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Romeo I Julia.Pdf Premiera | Premiere 14.02.2020 Opera na Zamku w Szczecinie | Oper im Schloss Stettin • • Charles Gounod Kierownictwo muzyczne | Musikalische Leitung – Franck Chastrusse Colombier Romeo i Julia | Romeo und Julia Inscenizacja, reżyseria, kostiumy | Inszenierung, Regie, Kostüme – Michał Znaniecki Scenografia | Bühne – Luigi Scoglio • Choreografia | Choreografie – Elżbieta Pańtak, Grzegorz Pańtak Reżyseria światła | Lichtregie – Bogumił Palewicz Opera w 5 aktach Adaptacja świateł | Lichtanpassung – Dariusz Albrycht do libretta Jules’a Barbiera i Michela Carrégo Przygotowanie chóru | Vorbereitung des Chores – Małgorzata Bornowska Asystent dyrygenta | Assistent des Dirigenten – Mateusz Gwizdałła na kanwie tragedii Williama Szekspira Asystent reżysera | Regieassistent – Tadeusz Kabicz | Oper in 5. Akten Korepetytorzy solistów | Die Korrepetitoren der Solisten – Olha Bila, Olha Bilas Libretto von Jules Barbier und Michel Carré nach William Shakespeare Obsada | Besetzung Oryginalna wersja językowa z polskimi i niemieckimi napisami Romeo – Juan Noval-Moro / Pavlo Tolstoy Julia – Anna Farysej / Victoria Vatutina | Originalversion mit polnischen und deutschen Übertiteln Ojciec Laurenty | Bruder Lorenzo – Andrew Robert Munn / Aleksander Teliga Merkucjo | Mercutio – Tomasz Łuczak / Christian Oldenburg Stefano | Stephano – Lucyna Boguszewska / Michał Sławecki Prapremiera | Welturauffürung Kapulet | Capulet – Janusz Lewandowski 27.04.1867, Théâtre Lyrique, Paris Tybalt – Maciej Komandera / Paweł Wolski Gertruda | Gertrude – Renata Dobosz Parys | Paris – Michał Sobiech Prapremiera Polska | Polnische Uraufführung Gregorio – Dawid Dubec 2.06.1888, Teatr Wielki, Warszawa Benvolio – Piotr Zgorzelski Królowa Mab | Königin Mab – Jadwiga Krowiak Premiera na scenie Opery na Zamku w Szczecinie Dzieci – Zofia Baran / Jadwiga Przygoda, Wojciech Pajestka / Jan Rawicki | Premiere auf der Bühne der Oper im Schloss Stettin Orkiestra, chór i balet Opery na Zamku | Orchester, Chor und Ballet von Oper im Schloss Stettin Dyrygent | Dirigent – Franck Chastrusse Colombier 14.02.2020 Inspicjentki | Inspizienten – Katarzyna Berowska, Maria Malinowska-Przybyłowicz • • 4 | Charles Gounod Romeo & Julia Charles Gounod Romeo & Julia | 5 Na podst. fot. T. Lazara T. podst. fot. Na 6 | Charles Gounod Romeo & Julia Charles Gounod Romeo & Julia | 7 Fot. S. Reverberi, Pixabay Fot. • • Szanowni Państwo Sehr geehrte Damen und Herren Szanowni Państwo Sehr geehrte Damen und Herren Nowy sezon artystyczny Opery na Zamku przynosi Die neue Spielzeit der Oper im Schloss bringt die erste Jest taki piękny wiersz Cypriana Kamila Norwida Es gibt so ein schönes Gedicht von Cyprian Kamil Nor- pierwszą premierę 2020 roku. Trudno sobie wyobrazić Erstaufführung des Jahres 2020. Es gibt kaum einen bes- Nad grobem Julii Capuletti w Weronie. Poeta opisu- wid Über dem Grab von Julia Capuletti in Verona. Der lepszy moment wystawienia Romea i Julii, najsłynniejszej seren Zeitpunkt, um Romeo und Julia, die berühmteste je w nim niebo płaczące nad grobem młodych ko- Dichter beschreibt den Himmel, der über das Grab jun- historii miłosnej, niż Dzień Zakochanych. Wybór tego Liebesgeschichte, herauszubringen als den Valentinstag. chanków. Wiersz kończy się wersami: „A ludzie mó- ger Liebender weint. Das Gedicht endet mit Versen: spektaklu jest znamienny również z innych powodów. Die Wahl dieses Spektakels ist auch aus anderen Gründen wią, i mówią uczenie/ Że to nie łzy są, ale że kamienie/ „Und die Leute sagen und gelehrt sagen/ Dass das sind Pozwala dostrzec to, co Opera obrała za swój cel arty- bedeutsam. Das lasst uns sehen, was unseres Operntheater I że nikt na nie nie czeka!”. Ale w najsłynniejszej keine Tränen, sondern Steine ​​/ Und dass niemand auf sie styczny. Sztuka Szekspira to absolutna klasyka dramatu. als künstlerisches Ziel gewählt hat. Shakespeares Stück ist w historii opowieści miłosnej nie ma mowy o chłodnej wartet!“ Aber in der berühmtesten Liebesgeschichte der Dzieła największe, ponadczasowe, przełomowe możemy ein absoluter Klassikwerk des Dramas. Wir können regel- kalkulacji. Bo miłość jest wieczna i nie do pokonania. Geschichte ist von einer kalten Berechnung keine Rede. oglądać na zamkowej scenie regularnie. Zawsze jednak mäßig die größten, zeitlosen und bahnbrechenden Werke Szekspir w swoim dramacie pokazał, że silniejsza od naj- Weil die Liebe ewig und unüberwindlich ist. Shakespeare dyrekcja i zespół artystyczny dbają o to, aby pojawiła się auf der Bühne im Schloss bewundern. Das Management- podlejszych rzeczy na świecie. in seinem Drama zeigte, dass die Liebe ist stärker als die nowa jakość, wartość dodana. Jeśli klasyka, to w innym und Künstlerteam sorgt jedoch stets dafür, dass neue Qu- Opera Charles’a Gounoda dzięki swojemu liryzmowi schlimmsten Dinge der Welt. ujęciu – i tak też jest tym razem. alität und Mehrwert entstehen. Wenn es ein klassisches i dramatyzmowi nadała Szekspirowskiemu przesłaniu Charles Gounods Oper gab der Botschaft Shakespeares Romeo i Julia było dziełem nowatorskim i odważnym. Werk ist, lassen wir es aus einer anderen Perspektive be- nowy wyraz. Proszę sobie wyobrazić, że tylko w pierwszym dank ihrer Lyrik und ihres Dramas einen neuen Aus- Szekspir nazywany ojcem teatru nowożytnego przewar- trachten – und so ist es diesmal. roku od premiery w 1867 roku wystawiono ją ponad sto druck. Stellen Sie sich vor, dass sie erst im ersten Jahr tościował zastany porządek i stworzył własne zasady dra- Romeo und Julia war ein innovatives und mutiges Werk. razy! Absolutnie mnie to nie dziwi. Kto bowiem mógłby seit seiner Premiere im Jahr 1867 über hundert Mal matu. Opera na Zamku przedstawi tę bodaj najbardziej Shakespeare, der Vater des modernen Theaters, hat die stworzyć tak zgrany duet, jeśli nie Szekspir, geniusz w opi- aufgeführt wurde! Es überrascht mich überhaupt nicht. popkulturową tragedię w adaptacji Charles’a Gounoda. bestehende Ordnung neu definiert und seine eigenen sywaniu ludzkich namiętności, i Gounod, twórca opery Wer könnte ein so harmonisches Duo schaffen, wenn Mówi się o niej ironicznie, że to „cztery duety miłosne Spielregeln geschaffen. Die Oper im Schloss wird diese lirycznej, która eksponuje wewnętrzne przeżycia bohate- nicht Shakespeare, ein Genie bei der Beschreibung men- z dodatkami”, i myślę, że to pokazuje swobodę twórczą wohl popkulturellste Tragödie in der Adaption von Char- rów i ich rozterki? Przeniesiemy się dziś na scenie do tam- schlicher Leidenschaften, und Gounod, der Schöpfer der i kreatywność, które towarzyszyły autorowi. les Gounod präsentieren. Ironischerweise soll es “vier Lie- tych czasów, a po wyjściu z teatru wrócimy do teraźniej- lyrischen Oper, die die inneren Erfahrungen der Figu- Reżyserem spektaklu jest Michał Znaniecki, twórca, besduette mit Statisten“ sein, und ich denke, es zeigt die szości, uświadamiając sobie – mam nadzieję – że historia ren und ihre Zwiespälte aufdeckt? Heute begeben wir którego pracę mieliśmy już przyjemność podziwiać kreative Freiheit und Kreativität, die den Autor begleitet tragicznego uczucia Romea i Julii tak naprawdę dotyczy uns nach anderen Zeiten auf der Bühne und nach dem i doceniać w Szczecinie: Traviata Verdiego i Pajace Le- hat. nas wszystkich. Bo przecież śmierć młodych kochanków Verlassen des Theaters in die Gegenwart zurückkehren oncavalla zebrały bardzo dobre recenzje i rozkochały Der Regisseur der Aufführung ist Michał Znaniecki, ein jest swoistą metaforą – miłość może wygra ze złem ota- und feststellen – ich hoffe – dass die Geschichte von Ro- w sobie zachodniopomorską publiczność. Künstler, dessen Arbeit wir bereits in Stettin bewundern czającego nas świata, choć często jest trudna i bolesna. meos und Julias tragischem Gefühl uns alle wirklich an- Jestem pewien, że artyści i cały zespół Opery na Zamku und schätzen durften: Traviata von Verdi und Die Baja- Może wygra… gdy spadną łzy. Bo z nieba nad Kapuletich geht. Weil der Tod junger Liebender eine Art Metapher wzniosą się kolejny raz na wyżyny swoich umiejętności zzos von Leoncavallo sammelten sehr gute Kritiken und i Montekich grobem, choćby nie wiem, jak uczenie ludzie ist – Liebe kann gegen das Böse der Welt um uns herum i zapewnią doskonałą zabawę wszystkim miłośnikom ließen das westpommersche Publikum in sie verlieben. mówili, spadają właśnie czułe łzy, nie – zabijające uczucia gewinnen, obwohl sie oft schwierig und schmerzhaft ist. opery. Nie tylko tym zakochanym. Ich bin sicher, dass die Künstler und das gesamte Ensemble kamienie… Sie kann gewinnen ... wenn die Tränen fallen. Denn vom der Oper im Schloss wieder auf die Spitze ihres Könnens Zapraszam na wieczór z romansem wszech czasów! Himmel über dem Grab von Capulets und Montaigus, aufsteigen und allen Opernliebhabern viel Spaß bereiten auch wenn die Leute gelehrt haben, fallen zarte Tränen, Olgierd Geblewicz werden. Nicht nur den Verliebten. keine Steine, die Gefühle töten ... Marszałek Województwa Zachodniopomorskiego Jacek Jekiel Ich lade Sie zu einem Abend mit der Liebesaffäre aller Dyrektor Opery na Zamku w Szczecinie Zeiten ein! Olgierd Geblewicz Marschall der Woiwodschaft Westpommern Jacek Jekiel Intendant der Oper im Schloss Stettin 8 | Charles Gounod Romeo & Julia Charles Gounod Romeo & Julia | 9 10 | Charles Gounod Romeo & Julia Charles Gounod Romeo & Julia | 11 Fot. Stefano Reverberi, Pixabay Stefano Fot. Fot. S. Reverberi, Pixabay Fot. Streszczenie libretta • Kurzfassung des Librettos Akt III 3. Akt Akcja rozgrywa się w Weronie. Die Aktion findet in Verona statt. Odsłona 1 1. Auftritt Romeo i Julia, wiedząc, że nie uzyskają zgody rodzi- Romeo und
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