Saint Natana Gopal
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Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
Kirtan Leelaarth Amrutdhaara
KIRTAN LEELAARTH AMRUTDHAARA INSPIRERS Param Pujya Dharma Dhurandhar 1008 Acharya Shree Koshalendraprasadji Maharaj Ahmedabad Diocese Aksharnivasi Param Pujya Mahant Sadguru Purani Swami Hariswaroopdasji Shree Swaminarayan Mandir Bhuj (Kutch) Param Pujya Mahant Sadguru Purani Swami Dharmanandandasji Shree Swaminarayan Mandir Bhuj (Kutch) PUBLISHER Shree Kutch Satsang Swaminarayan Temple (Kenton-Harrow) (Affiliated to Shree Swaminarayan Mandir Bhuj – Kutch) PUBLISHED 4th May 2008 (Chaitra Vad 14, Samvat 2064) Produced by: Shree Kutch Satsang Swaminarayan Temple - Kenton Harrow All rights reserved. No part of this book may be used or reproduced in any form or by any means without written permission from the publisher. © Copyright 2008 Artwork designed by: SKSS Temple I.T. Centre © Copyright 2008 Shree Kutch Satsang Swaminarayan Temple - Kenton, Harrow Shree Kutch Satsang Swaminarayan Temple Westfield Lane, Kenton, Harrow Middlesex, HA3 9EA, UK Tel: 020 8909 9899 Fax: 020 8909 9897 www.sksst.org [email protected] Registered Charity Number: 271034 i ii Forword Jay Shree Swaminarayan, The Swaminarayan Sampraday (faith) is supported by its four pillars; Mandir (Temple), Shastra (Holy Books), Acharya (Guru) and Santos (Holy Saints & Devotees). The growth, strength and inter- supportiveness of these four pillars are key to spreading of the Swaminarayan Faith. Lord Shree Swaminarayan has acknowledged these pillars and laid down the key responsibilities for each of the pillars. He instructed his Nand-Santos to write Shastras which helped the devotees to perform devotion (Bhakti), acquire true knowledge (Gnan), practice righteous living (Dharma) and develop non- attachment to every thing material except Supreme God, Lord Shree Swaminarayan (Vairagya). There are nine types of bhakti, of which, Lord Shree Swaminarayan has singled out Kirtan Bhakti as one of the most important and fundamental in our devotion to God. -
Sikh Kirtan in the Diaspora: Identity, Innovation, and Revivalism
SIKH KIRTAN IN THE DIASPORA: IDENTITY, INNOVATION, AND REVIVALISM Navtej K. Purewal and Harjinder S. Lallie Introduction In 2003 the Dya Singh World Music Group, upon invitation from the Sikh Mayor of a medium-size California town with a considerable Sikh com- munity, arrived from Australia to run a Sikh youth camp for the com- munity in the area. For one week, Dya Singh and his group, comprised of both Sikhs and non-Sikhs, led the camp in teaching the children Gur- mukhi, gurbani kirtan, and translations in accessible language and story- telling styles to the children of the Guru Granth Sahib. The appealing world music style of kirtan was performed by Dya Singh’s group and the children participants on the final day of the camp in front of parents and the community, surprising many in how much the children had learnt in only one week. The immediate reaction from the Gurdwara Committee members ignited an opposition to what had gone on that week. As alleg- edly commented by one committee member: He turned Darbar Sahib into an entertainment center. He even made every- one laugh with some jokes! Religion is serious business . He is blasphe- mous! We should never pay him or invite him here again.1 Not only does Dya Singh’s group use the harmonium and tabla in its ren- ditions of shabad kirtan, but also the aboriginal didgeridoo, the European gypsy violin, the electric guitar and other instruments in their recordings and performance, stretching the imagination and boundaries of kirtan into the realm of world music. -
Southern India
CASTES AND TRIBES rsf SOUTHERN INDIA E, THURSTON THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES CASTES AND TRIBES OF SOUTHERN INDIA CASTES AND TRIBES OF SOUTHERN INDIA BY EDGAR THURSTON, C.I.E., Madras Government Superintendent, Museum ; Correspondant Etranger, Socie'te'id'Anthropologie de Paris; Socio Corrispondant, Societa Romana di Anthropologia. ASSISTED BY K. RANGACHARI, M.A., of the Madras Government Museum. VOLUME VI P TO S GOVERNMENT PRESS, MADRAS 1909. College Library CASTES AND TRIBES OF SOUTHERN INDIA. VOLUME VI. filALLI OR VANNIYAN. Writing concerning this caste the Census Superintendent, 1871* records that "a book has been written by a native to show that the Pallis (Pullies or Vanniar) of the south are descendants of the fire races (Agnikulas) of the Kshatriyas, and that the Tamil Pullies were at one time the shepherd kings of Egypt." At the time of the census, 1871, a petition was submitted to Government by representatives of the caste, praying that they might be classified as Kshatriyas, and twenty years later, in con- nection with the census, 1891, a book entitled ' Vannikula ' Vilakkam : a treatise on the Vanniya caste, was compiled by Mr. T. Aiyakannu Nayakar, in support of the caste claim to be returned as Kshatriyas, for details concerning which claim I must refer the reader to the book itself. In 1907, a book entitled Varuna Darpanam (Mirror of Castes) was published, in which an attempt is made to connect the caste with the Pallavas. Kulasekhara, one of the early Travancore kings, and one of the most renowned Alwars reverenced by the Sri Vaishnava community in Southern India, is claimed by the Pallis as a king of their caste. -
Studies in Dhāraṇī Literature II: Pragmatics of Dhāraṇīs
Fairfield University DigitalCommons@Fairfield Religious Studies Faculty Publications Religious Studies Department 2-2014 Studies in Dhāraṇī Literature II: Pragmatics of Dhāraṇīs Ronald M. Davidson Fairfield University, [email protected] Follow this and additional works at: https://digitalcommons.fairfield.edu/religiousstudies-facultypubs Copyright 2014 Columbia University Press for School of Oriental and African Studies Peer Reviewed Repository Citation Davidson, Ronald M., "Studies in Dhāraṇī Literature II: Pragmatics of Dhāraṇīs" (2014). Religious Studies Faculty Publications. 103. https://digitalcommons.fairfield.edu/religiousstudies-facultypubs/103 Published Citation Davidson, Ronald M., "Studies in Dhāraṇī Literature II: Pragmatics of Dhāraṇīs." Bulletin of the School of Oriental and African Studies 77/1 (Feb. 2014): 5-61. doi:10.1017/S0041977X13000943 This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Bulletin of SOAS, 77, 1 (2014), 5–61. © SOAS, University of London, 2014. doi:10.1017/S0041977X13000943 Studies in dhāraṇī literature II: Pragmatics of dhāraṇīs1 Ronald M. Davidson Fairfield University [email protected] Abstract This article is one of a series that reassesses the dhāraṇī texts of Mahāyāna Buddhism. -
Satsang Diksha English
A Chapter of the Akshar-Purushottam Samhita SATSANG DIKSHA ENGLISH Pragat Brahmaswarup Mahant Swami Maharaj ‘Agna and upasana are two wings. Do not let go of them. A Shastra Explaining the Principles of Then Akshardham can be easily reached. Agna and Upasana as Revealed by There is no doubt in that.’ Parabrahman Bhagwan Swaminarayan - Aksharbrahman Shri Gunatitanand Swami Author Pragat Brahmaswarup Mahant Swami Maharaj Shri Swaminarayano Vijayate Brahmaswarup Bhagatji Maharaj Brahmaswarup Shastriji Maharaj Brahmaswarup Yogiji Maharaj Brahmaswarup Pramukh Swami Maharaj Bhagwan Swaminarayan and Aksharbrahman Gunatitanand Swami (Shri Akshar-Purushottam Maharaj) Shri Swaminarayano Vijayate Brahmaswarup Bhagatji Maharaj Brahmaswarup Shastriji Maharaj Brahmaswarup Yogiji Maharaj Brahmaswarup Pramukh Swami Maharaj Bhagwan Swaminarayan and Aksharbrahman Gunatitanand Swami (Shri Akshar-Purushottam Maharaj) A Chapter of the Akshar-Purushottam Samhita SATSANG DIKSHA A Shastra Explaining the Principles of Agna and Upasana as Revealed by Parabrahman Bhagwan Swaminarayan Author: Pragat Brahmaswarup Mahant Swami Maharaj Sanskrit Verses: Mahamahopadhyay Sadhu Bhadreshdas English Translation: BAPS Sadhus Swaminarayan Aksharpith Ahmedabad Publisher’s Note Under the auspices of the Pramukh Swami Maharaj Centenary Celebrations (1921–2021), we take great pleasure and pride in presenting the ‘Satsang Diksha’ shastra authored by Pragat Brahmaswarup Mahant Swami Maharaj. Bhagwan Swaminaryan nourished and fostered the timeless traditions of Hinduism through his contribution of a unique, novel philosophy called Akshar- Purushottam Darshan. In so doing, he introduced a new spiritual pathway to ultimate moksha for countless souls. In his moral and spiritual teachings, called the Shikshapatri and Vachanamrut, Bhagwan viii Satsang Diksha Swaminarayan provides a detailed guide of spiritual sadhanas for the experience of happiness through moral behaviour, social dealings and knowledge. -
Name of the Centre : DAV Bachra No
Name of the Centre : DAV Bachra No. Of Students : 474 SL. No. Roll No. Name of the Student Father's Name Mother's Name 1 19002 AJAY ORAON NIRMAL ORAON PATI DEVI 2 19003 PUJA KUMARI BINOD PARSAD SAHU SUNITA DEVI 3 19004 JYOTSANA KUMARI BINOD KUMAR NAMITA DEVI 4 19005 GAZAL SRIVASTVA BABY SANTOSH KUMAR SRIVASTAVA ASHA SRIVASTVA 5 19006 ANURADHA KUMARI PAPPU KUMAR SAH SANGEETA DEVI 6 19007 SUPRIYA KUMARI DINESH PARSAD GEETA DEVI 7 19008 SUPRIYA KUMARI RANJIT SHINGH KIRAN DEVI 8 19009 JYOTI KUMARI SHANKAR DUBEY RIMA DEVI 9 19010 NIDHI KUMARI PREM KUMAR SAW BABY DEVI 10 19011 SIMA KUMARI PARMOD KUMAR GUPTA SANGEETA DEVI 11 19012 SHREYA SRIVASTAV PRADEEP SHRIVASTAV ANIMA DEVI 12 19013 PIYUSH KUMAR DHANANJAY MEHTA SANGEETA DEVI 13 19014 ANUJ KUMAR UPENDRA VISHWAKARMA SHIMLA DEVI 14 19015 MILAN KUMAR SATYENDRA PRASAD YADAV SHEELA DEVI 15 19016 ABHISHEK KUMAR GUPTA SANT KUMAR GUPTA RINA DEVI 16 19017 PANKAJ KUMAR MUKESH KUMAR SUNITA DEVI 17 19018 AMAN KUMAR LATE. HARISHAKAR SHARMA RINKI KUMARI 18 19019 ATUL RAJ RAJESH KUMAR SATYA RUPA DEVI 19 19020 HARSH KUMAR SHAILENDRA KR. TIWARY SNEHLATA DEVI 20 19021 MUNNA THAKUR HIRA THAKUR BAIJANTI DEVI 21 19022 MD.FARID ANSARI JARAD HUSSAIN ANSARI HUSNE ARA 22 19023 MD. JILANI ANSARI MD.TAUFIQUE ANSARI FARZANA BIBI 23 19024 RISHIKESH KUNAL DAMODAR CHODHARY KAMLA DEVI 24 19025 VISHAL KR. DUBEY RAJEEV KUMAR DUBEY KIRAN DEVI 25 19026 AYUSH RANJAN ANUJ KUMAR DWIVEDI ANJU DWIVEDI 26 19027 AMARTYA PANDEY SATISH KUMAR PANDEY REENA DEVI 27 19028 SHIWANI CHOUHAN JAYPAL SINGH MAMTA DEVI 28 19029 SANDEEP KUMAR MEHTA -
RAMA BOLO by David Newman
RAMA BOLO By David Newman A Section D G D G Rama Rama Bolo Jay Jay Siya Rama Bolo D G A D Rama Rama Bolo Jay Jay Siya Rama Bol B Section G D Rama Rama Jay Shree Rama Rama Jay Shree G A D Rama Rama Jay Shree Ram C Section Em A Sita Ram Jay Sita Ram Em G A Sita Ram Jay Sita Ram GOVINDA HARE GOPALA HARE By Krishna Das A Section C F C G Govinda Hare Gopala Hare F C G C He Prabhu Deena Dayaala Hare B Section G F C Govinda Hare Gopala Hare F C G C He Prabhu Deena Dayaala Hare LONG TIME SUN Snatam Kaur (Capo II) D A B- G D (D9) May the long time sun shine upon you. C G A All love surround you. D A B- G D (D9) And the pure light within you C G D guide your way on, C G D guide your way on, C G D (A) guide your way on. SITA RAM By Ragani (Best of Both Worlds) Cm Bb Ab Bb Cm Sita Ram Sita Ram Sita Ram Jaya Sita Ram Cm Ab Ab Bb Cm Sita Ram Sita Ram Sita Ram Jaya Sita Ram Cm Bb Cm Sita Ram Sita Ram Sita Ram Sita Ram (8x) Bb Cm Sita Ram Sita Ram Sita Ram Sita Ram (2x) Cm Bb Cm Sita Ram Sita Ram Sita Ram Sita Ram (8x) CHAITANYAM ATMA By Clair Oaks E Esus4 E Esus4 Chaitan yam At ma Tat vam asi B A E Shivo ham Shivoham E Esus4 E Esus4 Satchitananda Om Shanti From the Shiva sutras. -
"Chant and Be Happy": Music, Beauty, and Celebration in a Utah Hare Krishna Community Sara Black
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Chant and Be Happy": Music, Beauty, and Celebration in a Utah Hare Krishna Community Sara Black Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC “CHANT AND BE HAPPY”: MUSIC, BEAUTY, AND CELEBRATION IN A UTAH HARE KRISHNA COMMUNITY By SARA BLACK A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music The members of the Committee approve the Thesis of Sara Black defended on October 31, 2008. __________________________ Benjamin Koen Professor Directing Thesis __________________________ Frank Gunderson Committee Member __________________________ Michael Uzendoski Committee Member Approved: ___________________________________________________________ Douglass Seaton, Chair, Musicology ___________________________________________________________ Seth Beckman, Dean, College of Music The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Figures iv List of Photographs v Abstract vi INTRODUCTION: ENCOUNTERING KRISHNA 1 1. FAITH, AESTHETICS, AND CULTURE OF KRISHNA CONSCIOUSNESS 15 2. EXPERIENCE AND MEANING 33 3. OF KRISHNAS AND CHRISTIANS: SHARING CHANT 67 APPENDIX A: IRB APPROVAL 92 BIBLIOGRAPHY 93 BIOGRAPHICAL SKETCH 99 iii LIST OF FIGURES Figure 1. Cymbal rhythm 41 Figure 2. “Mekala” beat and “Prabhupada” beat 42 Figure 3. Melodies for Maha Mantra 43-44 Figure 4. “Jaya Radha Madhava” 45 Figure 5. “Nama Om Vishnu Padaya” 47 Figure 6. “Jaya Radha Madhava” opening line 53 Figure 7. “Jaya Radha Madhava” with rhythmic pattern 53 Figure 8. “Jaya Radha Madhava” opening section 54 Figure 9. -
2.Hindu Websites Sorted Category Wise
Hindu Websites sorted Category wise Sl. No. Broad catergory Website Address Description Reference Country 1 Archaelogy http://aryaculture.tripod.com/vedicdharma/id10. India's Cultural Link with Ancient Mexico html America 2 Archaelogy http://en.wikipedia.org/wiki/Harappa Harappa Civilisation India 3 Archaelogy http://en.wikipedia.org/wiki/Indus_Valley_Civil Indus Valley Civilisation India ization 4 Archaelogy http://en.wikipedia.org/wiki/Kiradu_temples Kiradu Barmer Temples India 5 Archaelogy http://en.wikipedia.org/wiki/Mohenjo_Daro Mohenjo_Daro Civilisation India 6 Archaelogy http://en.wikipedia.org/wiki/Nalanda Nalanda University India 7 Archaelogy http://en.wikipedia.org/wiki/Taxila Takshashila University Pakistan 8 Archaelogy http://selians.blogspot.in/2010/01/ganesha- Ganesha, ‘lingga yoni’ found at newly Indonesia lingga-yoni-found-at-newly.html discovered site 9 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Ancient Idol of Lord Vishnu found Russia om/2012/05/27/ancient-idol-of-lord-vishnu- during excavation in an old village in found-during-excavation-in-an-old-village-in- Russia’s Volga Region russias-volga-region/ 10 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Mahendraparvata, 1,200-Year-Old Cambodia om/2013/06/15/mahendraparvata-1200-year- Lost Medieval City In Cambodia, old-lost-medieval-city-in-cambodia-unearthed- Unearthed By Archaeologists 11 Archaelogy http://wikimapia.org/7359843/Takshashila- Takshashila University Pakistan Taxila 12 Archaelogy http://www.agamahindu.com/vietnam-hindu- Vietnam -
Kirtan Kriya Yoga Meditation
Kirtan Kriya Yoga Meditation The Alzheimer's Research & Prevention Foundation has assembled this information on the Kirtan Kriya singing exercise for medical professionals, the public, caregivers, the media, and anyone interested in improving their brain function and improving memory loss. Kirtan Kriya exercise utilizes the primal sounds - and is meant to be practiced for greater attention, concentration, focus, improved short term memory, and better mood. The primal sounds consist of: Saa Taa Naa Maa The sounds are chanted repeatedly and in order (i.e., Saa Taa Naa Maa). They come from the mantra ‘Sat Nam’, which means ‘my true essence’. Kirtan Kriya Instructions If you would like to practice the Kirtan Kriya singing exercise, here are the basic steps: Repeat the Saa Taa Naa Maa sounds (or mantra) while sitting with your spine straight. If possible, your focus of concentration is the L form (see illustration at right), while your eyes are closed. With each syllable, imagine the sound flowing in through the top of your head and out the middle of your forehead (your third eye point). For two minutes, sing in your normal voice. For the next two minutes, sing in a whisper. For the next four minutes, say the sound silently to yourself. L Form of Concentration Then reverse the order, whispering for two minutes, and then out loud for two minutes, for a total of twelve minutes. To come out of the exercise, inhale very deeply, stretch your hands above your head, and then bring them down slowly in a sweeping motion as you exhale. The finger positions, are very important in this kriya (see illustration below). -
1 January-2014
THE DIVINE LIFE Vol. LXXII JANUARY 2014 No. 10 KATHOPANISHAD CHAPTER II VALLI ii Añ` {dò§g_mZñ` earañWñ` Xo{hZ…Ÿ& Xohm{Û_wÀ`_mZñ` {H$_Ì n[a{eî`VoŸ& EVÛ¡ VV² Ÿ&&4Ÿ&& 4. When this Atman, who dwells in the body, de parts from the body, what remains then? This ver ily is That. 2 THE DIVINE LIFE JANUARY 2014 {edmZÝX ñVmoÌ‘² SIVANANDA STOTRAM (Sri Swami Jnanananda Saraswati, Sivanandanagar) (Continued from the previous issue) AVZwVZwÚw{Vg§¶wV gÝ‘V gÝVVgo{dV^yVnVo {OVgH$bopÝж gmÝБwXmdh MÝÐg‘mZZ ‘mݶ‘Vo & ZVOZg§M¶ajUXr{jV dr{jVZm{eVnmnVVo {ed H$éUmb¶ nmb¶ ‘m§ {lV‘m{lVdËgb bmoH$Jwamo &&9&& 9. O world-teacher Siva, thy face is like the full-moon, thy body shines with a divine brilliance. Thou possessest a praiseworthy intellect and thou hast all thy senses under complete control. Thou art constantly engaged in the worship of Lord Siva. Thou art wedded to the noble task of protecting the humble and the meek and destroying the multitude of sins by a single glance. Thy sole delight is in giving joy to all. O ocean of mercy that art gracious to those who look up to thee for succor, save me thy humble suppliant. AdZV^º$narV {Zarh nar{ï>nam¶U nyÁ¶‘wZo ^wdZew^mdh ^m{fVVmo{fV‘mZwfg§M¶ gy{º$IZo & ZdZdnwñVH${Z{‘©{VVËna H$ënVê$n‘ YݶOZo {ed H$éUmb¶ nmb¶ ‘m§§ {lV‘m{lVdËgb bmoH$Jwamo &&10&& 10. O world-teacher Siva, O adorable sage, thou art desireless but thy sole purpose in life is to work out the welfare of the world.