Angola After 40 Years of Independence: the Way Ahead
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The Following Is Most of the Text of the Presentation I Did at Readercon 29
The following is most of the text of the presentation I did at Readercon 29. I ran out of time, so I wasn't able to give the entire talk. And my Powerpoint file became corrupted, so I gave the presentation without the images, as I'd originally planned. Here, then, is the original, as requested by a couple of the folks who attended the presentation. THE HISTORY OF HORROR LITERATURE IN AFRICA IN THE 20TH CENTURY Horror literature has not been restricted to the United States, the United Kingdom, and Europe, despite what critics and historians of the genre assume. Most countries which have a flourishing market for popular literature have seen natively-written horror fiction, whether in the form of dime novels, short stories, or novels. This is true of the European countries, whose horror writers are given at least a cursory mention in the broader types of horror criticism. But this is also true of countries outside of Europe, and in countries and continents where Western horror critics dare not tread, like Africa. Now, a thorough history of African horror literature is beyond the time I have today, so what follows is going to be a more limited coverage, of African horror literature in the twentieth century. I’ll be going alphabetically and chronologically through three time periods: 1901-1940, 1941-1970, and 1971-2000. I’d love to be able to tell you a unified theory of African horror literature for those time periods, but there isn’t one. Africa is far too large for that. -
Portuguese Language in Angola: Luso-Creoles' Missing Link? John M
Portuguese language in Angola: luso-creoles' missing link? John M. Lipski {presented at annual meeting of the AATSP, San Diego, August 9, 1995} 0. Introduction Portuguese explorers first reached the Congo Basin in the late 15th century, beginning a linguistic and cultural presence that in some regions was to last for 500 years. In other areas of Africa, Portuguese-based creoles rapidly developed, while for several centuries pidginized Portuguese was a major lingua franca for the Atlantic slave trade, and has been implicated in the formation of many Afro- American creoles. The original Portuguese presence in southwestern Africa was confined to limited missionary activity, and to slave trading in coastal depots, but in the late 19th century, Portugal reentered the Congo-Angola region as a colonial power, committed to establishing permanent European settlements in Africa, and to Europeanizing the native African population. In the intervening centuries, Angola and the Portuguese Congo were the source of thousands of slaves sent to the Americas, whose language and culture profoundly influenced Latin American varieties of Portuguese and Spanish. Despite the key position of the Congo-Angola region for Ibero-American linguistic development, little is known of the continuing use of the Portuguese language by Africans in Congo-Angola during most of the five centuries in question. Only in recent years has some attention been directed to the Portuguese language spoken non-natively but extensively in Angola and Mozambique (Gonçalves 1983). In Angola, the urban second-language varieties of Portuguese, especially as spoken in the squatter communities of Luanda, have been referred to as Musseque Portuguese, a name derived from the KiMbundu term used to designate the shantytowns themselves. -
On Literature and National Culture
ON LITERATU RE AND NAT IONAL CULTURE1 By Agostinho Neto 0 O.V LITERATURg2 COmrades: It is with the greatest pleasure that I attend this formal ceremony for the installation of the Governing Bodies of the Angolan Writers' Union. As all of you will understand, only the guarantees offered by the other members of the General Assembly and by the COmrade Secretary- General were able to convince me to accept one more obligation added to so many others. Nevertheless, I wish to thank the Angolan Writers ' Union for this kind gesture and to express my hope that whenever it may be necessary for me to make my contribution to the Union that the COmrades as a whole or individually will not hesitate to put before me the problems that go along with these new duties that I now assume . I wish to use this occasion to pay homage to those COmrade writers who before and after the national liberation struggle suffered persecution, to those who lost their freedom in prison or exile, and to those who inside the country were politically segr~gated and thus placed in unusual situations. I also wish to join with all the COmrades here in the homage that was paid to those Comrades who heroically made the ultimate sacrifice during the national liberation struggle, and who today are no longer with us. Comrades: We have taken one more step forward in our national life with the forming of this Writers' Union which continues the literary traditions of the period of resistence against colon ialism. During that period, and in spite of colonial-fascist repression, a task was accomplished that will go down in the annals of Angola' s revolutionary history as a valuable contri bution to the Victory of the Angolan People. -
Politics, Commerce, and Colonization in Angola at the Turn of the Eighteenth Century
Politics, Commerce, and Colonization in Angola at the Turn of the Eighteenth Century John Whitney Harvey Dissertação em História Moderna e dos Descobrimentos Orientador: Professor Doutor Pedro Cardim Setembro, 2012 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em História Moderna e dos Descobrimentos realizada sob a orientação científica do Professor Doutor Pedro Cardim e a coorientação científica do Professor Doutor Diogo Ramada Curto. I dedicate this dissertation to my father, Charles A. Harvey Jr. (1949-2009), whose wisdom, hard work, and dedication I strive to emulate. The last thing he knew about me was that I was going to study at FCSH, and I hope that I have made him proud. Acknowledgements There are so many people that were instrumental to the production of this dissertation that it would be impossible to include everyone in this space. I want to take the opportunity to thank everyone that supported me emotionally and academically throughout this year. Know that I know who you are, I appreciate everything done for me, and hope to return the support in the future. I would also like to thank the Center for Overseas History for the resources and opportunities afforded to me, as well as all of my professors and classmates that truly enriched my academic career throughout the last two years. There are some people whom without, this would not have been possible. The kindness, friendship, and support shown by Nuno and Luisa throughout this process I will never forget, and I am incredibly grateful and indebted to you both. -
Introduction
Introduction The cover image of a wire-and-bead-art radio embodies some of this book’s key themes. I purchased this radio on tourist-thronged Seventh Street in the Melville neighborhood of Johannesburg. The artist, Jonah, was an im- migrant who fled the authoritarianism and economic collapse in his home country of Zimbabwe. The technology is stripped down and simple. It is also a piece of art and, as such, a representation of radio. The wire, beadwork, and swath of a Coca-Cola can announce radio’s energy, commercialization, and global circulation in an African frame. The radio works, mechanically and aesthetically. The wire radio is whimsical. It points at itself and outward. No part of the radio is from or about Angola. But this little radio contains a regional history of decolonization, national liberation movements, people crossing borders, and white settler colonies that turned the Cold War hot in southern Africa. Powerful Frequencies focuses on radio in Angola from the first quarter of the twentieth century to the beginning of the twenty-first century. Like a radio tower or a wire-and-bead radio made in South Africa by a Zimbabwean im- migrant and then carried across the Atlantic to sit on a shelf in Bloomington, Indiana, this history exceeds those borders of space and time. While state broadcasters have national ambitions—having to do with creating a com- mon language, politics, identity, and enemy—the analysis of radio in this book alerts us to the sub- and supranational interests and communities that are almost always at play in radio broadcasting and listening. -
Tell Me Still, Angola the False Thing That Is Dystopia
https://doi.org/10.22409/gragoata.v26i55.47864 Tell me Still, Angola the False Thing that is Dystopia Solange Evangelista Luis a ABSTRACT José Luis Mendonça’s book Angola, me diz ainda (2017) brings together poems from the 1980s to 2016, unveiling a constellation of images that express the unfulfilled utopian Angolan dream. Although his poems gravitate around his personal experiences, they reflect a collective past. They can be understood as what Walter Benjamin called monads: historical objects (BENJAMIN, 2006, p. 262) based on the poet’s own experiences, full of meaning, emotions, feelings, and dreams. Through these monadic poems, his poetry establishes a dialogue with the past. The poet’s dystopic present is that of an Angola distanced from the dream manifested in the insubmissive poetry of Agostinho Neto and of the Message Generation, which incited decolonization through a liberation struggle and projected a utopian new nation. Mendonça revisits Neto’s Message Generation and its appeal to discover Angola: unveiling a nation with a broken dream and a dystopic present, denouncing a future that is still to come. The poet’s monads do not dwell on dystopia but wrestle conformism, fanning the spark of hope (BENJAMIN, 2006, p. 391). They expose what Adorno named the false thing (BLOCH, 1996, p. 12), sparking the longing for something true: reminding the reader that transformation is inevitable. Keywords: Angolan Literature. José Luís Mendonça. Lusophone African Literature. Dystopia. Walter Benjamin. Recebido em: 29/12/2020 Aceito em: 27/01/2021 a Universidade do Porto, Centro de Estudos Africanos, Porto, Portugal E-mail: [email protected] How to cite: LUIS, S.E. -
Saved by the Civil War: African 'Loyalists' in the Portuguese Armed Forces and Angola's Transition to Independence
Saved by the civil war: African ‘loyalists’ in the Portuguese armed forces and Angola’s transition to independence Pedro Aires Oliveira Instituto de História Contemporânea, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 1069-061 Lisboa [email protected] Abstract: The article examines the trajectories of ‘loyal’ African troops in Angola before and after the demise of Portugal’s authoritarian regime in 1974. It starts by placing the ‘Africanization’ drive of the Portuguese counterinsurgency campaign in a historical perspective; it then explores the rocky transition from colonial rule to independence in the territory between April 1974 and November 1975, describing the course of action taken by the Portuguese authorities vis-à-vis their former collaborators in the security forces. A concluding section draws a comparison between the fate of Portugal’s loyalists in Angola and the one experienced by similar groups in other ex-Portuguese colonies. The choice of Angola has the advantage of allowing us to look into a complex scenario in which the competition amongst rival nationalist groups, and a number of external factors, helped to produce a more ambiguous outcome for some of the empire’s local collaborators than what might have been otherwise expected. Keywords: Angola; colonial troops; Loyalists; counter-insurgency; Decolonization The dissolution of Portugal’s overseas empire in 1975 happened after a protracted counterinsurgency war which took place in three of its African territories (Angola, Guinea-Bissau and Mozambique), a 13 year conflict (1961- 74) that put an enormous strain on the limited demographic and economic resources of what was then Western Europe’s poorest and most undeveloped 1 state. -
A Drought-Induced African Slave Trade?
Munich Personal RePEc Archive A Drought-Induced African Slave Trade? Boxell, Levi Stanford University 3 March 2016 Online at https://mpra.ub.uni-muenchen.de/69853/ MPRA Paper No. 69853, posted 06 Mar 2016 12:59 UTC A Drought-Induced African Slave Trade?∗ Levi Boxell† Stanford University First Version: June 6, 2015 This Version: March 4, 2016 Abstract Historians have frequently suggested that droughts helped facilitate the African slave trade. By introducing a previously unused dataset on historical rainfall levels in Africa, I provide the first empirical answer to this hypothesis. I demonstrate how negative rainfall shocks and long-run shifts in the mean level of rainfall increased the number of slaves exported from a given region and can have persistent effects on the level of development today. Using a simple economic model of an individual’s decision to participate in the slave trade, along with observed empirical heterogeneity and historical anecdotes, I argue that consumption smoothing and labor allocation adjustments are the primary causal mechanisms for the negative relationship between droughts and slave exports. These findings contribute to our understanding of the process of selection into the African slave trade and have policy implications for contemporary human trafficking and slavery. JEL Classification: N37, N57, O15, Q54 Keywords: slave trade, climate, droughts, consumption smoothing, human trafficking ∗Acknowledgments: I would like to thank Jiwon Choi, John T. Dalton, James Fenske, Matthew Gentzkow, Namrata Kala, Andres Shahidinejad, Jesse M. Shapiro, and Michael Wong for their comments and suggestions. All remaining errors are mine. †SIEPR, Stanford University (Email: [email protected]) 1 1 Introduction The African slave trade significantly altered modern economic and cultural outcomes (Nunn, 2008). -
Angola and the MPLA
No One Can Stop the Rain: Angola and the MPLA http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.af000173 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org No One Can Stop the Rain: Angola and the MPLA Alternative title No One Can Stop the Rain: Angola and the MPLA Author/Creator Houser, George M.; Davis, Jennifer; Rogers, Susan Geiger; Shore, Herb Publisher Africa Fund Date 1976-07 Resource type Pamphlets Language English Subject Coverage (spatial) Angola, South Africa, United States, Namibia, Zambia Coverage (temporal) 1482 - 1976 Source Africa Action Archive Rights By kind permission of Jennifer Davis, David G. -
Angola and the Mplu J-- by Jennifer Davis, George M
angola and the mplu J-- by Jennifer Davis, George M. Houser, Susan Rogers and Herb Shore published by THE AFRICA FUND 305 E. 46th St. New York, N.Y. 10017 ANGOLA eLllSO DtWieJQI)<Ail - · -O rm.el~ co...._ l'hme -of CO{I(elflf! Of t:I~UIUCUfio Wt\111 difl~11romthi! O isea1 -- l n dau l l)lllf -- bldcl.lU fa.d + + ATLA.N TIC OC£AN + + ,.. + ... + NAM IBIA n..~·w·----~~-~~j> _,., ..,,,.~, 1'1/ti.W vtrh"~- • • ..,,._,... b lh u.ud ·"•'"""' f•UI.J'NO lOft ltt:" ..O oc:TQIIIliiUU price $1.50 NO ONE CAN STOP THE RAIN Angola and The MPLA by George Houser Jennifer Davis Herb Shore Susan Rogers THE AFRICA FUND (associated with the American Committee on Africa) 305 East 46th Street New York, New York 10017 (212) 838-5030 r----1ea = I No One Can Stop The Rain Here in prison rage contained in my breast I patiently wait for the clouds to gather 1 blown by the wind of history j l Noone l can stop the rain 1 -from "Here in Prison" by Agostinho Neto PIDE Prison Luanda, July 1960 I PREFACE This pamphlet represents a collaborative effort. Originally, much of the material included was written by George Houser as sections of an Angola chapter for a book on liberation move ments in southern Africa. Events overtook the writing of that book. Following the April, 1974 coup in Portugal and subse quent rapid changes in Guinea Bissau, Angola and Mozambique, it became impossible to find the necessary time for re-writing and updating the book manuscript in its entirety. -
Angola, a Nation in Pieces in José Eduardo Agualusa's Estação Das
Angola, a Nation in Pieces in José Eduardo Agualusa’s Estação das chuvas RAQUEL RIBEIRO University of Edinburgh Abstract: In this article, I examine José Eduardo Agualusa’s Estação das chuvas (1996), as a novel that lays bare the contradictions of the MPLA’s revolutionary process after Angola’s independence. I begin with a discussion of the proximity between trauma and (the impossibility) of fiction. I then consider the challenges Angolan writers face in presenting an alternative discourse to the “one-party, one-people, one-nation” narrative propagated by the MPLA). Finally, I discuss how Estação das chuvas, which complicates both truth/verisimilitud and history/fiction, presents an alternative vision of Angola’s national narrative. Keywords: Angolan literature; MPLA; UNITA; Truth and fiction; Nation The Angolan civil war broke out in 1975 and lasted 27 years. Yet there are still very few literary accounts of the conflict by Angolan writers. Novels about the civil war have been scarce, and there are few first person or testimonial records by those who participated directly in the conflict, as victims or perpetrators. The war was an enduring presence in Angolan literature in the 1980s, 1990s, and 2000s, but always as something distant. Generally, books do not explicitly evoke the conflict, international military interventions (South African, Soviet, Cuban), its conscripts, prisoners, and atrocities perpetrated by both the MPLA and UNITA. Texts that dealt with it at the time left its contradictions and ideological complexities aside, focusing instead on how it forced millions to migrate to 57 Ribeiro Luanda, its consequences for families, and the hardships of daily life for certain classes of Angolans. -
A HISTORY of TWENTIETH CENTURY AFRICAN LITERATURE.Rtf
A HISTORY OF TWENTIETH CENTURY AFRICAN LITERATURES Edited by Oyekan Owomoyela UNIVERSITY OF NEBRASKA PRESS © 1993 by the University of Nebraska Press All rights reserved Manufactured in the United States of America The paper in this book meets the minimum requirements of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI 239.48-1984. Library of Congress Cataloging-in-Publication Data A History of twentieth-century African literatures / edited by Oyekan Owomoyela. p. cm. Includes bibliographical references and index. ISBN 0-8032-3552-6 (alk. paper) — ISBN 0-8032-8604-x (pbk.: alk. paper) I. Owomoyela, Oyekan. PL80I0.H57 1993 809'8896—dc20 92-37874 CIP To the memory of John F. Povey Contents Acknowledgments ix Introduction I CHAPTER I English-Language Fiction from West Africa 9 Jonathan A. Peters CHAPTER 2 English-Language Fiction from East Africa 49 Arlene A. Elder CHAPTER 3 English-Language Fiction from South Africa 85 John F. Povey CHAPTER 4 English-Language Poetry 105 Thomas Knipp CHAPTER 5 English-Language Drama and Theater 138 J. Ndukaku Amankulor CHAPTER 6 French-Language Fiction 173 Servanne Woodward CHAPTER 7 French-Language Poetry 198 Edris Makward CHAPTER 8 French-Language Drama and Theater 227 Alain Ricard CHAPTER 9 Portuguese-Language Literature 240 Russell G. Hamilton -vii- CHAPTER 10 African-Language Literatures: Perspectives on Culture and Identity 285 Robert Cancel CHAPTER II African Women Writers: Toward a Literary History 311 Carole Boyce Davies and Elaine Savory Fido CHAPTER 12 The Question of Language in African Literatures 347 Oyekan Owomoyela CHAPTER 13 Publishing in Africa: The Crisis and the Challenge 369 Hans M.