: LIFE AND SELECTED WORKS FOR VIOLONCELLO by JOSIP PETRAČ (Under the Direction of David Starkweather) ABSTRACT Milko Kelemen (b. 1924) is one of the most extraordinary Croatian composers of the post-World War II era. He has received numerous prestigious awards for his work, while his compositions are published by major companies, including Schott, Universal, Peters, and Hans Sikorski editions. His music is little studied or known internationally. This paper examines this innovative, avant-garde musician and sheds light both on Kelemen’s life and his compositional technique. The latter is examined in four compositions featuring cello as the main subject: Changeant (1968), Drammatico (1983), Requiem for Sarajevo (1994), and Musica Amorosa (2004). The examination of these compositions is placed in a biographical context which reveals how Kelemen’s keen political and cultural interests influenced his development as a composer. In particular, this document looks at Kelemen’s role as one of the founders, and the first president, of the Zagreb Music Biennale Festival, an event known for its ground-breaking work in bringing together artists and composers from the eastern and western blocs during the Cold War, as well as revitalising Croatia’s old-fashioned and provincial cultural scene. This festival of avant-garde music has been running since 1961. INDEX WORDS: Milko Kelemen, Zagreb Biennale, cello, avant-garde music, Changeant, Drammatico, Requiem for Sarajevo, Musica Amorosa MILKO KELEMEN:LIFE AND SELECTED WORKS FOR CELLO by JOSIP
  • Autori Dječjih Skladbi Za Niže Razrede Osnovne Škole

    Autori Dječjih Skladbi Za Niže Razrede Osnovne Škole

    Autori dječjih skladbi za niže razrede osnovne škole Puškarić, Hrvoje Master's thesis / Diplomski rad 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, Faculty of Teacher Education / Sveučilište u Zagrebu, Učiteljski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:147:741015 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-01 Repository / Repozitorij: University of Zagreb Faculty of Teacher Education - Digital repository SVEUČILIŠTE U ZAGREBU UČITELJSKI FAKULTET ODSJEK ZA UČITELJSKE STUDIJE HRVOJE PUŠKARIĆ DIPLOMSKI RAD AUTORI DJEČJIH SKLADBI ZA NIŽE RAZREDE OSNOVNE ŠKOLE Petrinja, siječanj 2017. SVEUČILIŠTE U ZAGREBU UČITELJSKI FAKULTET ODSJEK ZA UČITELJSKE STUDIJE (Petrinja) PREDMET: GLAZBENA KULTURA DIPLOMSKI RAD Ime i prezime pristupnika: Hrvoje Puškarić TEMA DIPLOMSKOG RADA: AUTORI DJEČJIH SKLADBI ZA NIŽE RAZREDE OSNOVNE ŠKOLE MENTOR: Prof. dr.sc. Katarina Koprek Petrinja, siječanj 2017. Sadržaj SAŽETAK .................................................................................................................................. 5 SUMMARY ............................................................................................................................... 6 1. UVOD ................................................................................................................................ 1 2. GLAZBENA PISMENOST ............................................................................................... 2 2.1. Dječji
  • Sacred Music, 136.4, Winter 2009

    Sacred Music, 136.4, Winter 2009

    SACRED MUSIC Winter 2009 Volume 136, Number 4 EDITORIAL Viennese Classical Masses? | William Mahrt 3 ARTICLES Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses | Eftychia Papanikolaou 6 “Requiem per me”: Antonio Salieri’s Plans for His Funeral | Jane Schatkin Hettrick 17 Haydn’s “Nelson” Mass in Recorded Performance: Text and Context | Nancy November 26 Sunday Vespers in the Parish Church | Fr. Eric M. Andersen 33 REPERTORY The Masses of William Byrd | William Mahrt 42 COMMENTARY Seeking the Living: Why Composers Have a Responsibility to be Accessible to the World | Mark Nowakowski 49 The Role of Beauty in the Liturgy | Fr. Franklyn M. McAfee, D.D. 51 Singing in Unison? Selling Chant to the Reluctant Choir | Mary Jane Ballou 54 ARCHIVE The Lost Collection of Chant Cylinders | Fr. Jerome F. Weber 57 The Ageless Story | Jennifer Gregory Miller 62 REVIEWS A Gift to Priests | Rosalind Mohnsen 66 A Collection of Wisdom and Delight | William Tortolano 68 The Fire Burned Hot | Jeffrey Tucker 70 NEWS The Chant Pilgrimage: A Report 74 THE LAST WORD Musical Instruments and the Mass | Kurt Poterack 76 POSTSCRIPT Gregorian Chant: Invention or Restoration? | William Mahrt SACRED MUSIC Formed as a continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gre- gory of America since 1915. Published quarterly by the Church Music Associ- ation of America. Office of Publication: 12421 New Point Drive, Harbour Cove, Richmond, VA 23233. E-mail: [email protected]; Website: www.musicasacra.com Editor: William Mahrt Managing Editor: Jeffrey Tucker Editor-at-Large: Kurt Poterack Editorial Assistance: Janet Gorbitz and David Sullivan.
  • 1 Damir Očko Zagreb, 1977

    1 Damir Očko Zagreb, 1977

    Damir Očko Zagreb, 1977 EDUCATION AND RESIDENCIES 2011 Temple Bar Gallery & Studios, Dublin, Ireland 2010 Nordic Art Center Dale, Norway Künstlerresidenz Blumen, Leipzig, Germany 2008-2009 Akademie Schloss Solitude, Stuttgart, Germany 2007 HIAP, Helsinki, Finland KulurKontakt, Vienna, Austria Tirana Institute of Contemporary Art, Tirana, Albania 1997-2003 Academy of Fine Arts, Zagreb, Croatia SELECTED SOLO EXHIBITIONS 2015 Photon - Centre for Contemporary Photography. Ljubljana, Slovenia Studies on Shivering, Gallery Kasia Michalski, Warsaw, Poland 2014 Studies on Shivering, Temple Bar Gallery & Studios, Dublin, Ireland Damir Očko: PST, APOTEKA, Vodnjan, Croatia Studies on Shivering, Künstlerhaus Halle für Kunst & Medien, Graz, Austria (cat.) 2013 Kabinett - ArtBasel Miami (with Yvon Lambert), Miami, US Damir Očko: FILMS, Gallery Tiziana di Caro, Salerno, Italy Psst, TRAPEZ, Budapest, Hungary The Body Score, Yvon Lambert Gallery (project space), Paris, France 2012 Damir Ocko: The Kingdom of Glottis, Palais de Tokyo, Paris, France On Ulterior Scale, FIAC (with Gallery Tiziana di Caro), Paris, France On Ulterior Scale, MultiMedia Center Luka, Pula, Croatia Očko/Tadić, Galerie de l’ESAM, Caen, France (With M. Tadić) We saw nothing but the uniform blue of the Sky, Gallery Tiziana di Caro, Salerno, Italy 2011 On Ulterior Scale, Kunsthalle Dusseldorf, Dusseldorf, Germany (cat.) Jedinstvo Hall - Gallery Močvara, 26th Music Biennale, Zagreb, Croatia 2010 Castle & Elephant, Coventry, UK Event Horizon, Kunstverein Leipzig, Leipzig, Germany The Age of Happiness, Tiziana di Caro Gallery, Salerno, Italy Screening Room, Blumen, Leipzig, Germany 2009 The Age of Happiness, Lothringer13 Städtische Kunsthalle München, Munich, Germany (cat.) The Age of Happiness, Akademie Schloss Solitude, Stuttgart, Germany 2007 The End of the World, Miroslav Kraljević Gallery, Zagreb, Croatia Why does Gravity make things fall?, Tirana Institute of Contemporary Art, Tirana, Albania (With N.