RAMA BOLO by David Newman

Total Page：16

File Type：pdf, Size：1020Kb

RAMA BOLO By David Newman A Section D G D G Rama Rama Bolo Jay Jay Siya Rama Bolo D G A D Rama Rama Bolo Jay Jay Siya Rama Bol B Section G D Rama Rama Jay Shree Rama Rama Jay Shree G A D Rama Rama Jay Shree Ram C Section Em A Sita Ram Jay Sita Ram Em G A Sita Ram Jay Sita Ram GOVINDA HARE GOPALA HARE By Krishna Das A Section C F C G Govinda Hare Gopala Hare F C G C He Prabhu Deena Dayaala Hare B Section G F C Govinda Hare Gopala Hare F C G C He Prabhu Deena Dayaala Hare LONG TIME SUN Snatam Kaur (Capo II) D A B- G D (D9) May the long time sun shine upon you. C G A All love surround you. D A B- G D (D9) And the pure light within you C G D guide your way on, C G D guide your way on, C G D (A) guide your way on. SITA RAM By Ragani (Best of Both Worlds) Cm Bb Ab Bb Cm Sita Ram Sita Ram Sita Ram Jaya Sita Ram Cm Ab Ab Bb Cm Sita Ram Sita Ram Sita Ram Jaya Sita Ram Cm Bb Cm Sita Ram Sita Ram Sita Ram Sita Ram (8x) Bb Cm Sita Ram Sita Ram Sita Ram Sita Ram (2x) Cm Bb Cm Sita Ram Sita Ram Sita Ram Sita Ram (8x) CHAITANYAM ATMA By Clair Oaks E Esus4 E Esus4 Chaitan yam At ma Tat vam asi B A E Shivo ham Shivoham E Esus4 E Esus4 Satchitananda Om Shanti From the Shiva sutras. The Self is Conciousness itself, you are that. Truth/consciousness/bliss – Om peace HALLELUJAH SRI RAM By Krishna Das Cm Ab Bb Cm Sri Ram Jaya Ram Jai Jai Ram Cm Ab Bb Cm Sri Ram Jaya Ram Jai Jai Ram Cm Ab Eb Bb Sita Ram Sita Ram Jai Jai Sita Ram Cm Ab Eb Bb Sita Ram Sita Ram Jai Jai Hanuman Jaya Shambo By Benjy Wertheimer Cm Ab Jaya Jaya Jaya Shambo Bb Cm Hara Hara Hara Shambo Cm Ab Maha Deva Shambo Ab Bb Cm Maha Deva Shambo HARE KRISHNA GOVINDA By Ragani A Section G Dm G Hare Krishna Govinda Mohan Murari B Section C G D G Japa Kara Japa Kara Are Mana Bhikari C Section G D C G Mohan Murare Mohan Murare Bridge D C G Mohan Murare Mohan Murare GANESHAYA By Brenda McMorrow A Section (in 6) C G F Ganeshaya Namoh Namah C G F Jaya Jaya Vinayaka B Section F C G Sri Sri Jai Sri F C G Jai Sri Ganapati C Section (in 6, then in 4 at end) G F C Om Gung Ganapatayei Namaha G F C Om Gung Ganapatayei Namaha MOOLA MANTRA By Deva Premal & Miten Cm Om Sat chi ta nanda Para brahma Cm Puru sho thama Pa ra ma tma Ab Sri Bhagavati Sametha Bb Ab Cm Sri Bhagavate Namaha Cm Hare Om Tat Sat Bb Hare Om Tat Sat Ab Bb Hare Om Tat Sat Gm Cm Hare Om Tat Sat GOVINDA HARE GOPALA HARE By Krishna Das A Section C F C G Govinda Hare Gopala Hare F C G C He Prabhu Deena Dayaala Hare B Section G F C Govinda Hare Gopala Hare F C G C He Prabhu Deena Dayaala Hare HE MAHA LAKSHMI (LOVE PEACE CHANT) By David Newman A Section D ---- He Maha Lakshmi He Saraswati He Mata Kali G D G Jagatambe Jay Jay Ma Jagatambe Jay Jay D Ma .

Copy Link

Recommended publications

Kirtan Leelaarth Amrutdhaara
KIRTAN LEELAARTH AMRUTDHAARA INSPIRERS Param Pujya Dharma Dhurandhar 1008 Acharya Shree Koshalendraprasadji Maharaj Ahmedabad Diocese Aksharnivasi Param Pujya Mahant Sadguru Purani Swami Hariswaroopdasji Shree Swaminarayan Mandir Bhuj (Kutch) Param Pujya Mahant Sadguru Purani Swami Dharmanandandasji Shree Swaminarayan Mandir Bhuj (Kutch) PUBLISHER Shree Kutch Satsang Swaminarayan Temple (Kenton-Harrow) (Affiliated to Shree Swaminarayan Mandir Bhuj – Kutch) PUBLISHED 4th May 2008 (Chaitra Vad 14, Samvat 2064) Produced by: Shree Kutch Satsang Swaminarayan Temple - Kenton Harrow All rights reserved. No part of this book may be used or reproduced in any form or by any means without written permission from the publisher. © Copyright 2008 Artwork designed by: SKSS Temple I.T. Centre © Copyright 2008 Shree Kutch Satsang Swaminarayan Temple - Kenton, Harrow Shree Kutch Satsang Swaminarayan Temple Westfield Lane, Kenton, Harrow Middlesex, HA3 9EA, UK Tel: 020 8909 9899 Fax: 020 8909 9897 www.sksst.org [email protected] Registered Charity Number: 271034 i ii Forword Jay Shree Swaminarayan, The Swaminarayan Sampraday (faith) is supported by its four pillars; Mandir (Temple), Shastra (Holy Books), Acharya (Guru) and Santos (Holy Saints & Devotees). The growth, strength and inter- supportiveness of these four pillars are key to spreading of the Swaminarayan Faith. Lord Shree Swaminarayan has acknowledged these pillars and laid down the key responsibilities for each of the pillars. He instructed his Nand-Santos to write Shastras which helped the devotees to perform devotion (Bhakti), acquire true knowledge (Gnan), practice righteous living (Dharma) and develop non- attachment to every thing material except Supreme God, Lord Shree Swaminarayan (Vairagya). There are nine types of bhakti, of which, Lord Shree Swaminarayan has singled out Kirtan Bhakti as one of the most important and fundamental in our devotion to God.
[Show full text]
Sikh Kirtan in the Diaspora: Identity, Innovation, and Revivalism
SIKH KIRTAN IN THE DIASPORA: IDENTITY, INNOVATION, AND REVIVALISM Navtej K. Purewal and Harjinder S. Lallie Introduction In 2003 the Dya Singh World Music Group, upon invitation from the Sikh Mayor of a medium-size California town with a considerable Sikh com- munity, arrived from Australia to run a Sikh youth camp for the com- munity in the area. For one week, Dya Singh and his group, comprised of both Sikhs and non-Sikhs, led the camp in teaching the children Gur- mukhi, gurbani kirtan, and translations in accessible language and story- telling styles to the children of the Guru Granth Sahib. The appealing world music style of kirtan was performed by Dya Singh’s group and the children participants on the final day of the camp in front of parents and the community, surprising many in how much the children had learnt in only one week. The immediate reaction from the Gurdwara Committee members ignited an opposition to what had gone on that week. As alleg- edly commented by one committee member: He turned Darbar Sahib into an entertainment center. He even made every- one laugh with some jokes! Religion is serious business . He is blasphe- mous! We should never pay him or invite him here again.1 Not only does Dya Singh’s group use the harmonium and tabla in its ren- ditions of shabad kirtan, but also the aboriginal didgeridoo, the European gypsy violin, the electric guitar and other instruments in their recordings and performance, stretching the imagination and boundaries of kirtan into the realm of world music.
[Show full text]
Satsang Diksha English
A Chapter of the Akshar-Purushottam Samhita SATSANG DIKSHA ENGLISH Pragat Brahmaswarup Mahant Swami Maharaj ‘Agna and upasana are two wings. Do not let go of them. A Shastra Explaining the Principles of Then Akshardham can be easily reached. Agna and Upasana as Revealed by There is no doubt in that.’ Parabrahman Bhagwan Swaminarayan - Aksharbrahman Shri Gunatitanand Swami Author Pragat Brahmaswarup Mahant Swami Maharaj Shri Swaminarayano Vijayate Brahmaswarup Bhagatji Maharaj Brahmaswarup Shastriji Maharaj Brahmaswarup Yogiji Maharaj Brahmaswarup Pramukh Swami Maharaj Bhagwan Swaminarayan and Aksharbrahman Gunatitanand Swami (Shri Akshar-Purushottam Maharaj) Shri Swaminarayano Vijayate Brahmaswarup Bhagatji Maharaj Brahmaswarup Shastriji Maharaj Brahmaswarup Yogiji Maharaj Brahmaswarup Pramukh Swami Maharaj Bhagwan Swaminarayan and Aksharbrahman Gunatitanand Swami (Shri Akshar-Purushottam Maharaj) A Chapter of the Akshar-Purushottam Samhita SATSANG DIKSHA A Shastra Explaining the Principles of Agna and Upasana as Revealed by Parabrahman Bhagwan Swaminarayan Author: Pragat Brahmaswarup Mahant Swami Maharaj Sanskrit Verses: Mahamahopadhyay Sadhu Bhadreshdas English Translation: BAPS Sadhus Swaminarayan Aksharpith Ahmedabad Publisher’s Note Under the auspices of the Pramukh Swami Maharaj Centenary Celebrations (1921–2021), we take great pleasure and pride in presenting the ‘Satsang Diksha’ shastra authored by Pragat Brahmaswarup Mahant Swami Maharaj. Bhagwan Swaminaryan nourished and fostered the timeless traditions of Hinduism through his contribution of a unique, novel philosophy called Akshar- Purushottam Darshan. In so doing, he introduced a new spiritual pathway to ultimate moksha for countless souls. In his moral and spiritual teachings, called the Shikshapatri and Vachanamrut, Bhagwan viii Satsang Diksha Swaminarayan provides a detailed guide of spiritual sadhanas for the experience of happiness through moral behaviour, social dealings and knowledge.
[Show full text]
Name of the Centre : DAV Bachra No
Name of the Centre : DAV Bachra No. Of Students : 474 SL. No. Roll No. Name of the Student Father's Name Mother's Name 1 19002 AJAY ORAON NIRMAL ORAON PATI DEVI 2 19003 PUJA KUMARI BINOD PARSAD SAHU SUNITA DEVI 3 19004 JYOTSANA KUMARI BINOD KUMAR NAMITA DEVI 4 19005 GAZAL SRIVASTVA BABY SANTOSH KUMAR SRIVASTAVA ASHA SRIVASTVA 5 19006 ANURADHA KUMARI PAPPU KUMAR SAH SANGEETA DEVI 6 19007 SUPRIYA KUMARI DINESH PARSAD GEETA DEVI 7 19008 SUPRIYA KUMARI RANJIT SHINGH KIRAN DEVI 8 19009 JYOTI KUMARI SHANKAR DUBEY RIMA DEVI 9 19010 NIDHI KUMARI PREM KUMAR SAW BABY DEVI 10 19011 SIMA KUMARI PARMOD KUMAR GUPTA SANGEETA DEVI 11 19012 SHREYA SRIVASTAV PRADEEP SHRIVASTAV ANIMA DEVI 12 19013 PIYUSH KUMAR DHANANJAY MEHTA SANGEETA DEVI 13 19014 ANUJ KUMAR UPENDRA VISHWAKARMA SHIMLA DEVI 14 19015 MILAN KUMAR SATYENDRA PRASAD YADAV SHEELA DEVI 15 19016 ABHISHEK KUMAR GUPTA SANT KUMAR GUPTA RINA DEVI 16 19017 PANKAJ KUMAR MUKESH KUMAR SUNITA DEVI 17 19018 AMAN KUMAR LATE. HARISHAKAR SHARMA RINKI KUMARI 18 19019 ATUL RAJ RAJESH KUMAR SATYA RUPA DEVI 19 19020 HARSH KUMAR SHAILENDRA KR. TIWARY SNEHLATA DEVI 20 19021 MUNNA THAKUR HIRA THAKUR BAIJANTI DEVI 21 19022 MD.FARID ANSARI JARAD HUSSAIN ANSARI HUSNE ARA 22 19023 MD. JILANI ANSARI MD.TAUFIQUE ANSARI FARZANA BIBI 23 19024 RISHIKESH KUNAL DAMODAR CHODHARY KAMLA DEVI 24 19025 VISHAL KR. DUBEY RAJEEV KUMAR DUBEY KIRAN DEVI 25 19026 AYUSH RANJAN ANUJ KUMAR DWIVEDI ANJU DWIVEDI 26 19027 AMARTYA PANDEY SATISH KUMAR PANDEY REENA DEVI 27 19028 SHIWANI CHOUHAN JAYPAL SINGH MAMTA DEVI 28 19029 SANDEEP KUMAR MEHTA
[Show full text]
"Chant and Be Happy": Music, Beauty, and Celebration in a Utah Hare Krishna Community Sara Black
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Chant and Be Happy": Music, Beauty, and Celebration in a Utah Hare Krishna Community Sara Black Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC “CHANT AND BE HAPPY”: MUSIC, BEAUTY, AND CELEBRATION IN A UTAH HARE KRISHNA COMMUNITY By SARA BLACK A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music The members of the Committee approve the Thesis of Sara Black defended on October 31, 2008. __________________________ Benjamin Koen Professor Directing Thesis __________________________ Frank Gunderson Committee Member __________________________ Michael Uzendoski Committee Member Approved: ___________________________________________________________ Douglass Seaton, Chair, Musicology ___________________________________________________________ Seth Beckman, Dean, College of Music The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Figures iv List of Photographs v Abstract vi INTRODUCTION: ENCOUNTERING KRISHNA 1 1. FAITH, AESTHETICS, AND CULTURE OF KRISHNA CONSCIOUSNESS 15 2. EXPERIENCE AND MEANING 33 3. OF KRISHNAS AND CHRISTIANS: SHARING CHANT 67 APPENDIX A: IRB APPROVAL 92 BIBLIOGRAPHY 93 BIOGRAPHICAL SKETCH 99 iii LIST OF FIGURES Figure 1. Cymbal rhythm 41 Figure 2. “Mekala” beat and “Prabhupada” beat 42 Figure 3. Melodies for Maha Mantra 43-44 Figure 4. “Jaya Radha Madhava” 45 Figure 5. “Nama Om Vishnu Padaya” 47 Figure 6. “Jaya Radha Madhava” opening line 53 Figure 7. “Jaya Radha Madhava” with rhythmic pattern 53 Figure 8. “Jaya Radha Madhava” opening section 54 Figure 9.
[Show full text]
Kirtan Kriya Yoga Meditation
Kirtan Kriya Yoga Meditation The Alzheimer's Research & Prevention Foundation has assembled this information on the Kirtan Kriya singing exercise for medical professionals, the public, caregivers, the media, and anyone interested in improving their brain function and improving memory loss. Kirtan Kriya exercise utilizes the primal sounds - and is meant to be practiced for greater attention, concentration, focus, improved short term memory, and better mood. The primal sounds consist of: Saa Taa Naa Maa The sounds are chanted repeatedly and in order (i.e., Saa Taa Naa Maa). They come from the mantra ‘Sat Nam’, which means ‘my true essence’. Kirtan Kriya Instructions If you would like to practice the Kirtan Kriya singing exercise, here are the basic steps: Repeat the Saa Taa Naa Maa sounds (or mantra) while sitting with your spine straight. If possible, your focus of concentration is the L form (see illustration at right), while your eyes are closed. With each syllable, imagine the sound flowing in through the top of your head and out the middle of your forehead (your third eye point). For two minutes, sing in your normal voice. For the next two minutes, sing in a whisper. For the next four minutes, say the sound silently to yourself. L Form of Concentration Then reverse the order, whispering for two minutes, and then out loud for two minutes, for a total of twelve minutes. To come out of the exercise, inhale very deeply, stretch your hands above your head, and then bring them down slowly in a sweeping motion as you exhale. The finger positions, are very important in this kriya (see illustration below).
[Show full text]
1 January-2014
THE DIVINE LIFE Vol. LXXII JANUARY 2014 No. 10 KATHOPANISHAD CHAPTER II VALLI ii Añ` {dò§g_mZñ` earañWñ` Xo{hZ…Ÿ& Xohm{Û_wÀ`_mZñ` {H$_Ì n[a{eî`VoŸ& EVÛ¡ VV² Ÿ&&4Ÿ&& 4. When this Atman, who dwells in the body, de parts from the body, what remains then? This ver ily is That. 2 THE DIVINE LIFE JANUARY 2014 {edmZÝX ñVmoÌ‘² SIVANANDA STOTRAM (Sri Swami Jnanananda Saraswati, Sivanandanagar) (Continued from the previous issue) AVZwVZwÚw{Vg§¶wV gÝ‘V gÝVVgo{dV^yVnVo {OVgH$bopÝÐ¶ gmÝÐ‘wXmdh MÝÐg‘mZZ ‘mÝ¶‘Vo & ZVOZg§M¶ajUXr{jV dr{jVZm{eVnmnVVo {ed H$éUmb¶ nmb¶ ‘m§ {lV‘m{lVdËgb bmoH$Jwamo &&9&& 9. O world-teacher Siva, thy face is like the full-moon, thy body shines with a divine brilliance. Thou possessest a praiseworthy intellect and thou hast all thy senses under complete control. Thou art constantly engaged in the worship of Lord Siva. Thou art wedded to the noble task of protecting the humble and the meek and destroying the multitude of sins by a single glance. Thy sole delight is in giving joy to all. O ocean of mercy that art gracious to those who look up to thee for succor, save me thy humble suppliant. AdZV^º$narV {Zarh nar{ï>nam¶U nyÁ¶‘wZo ^wdZew^mdh ^m{fVVmo{fV‘mZwfg§M¶ gy{º$IZo & ZdZdnwñVH${Z{‘©{VVËna H$ënVê$n‘ YÝ¶OZo {ed H$éUmb¶ nmb¶ ‘m§§ {lV‘m{lVdËgb bmoH$Jwamo &&10&& 10. O world-teacher Siva, O adorable sage, thou art desireless but thy sole purpose in life is to work out the welfare of the world.
[Show full text]
Cultural Programmes Held in Jails During the Year 2018
Additional Table – 64 Cultural Programmes held in jails during the year 2018 Andhra Pradesh On 26-01-2018 i.e. Republic Day all the prisons of the state celebrated the day in which sports and essay writing competition were conducted and distributed prizes to the participants. Conducted different cultural activities with the female prison inmates in Women Jails. Conducted Dance and Singing Competitions on the occasion of International Women’s Day on 08-03-2018 in which eminent members of the Community were invited. On 2nd October all the prisons of the state conducted different cultural programmes like dance programmes, singing competition, debates on different topics and conducted rangoli competitions and also skits programmes by the inmates was conducted. On 15-08-2018 i.e. Independence Day celebration conducted in all the prisons. Arunachal Pradesh Inspirational Songs/musical programme were conducted in the prisons of the state. Assam Bihu Holi, Durga Puja, Kali Puja, Eid, Bhagabat path, Kirton Path, Nam Kirton, X-mas, Bhaona, Evening prayer, Republic day, Independence Day, Assamese songs etc. were celebrated in all the prisons of the state. Bihar Cultural programme on the occasion of Independence Day & Republic day were organized in year 2018. Spiritual and Meditational programme were conducted by James institution and during cultural programme blankets were distributed among prisoners. Music Competition, Singing & Dancing programme by prisoners were organized on eve of Independence Day, Republic day, Holi and Dussehra. Bhajan, kirtan, dance and drama were held at the occasion of national festivals and other festive time. One music hall containing one keyboard, one Electronic pad with sound system, one ZOZ set, one Guitar, one Banjo, one Harmonium, one Table with Duggi, one Naal, Two Big Dholak, one Duffle, Ten Pairs of Jhall, one mouth organ, six jhika, one pair tabla etc.
[Show full text]
Evidence Map of Yoga for High-Impact Conditions Affecting Veterans Evidence-Based Synthesis Program
Evidence Map of Yoga for High-Impact Conditions Affecting Veterans Evidence-based Synthesis Program APPENDIX A. Glossary of Yoga Terms Ashtanga yoga can refer to 2 different concepts: 1) Raja yoga, the 8-limbed or 8-fold path, which dates to the Yoga Sutras of Patanjali, or 2) the modern style invented by Pattabhi Jois in the 1920s. Both comprise 3 main parts—poses or postures (asanas), a controlled breathing style (pranayama) and meditation—and are ideally taught as a supervised self-practice moving at an individual’s own pace and with regular practice highly emphasized. The original 8 “limbs” are briefly described below as the language is used in the modern version, which is more the focus of this report. 1) Yama (self-control) deals with ethical behavior, living in harmony and practicing right social conduct. Yoga tradition gives importance to developing a balanced personality. 2) Niyama (self-regulation) denotes a set of requirements adopted by the practitioner, specifically purity, contentment, austerity, study, and surrender as a duty. 3) Asana (physical poses or postures) revolves around sitting, firm but relaxed, for timeless periods. This is achieved through practicing a set of other postures focused on a specific area of the body (sitting, standing, or inverted) for well-being, flexibility, and meditation. 4) Pranayama (mastery of breath or vital air) is a 3-step model of controlled breathing (take it inside through the nose, retain it, then discharge it through the mouth), thus honing concentration and ability to focus. 5) Pratyahara (control of the senses) is the bridge between the external and internal aspects of yoga.
[Show full text]
Kirtan: Call and Response Chanting How Does the Bliss Happen?
Kirtan: Call and Response Chanting How Does the Bliss Happen? Jo Meszaros Prairie Yoga 200 hour Foundational Yoga Teacher Training Self-Study 5.17.2013 1 My experience of kirtan has been participating in the call and response chanting of Sanskrit mantras set to music. It usually starts out slowly and methodically. The person leading the kirtan begins by constructing the mantra in small sections. She begins calling out a few words, and the audience echoes it back. The series of deliberate harmonious repetitions continue and grow: call and response, call and response. The waves of this musical back and forth, again and again, slowly build, and the mantra evolves. I liken my experience to standing on the sandy shore at the onset, and with each movement of the waves onto the shore, and then back into the ocean, I move gradually deeper into the ocean with them. I move gently further in with each wave and each repetition of the mantra. As the melody progresses, my thinking diminishes. I focus on the slow steady waves. Feeling expands. Soon, the once unfamiliar words flow easily off my tongue, and I let go of trying to remember what the mantra means. I understand the essence of what they all mean: love. My right brain wins the tug of war as my left brain finally lets go. Eventually, everything else falls away, and I completely embrace feeling. I am fully present, safely riding the ebb and flow of the waves deep in the ocean. The tempo and the volume rise and continue to build.
[Show full text]
B.A. II YEAR.Xlsx
B.A. II YEAR exam_codeinst_codecate_coderoll_no cname fname Distribution date Submission date 002 103 1 13765 ABHISHEK GURU A B GURU 07/07/2021 13/07/2021 002 103 1 13766 AES KUMAR LACHHMAN 07/07/2021 13/07/2021 002 103 1 13767 AJAY KUMAR BAGHEL LAXMAN BAGHEL 07/07/2021 13/07/2021 002 103 1 13768 AKANKSHA KRISHNA KUMAR 07/07/2021 13/07/2021 002 103 1 13769 AKASH MALI FALGUNI MALI 07/07/2021 13/07/2021 002 103 1 13770 ALINA KHAN AABID KHAN 07/07/2021 13/07/2021 002 103 1 13771 AMISHA RAMU 07/07/2021 13/07/2021 002 103 1 13772 ANITA KASHYAP BUDHRAM KASHYAP 07/07/2021 13/07/2021 002 103 1 13773 ANJALI JHAPDA RAM 07/07/2021 13/07/2021 002 103 1 13774 ANJALI RAO SURYA RAO 07/07/2021 13/07/2021 002 103 1 13775 ANKIT EKKA SILBANUS EKKA 07/07/2021 13/07/2021 002 103 1 13776 ANURADHA MEDIYA BANSHILAL MEDIYA 07/07/2021 13/07/2021 002 103 1 13777 ARUNA PATEL SHIV SHANKAR PATEL 07/07/2021 13/07/2021 002 103 1 13778 ASMITA BAHEKAR RAMESH BAHEKAR 07/07/2021 13/07/2021 002 103 1 13779 BABLI SOMNATH 07/07/2021 13/07/2021 002 103 1 13780 BABLI MOURYA SUKHRAM 07/07/2021 13/07/2021 002 103 1 13781 BHARAT SINGH BAGHEL RATAN SINGH BAGHEL 07/07/2021 13/07/2021 002 103 1 13782 BHARTI NISHAD NILURAM NISHAD 07/07/2021 13/07/2021 002 103 1 13783 BHASKAR KASHYAP KAMLOCHAN KASHYAP 07/07/2021 13/07/2021 002 103 1 13784 BHAVESH KUMAR BAGHEL GHASI RAM BAGHEL 07/07/2021 13/07/2021 002 103 1 13785 BHAVIKA BAFNA PRAKASHCHAND BAFNA 07/07/2021 13/07/2021 002 103 1 13786 BHUPENDRA GAURI SINGH 07/07/2021 13/07/2021 002 103 1 13787 BIHARI LAL SIRDHAR 07/07/2021 13/07/2021
[Show full text]
Kirtan Bhakti
Shree Swãminãrãyan Vijaytetram Kirtan Bhakti Printed & Published by: Shree Swaminarayan Temple Bhuj With the blessings of: Mahant Purani Swami Shree Dharmanandan Dasji Shree Swaminarayan Mandir Shree Swaminarayan Road Bhuj-Kutch Tel: +91 2832 250231 www.bhujmandir.org info.bhujmandir.org “In Kaliyug, chanting God’s name by the way of kirtans and dhun will give us the same punya as performing yagna, tap, and vrat” Shreemad Bhãgvat “All my satsangis should go to mandir every evening, and loudly sing dhun and kirtans about the greatness of Bhagvãn” Swãminãrayan Bhagvãn (Shikshapatri – Shlok 63) “If we play instruments and sing kirtans, but we forget Bhagvãn, it is like not singing at all. There are many people in the world who sing, and play instruments, but they forget Bhagvãn. They do not have peace of mind. This is why we should sing Bhagvãn’s kirtans, sing dhun, and play instruments while keeping Bhagvãn in our mind.” Swãminãrayan Bhagvãn (Vachanamrut - Gadhadã Pratham 22) - ii - Alphabet k K g G c C k kh g gh ch chh j J t T d D j j t th d dh N w W f F n n t th d dh n p P b B m y p f b bh m y r l v X S s r l v sh sh s h L x Y h l ksh gn a aA [ { ] } a ã i ee u oo ae aE o O a® a: e ai o au ñ ah - iii - NITYA NIYAM ......................................................................... 1 Mangalã-Charan ...................................................................... 1 Jan-Mangal Stotra ................................................................... 1 Godi ...........................................................................................
[Show full text]