DOCSLIB.ORG

Expect Will Help You

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Expect Will Help You STAB-BULLETIN, raw HONOLULU -- THUBSDAT, MAY IS, 1916. ' ' ; ' " : - -- ; ' -- n Sr TV . t t Do You ill MADE 'YELLOW TICKET' OF STARS 01 HIT ililp TO LEAR.X THE About GAS 1R0W? the FOR SCREEN STAR 1ST OFFERING TWINKLE BRIGHT It is oflen wondered just how some Lou-Tellege- u, lorotliy Davenport of the stars in the silent drama are OF VAUGHAN and Theodore axe f M Roberta the trio IX THE discoTered." William Fox, vrho is stars who come to the Liberty thea- Do you know that it is the simplest, supplying the Pox Film Corporation ter tonight In "The Unknown," an- service at the Hawaii theater, has a Russia and the Russian secret ser other big Lasky feature, based on "The easiest, and cheapest way of ironing, corps of assistants constantly on the vice system, known in the homeland Red Mirage," a thrilling novel from Y.M.C.A. Cooperative Trade Scho ols lookout for somebody to initiate into as the Okrana, the method of register the pen of I.. A. R. Wylie. With this whether you are doing this work all this rapidly developing- art. In ing through the medium of a yellow set of stars there should be something the present bill at the Hawaii, "Dr, ticket the women of fhe underworld, doing in the line of high dramatics. Lou-Tellegen- HALF TIME IX SCHOOL Rameau," the little blonde beauty. This will be 's second day long EVERY day, or only occas- and the persecution of the Jewish Jean Sothern, a big favorite in Fox race, which has been a llot on Russia appearance in the silent drama, and, HALF TIME IN SHOP productions, was discovered through like his first offering, Explorer." i for many, many years, all are contrib The ionally? , her photograph.' uting factors 'to The Yellow Ticket. the favorite of two continents is cast FULL PAY j Ji pre in a role which takes him to ".No One of the Fox directors spied the the strong drama which will be ' picture in the show window of a sented bjr the Lytell-Vaugha- n players Man's Land," Just beyond civiliza- Broadway (it must be Broaoway to at the Bijou theater tonight and for tion's farthest edge. Lou-Telleg- en i$ If you have a GAS range, we will in- be geniuine in matters theatrical) the balance of the week. cast as Richard Farquar, an English- photographer and decided that she The' entire company has been seen man, who had lived In anticipation of School opens Aug, 7 6-l- 6-f- plays, receiving a fortune but Is left penni- stall a b. iron and a t. connection was the ideal type for a picture on in a number of both drama, which he was then working. But to farce and comedy, and it is merely a less through disinheritance and finds Of himself in a British army post just Apply Educational Department 8-l- locate the young lady was another matter of opinion as to which class oFflexible tubing for $3.00 an b. matter. The photograph gallery had re- vehicle is best suited to the talents beyond the edge of the desert. He is cently changed hands. The new owner of the various members Of the cast a soldier-- a soldier of fortune hav- Y.M.C.A. TODAY iron for $3.50 all prices 10 per cent knew not the identity of the winsome Evelyn Vaughan has been seen in var ing assumed a name for the purpose original of the picture; it looked good ious roles, in all of which she has of joining the army. He meets and off for cash Cost of operation is lc to him so he had placed it In the win- worked hard and in some of which loves a young American girl and the PRINTERS dow. The director bought the picture, she has excelled her efforts In the colonel of his regiment loves the same an hour. but met with no success until William balance. In the role of Marya Var-- girl. For daring to love Nancy, Far-,qua- r Honolulu Star Bulletin, Ltd. young Russian-Jewess- , oppress- Fox happened to see the photograph enka, the she becomes the victim of ParadUe of the Pacific. and iaquired about it .Learning of Is said to have the greatest opportu ion'.:''--' the vain search, Fox informed the nity of her entire career. It is, ac Nancy saves Farquar from a pun- Hazvaiian Gazette Co., Ltd. director that the girl in question was cording to echoes from the mainland, ishment which he does not merit and Mercantile Printing Co., Ltd. doing an act on the Fox circuit the "big Vaughan offering," and a in retaliation for the treatment that is 3424 part that brought San Francisco the meted out to him by Colonel Destinn Phone Miss Sothern was located at the atergoers to feet during the re (Theodore Roberts) elopes en- their she with Riveria theater and immediately Lytell-Vaugha- n : cent engagement at him. develops young sol- . r. gaged part It that the for the the director had in the Alcazar theater. colonel are bound by mind. on de- dier and his ties From that time she ending Is veloped fa- Marya is a well educated and re of blood and the of "the into one of the big Fox happy-ever-after- on'e lined girl residing at Kieff. Her fa " kind. vorites and of the most lovable "Who Pays?" portrayers of young girl characters on ther Is. serfously ill in St Petersburg Another Instalment of Honolulu Gas Co., Ltd. and calls for her. She is granted per and a Pathe; Weekly, of world's news the screen. j mission to visit him under the yellow of the hour, concludes the Liberty Stuart Holmes, of Fox week-en- 'You will be pleased with our service villain the. ticket system. Rather than not get d hill. STOCKS AND BONDS features, graduated from a soda clerk- to her dying parent she allows herself ship in Chicago to a star of the screen, to be branded with the women of the One hundred girls in the stripping AL ESTATE SAPE DEPOSIT B0XE3 and how good he has made is well street and accepts the yellow ticket department, of the Crown Corset Co., ' j Autlaorized to act as Execntor, Adaunistripttax known to patrons of the Hawaii. which calls for her to report to police of Bridgeport, declared a strike be- Truatee, Both Holmes and Miss Sothern: are headquarters once a month. cause one other, the daughter of a or Guardian. Transacts a General Trust business. seen to good advantage in "Dr. The father dies and the girl is left policeman, would- not join the union. Rameau." Charlie Chaplin in "Mabel alone in the capital city, dependent at the Wheel" is an added starter on upon the yellow ticket for identifica- ' vn ft ii i. ii ii it it n it 11 im ii w 11 n ti the Hawaii bill. tion. She secures a position befitting 3 Latest Arrival her refinement' but loses it as soon as she reports to the police and the police report to her employer that she is a "yellow' ticket woman." She is offered protection by Baron Audrey Japaiese provided she Is willing to "pay the price." This she refuses to do and in order to protect her honor she kills the baron. i 9 FoweKag; filfe Marya is facing exile in Siberian salt mines wten Julian Rolfe (Bert ;.-- Miss Edith Storey; tli e star, it movie Lytell), a young American newspaper- performs" BOme Annette Kellermann man, appears BtufaU In the picture "The Island of 'pn the scene. Rolfe has Many .Marya . deeply new patterns Regeneration," now showing the met lifeylously and is The at in love with her." He comes to her National theater, which prove to the rescue V satisfaction of the audience that she afcd shells eventually liberated. ; ' can' qualify as a Venus. " ' ' ' Six reels of dramatic and humorous Printers have grown so accugtomed to doing business with anece jsazaar. photo-pla- y i 'adap- ":"'-.'''- ' constitute the screen EMPIRE OFFERS the priee-quibbl- er is ' that it almost second nature with them .: of 'Cyrus " Fort Street f ." Opp. Catholic Church tation' Townsend' Brady's nover of this name." VMfss Storey, In to search for some way to cheapen the cost of the job they, the role of - Katheriner, ,BTenton, an idealist, is cast ashore on this tropical are estimating upon. A comparatively few printers have Island? where she discovers and tries VARIED PROGRAM half-civilize- seen the fallacy of td educated d young giant. this method and have built big business by the only' other Inhabitant ' He had avoiding it. The majority have not changed, with tne result 1U7 been "cast up there when he was a "The Mystery of Mary" is a power youngster, and his mind Is that of ful story, its theme dealing with many that the element of true service is all but eliminated. The the' simple- - child, -i- - v complex situations found in dally life & The ' manner in which the sliD of a among people in a lower strata of question of whether Doe Company would be benefited by girl damages the big fellow: teaches society. It has been filmed with an this or that has given way to the statement that Doe Com- hlfii the 'rudiments of civilization such extravagance of scene and spectacu- Glass-bottome- ag" , : . d boat now making daily to the Bfule,' teadlng; swimming, cook- lar effect the producers not overlook- pany would complain if asked to pay for it.
Load more

Recommended publications
  • The Films of Raoul Walsh, Part 1
    Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
    [Show full text]
  • Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
    The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair­ banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills.
    [Show full text]
  • The Puppet Show of Memory
    CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library DA 574.B25A3 1922 Puppet show of memor 3 1924 028 027 245 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924028027245 THE PUPPET SHOW OF MEMORY By the same Author THE BLACK PRINCE GASTON DE FOIX MAHASENA COLLECTED POEMS DESIDERIO POEMS—1914-1919 TRANSLATIONS ANCIENT AND MODERN WITH THE RUSSIANS IN MANCHURIA A YEAR IN RUSSIA THE RUSSIAN PEOPLE LANDMARKS IN RUSSIAN LITERATURE AN OUTLINE OF RUSSIAN LITERATURE RUSSIAN ESSAYS AND STUDIES THE GLASS MENDER FORGET-ME-NOT AND LILY OF THE VALLEY ORPHEUS IN MAYFAIR DEAD LETTERS DIMINUTIVE DRAMAS LOST DIARIES THE GREY STOCKING PASSING BY R.F.C. H.Q. OVERLOOKED THE PUPPET SHOW OF MEMORY BY MAURICE BARING LONDON: WILLIAM HEINEMANN NOTE MY thanks are due to Messrs. Methuen for allowing me to use in Chapters XVI.-XIX. some matter which has already appeared in A Year in Russia and Russian Essays, two books published by them; to Mr. Leo Maxe for allowing me to use an article on Sarah Bernhardt which appeared in the National Review, and has been re-written for this book; to Father C. C. Martindale and Mr. Desmond McCarthy for kindly cor- recting the proofs. M. B. CONTENTS PAGE I. The Nursery .... I II. The Nursery and the Schoolroom . M III. Membland ... 31 IV. Membland ...
    [Show full text]
  • Chronological Table of Productions at the Theatre Royal
    1 CHRONOLOGICAL TABLE OF PRODUCTIONS AT THE THEATRE ROYAL 1884 17 - 20 December Richelieu 22 - 24 December Belphegor The Loan of a Lover 26 December-9 Jan Proof 1885 10 January The Lady of Lyons 12 - 17 January The Duke’s Motto 19 - 21 January East Lynne 22 - 23 January Leah 24 - 30 January Richard III 31 January The Stranger Robert Macaire 2 - 6 February Ambition (Catherine Howard) 7 February William Tell East Lynne 9 - 21 February Never Too Late to Mend 23 - 28 February Drink 2 - 4 March Macbeth 5-7 March Hamlet 9 - 14 March The Danites 16 - 20 March Streets of London 21 March Don Caezar de Bazan Black Eyed Susan 23 - 25 March The Octoroo 26 - 27 March The Merchant of Venice The Royalist and the Republican 28 March The Bells Black Eyed Susan 30 March - 1 April The Colleen Bawn 2 April Ingomar The Watermen 3 April CLOSED (GOOD FRIDAY) 4 April Othello 6 - 11 April Mazeppa The Little Pest 13 - 14 April Othello 15 - 16 April Belphegor 17 April Ingomar 18 April Pizarro Cartouche 20 - 22 April Ticket of Leave Man 23 April The Honeymoon Withered Leaves 24 April Ticket of Leave Man 25 April - 1 May Forsaken 2 May The Beggar’s Petition Forsaken (two acts) 4 - 5 May Rob Roy 2 6 May The Shaughraun 7 May Don Caesar de Bazan 8 May The Shaughraun 9 May The Devil in Paris Poor Joe 11 May Chevalier St George 12 May Richelieu 13 May Hamlet 14 May Romeo and Juliet 15 May Richard III 16 May Romeo and Juliet 18 - 20 May My Comrade 21 May Arra-na-pogue 22 May My Comrade 23 - 30 May Uncle Tom’s Cabin 1 - 13 June My Sweetheart 15 - 20 June Mardo 22 June -
    [Show full text]
  • La Grande Avventura Di Raoul Walsh
    LA GRANDE AVVENTURA DI RAOUL WALSH The Big Adventure of Raoul Walsh Programma.a.cura.di./.Programme curated by. Peter von Bagh Note.di./.Notes by. Paola Cristalli,.Dave Kehr.e.Peter von Bagh 176 Dopo gli omaggi a Josef von Sternberg, Frank Capra, John Ford e After Sternberg, Capra, Ford and Hawks, the name that symbolizes Howard Hawks, ecco il nome che rappresenta l’avventura e il cine- the sense of adventure and pure cinema, action and meditation, ma puro, l’azione e la meditazione, lo spettacolo e il silenzio: Raoul spectacle and silence – Raoul Walsh (1887-1980). In the words of Walsh (1887-1980). Come ha scritto Jean Douchet, i film di Walsh Jean Douchet, Walsh’s films are “an inner adventure”: “This pas- sono “un’avventura interiore”: “Questo shakespeariano passionale sionate Shakespearian is so intensely phisical because, above all, è un regista intensamente fisico perché dipinge prima di tutto il he is painting the tumultuous mental world”. Our series consists tumultuoso mondo mentale”. Il nostro programma si compone di of a full set of silents, too often ignored as indifferent sketches on una selezione di film muti, importanti quanto spesso trascurati, e the way to things to come, plus selected treasures of the sound di alcuni tesori del periodo sonoro, a partire dalla magnifica avven- period, especially the early years which include the magnificent tura in formato panoramico di The Big Trail del 1930. 1930 adventure in widescreen The Big Trail plus some brilliant A Hollywood Walsh fu un ribelle solitario: rifiutò la rete di sicurezza bonuses from later years.
    [Show full text]
  • 1895. Mille Huit Cent Quatre-Vingt-Quinze, 69 | 2013 Il Cinema Ritrovato (Bologne, 23-30 Juin 2012) Xxvie Édition 2
    1895. Mille huit cent quatre-vingt-quinze Revue de l'association française de recherche sur l'histoire du cinéma 69 | 2013 Varia Il Cinema Ritrovato (Bologne, 23-30 juin 2012) XXVIe édition Jean-Pierre Bleys, Jean Antoine Gili, Pierre-Emmanuel Jaques, Myriam Juan et Priska Morrissey Édition électronique URL : http://journals.openedition.org/1895/4620 DOI : 10.4000/1895.4620 ISSN : 1960-6176 Éditeur Association française de recherche sur l’histoire du cinéma (AFRHC) Édition imprimée Date de publication : 1 avril 2013 Pagination : 155-164 ISBN : 978-2-913758-81-0 ISSN : 0769-0959 Référence électronique Jean-Pierre Bleys, Jean Antoine Gili, Pierre-Emmanuel Jaques, Myriam Juan et Priska Morrissey, « Il Cinema Ritrovato (Bologne, 23-30 juin 2012) XXVIe édition », 1895. Mille huit cent quatre-vingt-quinze [En ligne], 69 | 2013, mis en ligne le 01 juin 2016, consulté le 15 septembre 2020. URL : http:// journals.openedition.org/1895/4620 Ce document a été généré automatiquement le 15 septembre 2020. © AFRHC Il Cinema Ritrovato (Bologne, 23-30 juin 2012) XXVIe édition 1 Il Cinema Ritrovato (Bologne, 23-30 juin 2012) XXVIe édition Jean-Pierre Bleys, Jean Antoine Gili, Pierre-Emmanuel Jaques, Myriam Juan et Priska Morrissey 1 Il y a une certaine répétitivité à écrire année après année combien Il Cinema Ritrovato constitue un rendez-vous quasi obligé pour de nombreux cinéphiles : le programme parle même d’une cinéphilie « retrouvée ». L’un des volets de l’édition 2012 poursuivait d’ailleurs l’analyse d’un phénomène tiraillé entre une position archéologique et la recherche de nouvelles pistes de réflexion : David Bordwell, Ian Christie, Thierry Frémaux, Jean Douchet, Michel Ciment, Serge Toubiana, Jean A.
    [Show full text]
  • Festival Guide
    JUNE 4–8, 2014 DETROIT • ANN ARBOR FESTIVAL GUIDE DETROIT FILM THEATRE M MICHIGAN THEATERTHEATER THE BEST FILMS FROM THE WORLD’S BEST FESTIVALS STATESTATE THEATER DELI THEATERNOW SHOWING UPSTAIRS 10 VENUES 50 FILMS 110 SCREENINGS cinetopiafestival.org 1 2014-Cinetopia-GUIDE_01.indd 1 5/14/14 11:39 AM B:8.375” T:8.125” S:7.375” The next generation of B:11.125” S:10.125” T:10.875” safe drivers begins with you. Your child’s first year behind the wheel can be one of the most dangerous of their young life. That’s why we’ve created TeenDrive365: education, events and innovative tools to help continue the conversation and keep you involved. Every mile. Every day. Visit TeenDrive365.com today. 2014-Cinetopia-GUIDE_01.indd1 TOMNANAT-14-034_C.indd 2 5/14/14 11:39 AM Saved at 5-6-2014 1:41 PM from nyc01lmoise by Lauren Moise / Lauren Moise Printed At None Job info Approvals Fonts & Images Job TOMNANAT-14-034_C Art Director Alexis Roubillad Fonts Client Toyota Copywriter None Proxima Nova (Regular, Light) Media Type Dinner Journal Account Mgr Alex Tuller Live 7.375” x 10.125” Studio Artist Lauren Moise Images Trim 8.125” x 10.875” Proofreader None 219864_01d_Print TeenSafety36-Ipad_ Bleed 8.375” x 11.125” CMYK_NOTYPE.psd (CMYK; 326 ppi; 92%), Pubs SAE Foundation Notes TD365_LGP_LOGO.eps (21.39%), 4C_BigBug_ SidebySide_LGP_WIPr2_sm.eps (14.49%) None Inks Cyan, Magenta, Yellow, Black PRESENTED BY THE MICHIGAN THEATER AND DETROIT FILM THEATRE JUNE 4-8, 2014 DETROIT • ANN ARBOR STATESTATE CINETOPIA STATESTATE INTERNATIONAL CONTENTS FILM FESTIVAL returns
    [Show full text]
  • "The Boogie Man" Jennifer J
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1992 "The boogie man" Jennifer J. Grace Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Fiction Commons, and the Poetry Commons Recommended Citation Grace, Jennifer J., ""The boogie man"" (1992). Retrospective Theses and Dissertations. 154. https://lib.dr.iastate.edu/rtd/154 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. "The Boogie Man" by Jennifer Jane Grace A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English Major: English (Creative Writing) Approved: Signature redacted for privacy Signature redacted for privacy For the Majo/Department For the Graduate College Iowa State University Ames, Iowa 1992 ii For Urias iii 0 <::] ~ 0 TABLE OF CONTENTS 0 HomeAgain 1 ..!/1 '-J My Mother Has Taken to Bending Forks 2 e Aunt Patty Gets a Job at the Bakery 3 ;;:J The Spring's First Robin 4 0 Summer Tornado 5 <:] Praise Song for a Little Girl Alone 6 OII Spring on the Playground 7 Crocuses 8 0 The Boogie Man 9 Seventh Summer, Howard's Grove 10 ~II 0 Cupboard 11 Summer, Trying to Get to Sleep 12 <J Summer, Awakening 13 0 ''The Very Thought of You" 14 <J Cantaloupe Song 15 <J Peeling Apples 16 Q Vacation 17 The Day the Lottery Went Up 18 - The Gideon Bible Man 20 <J Oll<:J <J iv <J II 0 Chicago, February, One in the Morning 22 Looking for Home 23 0,.
    [Show full text]
  • SAXTON-THESIS.Pdf
    Abstract Grotesque Subjects: Dostoevsky and Modern Southern Fiction, 1930-1960 by Benjamin T. Saxton As a reassessment of the southern grotesque, this dissertation places Flannery O’Connor, Carson McCullers, and William Faulkner in context and conversation with the fiction of Fyodor Dostoevsky. While many southern artists and intellectuals have testified to his importance as a creative model and personal inspiration, Dostoevsky’s relationship to southern writers has rarely been the focus of sustained analysis. Drawing upon Mikhail Bakhtin’s deeply positive understanding of grotesque realism, I see the grotesque as an empowering aesthetic strategy that, for O’Connor, McCullers, and Faulkner, captured their characters’ unfinished struggles to achieve renewal despite alienation and pain. My project suggests that the preponderance of a specific type of character in their fiction—a physically or mentally deformed outsider—accounts for both the distinctiveness of the southern grotesque and its affinity with Dostoevsky’s artistic approach. His grotesque characters, consequently, can fruitfully illuminate the misfits, mystics, and madmen who stand at the heart—and the margins—of modern southern fiction. By locating one source of the southern grotesque in Dostoevsky’s fiction, I assume that the southern literary imagination is not directed incestuously inward toward its southern past but also outward beyond the nation or even the hemisphere. This study thus offers one of the first evaluations of Dostoevsky’s impact on southern writers as a group. Acknowledgements I am very thankful for my professors at Rice University for their intellectual stimulation and continued support. My advisor, Colleen Lamos, has offered me guidance and encouragement on every step of the way.
    [Show full text]
  • Films Saved from Twentieth Century
    Hf NO. 41 The Museum of Modern Art FOR IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 955-6100 Cable: Modemart TOM MIX, CLARA BOW, AND OTHER EARLY STARS ON MUSEUM SCREEN "Riders of the Purple Sage" and "Just Tony," two early silent films of Tom Mix, and "Call Her Savage," starring Clara Bow, the early sex siren, will be part of a special series of "rescued" films to be shown at The Museum of Modern Art. The program, starting April 10, 1971, consists of Twentieth Century-Fox films preserved by the Museum, which have not been seen here since their original release. "Riders of the Purple Sage," a 1925 Zane Grey romance, was made by Fox four times between 1914 and 1941. Of the Tom Mix version Eileen Bowser, Associate Curator in charge of the Museum's Film Archive, points out "the camera is permitted to get closer than usual to the actor: he avoided close-ups as a rule, not only to show off to the full his splendid riding and roping skills, but also because he made little pretense of being a dramatic actor." Mix, according to Mrs. Bowser, outranked all other cowboy stars in popularity. He made his debut on film in 1919, but prior to that time he had been a star of touring Wild West shows, and he was billed as "Tom Mix Ex-U. S. Marshall, Expert Roper and Bronco Buster." The second picture starring Mix, "Just Tony," is of 1922 vintage. Named after the celebrated horse Mix rode,which plays an important role in the story, it was made on location in Nevada in the Valley of the Eagles.
    [Show full text]
  • National Gallery of Art Winter 2014 Film Program
    FILM WINTER 2014 National Gallery of Art 9 Art Films and Events 18 American Originals Now: John Gianvito 20 Max Linder Restored 23 Michael Snow: Looking Forward, Looking Back 24 Tony Palmer: Wagner and Britten 25 Recovered Treasure: UCLA’s Festival of Preservation 29 Hans Richter 32 Masterworks of Czech Animation 33 “As I Went Walking” Dreams that Money Can Buy p. 31 nga.gov/film cover: Rain (Regen) p.33 Unless otherwise noted, films are screened in the East The 2014 season opens with a new slate of non-fiction, Building Auditorium, Fourth Street and Pennsylvania experimental, and classic narrative films, featuring trib- Avenue NW. Works are presented in original formats, utes to legendary directors, contemporary groundbreak- and seating is on a first-come, first-seated bases. Doors ers, and a few often overlooked motion picture artists. open thirty minutes before each show and programs The Gallery welcomes Canadian-born artist Michael Snow, are subject to change. who will introduce several of his seminal films, including Wavelength, and welcomes back British documentarian For more information, e-mail [email protected], and historian Tony Palmer with a US premiere of his most call (202) 842-6799, or visit nga.gov/film. recent film on the legacy of composer Benjamin Britten. Other guests include John Gianvito, Caroline Martel, and Pacho Velez — all visiting to present and speak about their current work. Ciné-concerts include silent films by mas- ters Max Linder and Buster Keaton, with original scores by Andrew Simpson; a special presentation of The Yellow Ticket, with a score commissioned by the Foundation for Jewish Culture’s New Jewish Culture Network; and a screening of Victor Fleming’s silent Mantrap, just one of the recently restored gems presented during the UCLA Film & Television Archive’s biennial preservation festival, accompanied by Ben Model.
    [Show full text]
  • 1887. CONGRESSIONAL RECORD-HOUSE. 1009 R
    1887. CONGRESSIONAL RECORD-HOUSE. 1009 r clined to submit to cross-examination, and without the consideration the chairman of the Committee on Elections in a former case to the of which it will hardly be contended by anybody that a case is made right of cross-examination, and his eloquent argument illustrating how against the right of the contestee to his seat. dangerous it is to consider at all ex parte testimony. · Mr. ADAMS, of New York. Is there any claim here tha.t Ur. Page !1r. PETERS. Did these witnesses voluntarily refuse to testify? was elected? Mr. ROWELL. They voluntarily refused, and one of them volun­ Mr. ROWELL. No, sir. Hema~etheclaim, butthecommitteeab­ tarily tried to get other witnesses to refrain from appearing in the case solutely ignore that portion of his claim, and the purpose here is to de­ when summoned in rebuttal. Now, Mr. Chairman, I know bow diffi­ clare the seat vacant. Further than that under 1he permission to in­ cult it is to get attention in this House, and I know that there are dozens troduce testimony in rebuttal, in utter disregard of all rules of law or of members-a good many dozens of them just now-considering this ignorance of them, the same utter disregard which characterized the important question by engaging themselves with their correspondence­ proceedings of this contestant from the time he commenced writing his gentlemen who are sitting here at their desks occupied with matters notice of contest down through the taking of testimony and until the which necessarily involve their attention and draw it away from this final argument and during the final argument before the committee­ ca-se; and I know also, that in a little while those same gentlemen, under in disregard of the rights conferred upon him by the resolution of the their solemn oaths, will vote ay or no upon this case without know­ House and in disregard of the best settled rules of evidence known to ing anything about it.
    [Show full text]