TRANS-WARE-JOHN-Memories-20110218-FINAL
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Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
Scheherazade
SCHEHERAZADE The MPC Literary Magazine Issue 9 Scheherazade Issue 9 Managing Editors Windsor Buzza Gunnar Cumming Readers Jeff Barnard, Michael Beck, Emilie Bufford, Claire Chandler, Angel Chenevert, Skylen Fail, Shay Golub, Robin Jepsen, Davis Mendez Faculty Advisor Henry Marchand Special Thanks Michele Brock Diane Boynton Keith Eubanks Michelle Morneau Lisa Ziska-Marchand i Submissions Scheherazade considers submissions of poetry, short fiction, creative nonfiction, novel excerpts, creative nonfiction book excerpts, graphic art, and photography from students of Monterey Peninsula College. To submit your own original creative work, please follow the instructions for uploading at: http://www.mpc.edu/scheherazade-submission There are no limitations on style or subject matter; bilingual submissions are welcome if the writer can provide equally accomplished work in both languages. Please do not include your name or page numbers in the work. The magazine is published in the spring semester annually; submissions are accepted year-round. Scheherazade is available in print form at the MPC library, area public libraries, Bookbuyers on Lighthouse Avenue in Monterey, The Friends of the Marina Library Community Bookstore on Reservation Road in Marina, and elsewhere. The magazine is also published online at mpc.edu/scheherazade ii Contents Issue 9 Spring 2019 Cover Art: Grandfather’s Walnut Tree, by Windsor Buzza Short Fiction Thank You Cards, by Cheryl Ku ................................................................... 1 The Bureau of Ungentlemanly Warfare, by Windsor Buzza ......... 18 Springtime in Ireland, by Rawan Elyas .................................................. 35 The Divine Wind of Midnight, by Clark Coleman .............................. 40 Westley, by Alivia Peters ............................................................................. 65 The Headmaster, by Windsor Buzza ...................................................... 74 Memoir Roller Derby Dreams, by Audrey Word ................................................ -
Jerry Williams Jr. Discography
SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968. -
SEPTEMBER 5, 2018 TWENTY-FIVE CENTS Inside: Memorial Gathering Honors Drug Overdose Victims
VOL. 6 NO. 36 SOMERVILLE, MASS. WEDNESDAY, SEPTEMBER 5, 2018 TWENTY-FIVE CENTS Inside: Memorial Gathering honors drug overdose victims By Shira Laucharoen In commemoration of Somerville residents lost to drug overdoses, the City of Somerville held a Memorial Gathering and Overdose Awareness Ceremony at City Hall on August 30. Attendees placed 156 purple flags on the lawn outside of the building in honor of the 156 Somerville lives ended by addiction since 2000, with one larger flag representing those lost in previous years. Broadway Bridge The event was held in recognition of Interna- meeting tional Overdose Awareness Day on August 31 page 3 and National Recovery Month in September, which was recently declared in Somerville. Af- ter the ceremony, City Hall was lit with a purple light and will remain so until September 5, as a reminder that the tragedy of overdose death is preventable. Speakers included Mayor Jo- During the ceremony, participants placed 157 purple flags on the City Hall lawn, in honor of the Somerville seph Curtatone and Pastor Jordan Harris of the victims of drug overdoses. — Photo by Shira Laucharoen church Connexion, who called Continued on page 8 Michael Nesmith's big redo The First National Band Redux comes to Somerville By Jim Clark Fact finding in By the end of the 1960's, former cast/band Honduras member of the wildly popular television show page 5 The Monkees, Michael Nesmith, was reaching out for new direction in his pursuit of his mu- sical interests. Frustrated by the rejection he faced while try- ing to get his compositions accepted by the pro- ducers of the show, he eventually opted out and began putting together his own band. -
Audacity Find Clipping
Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb .. -
Graceland Announces Additional Guests for Elvis Week 2019 August 9-17
FOR IMMEDIATE RELEASE Contact: David Beckwith 323-632-3277 [email protected] Christian Ross 901-652-1602 [email protected] Graceland Announces Additional Guests for Elvis Week 2019 August 9-17 The New Guests Have Been Added to the Line-up of Events Including Musicians Who Performed and Sang with Elvis, Researchers and Historians Who Have Studied Elvis’ Music and Career and More Memphis, Tenn. – July 31, 2019 – Elvis Week™ 2019 will mark the 42nd anniversary of Elvis’ passing and Graceland® is preparing for the gathering of Elvis fans and friends from around the world for the nine- day celebration of Elvis’ life, the music, movies and legacy of Elvis. Events include appearances by celebrities and musicians, The Auction at Graceland, Ultimate Elvis Tribute Artist Contest Finals, live concerts, fan events, and more. Events will be held at the Mansion grounds, the entertainment and exhibit complex, Elvis Presley’s Memphis,™ the AAA Four-Diamond Guest House at Graceland™ resort hotel and the just-opened Graceland Exhibition Center. This year marks the 50th anniversary of Elvis’ legendary recording sessions at American Sound that produced songs such as “Suspicious Minds,” “In the Ghetto” and “Don’t Cry Daddy.” A special panel will discuss the sessions in 1969. Panelists include Memphis Boys Bobby Wood and Gene Chrisman, who were members of the legendary house band at the American Sound between 1967 until it’s closing in 1972; Mary and Ginger Holladay, who sang back-up vocals; Elvis historian Sony Music’s Ernst Jorgensen; songwriter Mark James, who wrote "Suspicious Minds"; and musicians five-time GRAMMY Award winning singer BJ Thomas and six-time GRAMMY Award winning singer Ronnie Milsap, who will also perform a full concert at the Soundstage at Graceland that evening. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Livin' a Boss' Life
REAL, RAW, & UNCENSORED WEST COAST RAP SHIT TURF TALK BEEDA WEEDA CLYDE CARSON MAC MALL DAMANI & MORE BAY AREA AMBASSADOR - LIVIN’ AE BOSS’40 LIFE * WEST COAST DJs SOUND OFF ON MIXTAPE DRAMA * THE GAME’S BROTHER BIG FASE100 * BUMSQUAD’S LATIN PRINCE & MORE // OZONE WEST Publisher EDITOR’S NOTE Julia Beverly Editor-IN-Chief N. Ali Early Music Editor Randy Roper Art Director Tene Gooden Contributors D-Ray DJ BackSide Joey Colombo Toby Francis Wendy Day Street Reps Anthony Deavers Bigg P-Wee Dee1 Demolition Men DJ E-Z Cutt DJ Jam-X DJ K-Tone DJ Quote MUST BE DREAMIN’ DJ Strong & DJ Warrior John Costen Kewan Lewis Lisa Coleman Maroy been living in Atlanta a good decade and I still haven’t gotten completely accus- Rob J Official tomed to it, nor have I embraced it all the way. What can I say? I’m a Bayboy to the Rob Reyes heart. Anyone who knows me, knows that I rep the Bay – all day, every day. I went Sherita Saulsberry I’vehome for Xmas and all I could think about was what kind of Bay Tees I was gonna snatch so I could have William Major the option of reppin’ my soil every day for two weeks straight (that’s 14, but who’s counting?). Took Moms in there and scooped about eight of ‘em REAL QUICK (already had 6). Alas, I didn’t leave my heart in San Francisco ala Tony Bennett. It’s somewhere in Tha Rich! But I gotta love the A and I gotta give JB props for bringing me on board, ‘cause without the move from Orlando this opportunity may have never cracked off. -
Elvis Presley's Graceland Announces Plans for Elvis Week 2021 In
FOR IMMEDIATE RELEASE Contact: David Beckwith [email protected] / 323-632-3277 Elvis Presley’s Graceland Announces Plans for Elvis Week 2021 in Memphis Seven-Day Event to Celebrate the Music, Life and Legacy of Elvis Presley Memphis, Tenn. – February 12, 2021 - Elvis Week™ 2021 will mark the 44th anniversary of Elvis’ passing and Graceland® is preparing for the gathering of thousands of Elvis fans and friends. Taking place August 11-17, Elvis Week is an annual, multi-day gathering celebrating Elvis’ life and legacy. It has become a pop-culture phenomenon and an annual pilgrimage for music lovers from around the world. Events include appearances by celebrities and musicians, live concerts, panel discussions, meet and greet opportunities, parties, fan events, the ULTIMATE ELVIS TRIBUTE ARTIST (ETA) CONTEST, special bus excursions around Memphis and to Tupelo, and much more. Events and special tours will be held at the Mansion, the entertainment and exhibit complex, Elvis Presley’s Memphis™, the AAA Four-Diamond Guest House at Graceland™ resort hotel, and the Graceland Exhibition Center, home to the Jungle Room Bar. Tickets for all Elvis Week events go on-sale for the public Friday, February 12, at 1:00 p.m. CST. Details and additional ticket information, including specifics on exclusive Elvis Week packages, is now available online at ElvisWeek.com. The cornerstone event, the CANDLELIGHT VIGIL, will begin on Sunday, August 15, at Graceland’s front gate. Elvis music sets the tone of the evening as fans walk up the driveway to the Meditation Garden. This event lasts throughout the night as thousands of participants gather on Elvis Presley Boulevard listening to music, remembering Elvis, and enjoying the memorials that are created by fans along the street. -
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00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Jesse Host I’m Jesse Thorn. It’s Bullseye. Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team plays. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:22 Jesse Host My guest, Steve Buscemi, doesn’t need that much of an introduction. He is one of the most memorable actors ever. He’s had hundreds of parts—leading parts in stuff like Reservoir Dogs, Ghost World, Boardwalk Empire. Iconic supporting parts in Fargo, The Sopranos, and—of course—30 Rock. So, we’ll skip the long intro and talk about his newest work. [Music fades out.] It’s a TV show called Miracle Workers, a comedy created by the hilarious Simon Rich—the same person behind Man Seeking Woman and a bunch of brilliantly written works you might have seen in The New Yorker, or on one of his many books, or heard on this show. Each season, Miracle Workers tells a different story with the same cast. Season one was set in Heaven, which is run kind of like a soulless megacorporation with an absentee CEO. Steve played God. Literally God. 00:01:14 Sound Transition Music swells and fades. Effect 00:01:15 Clip Clip Music: Peaceful, serene music. -
Wavelength (October 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 10-1981 Wavelength (October 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (October 1981) 12 https://scholarworks.uno.edu/wavelength/12 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Pipes of Pan Presents ... A best seller. versus the best. icro-Acoustics Bose 301 FRM-3dx *33QOOper patr. *34900per pair Compare these two speakers, and you'd probably expect the one on the left - with the lower price - to be the better seller. You'd be right ... but is it the better value? Before you aecide, it pays to consider how much more a little more money will bu~: Comfare bass. The new FRM-3dx uses a twin-ducted enclosure with thicker cabine panels and larger cubic volume for rich, full bass. Compare highs. The new FRM-3dx1s unique Vari-AxiSTM control system, damped isolated tweeter suspension and rim-damped cone give lifelike h1ghs. Compare warranties. The new FRM-3dx is warrantied twice as long. The Micro-Acoustics new FRM-3dx. When you compare, there's really no com parison. Quality worth a 10-year warranty Micro-Acoustics Reg. $349.00 Bose 301" FRM·3dx Tweeter One, fixed. One, rotatable, rim·damped. Tweeter Attached Isolated from SALE NOW directly to baffle. -
THIRTY YEARS 1990-Present It Is Nearly Impossible To
OREO BLUE – THIRTY YEARS 1990-Present It is nearly impossible to sum up thirty years of Oreo Blue in one statement. However, one word comes to mind: Perseverance. In 1990, Brian Crowne had a vision to form a relevant blues-rooted band and he had the work ethic to drive the band through a multitude of personnel changes and musical market fluctuations to reach that goal. Hailing from the industrial- manufacturing city of Fort Smith, Arkansas, Brian had been influenced early on by The Blues Brothers following their hit movie in 1980. “I saw the Blues Brothers in the early 80s and the music really intrigued me and I liked the horns in the band,” Crowne says. He quickly took to the saxophone, learning to play, without any musical training. “I had to go back and teach myself how to read music. What I would do is read it and remember it and I had it memorized and faked my way into being in a big band.” Brian teamed up with local Brian Crowne University of Arkansas African- American vocal music major, Billy Rigsby, schoolmate and bassist, Rod Williamson and guitarist friend, Bryan Martin. The mix of black and white players in the band formed a visual for what they believed to be the coming together of African-American blues Rod Williamson rooted music and "blue-eyed" soul music that was being leveraged by white rock and blues bands such as the Rolling Stones, Led Zeppelin and, of course, The Blues Brothers more specifically. The name of the band might have started as a tongue-and-cheek pun on the blended genre, but Oreo (like the cookie...black and white together) and Blue (like the color, but more so, the genre of the Blues) stuck together as Oreo Blue and helped summarize a racial harmony in music celebrating all contributions.