Blues Notes May 2017
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Dorm Room Cable Possible
Thursday, September 22, 1994 • Vol. XXVI No.l9 TI IE INDFPENDENT NEWSPAPER SERVING NOTRE DAMF AND SAINT MARY'S Dorm room cable possible Acadamic workshops By KATE CRISHAM basically up to the University's we've been told that it could Assistant News Editor discretion," said Herczeg. cost only $300,000 for the ini- to increase success According to Herczog, aca- tial set-up." Notre Dame students want demic reasons will force the Herczog said that it would be By MISSY LIND confidential. their cable television. The ques University to install cable in in- up to the University to deter- _N_ew_s_W_ri_re_r ________ The workshops are designed tion is, will the University give dividual rooms in the near fu- mine how to settle the monthly to give students an added feel it to them? ture. cable bills. Over the course of this ing of security in their academ Student Government will "Sure, it will be great to have "Some networks, such as semester, the Counseling and ic success at Saint Mary's. submit a report to the Board of cable for entertainment pur- CNN and CSpan, give free ac- Career Development Center at "The workshops teach stu Trustees on September 29th, poses, but having cable also cess to educational institu- Saint Mary's, located in dents study skill techniques to requesting that the University opens up different academic tions," she said. "The LeMans Hall, will offer students help ensure academic success," install cable television when it options," she said. University has its own options the opportunity to attend a according to Bentley-Lesnak. -
November 5Th 2001
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 11-5-2001 November 5th 2001 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "November 5th 2001" (2001). Coyote Chronicle (1984-). 504. https://scholarworks.lib.csusb.edu/coyote-chronicle/504 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A&E A&E A&E A&E A&E A&E A&E A&eH The Scene The Scene The Scene The Scene Multi-Cultural Multi-Cultural Multi-Cultural A Funny Thing Halloween on campus, Happened on the coverage, contest Inked skin- The Way to the Theater results and more... Tattoo Culture ON PAGE 11 ON PAGE 5 ON PAGE 7 November 5, 2001 Serving the Students of CSUSB for 35 Years Volume 35, Issue 6 The dead return: ElEMadeLosMuertos By Joe Flores Special to the Chronicle Di'a de Los Muertos was an event on Thursday, November 1. It was sponsored and put together by the Cross Cultural Center, the Foreign Language Department, and Lambda Theta Phi. All three organizations and departments went through a lot of trouble and work to make the Student Ahibassa event a success. Of course, it was a success, with a turnout to search for new applicants of at least 150 people. The event started at 10am By Mathew Taylor with a lecture by speaker -y r,AmbassadorsSociety (SAS) , Miguel Mora. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having
Preview: Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having recently finished an enterprise feature for another publication on the glut of national music festivals and what role that glut creates for regional festivals with a lot more personality, I’m more excited this year for the Gathering of the Vibes than I have been in quite some time. As the man said, “He’d have to be one charming motherfuckin pig”…er, sorry, “Personality goes a long way.” Compared to the Roo- and Coachella-sized behemoths, and a lot of the sexy new kids with names both playful and official-sounding—Rothbury might be a bit of both, and allegedly, it was quite the time—the Vibes is a creakier, more elegant dinosaur. A glorious, humble triceratops of a festival, yes, secure in its size, pleasant in its modest ambition and its abilities, not ostentatious, and kindly manageable. And damn isn’t it great to have it back in New England proper (it returned in 2007 after several years of renovation to Bridgeport’s Seaside Park and a few years at various upstate New York locales)? For this born/bred New Englander, it’s not only in a New England/Tri-State area happy medium, but it fills a still-felt void left by the big Phish festivals of yore and especially the can’t-believe-it’s-been-five-years-now departed Berkshire Mountain Music Festival (1997-2003). (For Berkfest alums from those heady days, monsoon conditions and all, have a scoop of nostalgia on the house) The Vibes doesn’t have the gaudy cache of some festivals, or some of the nationally dazzling headliners. -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
Blues Notes June 2016
VOLUME TWENTY-ONE, NUMBER SIX • JUNE 2016 Sunday, June 5th @ 5 pm - Zoo Bar CURTIS SALGADO Tuesday, June 7th @ 6 pm • 21st Saloon, Omaha, NE $10 for BSO members, $20 for non-members Join the BSO or renew at the door Advance tix @ www.eventbrite.com GOLDEN STATE - LONE STAR REVUE Also Appearing Thursday, June 30th @ 5 pm $15 Wednesday, June 8th @ 6 pm • Zoo Bar, Lincoln, NE 21st Saloon, Omaha WEEKLY BLUES SERIES 4727 S 96th Plaza SOARING WINGS BLUES FESTIVAL Thurs. shows @ 6pm • Sat. shows @ 8 pm with John Primer & Watermelon Slim Bands subject to change Saturday, June 4th June 2nd .............................................................Davy Knowles ($10) June 4th (8 pm) ... Swamp Productions Presents Swampboy Blues Band, SUMMER ARTS FESTIVAL Sweet Tea, Bad Judgement & 40 Sinners ($5) June 10, 11, & 12 June 7th (Tues)........................................................... Curtis Salgado Featuring ($10 BSO Members, $20 Non Members, Bernard Allison Friday, June10th advance tickets at www.eventbrite.com) June 9th (5 pm) ......................................... Tale of 3 Cities Tour ($10) BLUES AT BEL AIR Hector Anchondo, Amanda Fish, and Delta Sol - Sunday June 12th Front and Center opens at 5pm! featuring June 10th (9 pm) ........Achilles Last Stand - Led Zepplin Tribute ($5) The Mighty Jailbreakers June 11th (8 pm) .... Luther James Band ($5) Summer Arts Fest After Party and The Bel Airs June 16th (5 pm) .......... Markey Blue ($10) - Dilemma opens at 5pm June 18th (8 pm) ........ Blue House and the Rent to Own Horns ($5) BRIDGE BEATS June 23rd (5 pm) ....Bruce Katz Band ($10) - Far & Wide opens at 5pm Saturday June 10th & 24th June 25th (8 pm) ............................................Rhythm Collective ($5) June 30th (5 pm) ................... -
SOUTHERN AVENUE Southern Avenue March 2016
SOUTHERN AVENUE Southern Avenue March 2016 If Memphis music is a genre, this is it. One part virtuosic blues guitar, one part powerhouse gospel vocals. Season with soul, jazz, and of course – a whole lot of rock’n’roll. This is Southern Avenue, and they’re serving up a sampling with their debut EP this spring. The band takes its name from a Memphis street that runs from the eastern-most part of the city limits all the way to Soulsville. It’s a fitting moniker for this diverse four-piece: two sisters whose musi- cal education came from the Church (Tierinii and TK Jackson), a jazz bassist (Daniel McKee) and an Israeli-born guitarist who grew up a student of the blues (Ori Naftaly). Southern Avenue’s self-titled EP – which the band will indepen- dently release first to local fans in February, followed by a na- February 1, 2016 tional release in the spring – is a “true debut,” says lead guitarist Lead single “What Did I Do?” Naftaly. Indeed, these five songs provide a glimpse of Southern Full EP out this spring Avenue’s range and an introduction to the band’s point of view. They take on a diverse mix of styles with ease, an indication of the myriad sounds that may be to come. From the swinging rock and soul of lead single “What Did I Do” to the blissed-out, jam-band feel of “Wild Flower” to the traditional blues on “80 Miles From Memphis,” at the center of it all is the electric interplay between Naftaly’s guitar and the rich gospel vo- cal of Tierinii Jackson. -
Steamboat Bandits Are a High-Octane Progressive Bluegrass Band from Kansas City
LIVE MUSIC PRESS CONFERENCE AGENDA May 17, 2018 WELCOME/EVENT DETAILS Ragen Cote ANNOUNCEMENT OF BANDS Brent Stockton CLOSING REMARKS/Q&A Brent Stockton 22001188 BAND LINEUP From the blood-red heart of Kansas, it’s completely fair to call these guys legends. It’s been more than 20 years since Split Lip Rayfield first mashed up their aggressive stew of acoustic bluegrass instrumentation, tight country vocals, fierce metal shred, and in-your-face punk sensibilities. So yeah, they virtually invented “thrashgrass”. But then they kept right on moving. Following the 2007 death of their beloved bandmate and founder Kirk Rundstrom, SLR reinvented itself by simply staying the JUNE 7 course, continuing to play hundreds of shows to thousands of fans. SPLIT LIP All the old-school invention and energy is intact, and they still RAYFIELD stomp the living hell out of a stage. But their songs keep getting better and their sound is sneakier and smarter than ever. “With a killer driving groove, New York Soul Rebels “The Rad Trads” truly show how tight they are as an ensemble while having fun at the same time.” – Paste Magazine “When The Rad Trads formed in the Spring of 2012, they were meeting each other in New York City’s East Village for the first time, looking to play with the best musicians they could find. Making rent playing 4 hour gigs in every bar and beer hall that would have them, the guys dominated New York City and Brooklyn JUNE 21 with their punk-rock energy and showmanship, powerful horns, THE RAD driving rhythm section, and four captivating lead vocalists. -
The Fighting 69Th Infantry Division Association, Inc. Vol. 45 No. 1 Sep
'FIGHTING 69rH INFANTRY DIVISION ****fissoC'iaiion, Ina VOLUME 45, NO.1 SEPTEMBER - OCTOBER - NOVEMBER - DECEMBER 1991 "THE THREE B's" 101 STEPHEN STREET BOLTE'S BIVOUACING BASTARDS NEW KENSINGTON, P A 15068 412/335·3224 bulleti:n. OFFICERS 1991·1992 Welkos O. Hawn, President 2445 South Cody Court Lakewood. CO 80227 . ... Div. Hq. \, Curt E. Peterson, Vi ce President 4900 Wallace Avenue Madison, WI 537 16 . .. ........... 569 Willi am C. Sheavly. Secretary 218 Sacred Heart Lane Reistertown, MD 211 36 .................. 271 Robert Kurtzman. Treasurer P.O. Drawer 178 Wilmot, OH 44689 .............. 272 Clarence Marshall, Membership 101 Stephen Street New Kensington, PA 15068 .. Div. Hq. Edward Lucci, Auditor ................... 273 William Snidow, Chaplain 661 Paul Shadle. Co-Chaplain ................. 271 Earl WitzIeb, Jr. Co-Chaplain . ..... 273 J oe Wright. Parliamentan'an ... Div. Hq. Eugene Butterfield, Legal Adu .. Div. Hq. LADIES' AUXILIARY Maria Keller, President Alice Wolthoff, Vice President Stefani a Nemeth, Secreta ry E llen McCann. A.~s j stant Secretary Edith Chapman, Chaplain J eanne Hawn, Assistant Chaplain Margie McCombs, Sunshine Lady BOARD OF DIRECTORS 1991-1992 Keith Curtis ................. Div. Hq. CUff Barbieri ...................... 27 1 Harold Ruck. .. ... 272 Robert Haag .................................... 273 Paul Thomas ............................. Divarty Francis Sullivan ...... 269 Bill Beswick ..................................... 661 J oe Louden ......................... ............ 777 1992-1993 Clarence -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Wavelength (October 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 10-1981 Wavelength (October 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (October 1981) 12 https://scholarworks.uno.edu/wavelength/12 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Pipes of Pan Presents ... A best seller. versus the best. icro-Acoustics Bose 301 FRM-3dx *33QOOper patr. *34900per pair Compare these two speakers, and you'd probably expect the one on the left - with the lower price - to be the better seller. You'd be right ... but is it the better value? Before you aecide, it pays to consider how much more a little more money will bu~: Comfare bass. The new FRM-3dx uses a twin-ducted enclosure with thicker cabine panels and larger cubic volume for rich, full bass. Compare highs. The new FRM-3dx1s unique Vari-AxiSTM control system, damped isolated tweeter suspension and rim-damped cone give lifelike h1ghs. Compare warranties. The new FRM-3dx is warrantied twice as long. The Micro-Acoustics new FRM-3dx. When you compare, there's really no com parison. Quality worth a 10-year warranty Micro-Acoustics Reg. $349.00 Bose 301" FRM·3dx Tweeter One, fixed. One, rotatable, rim·damped. Tweeter Attached Isolated from SALE NOW directly to baffle. -
THIRTY YEARS 1990-Present It Is Nearly Impossible To
OREO BLUE – THIRTY YEARS 1990-Present It is nearly impossible to sum up thirty years of Oreo Blue in one statement. However, one word comes to mind: Perseverance. In 1990, Brian Crowne had a vision to form a relevant blues-rooted band and he had the work ethic to drive the band through a multitude of personnel changes and musical market fluctuations to reach that goal. Hailing from the industrial- manufacturing city of Fort Smith, Arkansas, Brian had been influenced early on by The Blues Brothers following their hit movie in 1980. “I saw the Blues Brothers in the early 80s and the music really intrigued me and I liked the horns in the band,” Crowne says. He quickly took to the saxophone, learning to play, without any musical training. “I had to go back and teach myself how to read music. What I would do is read it and remember it and I had it memorized and faked my way into being in a big band.” Brian teamed up with local Brian Crowne University of Arkansas African- American vocal music major, Billy Rigsby, schoolmate and bassist, Rod Williamson and guitarist friend, Bryan Martin. The mix of black and white players in the band formed a visual for what they believed to be the coming together of African-American blues Rod Williamson rooted music and "blue-eyed" soul music that was being leveraged by white rock and blues bands such as the Rolling Stones, Led Zeppelin and, of course, The Blues Brothers more specifically. The name of the band might have started as a tongue-and-cheek pun on the blended genre, but Oreo (like the cookie...black and white together) and Blue (like the color, but more so, the genre of the Blues) stuck together as Oreo Blue and helped summarize a racial harmony in music celebrating all contributions.