DOCSLIB.ORG

View Screenplay

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
View Screenplay WONDER WOMAN LEGEND OF THE AMAZONS (Live-action) Screenplay by Curly Raphino Story by Curly Raphino Based on the DC Comics characters created by William Moulton Marston Copyright © 2012 by Curly Raphino Curly Raphino Registered, WGAw [email protected] 404-530-9693 1 FADE IN: INT. AMAZON BASILICA - NIGHT A dusty HARDCOVER BOOK with the title “BANA-MIGHDALL” imprinted on the cover is secretively pulled out of an unworldly vault and placed upon a lectern. A young woman’s hand touches the letters and it magically translates the title to “THE TEMPLE OF WOMEN.” She opens the book to reveal words written in Greek. Again, with the brush of her fingertips, the words change into English. DIANA (obscured by shadows) The Amazon’s sacred scriptures. This is sure to reveal some answers. She takes cover, as two Amazon guards pass by. Then she proceeds. DIANA (CONT’D) (reading from the book) When the world was young, Zeus created a notable race of all males mortals in a barbaric land, with hopes of regenerating worship of the Olympian gods. He called them Gargareans. FLASHBACK TO: EXT. GARGAREAN KINGDOM - DAY The sunrise sparkles over an exquisite, JEWEL-LIKE roof top, covering an incredible, STATE-OF-THE-ART 6th century PALACE. SUPER: SCYTHIA 530 BC STARK SOLDIERS dressed in Greco-Roman warrior attire march through a vast KINGDOM COMPOSED OF ONLY MEN. DIANA (V.O.) They were widely feared and unrivaled warriors, Led by an incomparable king -- Orpheus. * Curly Raphino * [email protected] * (404)530-9693 * 2 INT. GARGAREAN LAIR - DAY ORPHEUS, tall, bearded, strawberry blond hair, stands before a towering mirror, as he is being primped and dressed by two man-servants. On his finger, they place a ring consisting of THREE SMALL ORBS, the size of a pearl joined together side-by-side, like a clover leaf DIANA (V.O.) After building Atlantis, the formidable city of wonders, they too became as corrupt as the rest of the land, allowing the prestige they'd garnered to prompt them to renounce Zeus as their god. Orpheus wears a gold-trimmed, emerald green toga, accentuated with a lustrous, falcon emblem armband that matches his crown, as he struts to the throne room. DIANA (V.O.) To counteract Orpheus' insolence, Hera gave rise to a new race modeled closely after the Gargareans, only they were all females. She called them AMAZONS and made Hippolyta their queen. INT. GARGAREAN PRISON - DAY HERA (O.S.) Hippolyta, Hippolyta. Ravishing, even in rags and shackles, HIPPOLYTA, long black hair and piercing blue eyes, awakens and squints at the marvel that lies before her. DIANA (V.O.) The Amazons became legendary. Their mere existence was a testimony of the god’s amazement and the people of the land took notice. So too did Orpheus, who considered them a threat that needed to be eradicated. INT. GARGAREAN PRISON - DAY (MOMENTS LATER) Hippolyta retrieves a coiled ROPE OF THE PUREST GOLD from the shadows of her filthy cell. * Curly Raphino * [email protected] * (404)530-9693 * 3 HIPPOLYTA A gift from the gods? It comes to life in her hands, burning with a fire that seals their union. She hurls one end of the lasso like a whip, across the metal bars of the cell door and yanks it off its hinges. She locates ANTIOPE, her confidant. HIPPOLYTA (CONT’D) Antiope, are you OK? ANTIOPE My queen, how did you escape from your cell? HIPPOLYTA No time to explain now -- we need to free the rest of our sisters. The two venture out disabling Gargarean guards to free their Amazon sisters. INT. GARGAREAN THRONE ROOM - DAY Sitting atop his throne, rubbing on the ring on his finger, Orpheus watches a royal sentinel shove through a horde of stark Gargarean soldiers to whisper into his ear. Afflicted by the severity of the official's message, Orpheus clutches the armrest of his throne and his eyes flare. Orpheus shoves the messenger and rises to his feet with a monstrous wail that captures the attention of all assembled in his court. ORPHEUS If those Amazon harlots wish to wage war, then we go to war! In response, they roar back. DIANA (V.O.) Orpheus conspired with Eurystheus, the king of Tiryns and Mycenae and convinced him to make Hippolyta’s magical girdle, the source of the Amazons’ strength, Heracles’ NINTH LABOR of penance. * Curly Raphino * [email protected] * (404)530-9693 * 4 EXT. GARGAREAN COURTYARD - DAY TEN THOUSAND GARGAREAN WARRIORS, ready for battle, follow Orpheus' lead, in their enchanted armor with spears and shields in hand. DIANA (V.O.) Through deceit and trickery, Heracles drugged and bound the Amazons by the wrist and sold them to the Gargareans as concubine slaves and redeemed the magical girdle as his prize. INT. GARGAREAN PRISON - DAY Scantily clad in rags and shackles, the Amazons stampede through a narrow corridor and out into a majestic courtyard. DIANA (V.O.) After several years of servitude, Hippolyta was compelled to return the favor of seizing the power source of Gargarean strength -- Orpheus’ clover-shaped, orb ring. EXT. COURTYARD - DAY TEN THOUSAND GARGAREAN SOLDIERS confront THREE THOUSAND AMAZON WARRIORS. ORPHEUS These — women — seek to discount the power of the true Imperials of the land. I declare on this day that this will never happen! The swarm of Gargarean soldiers wail in cheer. HIPPOLYTA Show no mercy, sisters! Their weakness is their pride and Orpheus alone has enough of that to unravel them all from the core! The Amazons cheer. HIPPOLYTA (CONT’D) (showing her chains and shackles) They have foolishly armed us with their finest technology, Fenolium! (MORE) * Curly Raphino * [email protected] * (404)530-9693 * 5 HIPPOLYTA (CONT’D) This unique metal is as indestructible as this magical lasso granted to me by the gods! Use them as you would your swords, maces, bows and arrows. The Amazons raise their shackles and cheer even louder. HIPPOLYTA (CONT’D) We fight ‘till the end. We are warriors! We are Amazons! She flares in BATTLE CRY and the Amazons charge the Gargarean army head on. DIANA (V.O.) To protect the Amazons, Hippolyta intended to do anything to obtain Orpheus’ ring of power -- even kill. Despite being out-numbered, the Amazons prove to be superior warriors. They deflect spears and arrows with their manacles and use their chains to disarm and strangle their rivals. The battle escalates and spills out into the city. ARETMIS, a fearless, liu Amazon warrior slaughters several Gargareans. She quickly liberates one of her sisters, who is being dragged by the hair by a Gargarean. EXT. TEMPLE - DAY United, they overpower and disarm several opponents in front of an elaborate temple dedicated to the Greek Pantheon. Artemis is about to slice through a rival’s neck, with his own sword, when Orpheus levels her to the ground and tears off her garb. ORPHEUS Now this is a much more suitable position for a woman -- on her back, ready to comply to her male superior. ARTEMIS I serve no man, especially you, Orpheus! ORPHEUS Pity! I suspected that would be your response. Bed or blade, your time is up. Prepare to join your maker, Amazon! * Curly Raphino * [email protected] * (404)530-9693 * .
Load more

Recommended publications
  • BATMAN Vs SUPERMAN What Would Superman Drive, What Should Batman Drive and Where Could Wonder Woman Store Her Outfit?
    WIN A PULSAR BRUCE WAYNE’S JEEP WATCH PEUGEOT ADD FUEL OFFERS WORTH DUCHESS OF CAMBRIDGE PLAYS TENNIS £145 SHORTLISTED FOR NEWSPRESS MAGAZINE OF THE YEAR BATMAN vs SUPERMAN What would Superman drive, what should Batman drive and where could Wonder Woman store her outfit? Your magazine featuring the stars, their cars and more... freecarmag.co.uk 1 FUELLED BY FUN This ISSUEweek 30 / 2016 Batman vs Superman: Dawn of Justice. We don’t understand why there are a couple of superheroes slugging it out like a wrestling bout, with Wonder Woman watching disapprovingly. However, we are looking forward to making sense of it all very soon at the local multiplex. We’ve got a superhero of our own Free Car Mag, or possibly Margaret, but we are too frightened to call her that. Well she’s more than qualified to tell other superheroes and even super villains what to drive. There is still time to win yourself a brilliant Pulsar watch. All you have to do is sign up to get notification of the latest issue. If you have already signed up, then you are already in with a chance. Tell all your friends and family, because we don’t spam you with nonsense, or pass your details on. We are good like that. 4 News Events Celebs – Made in Chelsea We are also doing very well at the moment. Shortlisted as and Duchess of Cambridge Consumer Magazine and Editor of the Year in the Newspress 6 Batman vs Superman Awards after only being around for a year, it has taken a real 8 Supercars for Superheroes superhuman effort I can tell you.
    [Show full text]
  • Walt Whitman, Where the Future Becomes Present, Edited by David Haven Blake and Michael Robertson
    7ALT7HITMAN 7HERETHE&UTURE "ECOMES0RESENT the iowa whitman series Ed Folsom, series editor WALTWHITMAN WHERETHEFUTURE BECOMESPRESENT EDITEDBYDAVIDHAVENBLAKE ANDMICHAELROBERTSON VOJWFSTJUZPGJPXBQSFTTJPXBDJUZ University of Iowa Press, Iowa City 52242 Copyright © 2008 by the University of Iowa Press www.uiowapress.org All rights reserved Printed in the United States of America Design by Richard Hendel No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The University of Iowa Press is a member of Green Press Initiative and is committed to preserving natural resources. Printed on acid-free paper issn: 1556–5610 lccn: 2007936977 isbn-13: 978-1-58729–638-3 (cloth) isbn-10: 1-58729–638-1 (cloth) 08 09 10 11 12 c 5 4 3 2 1 Past and present and future are not disjoined but joined. The greatest poet forms the consistence of what is to be from what has been and is. He drags the dead out of their coffins and stands them again on their feet .... he says to the past, Rise and walk before me that I may realize you. He learns the lesson .... he places himself where the future becomes present. walt whitman Preface to the 1855 Leaves of Grass { contents } Acknowledgments, ix David Haven Blake and Michael Robertson Introduction: Loos’d of Limits and Imaginary Lines, 1 David Lehman The Visionary Whitman, 8 Wai Chee Dimock Epic and Lyric: The Aegean, the Nile, and Whitman, 17 Meredith L.
    [Show full text]
  • Why Wonder Woman Matters
    Why Wonder Woman Matters When I was a kid, being a hero seemed like the easiest thing in the world to be- A Blue Beetle quote from the DC Comics publication The OMAC Project. Introduction The superhero is one of modern American culture’s most popular and pervasive myths. Though the primary medium, the comic book, is often derided as juvenile or material fit for illiterates the superhero narrative maintains a persistent presence in popular culture through films, television, posters and other mediums. There is a great power in the myth of the superhero. The question “Why does Wonder Woman matter?” could be answered simply. Wonder Woman matters because she is a member of this pantheon of modern American gods. Wonder Woman, along with her cohorts Batman and Superman represent societal ideals and provide colorful reminders of how powerful these ideals can be.1 This answer is compelling, but it ignores Wonder Woman’s often turbulent publication history. In contrast with titles starring Batman or Superman, Wonder Woman comic books have often sold poorly. Further, Wonder Woman does not have quite the presence that Batman and Superman both share in popular culture.2 Any other character under similar circumstances—poor sales, lack of direction and near constant revisions—would have been killed off or quietly faded into the background. Yet, Wonder Woman continues to persist as an important figure both within her comic universe and in our popular consciousness. “Why does Wonder Woman matter?” To answer this question an understanding of the superhero and their primary medium, the comic book, is required, Wonder Woman is a comic book character, and her existence in the popular consciousness largely depends on how she is presented within the conventions of the comic book superhero narrative.
    [Show full text]
  • SUPERGIRLS and WONDER WOMEN: FEMALE REPRESENTATION in WARTIME COMIC BOOKS By
    SUPERGIRLS AND WONDER WOMEN: FEMALE REPRESENTATION IN WARTIME COMIC BOOKS by Skyler E. Marker A Master's paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina May, 2017 Approved by: ________________________ Rebecca Vargha Skyler E. Marker. Supergirls and Wonder Women: Female Representation in Wartime Comics. A Master's paper for the M.S. in L.S. degree. May, 2017. 70 pages. Advisor: Rebecca Vargha This paper analyzes the representation of women in wartime era comics during World War Two (1941-1945) and Operation Iraqi Freedom (2001-2010). The questions addressed are: In what ways are women represented in WWII era comic books? What ways are they represented in Post 9/11 comic books? How are the representations similar or different? In what ways did the outside war environment influence the depiction of women in these comic books? In what ways did the comic books influence the women in the war outside the comic pages? This research will closely examine two vital periods in the publications of comic books. The World War II era includes the genesis and development to the first war-themed comics. In addition many classic comic characters were introduced during this time period. In the post-9/11 and Operation Iraqi Freedom time period war-themed comics reemerged as the dominant format of comics. Headings: women in popular culture-- United States-- History-- 20th Century Superhero comic books, strips, etc.-- History and criticism World War, 1939-1945-- Women-- United States Iraq war (2003-2011)-- Women-- United States 1 I.
    [Show full text]
  • The Amazon Myth in Western Literature. Bruce Robert Magee Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 The Amazon Myth in Western Literature. Bruce Robert Magee Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Magee, Bruce Robert, "The Amazon Myth in Western Literature." (1996). LSU Historical Dissertations and Theses. 6262. https://digitalcommons.lsu.edu/gradschool_disstheses/6262 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the tmct directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Justice League: Origins
    JUSTICE LEAGUE: ORIGINS Written by Chad Handley [email protected] EXT. PARK - DAY An idyllic American park from our Rockwellian past. A pick- up truck pulls up onto a nearby gravel lot. INT. PICK-UP TRUCK - DAY MARTHA KENT (30s) stalls the engine. Her young son, CLARK, (7) apprehensively peeks out at the park from just under the window. MARTHA KENT Go on, Clark. Scoot. CLARK Can’t I go with you? MARTHA KENT No, you may not. A woman is entitled to shop on her own once in a blue moon. And it’s high time you made friends your own age. Clark watches a group of bigger, rowdier boys play baseball on a diamond in the park. CLARK They won’t like me. MARTHA KENT How will you know unless you try? Go on. I’ll be back before you know it. EXT. PARK - BASEBALL DIAMOND - MOMENTS LATER Clark watches the other kids play from afar - too scared to approach. He is about to give up when a fly ball plops on the ground at his feet. He stares at it, unsure of what to do. BIG KID 1 (yelling) Yo, kid. Little help? Clark picks up the ball. Unsure he can throw the distance, he hesitates. Rolls the ball over instead. It stops halfway to Big Kid 1, who rolls his eyes, runs over and picks it up. 2. BIG KID 1 (CONT’D) Nice throw. The other kids laugh at him. Humiliated, Clark puts his hands in his pockets and walks away. Big Kid 2 advances on Big Kid 1; takes the ball away from him.
    [Show full text]
  • SPECIAL TOURS MYTHOLOGY Gallery of Greek and Roman Casts
    SPECIAL TOURS MYTHOLOGY Gallery of Greek and Roman Casts Battle of the Greeks and Amazons Temple of Apollo at Phigaleia (Bassai) Greek, late 5th c. B.C. The Mausoleion at Halikarnassos Greek, ca. 360-340 B.C. Myth: The Amazons lived in the northern limits of the known world. They were warrior women who fought from horseback usually with bow and arrows, but also with axe and spear. Their shields were crescent shaped. They destroyed the right breast of young Amazons, to facilitate use of the bow. The Attic hero Theseus had joined Herakles on his expedition against them and received the Amazon Antiope (or Hippolyta) as his share of the spoils of war. In revenge, the Amazons invaded Attica. In the subsequent battle Antiope was killed. This battle was represented in a number of works, notably the metopes of the Parthenon and the shield of the Athena Parthenos, the great cult statue by Pheidias that stood in the Parthenon. Symbolically, the battle represents the triumph of civilization over barbarism. Battle of the Gods and Giants Altar of Zeus and Athena, Pergamon (Zeus battling Giants) Greek, ca. 180 B.C. Myth: The giants, born of Earth, threatened Zeus and the other gods, and a fierce struggle ensued, the so-called Gigantomachy, or battle of the gods and giants. The giants were defeated and imprisoned below the earth. This section of the frieze from the altar shows Zeus battling three giants. The myth may reflect an event of prehistory, the arrival ca. 2000 B.C. of Greek- speaking invaders, who brought with them their own gods, whose chief god was Zeus.
    [Show full text]
  • Olympians Teachers' Guide
    Olympians Teachers’ Guide Introduction Many of our modern political, economic, and philo- sophical systems are rooted in Ancient Greek culture. The Ancient Greeks had one of the earliest known democracies, a rich literary tradition, and unique art and architecture, which we see copied all over the world and still used symbolically. Greek philosophy, medicine, science, and technology were all ahead of their time, and a familiarity with them is essential for understanding the world today—if for no other reason ABOUT THE OLYMPIANS BOOKS than because so much of our own culture, and even language, is based on Ancient Greek words and ideas. The myths and gods of Ancient Greece shine a bright HC ISBN 978-1-59643-625-1 . PB ISBN: 978-1-59643-431-8 $9.99 PB/$16.99 HC . 7.5 x 10 . Full Color Graphic Novel light onto the culture of one of the world’s oldest ZEUS: KING OF THE GODS known civilizations. Because of the influence Ancient The strong, larger-than-life heroes of Zeus: King of Greek culture has on our world today, studying the the Gods can summon lightning, control the sea, turn myths can help explain current beliefs about science, invisible, and transform themselves into any animal democracy, and religion. Myths are, by definition, ficti- they choose. This first book of the series introduces tious. But the origin stories of the Ancient Greeks were Zeus, the ruler of the Olympian pantheon, and tells real to them—as real as our understanding of how the his story from his boyhood to his adventure-filled Earth began.
    [Show full text]
  • BATMAN: a HERO UNMASKED Narrative Analysis of a Superhero Tale
    BATMAN: A HERO UNMASKED Narrative Analysis of a Superhero Tale BY KELLY A. BERG NELLIS Dr. William Deering, Chairman Dr. Leslie Midkiff-DeBauche Dr. Mark Tolstedt A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Communication UNIVERSITY OF WISCONSIN Stevens Point, Wisconsin August 1995 FORMC Report of Thesis Proposal Review Colleen A. Berg Nellis The Advisory Committee has reviewed the thesis proposal of the above named student. It is the committee's recommendation: X A) That the proposal be approved and that the thesis be completed as proposed, subject to the following understandings: B) That the proposal be resubmitted when the following deficiencies have been incorporated into a revision: Advisory Committee: Date: .::!°®E: \ ~jjj_s ~~~~------Advisor ~-.... ~·,i._,__,.\...,,_ .,;,,,,,/-~-v ok. ABSTRACT Comics are an integral aspect of America's development and culture. The comics have chronicled historical milestones, determined fashion and shaped the way society viewed events and issues. They also offered entertainment and escape. The comics were particularly effective in providing heroes for Americans of all ages. One of those heroes -- or more accurately, superheroes -- is the Batman. A crime-fighting, masked avenger, the Batman was one of few comic characters that survived more than a half-century of changes in the country. Unlike his counterpart and rival -- Superman -- the Batman's popularity has been attributed to his embodiment of human qualities. Thus, as a hero, the Batman says something about the culture for which he is an ideal. The character's longevity and the alterations he endured offer a glimpse into the society that invoked the transformations.
    [Show full text]
  • Theseus Aegeus = Aethra
    The Athenians Cecrops • Born of the soil – Autochthonous • Man with the body of a serpent • First king of Attica • Married Agraulus, daughter of Actaeus Competition for the City • Gods to assign cities to themselves • Poseidon and Athena both want Attica • Poseidon: – Offers a salt water spring • Athena: – Offers Cecrops an olive tree – Athena wins, and the city is called Athens Cranaus • Cecrops died without a male heir • Cranaus succeeded – At the time of the flood of Deucalion – He was the most powerful Athenian – Also autochthonous – Deposed by his son-in-law, Amphictyon Deucalion = Pyrrha Cranaus Amphictyon = Cranae • Amphictyon ruled 12 years • ‘Amphictyon’ means “neighbour” – Amphictyonic Councils • Overthrown by Erichthonius Erichthonius • Athena wanted new armour • Hephaestus fell in love with Athena – Tried to force himself on her but she repelled him – He ejaculated and the semen fell to the Acropolis • Erichthonius sprung from the soil Athena Scorning the Advances of Hephaestus Paris Bordon ca. 1550 Erichthonius • Overthrew Amphictyon • Established the Panathenaea • Placed the wooden Athena on the Acropolis. – The Palladium of Athens – Athena Polias (Protector of the City) Erichthonius = Praxithea Pandion = Zeuxippe Erechtheus Philomela Butes Procne • This lineage, presented by Apollodorus, starts the debate. • Are Erichthonius and Erechtheus the same? • Does this version represent two myths combined? • Under Erechtheus, Athens conquered Eleusis • Butes was priest of Athena and founder of the Eteobutadae Family The Polias Priestess
    [Show full text]
  • Feminine Narrative and Agency in Wonder Woman Mikala Carpenter
    Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 2018 Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman Mikala Carpenter Follow this and additional works at: http://commons.emich.edu/theses Part of the Children's and Young Adult Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Carpenter, Mikala, "Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman" (2018). Master's Theses and Doctoral Dissertations. 893. http://commons.emich.edu/theses/893 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Sculpted from Clay, Shaped by Power: Feminine Narrative and Agency in Wonder Woman by Mikala Carpenter Thesis Submitted to the Department of English Language and Literature Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Children’s Literature Thesis Committee: Annette Wannamaker, PhD, Chair Amanda Allen, PhD, Second Reader 15 March 2018 Ypsilanti, Michigan Carpenter ii To the wonder women in my life who have loved me, who have challenged me, who have made me stronger, brighter, better. Carpenter iii Acknowledgments In Wonder Woman Vol. 4 #40 (2015), Diana declares, “An Amazon looks for ways to empower her sisters … because their strength is hers.” The creation of this thesis project has only been accomplished with the same tenet in mind.
    [Show full text]
  • The Myth of the Amazons Maria Balla
    The myth of the Amazons Maria Balla SCHOOL OF HUMANITIES A thesis submitted for the degree of Master of Arts (MA) in Black Sea cultural Studies February 2017 Thessaloniki – Greece Student Name: Maria Balla SID: 2201140004 Supervisor: Prof. Manolis Manoledakis I hereby declare that the work submitted is mine and that where I have made use of another’s work, I have attributed the source(s) according to the Regulations set in the Student’s Handbook. 02/2017 Thessaloniki - Greece ABSTRACT This dissertation was written as part of the MA in Black Sea cultural Studies at the In- ternational Hellenic University. The aim of this paper is to analyze the different varia- tions and the most predominant versions of the myth of the Amazons and to present the basic mythological references of these wild warriors. Additionally, the individual mythological facts are described and the most famous figures of the Amazons are high- lighted. The individual characteristics that are presented bring into negotiation the dif- ferent aspects concerning the social, cultural and historical dimensions of the myth. This paper searches the reasons why this myth was created and why it became part of the Greek mythology and determines the value of the myth in general. It also presents clearly both the mythological status of the Amazons based on literary sources and the particular features of their existence in a wider context. On a second level, the figure of the Amazons is approached as a social and political phenomenon of the classical pe- riod and especially of the Athenian society. It examines the contribution of the social stereotypes of the era to the formation of the myth and the relationship with the xen- ophobic climate against the Persians.
    [Show full text]