DOCSLIB.ORG

Die Gebäude in 100 Bildern

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Die Gebäude in 100 Bildern Staatsbibliothek zu Berlin – Preußischer Kulturbesitz eine Bibliothek mit mehreren Standorten Berlin State Library – Prussian Cultural Heritage one library at several locations Unter den Linden 8 Potsdamer Straße 33 Westhafenstraße 1 Fürstenwalder Damm 388 Berlin-Mitte Berlin-Tiergarten Berlin-Moabit Berlin-Friedrichshagen Berlin 1661 Gründung als Churfürstliche Bibliothek zu Cölln an der Spree 1701 Königliche Bibliothek 1918 Preußische Staatsbibliothek 1941–1949 Verlagerungen und Zerstörungen im Zweiten Weltkrieg, Teilung Deutschlands 1661–1784 im Berliner Schloss Berlin-Ost 1946 Öffentlich-Wissenschaftliche Bibliothek 1954 Deutsche Staatsbibliothek 1990/91 Deutsche Staatsbibliothek in der Stiftung Preußischer Kulturbesitz Marburg 1946 Hessische Bibliothek 1784–1914 am Opernplatz 1949 Westdeutsche Bibliothek (heute Bebelplatz) 1962 Staatsbibliothek der Stiftung Preußischer Kulturbesitz Berlin-West 1968 Staatsbibliothek Preußischer Kulturbesitz Berlin seit 1992 Staatsbibliothek zu Berlin – Preußischer Kulturbesitz Die Staatsbibliothek in 100 Bildern Seite 2/100 Der Standort Unter den Linden Unter den Linden 8 The Unter den Linden site Berlin-Mitte seit 1914 Potsdamer Straße 33 Unter den Linden 8 Berlin-Tiergarten 10117 Berlin-Mitte Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit Die Staatsbibliothek in 100 Bildern Seite 3/100 Unter den Linden 8 Berlin-Mitte Potsdamer Straße 33 Berlin-Tiergarten Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit Das Gebäude Unter den Linden, seit 1914 in Betrieb, wurde vom Architekten Ernst von Ihne entworfen The building Unter den Linden was planned by architect Ernst von Ihne and was opened in 1914 Die Staatsbibliothek in 100 Bildern Seite 4/100 Unter den Linden 8 Berlin-Mitte Potsdamer Straße 33 Berlin-Tiergarten Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit 107 x 170 Meter Flächenausdehnung, 13 Etagen hoch, Aufnahme aus den 1920er Jahren 107 x 170 meters covered area, 13 floors, photographed in the 1920ies Die Staatsbibliothek in 100 Bildern Seite 5/100 Unter den Linden 8 Berlin-Mitte Potsdamer Straße 33 Berlin-Tiergarten Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit Vestibül, 1914 Vestibulo, 1914 Die Staatsbibliothek in 100 Bildern Seite 6/100 Unter den Linden 8 Berlin-Mitte Potsdamer Straße 33 Berlin-Tiergarten Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit Kuppellesesaal, 1914 Domed Reading Room, 1914 Die Staatsbibliothek in 100 Bildern Seite 7/100 Unter den Linden 8 Berlin-Mitte Potsdamer Straße 33 Berlin-Tiergarten Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit Galerie-Umgang im Kuppellesesaal, 1914 Gallery in Domed Reading Room, 1914 Die Staatsbibliothek in 100 Bildern Seite 8/100 Unter den Linden 8 Berlin-Mitte Potsdamer Straße 33 Berlin-Tiergarten Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit Fassade des Kuppellesesaals, 1914 Façade of the Domed Reading Room, 1914 Die Staatsbibliothek in 100 Bildern Seite 9/100 Unter den Linden 8 Berlin-Mitte Potsdamer Straße 33 Berlin-Tiergarten Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit Die ›Schausammlung‹, 1926 The ›Exhibition Collection‹, 1926 Die Staatsbibliothek in 100 Bildern Seite 10/100 Auslagerung der Bestände ab 1941 Unter den Linden 8 Zerstörungen im Zweiten Weltkrieg Berlin-Mitte Evacuation of the holdings starting in 1941 Potsdamer Straße 33 Damages during World War II Berlin-Tiergarten Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit Die Staatsbibliothek in 100 Bildern Seite 11/100 Unter den Linden 8 Berlin-Mitte Potsdamer Straße 33 Berlin-Tiergarten Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit 1941: Beginn der kriegsbedingten Auslagerung der Bücher 1941: The evacuation of the collection begins Die Staatsbibliothek in 100 Bildern Seite 12/100 Unter den Linden 8 Berlin-Mitte Potsdamer Straße 33 Berlin-Tiergarten Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit Auslagerung von Büchern, 1943 Evacuation of books, 1943 Die Staatsbibliothek in 100 Bildern Seite 13/100 Unter den Linden 8 Berlin-Mitte Potsdamer Straße 33 Berlin-Tiergarten Fürstenwalder Damm 388 Berlin-Friedrichshagen Westhafenstraße 1 Berlin-Moabit Lüften des Alphabetischen Bandkatalogs, Kalkbergwerk Rüdersdorf bei Berlin Airing the Alphabetical Catalogue of Volumes, Limestone Mine in Rüdersdorf nr.
Load more

Recommended publications
  • Conditions of Use Preamble
    CONDITIONS OF USE PREAMBLE ................................................................ 4 A GENERAL SECTION ...................................................... 4 § 1 Purpose ................................................................. 4 § 2 Legal relationship between users and library, reader pass ...................... 4 § 3 Fees, charges ............................................................. 5 § 4 Issue of Reader Passes .................................................... 5 § 5 General obligations and liability of users ..................................... 6 § 6 Supervisory rights of the State Library ...................................... 7 § 7 Liability of the State Library ................................................ 7 B USE OUTSIDE THE STATE LIBRARY ..................................... 8 § 8 General borrowing regulations ............................................. 8 § 9 Borrowing and returning ................................................... 8 § 10 Lending period and renewal ............................................... 9 § 11 Reminders, acquiring replacements ........................................ 9 § 12 Reservations and notifications ........................................... 10 With effect from October 1st 2019, the basic fees for the use of the Staatsbibliothek, i.e. the fees for annual and monthly tickets, will C USE INSIDE THE LIBRARY .............................................. 10 be suspended for a period of two years. The passages highlighted in § 13 Using the reading rooms ................................................
    [Show full text]
  • Here to Expertly Guide You Through the New Normal in Travel
    esse Our Experience At Exeter International we have been creating memories and crafting custom-designed journeys for 27 years. We are a team of specialists committed to providing the best travel experiences in our destinations. Each of our experts has either travelled extensively on reconnaissance trips, or has lived in their area of expertise, giving us unparalleled first-hand knowledge. Because we focus on specific parts of the globe, we return to the same destinations many times, honing our experience over the years. Knowledgeable Up-to-the-Minute Local Information We are best placed to give you advice about traveling to Europe and beyond; from logistics and new protocols in museums, hotels and restaurants in each country. We are here to expertly guide you through the new normal in travel. Original Custom Programs, Meticulously Planned Our experts speak your language both literally and culturally. Our advice and recommendations are impartial, honest, and always have the individual in mind. We save valuable time in pre-trip research and focus on developing experiences that enrich and enhance your experience. Once on your journey you will have complete peace of mind with our local 24-hour contact person who is on hand to coordinate any changes in your program or help you in the case of any emergency. Hand-Selected Guides We know that guides are one of the most important components of any travel experience. That is why we only use local experts who have a history of working with our guests and whom we know personally. We are extremely particular in selecting our guides and are confident that they will be one of the most memorable aspects of any of our trips.
    [Show full text]
  • Ernst Thälmann – Führer Seiner Klasse (1955) Propaganda Für Arbeiterklasse, Partei Und Heroismus
    Ernst thälmann – FührEr sEinEr KlassE (1955) Propaganda für Arbeiterklasse, Partei und Heroismus 1 FilmographischE angabEn . 3 2 Filminhalt . 3 3 HistorischE KontExtualisiErung . 5 4 DiDaKtischE übErlEgungEn . 8 5 ArbEitsanrEgungEn . 11. 6 MatErial . 13 Material 1: Was ist Propaganda? . 13 Material 2: Ernst Thälmann – historische Figur und Mythos . 14 Material 3: Historische Traditionen der SED . 17 Material 4: Umgang der SED mit der nationalsozialistischen Vergangenheit . 20 Material 5: Produktionsbedingungen des Films . 21 Material 6: Propaganda oder Wirklichkeit? . 24 Material 7: Filmische Mittel des Propaganda-Films und ihre Wirkung . 25 Material 8: Zeitgenössische Kritiken des Films . 28 7 LitEratur . 29 2 Unterrichtsmaterial Ernst Thälmann – Führer seiner Klasse www.ddr-im-film.de 1 FilmographischE angabEn Regie Kurt Maetzig Drehbuch Willi Bredel, Michael Tschesno-Hell, Kurt Maetzig Kamera Karl Plint- zner, Horst E. Brandt schnitt Lena Neumann Musik Wilhelm Neef bauten Otto Erdmann, Willy Schiller, Alfred Hirschmeier Kostüme Gerhard Kaddatz produktion DEFA-Studio für Spielfilme (Potsdam-Babelsberg) uraufführung 07.10.1955, Ost-Berlin/Volksbühne Länge 140 Minuten FsK ab 12 Auszeichnungen Karlovy-Vary-Filmfestival 1956: Preis für den be- sten Schauspieler an Günther Simon Darstellerinnen | Darsteller Günther Simon (Ernst Thälmann), Hans-Peter Minetti (Fiete Jansen), Karla Runkehl (Änne Jansen), Paul R. Henker (Robert Dirhagen), Hans Wehrl (Wilhelm Pieck), Karl Brenk (Walter Ulbricht), Michel Piccoli (Maurice Rouger) Gerd Wehr (Wilhelm Florin), Walter Mar- tin (Hermann Matern), Georges Stanescu (Georgi Dimitroff), Carla Hoffmann (Rosa Thälmann), Erich Franz (Arthur Vierbreiter), Raimund Schelcher (Krischan Daik), Fritz Diez (Hitler), Hans Stuhr- mann (Goebbels) u.a. 2 Filminhalt Der Film behandelt das Leben des Vorsitzenden der Kommunistischen Partei Deutschlands, Ernst Thälmann, in den Jahren von 1930 bis zu seinem Tode 1944.
    [Show full text]
  • The 1963 Berlin Philharmonie – a Breakthrough Architectural Vision
    PRZEGLĄD ZACHODNI I, 2017 BEATA KORNATOWSKA Poznań THE 1963 BERLIN PHILHARMONIE – A BREAKTHROUGH ARCHITECTURAL VISION „I’m convinced that we need (…) an approach that would lead to an interpretation of the far-reaching changes that are happening right in front of us by the means of expression available to modern architecture.1 Walter Gropius The Berlin Philharmonie building opened in October of 1963 and designed by Hans Scharoun has become one of the symbols of both the city and European musical life. Its character and story are inextricably linked with the history of post-war Berlin. Construction was begun thanks to the determination and un- stinting efforts of a citizens initiative – the Friends of the Berliner Philharmo- nie (Gesellschaft der Freunde der Berliner Philharmonie). The competition for a new home for the Berlin Philharmonic Orchestra (Berliner Philharmonisches Orchester) was won by Hans Scharoun whose design was brave and innovative, tailored to a young republic and democratic society. The path to turn the design into reality, however, was anything but easy. Several years were taken up with political maneuvering, debate on issues such as the optimal location, financing and the suitability of the design which brought into question the traditions of concert halls including the old Philharmonie which was destroyed during bomb- ing raids in January 1944. A little over a year after the beginning of construction the Berlin Wall appeared next to it. Thus, instead of being in the heart of the city, as had been planned, with easy access for residents of the Eastern sector, the Philharmonie found itself on the outskirts of West Berlin in the close vicinity of a symbol of the division of the city and the world.
    [Show full text]
  • N E W S L E T T E R Section's Homepage
    January 2010 Section on Rare Books and Manuscripts N e w s l e t t e r Section's Homepage: http://www.ifla.org/VII/s18/index.htm Contents People 2 From the Editors 3 IFLA 75th General Conference and Council in Milan 2009 4 From the Libraries 6 Exhibitions 11 Events and conferences 21 Projects 25 Publications 33 Web news 38 Cooperation 40 People Chair: Raphaële Mouren Université de Lyon / ENSSIB 17-21, Boulevard du 11 Novembre 1918 69623 VILLEURBANNE, France Tel. +(33)(0)472444343 Fax +(33)(0)472444344 E-mail: [email protected] Short presentation of myself: As an associate professor at the École nationale supérieure des sciences de l’information et des bibliothèques (enssib), where I am currently teaching to future librarians and students in specialized masters (Cultures de l’écrit et de l’image, Livre et savoir), I am specialized in the history of the book and history of greek and latin philology in early modern Europe. I was executive director in the bibliothèque Méjanes in Aix-en-Provence and head of the manuscripts and rare books department in Bibliothèque-Carré d’Art in Nîmes. I am the author of the Manuel du patrimoine en bibliothèque, published in 2007. Secretary and Treasurer: Anne Eidsfeldt The National Library of Norway Post Box 2674 Solli OSLO, NO-0203 Norway Tel. +(47)(23)276095 Fax +(47)(75)121222 E-mail: [email protected] Short presentation of myself: I have been a member of the IFLA Rare Books and Manuscript Section since 2007. In 2009 I was elected as Secretary and Treasurer for the section for a period of two years.
    [Show full text]
  • Monuments and Site-Specific Sculpture in Urban and Rural Space
    Monuments and Site-Specific Sculpture in Urban and Rural Space Monuments and Site-Specific Sculpture in Urban and Rural Space Edited by Inbal Ben-Asher Gitler Monuments and Site-Specific Sculpture in Urban and Rural Space Edited by Inbal Ben-Asher Gitler This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Inbal Ben-Asher Gitler and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5179-5 ISBN (13): 978-1-4438-5179-4 TABLE OF CONTENTS Acknowledgments ..................................................................................... vii Introduction ................................................................................................. 1 Inbal Ben-Asher Gitler Section I: Site-Specific Artworks: Monuments and Counter-Monuments Processing Memory: The Spectator as Archaeologist ............................... 12 Moran Pearl A Ubiquitous Memorial ............................................................................. 41 Adachiara Zevi Thomas Hirschhorn’s Monuments and the Politics of Public Space ......... 68 Vincent Marquis Section II: Reflections on the Modernist Monument The Monument in the Expanded Field of Minimalism – The Case of Dani Karavan's Monument to the Negev Brigade ................ 104 Katya Evan Formal autonomy versus public participation: The Modernist Monument in Costantino Nivola’s Work ........................ 134 Giuliana Altea and Antonella Camarda Section III: Site-Specific Artworks: Between Physical and Virtual Space Reassessing Spatial Theory of Permanent Site-Specific Artworks of the American Southwest, in the Information Age ..............................
    [Show full text]
  • B8 Book Burning.Indd
    8 Book burning, now and then d Prejudice 115 8 Book burning, now and then 1. What do you know about book burning? Have you ever read a book or an article about that? Have you ever seen people burning books? Why do people burn books? Give some possible reasons/ occasions. 2. Watch an extract from the film "The Book Thief" on YouTube (the book burning scene) and talk about the feelings aroused. 116 3. In pairs, do the following task: one of you reads the following text about the film and the other one reads the text about the book. When you are ready, complete the tables pair work together, combining information from the texts you have read. Partners report to class. Steiner, a boy who lives next door, accompanies The Book Thief (2013) her on her first day of school. When the teacher asks Liesel to write her name on the chalkboard, she is only able to write three Xs, revealing to her classmates that she is unable to write. She is taunted by her schoolmates who The Book Thief is a 2013 World War II drama chant "dummkopf" ("dunce") at her. One of the film directed by Brian Percival, starring Geoffrey boys, Franz Deutscher, challenges her to read Rush, Emily Watson, and Sophie Nélisse. The film just one word to which Liesel responds by is based on the 2005 novel The Book Thief by beating him up. She impresses Rudy, and they Markus Zusak and adapted by Michael Petroni. become fast friends. When Hans, her foster The film is about a young girl living with her father, realizes that Liesel cannot read, he begins adoptive German family during the Nazi era.
    [Show full text]
  • The Bnf at the IFLA Exhibition
    English – 4 August – No. 4 □ Workshops □ The BnF at the IFLA exhibition During this conference several IFLA The BnF will be pleased to welcome you to its stand 99 (Level 2 H 32 33) to pre- Sections offer workshops. Most are held on Thursday although some of them are sent the following special events: also held at other days. Please look at the programme for details. Virtual exhibitions, learning approach Workshops are either "on-site" in the Monday 4 August from 12.45 - 13.30 and International Congress Centre (ICC Wednesday 6 August from 10.45 - 11.30 Berlin) or "off-site" (not in the ICC Berlin). Presentation on large screen, focusing on 3 themes: “Fouquet, peintre et enlumineur du XV siècle (Fouquet, 15th century artist and illuminator), “Victor Hugo, l`homme All off-site workshops required pre- ocean”, “Il était une fois… les contes de feé (Once upon a time… fairy tales) registration. To allow everybody and especially a zounger audience to access its heritage, the Now that the conference has started it educational service of the BnF provides virtual exhibitions files, both online and on may still be possible to register for an CD-Rom, 23 files are currently available an varied themes such as: ”L`aventure des off-site event, although this is not done écritures”, “Emile Zola”, le Criel et la terre (The sky and earth) and (Cathedrales centrally. gothiques au XIIéme siècle§ (13th century Gothic cathedrals) Please contact the IFLA Headquarters Secretariat (room 36), since they will The catalogue of the BnF, BN-Opale plus have most of the location details for the off-site workshops.
    [Show full text]
  • The German Library System: Structure and New Developments
    The German Library System: structure and new developments Claudia Lux Introduction The Federal Republic of Germany is situated in the centre of Eu- rope. The Republic has sixteen Federal States. Germany’s capital is Berlin. Altogether, there are more than 16,200 communities, including villages, counties, towns and cities, with more than 12,000 public libraries and about 2,000 general research and special libraries. Germany has existed in its present form only since the unification of West Germany and East Germany in 1990. The two very differ- ent states had two very different political systems, one being em- bedded in the Western bloc with the United States and the other within the Eastern bloc with the Soviet Union. This had a great impact on the library system in each part of the country, evident in different classification systems, different types of libraries and library methods. During the last 12 years this has changed signifi- cantly, and the differences between East and West have been di- Claudia Lux obtained a PhD in minishing, even though they may not yet have disappeared Sinology from the University of altogether. Bochum in 1986. She is Direc- tor General of the Zentral- und Landesbibliothek Berlin. She has Basic Principles been Editor of Bibliotheksdienst since 2001 and a member of Only three years after the reunification the publication Biblio- the Editorial Board of Bibliothek, theken ‘93 was edited by a group of the BDB (Bundesvereinigung Forschung und Praxis since Deutscher Bibliotheksverbände, the National Federation of Li- 1998. Dr Lux was a member of brary and Librarians’ Associations), founded in West Germany in the Standing Committee of the 1989 by four different associations as their head-association.
    [Show full text]
  • The Medieval Trading Center
    The medieval trading center Berlin and Cölln © Landesarchiv Berlin At the end of the 12th century, the city emerged from the two merchant settlements Berlin and Cölln, located on both sides of the Spree river in what is now the Mitte borough. In 2008, state archaeologists found an oak beam that probably dates back to 1183, making Berlin 54 years older than was previously assumed. The excavations took place at Petriplatz (Museum island, close to the church of our contact person), one of the oldest places in the city. 1237 Berlin dates its official founding to 1237, the year of the first recorded mention of Cölln. The first documentary reference to Berlin followed in 1244. 1280 Berlin is given a new town seal depicting, for the first time, two bears. 1230 The church Nikolaikirche (St. Nicholas’s) is built in the area known today as the Nikolaiviertel. The first documentary reference of the Marienkirche (St. Mary’s) dates from 1292. 1307 Berlin and Cölln form a union in order to protect and expand their rights against the margrave. Twelve aldermen from Berlin and six from Cölln hold their meetings in the new town hall they share. Each town has its own administration and budget, maintaining internal independence while presenting a united front to the outside world. 1356 The Mark Brandenburg becomes an Electorate. 1360 Berlin-Cölln becomes a member of the Hanseatic League, representing the cities of its region at the League’s meetings in Lübeck. This association of merchants and cities permits the development of wide-ranging trade relations, but Berlin-Cölln carries no great weight in the League.
    [Show full text]
  • Berlin – a Publishing City
    Berlin – a publishing city From the contents Page Editorial On the way to Number 1 – That publishing houses are commercial retailing, of authors, libraries and archives, a potted history of the publishing entities is not a revolutionary statement. museums and theatres, universities and city Berlin 2 But publishers are also private sector academies. More than 300 publishing A present with a future – Berlin as a institutions for culture, learning and houses alone benefit from it by making publishing city, today and tomorrow 3 science, without which our world would use of the unique cultural and knowledge not be what it is, and without whose work infrastructure in our city. A place to deal books – disseminating culture and knowledge from book supermarkets of our society‘s future development is I am proud that Berlin is in the process to specialist book shops 5 scarcely imaginable. In the same way as of regaining its former pre-eminence as A place to write – authors in Berlin 7 a book itself is both merchandise and a a German publishing metropolis. We are cultural artefact and therefore belongs to doing all we can to support and acceler- both the sphere of the mind and that of ate this progress, which was originally set commerce, publishing houses are centres in motion by reunification. This brochure, of economic thought and action on the which provides an overview of the past one hand, but also valuable sources for and present situation in the publishing understanding where we come from and city Berlin and the benefits it offers pub- laboratories for future developments.
    [Show full text]
  • IAML Newsletter N° 27, December 2007
    IAML Electronic Newsletter No. 27, December 2007 IAML 2008 Vedi Napoli… … ma non muori. Our next annual confer- ence will take place in Naples (Italy), July 20-25. The web site is already up. Mark your calendar and your bookmarks. Music in libraries Arthur Rubinstein collection to Main Office) in Berlin. By 1947, Rubin- Juilliard School stein had returned to Paris, but it was not The family of pianist Arthur Rubinstein until 1954 that his Paris home was returned (1887-1982) has donated to The Juilliard to him. His final years were spent in Paris School an extensive collection of original and Geneva, where he died in 1982. manuscripts, manuscript copies, and pub- In 1945, the material from Rubinstein’s lished editions seized by the Nazis from library was taken from Berlin to the USSR Rubinstein’s music library in his Paris by the Soviet Army. These 71 items came apartment and recently restituted by the back to Berlin in the course of a partial German government. The 71 items in the return of German cultural assets by the collection were returned in May 2006 to USSR in 1958-59 to the German Democ- the pianist’s four children, Eva Rubinstein, ratic Republic1. The music had been as- Paul Rubinstein, Dr. Alina Rubinstein, and signed to the Music Department of the Ber- John Rubinstein, by New York Consul lin State Library (East) and kept as unproc- General Dr. Hans-Jürgen Helmsoeth. By essed music resources for years. the German government’s own admission, After reunification of the Berlin collec- it marked the first time that Jewish prop- tions, the Prussian Cultural Heritage Foun- erty kept in the Berlin State Library was dation was given responsibility for the re- returned to the legal heirs.
    [Show full text]