Wk 15 – 1976 April 10 – USA Top 100

Total Page:16

File Type:pdf, Size:1020Kb

Wk 15 – 1976 April 10 – USA Top 100 Wk 15 – 1976 April 10 – USA Top 100 1 1 8 DISCO LADY Johnnie Taylor 2 2 15 DREAM WEAVER Gary Wright 3 3 12 LONELY NIGHT Captain & Tennille 4 4 11 LET YOUR LOVE FLOW Bellamy Brothers 5 6 9 RIGHT BACK WHERE WE STARTED Maxine Nightingale 6 7 23 DREAM ON Aerosmith 7 16 9 BOOGIE FEVER Sylvers 8 11 15 ONLY SIXTEEN Dr. Hook 9 12 16 SWEET LOVE Commodores 10 10 18 GOLDEN YEARS David Bowie 11 13 8 SHOW ME THE WAY Peter Frampton 12 15 15 BOHEMIAN RHAPSODY Queen 13 5 15 SWEET THING Rufus 14 8 16 DECEMBER 1963 Four Seasons 15 17 7 THERE'S A KIND OF HUSH Carpenters 16 9 10 MONEY HONEY Bay City Rollers 17 14 18 DEEP PURPLE Donny & Marie Osmond 18 27 6 FOOLED AROUND AND FELL IN LOVE Elvin Bishop 19 19 17 ALL BY MYSELF Eric Carmen 20 59 3 WELCOME BACK John Sebastian 21 21 9 ACTION Sweet 22 22 25 LOVE MACHINE Miracles 23 26 9 I DO I DO I DO I DO I DO Abba 24 20 17 TAKE IT TO THE LIMIT Eagles 25 18 12 TANGERINE Salsoul Orchestra 26 34 7 SHANNON Henry Gross 27 31 6 LIVIN' FOR THE WEEKEND O'Jays 28 28 9 ONLY LOVE IS REAL Carole King 29 29 6 LOOKING FOR SPACE John Denver 30 30 10 LOVEFIRE Jigsaw 31 35 9 LORELEI Styx 32 33 9 YOU'LL LOSE A GOOD THING Freddy Fender 33 37 8 FOPP Ohio Players 34 39 11 SARA SMILE Hall & Oates 35 41 5 STRANGE MAGIC Electric Light Orchestra 36 38 9 WE CAN'T HIDE IT ANYMORE Larry Santos 37 45 4 TRYIN' TO GET THE FEELING AGAIN Barry Manilow 38 49 4 MISTY BLUE Dorothy Moore 39 46 6 RHIANNON Fleetwood Mac 40 40 7 HIT THE ROAD JACK Stampeders 41 43 10 UNION MAN Cate Brothers 41 41 7 WITHOUT YOUR LOVE Charlie Ross 43 53 6 HAPPY MUSIC Blackbyrds 44 54 5 GET UP AND BOOGIE Silver Convention 45 50 5 COME ON OVER Olivia Newton-John 46 51 4 YOUNG BLOOD Bad Company 47 24 14 JUNK FOOD JUNKIE Larry Groce 48 25 10 GOOD HEARTED WOMAN Waylon & Willie 49 32 21 LOVE HURTS Nazareth 50 60 4 SHOUT IT OUT LOUD Kiss 51 64 3 DON'T PULL YOUR LOVE Glen Campbell 52 78 2 LOVE HANGOVER Diana Ross 53 63 3 CAN'T HIDE LOVE Earth Wind & Fire 54 55 5 MOZAMBIQUE Bob Dylan 55 65 5 MORE MORE MORE Andrea True Connection 56 66 3 I'VE GOT A FEELING Al Wilson 57 23 16 FANNY Bee Gees 58 - 1 SILLY LOVE SONGS Wings 59 61 4 HEAVY LOVE David Ruffin 60 36 9 HE'S A FRIEND Eddie Kendricks 61 - 1 WHEN LOVE HAS GONE AWAY Richard Cocciante 62 62 4 OPHELIA The Band 63 44 22 THEME FROM S.W.A.T. Rhythm Heritage 64 75 3 HURT Elvis Presley 65 68 5 HERE THERE AND EVERYWHERE Emmylou Harris 66 67 5 QUEEN OF CLUBS K.C. & The Sunshine Band 67 77 2 ANYTIME Paul Anka 68 81 2 FALLEN ANGEL Frankie Valli 69 69 4 SALLY Grand Funk Railroad 70 84 2 MOVIN' Brass Construction 71 85 2 LOVE REALLY HURTS WITHOUT YOU Billy Ocean 72 74 6 EH CUMPARI Gaylord & Holiday 73 83 3 FALLING APART AT THE SEAMS Marmalade 74 47 4 I THOUGHT IT TOOK A LITTLE TIME Diana Ross 75 79 3 THERE WON'T BE NO COUNTRY MUSIC C.W. McCall 76 - 1 BARETTA'S THEME Rhythm Heritage 77 58 17 50 WAYS TO LEAVE YOUR LOVER Paul Simon 78 88 2 EVERYDAY WITHOUT YOU Hamilton, Joe Frank & Reynolds 79 89 2 HAPPY DAYS Pratt & McClain 80 90 2 JASPER Jim Stafford 81 86 5 YOU ARE BEAUTIFUL Stylistics 82 56 6 STREET TALK Bob Crewe Generation 83 87 3 HEY BABY Ted Nugent 84 - 1 LOVE IN THE SHADOWS Neil Sedaka 85 - 1 I'M MANDY FLY ME 10cc 86 - 1 IT'S OVER Boz Scaggs 87 - 1 JEALOUSY Major Harris 88 - 1 FOREVER LOVERS Mac Davis 89 93 4 LOVE AND UNDERSTANDING Kool & The Gang 90 - 1 LET'S MAKE A BABY Billy Paul 91 95 2 LOVE HANGOVER 5th Dimension 92 92 3 WORDS Danny Gerrard 93 - 1 TURHN THE BEAT AROUND Vicki Sue Robinson 94 96 3 I HOPE WE GET TO LOVE IN TIME Marilyn McCoo & Billy Davis Jr. 95 99 8 MIGHTY HIGH Mighty Clouds Of Joy 96 - 1 THAT'S WHERE THE HAPPY PEOPLE GO Trammps 97 - 1 ARMS OF MARY Sutherland Brothers & Quiver 98 100 2 SPIRIT’S IN THE NIGHT Manfred Mann's Earth Band 99 - 1 THE FONZ SONG Heyettes 100 - 1 I WANNA STAY WITH YOU Gallagher & Lyle .
Recommended publications
  • Wavelength (October 1981)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 10-1981 Wavelength (October 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (October 1981) 12 https://scholarworks.uno.edu/wavelength/12 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Pipes of Pan Presents ... A best seller. versus the best. icro-Acoustics Bose 301 FRM-3dx *33QOOper patr. *34900per pair Compare these two speakers, and you'd probably expect the one on the left - with the lower price - to be the better seller. You'd be right ... but is it the better value? Before you aecide, it pays to consider how much more a little more money will bu~: Comfare bass. The new FRM-3dx uses a twin-ducted enclosure with thicker cabine panels and larger cubic volume for rich, full bass. Compare highs. The new FRM-3dx1s unique Vari-AxiSTM control system, damped isolated tweeter suspension and rim-damped cone give lifelike h1ghs. Compare warranties. The new FRM-3dx is warrantied twice as long. The Micro-Acoustics new FRM-3dx. When you compare, there's really no com­ parison. Quality worth a 10-year warranty Micro-Acoustics Reg. $349.00 Bose 301" FRM·3dx Tweeter One, fixed. One, rotatable, rim·damped. Tweeter Attached Isolated from SALE NOW directly to baffle.
    [Show full text]
  • THIRTY YEARS 1990-Present It Is Nearly Impossible To
    OREO BLUE – THIRTY YEARS 1990-Present It is nearly impossible to sum up thirty years of Oreo Blue in one statement. However, one word comes to mind: Perseverance. In 1990, Brian Crowne had a vision to form a relevant blues-rooted band and he had the work ethic to drive the band through a multitude of personnel changes and musical market fluctuations to reach that goal. Hailing from the industrial- manufacturing city of Fort Smith, Arkansas, Brian had been influenced early on by The Blues Brothers following their hit movie in 1980. “I saw the Blues Brothers in the early 80s and the music really intrigued me and I liked the horns in the band,” Crowne says. He quickly took to the saxophone, learning to play, without any musical training. “I had to go back and teach myself how to read music. What I would do is read it and remember it and I had it memorized and faked my way into being in a big band.” Brian teamed up with local Brian Crowne University of Arkansas African- American vocal music major, Billy Rigsby, schoolmate and bassist, Rod Williamson and guitarist friend, Bryan Martin. The mix of black and white players in the band formed a visual for what they believed to be the coming together of African-American blues Rod Williamson rooted music and "blue-eyed" soul music that was being leveraged by white rock and blues bands such as the Rolling Stones, Led Zeppelin and, of course, The Blues Brothers more specifically. The name of the band might have started as a tongue-and-cheek pun on the blended genre, but Oreo (like the cookie...black and white together) and Blue (like the color, but more so, the genre of the Blues) stuck together as Oreo Blue and helped summarize a racial harmony in music celebrating all contributions.
    [Show full text]
  • Trans-FM-Ottawa-CKCU.Pdf
    A Gutetc CKCU 93.1 FN/ SOUVE\ IR EDITV ACT CKCU Celebrates 5 Years of Frequency Modulation Vrk.. \hi- PLUS: An interview with KimVitcholl Dcvid 30wie_ Fincerorintz-Levon He m-Fictionoy Ken Ric5;77), -Solit Enz-Conacicn Film FesfivcIs- onc more... ATTENTION STUDENTS! MILLION DOLLAR GOLD BUY CASH-CASH-CASH YES DIAMONDS WE BUY STERLING SILVER GOLD You Can Get Gold Jewellery -10K -14K -18K -22K E Jewellery Dental Gold Bangles Gold Coins Scrap Gold Bracelets Gold Wafers Chains Charms Placer Gold PHOTOCOPIES Rings Pocket Watches Platinum `Pendants Wrist Watches Silver Coins I 24 Hours A Day CASH FOR GOLD `r,u mu/ ,ap o,Kok Cal we pay cask r ;won, 000 5rr,rre r.n9. 5,2 no to 5,35 00 weareep ook ST 00 to SOO 00 Ir+Ore for Monday to Saturday darnOnC161 pocket *atones 565 00 to $250 00 y,u nol Sure v... vdr test rt t,re anti Make you an one, You .01 Irks CASH FOR STERLING CASH FOR DIAMONDS forks 11.91 SIZE GOOD EIETIERBEST Sorloott 33 Gloat530 $105 5200 Enron 4 84 CaratS70 $220 1450 Sofro. 50.00 s op I. Corot$125 $400 MOO Too Soto 25000 up Carol$200 $550 $1400 10% 2 CaratSSW $1200 S2850 Our Ottawa West Buying Office is now open Monday through Saturday Discount With This Ad 10:00 a.m.-7:00 p.m. penunays oontil 4PM MOW IT N... ITwow PARKING FACILITIES AVAILABLE 1I0041 VOLUAIKE CAMPBELL ELECTRONIC fist p 0,,r °ratedo ver rroorr YOU 'IOW Halklort Howe PRINTING SYSTEMS MI poops sublet -I to osorkot oottellitorto 6 orloo 2249 Carling A.m.., Soho 224 171 Slater Street, Ottawa INTERNATIONAL WE RESERVE THE RIGHT TO REFUtE ANY PURCHASE GOLD&DIAMOND INC.
    [Show full text]
  • Blues Notes May 2015
    VOLUME TWENTY, NUMBER FIVE • MAY 2015 Thursday, May 21st Top Shelf Talent at @ 6 pm MIDTOWN CROSSING 21st Saloon PAVILION AT 96th & L St. TURNER PARK Omaha, NE June 18th The Campbell Brothers Markey Blue Voodoo Vinyl June 25th A THREE HOUR NONSTOP SHOW! THE CATE An Evening with the Paul DesLauriers Band BROTHERS and Very Special Guests: Sunday Anwar Khurshid May 24th Angel Forrest accompanied by Denis Coulombe @ 6 pm Dilemma $15 cover July 2nd 21st Saloon Albert Cummings 96th & L St. Boogie Boys Omaha, NE Us & Them www.playingwithfireomaha.net — OPEN JAMS — BLACK EYE DIVE 70th & Harrison Wednesdays @ 8 pm May 7th .................................Jason Elmore and Hoodoo Witch ($10) Hosted by the Swampboy Blues Band May 14th ..................................................... 24th Street Wailers ($10) May 21st ................................................................. Jason Ricci ($10) RUSTY NAIL PUB May 24th (Sunday) ...................................... The Cate Brothers ($15) 142nd and Pacific May 28th ............................................. The Gas House Gorillas ($10) Thursdays @ 8 pm June 4th ........................................Laura Rain and the Ceasars ($10) Hosted by the Luther James Band June 11th .........................................................Bobby Messano ( $10 PAGE 2 BLUES NEWS • BLUES SOCIETY OF OMAHA Please consider switching to the GREEN VERSION of Blues Notes. You will be saving the planet while saving BSO some expense. Contact Becky at [email protected] to switch to e-mail newsletter delivery and get the scoop days before snail mail members! BLUES NEWS • BLUES SOCIETY OF OMAHA PAGE 3 JA S ON RIC CI Thursday, May 21st @ 6 pm 21st Saloon, 96th & L St., Omaha, NE Jason Ricci has three times by Blues Wax magazine. Ricci won the Blues toured, record- Critic Award for “Harmonica Player of the Year” (2008) and ed and per- was nominated for a Blues Music Award for “Harmonica formed under Player of the Year” in 2009 and 2010.
    [Show full text]
  • Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
    Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol.
    [Show full text]
  • AUGUST 1984 LH: I Wanted to Sit In, If Conway Would Let Me
    VOL. 8, NO. 8 Cover Photo by Robert Herman FEATURES LEVON HELM During the late '60s and early '70s, Bob Dylan and The Band were musically a winning combination, due in part to the drumming and singing talents of Levon Helm. The Band went on to record many classics until their breakup in 1976. Here, Levon discusses his background, his work with Dylan and The Band, and the various projects he has been involved with during the past few years. by Robyn Flans 8 THOMMY PRICE Price, one of the hottest new drummers on the scene today, is cur- rently the power behind Billy Idol. Before joining Idol, Thommy Carneau had a five-year gig with Mink DeVille, followed by a year with Fred Scandal. In this interview, Thommy reveals the responsibilities of by working with a top act, his experiences with music video, and how Photo the rock 'n' roll life-style is not all glamour. by Connie Fisher 14 BOB MOSES Bob Moses is truly an original personality in the music world. Although he is known primarily in the jazz idiom for his masterful drumming, he is also an active composer and artist. He talks about his influences, his technique, and the philosophies behind his Jachles various forms of self-expression. by Chip Stern 18 Michael by DRUMMING IN ATLANTIC CITY Photo by Rick Van Horn 22 Malkin WILL DOWER Rick Australian Sessionman by by Rick Van Horn 24 Photo CLUB SCENE ON THE MOVE COLUMNS Attention To Detail James D. Miller and Bob Pignatiello. 78 by Rick Van Horn 90 IN THE STUDIO EDUCATION DRUM SOLOIST Jim Plank CONCEPTS Philly Joe Jones: "Lazy Bird" by Ted Dyer 84 Drummers And Put-Downs by Dan Tomlinson 96 by Roy Burns 28 REVIEWS EQUIPMENT LISTENER'S GUIDE ON TRACK 46 by Peter Erskine and Denny Carmassi 30 PRODUCT CLOSE-UP NEWS ROCK PERSPECTIVES Remo PTS Update Beat Study #13 by Bob Saydlowski, Jr.
    [Show full text]
  • “Covering” the Bluesman from a Distance
    Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago.
    [Show full text]
  • Billboard 1976-02-21
    February 21, 1976 Section 2 m.,.., 'ti42 CONTEMPORARY GORDON LIGHTFOOT LOGGINS & MESSINA KIP ADDOTA MAZING RHYTHM ACES MAHAVISHNU ORCHESTRA ANNA MARIA ALBERGHETTI M'3ROSIA TAJ MAHAL THE ALLEN FAMILY AMERICA MAHOGANY RUSH AB CALLOWAY LYNN ANDERSON ROGER MILLER ICK CAPRI RTFUL DODGER TIM MOORE ETULA CLARK HE ASSOCIATION MARIA MULDAUR AT COOPER BURT BACHARACH ANNE MURRAY ORM CROSBY EACH BOYS JUICE NEWTON AND ILLY DANIELS SILVERSPUR EFF BECK OHN DAVIDSON BLOOD, SWEAT & TEARS OLIVIA NEWTON -JOHN HILLIS DILLER TONY ORLANDO & DAWN PAT BOONE LIFTON DAVIS GILBERT O'SULLIVAN DAVID BOWIE BILLY ECKSTINE PARIS CAMEL BARBARA EDEN BILLY PAUL CAPTAIN & TENNILE KELLY GARRETT POINTER SISTERS ARAVAN THE GOLDDIGGERS PRELUDE ERIC CARMEN BUDDY GRECO PRETTY THINGS CARPENTERS KATHE GREEN ALAN PRICE CLIMAX BLUES BAND OEL GREY LOU RAWLS BILLY COBHAM ICK GREGORY RENAISSANCE NATALIE COLE LORENCE HENDERSON RETURN TO FOREVER LINT HOLMES GENE COTTEN Featuring COREA, B.J. COULSON CLARKE, DIMEOLA. UDSON BROTHERS CROWN HEIGHTS AFFAIR WHITE ALLY KELLERMAN MAC DAVIS LINDA RONSTADT EORGE KIRBY DE FRANCO FAMILY DAVID RUFFIN RANKIE LAINE THE 5TH DIMENSION FRED SMOOT HARI LEWIS BO DONALDSON PHOEBE SNOW AL LINDEN & THE HEYWOODS TOM SNOW HIRLEY MACLAINE KENNY ROGERS STAPLE SINGERS McMAHON AND THE FIRST EDITI STATUS QUO ONY MARTIN & FLEETWOOD MAC RAY STEVENS CYD CHARISSE FLO & EDDIE AND AL STEWART ARILYN MICHAELS THE TURTLES ILLS BROTHERS RORY GALLAGHER STEPHEN STILLS SWEET IM NABORS BOBBY GOLDSBORO JAMES TAYLOR OB NEWHART GRAND FUNK RAILROAD LILY TOMLIN NTHONY NEWLEY AL GREEN
    [Show full text]
  • TRANS-WARE-JOHN-Memories-20110218-FINAL
    The David and Barbara Pryor Center for Arkansas Oral and Visual History University of Arkansas 1 East Center Street Fayetteville, AR 72701 (479) 575-6829 Arkansas Memories Project John A. Ware Interviewed by Scott Lunsford February 18, 2011 Fayetteville, Arkansas Copyright 2012 Board of Trustees of the University of Arkansas. All rights reserved. Objective Oral history is a collection of an individual's memories and opinions. As such, it is subject to the innate fallibility of memory and is susceptible to inaccuracy. All researchers using these interviews should be aware of this reality and are encouraged to seek corroborating documentation when using any oral history interview. The Pryor Center's objective is to collect audio and video recordings of interviews along with scanned images of family photographs and documents. These donated materials are carefully preserved, catalogued, and deposited in the Special Collections Department, University of Arkansas Libraries, Fayetteville. The transcripts, audio files, video highlight clips, and photographs are made available on the Pryor Center website at http://pryorcenter.uark.edu. The Pryor Center recommends that researchers utilize the audio recordings and highlight clips, in addition to the transcripts, to enhance their connection with the interviewee. Transcript Methodology The Pryor Center recognizes that we cannot reproduce the spoken word in a written document; however, we strive to produce a transcript that represents the characteristics and unique qualities of the interviewee's speech pattern, style of speech, regional dialect, and personality. For the first twenty minutes of the interview, we attempt to transcribe verbatim all words and utterances that are spoken, such as uhs and ahs, false starts, and repetitions.
    [Show full text]
  • June 2010 AETN Magazine
    Magazine JUNE 2010 Arkansas Educational Television Network On the Cover . Contents AETN MAGAZINE NATURE “The Cheetah Orphans” On the Cover . 2 Staff Welcome Canadian Tenors . 3 Editor in Chief Sundays, 7-8 pm; Allen Weatherly repeats Saturdays, 5 pm Letter Our Readers . 4 Learning Without Limits . 5 Editor Mona Dixon “The Cheetah Orphans” When AETN Go Camp . 6 Editorial & Creative Directors the mother of two cheetah Production . 7 Sara Willis cubs is killed, a veteran PBS Ongoing Series . 8-10 Elizabeth duBignon filmmaker becomes their new June’s Specials . 10-13 Editorial Panel The AETN Foundation welcomes Canadian Tenors Remigio Pereira to AETN Studios on June parent and tries to prepare Weekday Schedules . 12-13 Shirley Bowen, them to return to the wild. Airs Primetime Schedules . 14-23 Rowena Parr, Darbi Blencowe 6th for a live appearance. Be sure to tune in for an exciting concert announcement! 06/27; repeats 07/03 Weekend Schedules . 24-25 Pam Wilson, Tiffany Verkler Upcoming Special Events . 26 Copy Editors THE CANADIAN TENORS: LIVE IN TORONTO airing 06/06, 6-8 pm. With an eclectic blend of Darbi Blencowe, Catherine Mays, Ways to Support AETN . 27 Karen Cooper, Pat Pearce classical and contemporary pop that has thrilled audiences of all ages. The Canadian Tenors are Welcome Kristy Garrett . 28 AETN Offices Clifton Murray, Victor Micallef, Remigio Pereira and Fraser Walters. These gifted young men, A Fond Farewell to Liz . 29 350 S. Donaghey Ave. - Underwriting Profile . .30 Conway, AR - 72034 who performed at the Winter Olympics in Vancouver, appeared on “Dr. Phil” and “Oprah” and Underwriters .
    [Show full text]
  • Billboard 1976-06-12
    .:. t Salsa JUL 79 08120 9002!>> JTfs*009 1331 52 67 312 313270141214 PUt? BB . SIì, SÍUTtiL_ BLVD NEWSPAPER 6'32 2 NWLYW.,Ct.J CA 9J. 2 L'-1) ;."``J_L.ïS A Billboard Publication The International Music -Record -Tape Newsweekly June 12, 1976 $1.50 Indie Production In ONE MAN GRABS $52,000 Union Musicians Slicing I ¡Country Mart Rising By GERRY WOOD $10 Million Recording Pie NASHVILLE -With independ- U.K. Labels' TV By IS HOROWIIZ ent producers accounting for an un- precedented 64;; of the songs on NEW YORK An all -time high of sion musicians, however, will fall musicians union futtd spokesman. IN Usage Increases Billboard's Hot Country Singles $ 10,391.949 was funneled into the some $276,000 under last year's His take will be the heftiest ever paid chart, the trend toward independent AFM's Special Payments Fund by record payout of $9.915.620. an individual from this source. By PETER JONES production continues in country record manufacturers for the year But one player will receive a lump At the same time, it was learned LONDON -Trying to combat music -one of the last bastions of in- ending April 30. payment of "about $52.000" when that combined U.S. and Canadian fear be a what they could bleak, house production. Actual distribution to AFM se- checks go out Aug. 1. according to a recording session wages to union poor sales summer. Britain's major musicians rose about 14`i to a new That's a remarkable surge in a record companies are going for big field of music historically known for summit of $23,826,860 in 1975.
    [Show full text]
  • THE CATE BROTHERS and DIRECTOR BENJAMIN MEADE Sun | Oct 11 | 4:00-5:00PM Free for VIP Passholders $15/Ticket
    The Springs • September 2020 • 19 SUBJECT TO CHANGE! THE SPRINGS MAGAZINEH 10 FOR DAILY UPDATES, PLEASE VISIT www.HSDFI.org • 2020 HSDFF SCHEDULE • THE CATE BROTHERS AND DIRECTOR BENJAMIN MEADE Sun | Oct 11 | 4:00-5:00PM Free for VIP Passholders $15/Ticket THE CATE BROTHERS Arkansas-based Earl and Ernie Cate were prolific songwriters and singers who blended the blues with elements of rock & roll, country and rockabilly. Pianist/vocalist Ernie and guitarist/vocalist Earl signed to Asylum Records in 1975; their self-titled debut, issued shortly after, included appearances by Donald “Duck” Dunn, Steve Cropper, former Band drummer Levon Helm, and former Eagle and Poco member Timothy B. Schmidt. They followed up their debut in 1976 with “In One Eye and Out the Other,” trailed in 1977 by “The Cate Brothers Band.” Spurred by the success of the single “Union Man,” 1979’s “Fire on the Tracks” reached number 24 on the album rock charts in 1976. Despite a dearth of recordings through the 1980s, the band remained a popular touring act in Tennessee, Arkansas and other strongholds of country AWARD WINNING DIRECTOR, SAM rock and blues around the South. In the early ‘80s, Earl and Ernie joined Helm and others to form a reconstructed version of the Band, which by that point POLLARD WITH THE FILM MLK/FBI had lost guitarist Robbie Robertson; aside from touring with Helm, they also Sat | Oct 17 | 4:00-5:00PM collaborated with blues singer Maria Muldaur. The Cate Brothers continued Free for VIP Passholders recording into the 1990s; in 1995, they issued “Radioland,” a unique hybrid $15/Ticket of pop-oriented blues-rock, Stax-era soul-blues and country-rock on which they were joined by former John Mayall blues guitar phenom Coco Montoya.
    [Show full text]