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Jihadism in Africa Local Causes, Regional Expansion, International Alliances
SWP Research Paper Stiftung Wissenschaft und Politik German Institute for International and Security Affairs Guido Steinberg and Annette Weber (Eds.) Jihadism in Africa Local Causes, Regional Expansion, International Alliances RP 5 June 2015 Berlin All rights reserved. © Stiftung Wissenschaft und Politik, 2015 SWP Research Papers are peer reviewed by senior researchers and the execu- tive board of the Institute. They express exclusively the personal views of the authors. SWP Stiftung Wissenschaft und Politik German Institute for International and Security Affairs Ludwigkirchplatz 34 10719 Berlin Germany Phone +49 30 880 07-0 Fax +49 30 880 07-100 www.swp-berlin.org [email protected] ISSN 1863-1053 Translation by Meredith Dale (Updated English version of SWP-Studie 7/2015) Table of Contents 5 Problems and Recommendations 7 Jihadism in Africa: An Introduction Guido Steinberg and Annette Weber 13 Al-Shabaab: Youth without God Annette Weber 31 Libya: A Jihadist Growth Market Wolfram Lacher 51 Going “Glocal”: Jihadism in Algeria and Tunisia Isabelle Werenfels 69 Spreading Local Roots: AQIM and Its Offshoots in the Sahara Wolfram Lacher and Guido Steinberg 85 Boko Haram: Threat to Nigeria and Its Northern Neighbours Moritz Hütte, Guido Steinberg and Annette Weber 99 Conclusions and Recommendations Guido Steinberg and Annette Weber 103 Appendix 103 Abbreviations 104 The Authors Problems and Recommendations Jihadism in Africa: Local Causes, Regional Expansion, International Alliances The transnational terrorism of the twenty-first century feeds on local and regional conflicts, without which most terrorist groups would never have appeared in the first place. That is the case in Afghanistan and Pakistan, Syria and Iraq, as well as in North and West Africa and the Horn of Africa. -
A Walk Through the Gallery 5
A WALK THROUGH THE GALLERY MARGARET PLASS The new African Gallery has been designed to exhibit, simply and honestly, a selection of sculptures from our permanent collections. Proudly we present them as works of art; where possible they are arranged in tribal groups for convenience and comparative study. They are labeled briefly and clearly. Here are the materials from which our visitors may form a just view of the special characteristics and merits of Negro art. For more than half a century our Museum has been enriched by acces- sions of African sculpture, mainly by purchase and partly by gifts, to the end that our permanent collections are the largest and most varied in style in America. The following descriptive notes are not to be construed as an attempt at a catalogue of the exhibition; the serious student may have access to fully documented formal catalogues should he apply to the Museum staff. In Dr. Coon's introduction he has given us the anthropological and ethno- grapbical background of the people who produced this art, working within the framework of their tribal traditions. Here in this book, with their photographs, are small synopses of what we know of these sculptures, and what we guess. We all have conscious, and sometimes unconscious, difficulty in understanding such works of art; the philosophical barrier that lies in the way of full appreciation is almost too difficult to hurdle. Many writers have tried to explain the magico-religious significance, the strength and directness of African art; few have succeeded. Perhaps these notes are mere hints and suggestions, but we hope that they may sometimes be stimulating as well as factual. -
The Artistic Heritage of Somalia Author(S): Mary Jo Arnoldi Source: African Arts, Vol
Regents of the University of California The Artistic Heritage of Somalia Author(s): Mary Jo Arnoldi Source: African Arts, Vol. 17, No. 4 (Aug., 1984), pp. 24-33+93 Published by: UCLA James S. Coleman African Studies Center Stable URL: http://www.jstor.org/stable/3336154 Accessed: 03-11-2016 15:01 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Regents of the University of California, UCLA James S. Coleman African Studies Center are collaborating with JSTOR to digitize, preserve and extend access to African Arts This content downloaded from 141.213.142.215 on Thu, 03 Nov 2016 15:01:38 UTC All use subject to http://about.jstor.org/terms The Artistic Heritage of Somalia MARY JO ARNOLDI Somalia, situated on the Horn of Af- and explores both specific regional formsYaqubi, an Arab geographer writing in rica, stands at the crossroads of Af- and shared forms and ideologies that the are ninth century, mentioned both Zeila rica and Asia within a region of great cul- spread through the agency of Islam and and Mogadishu as important commer- tural diversity. Today the Somali people longstanding trade networks.1I cial cities (Castagno 1975: 14). -
Emerging Powers in Africa
EMERGING POWERS IN AFRICA KEY DRIVERS, DIFFERING INTERESTS, AND FUTURE PERSPECTIVES Authors: Khalid Chegraoui, Rida Lyammouri & Maha Skah EMERGING POWERS IN AFRICA KEY DRIVERS, DIFFERING INTERESTS, AND FUTURE PERSPECTIVES Authors: Khalid Chegraoui, Rida Lyammouri & Maha Skah Table of Contents Introduction 5 Russia in Africa 7 Turkey’s expanding footprint in Africa 14 Israel in Africa 21 Gulf countries in Africa 32 Conclusion 46 Emerging powers in Africa: key drivers, differing interests, and future perspectives Introduction The COVID-19 pandemic has been characterized by a shifting balance of power, with some analysts even predicting a new international order in the making. Emerging powers are contributing to the changing power dynamics by competing to increase the influence they have in political, economic, and security spheres. Africa is one of the key spaces where such strategic efforts have been taking place. In such a context, this paper assesses key drivers of emerging powers’ growing engagement in Africa, makes some comparisons of the roles they have played during the pandemic, and discusses how this may affect their future relationships with African countries. More specifically, the paper explores how Russia, Turkey, Israel, Saudi Arabia, the UAE, Qatar, and Iran have sought to establish relations and advance their interests throughout the African continent. Scope and delimitation of the study There is no standard definition of what can be considered an ‘emerging power’. The list of states considered as “emerging powers” is the source of contention and differs depending on the research topic1. Overall, the term indicates a recognition of the increasing presence of some countries in global affairs. -
About Early and Medieval African
CK_4_TH_HG_P087_242.QXD 10/6/05 9:02 AM Page 146 IV. Early and Medieval African Kingdoms Teaching Idea Create an overhead of Instructional What Teachers Need to Know Master 21, The African Continent, and A. Geography of Africa use it to orient students to the physical Background features discussed in this section. Have them use the distance scale to Africa is the second-largest continent. Its shores are the Mediterranean compute distances, for example, the Sea on the north, the Atlantic Ocean to the west, the Red Sea and Indian Ocean length and width of the Sahara. to the east, and the Indian Ocean to the south. The area south of the Sahara is Students might be interested to learn often called sub-Saharan Africa and is the focus of Section C, “Medieval that the entire continental United Kingdoms of the Sudan,” (see pp. 149–152). States could fit inside the Sahara. Mediterranean Sea and Red Sea The Red Sea separates Africa from the Arabian Peninsula. Except for the small piece of land north of the Red Sea, Africa does not touch any other land- Name Date mass. Beginning in 1859, a French company dug the Suez Canal through this nar- The African Continent row strip of Egypt between the Mediterranean and the Red Seas. The new route, Study the map. Use it to answer the questions below. completed in 1869, cut 4,000 miles off the trip from western Europe to India. Atlantic and Indian Oceans The Atlantic Ocean borders the African continent on the west. The first explorations by Europeans trying to find a sea route to Asia were along the Atlantic coast of Africa. -
Draft Bibliography
Wim van Binsbergen, 2007, Out of Sundaland?: A constructive assessment of Oppenheimer’s thesis claiming decisive Indonesian prehistoric cultural influence on West Asia, Africa and Europe, specifically on the core mythologies of the Ancient Near East and the Bible’, paper, joint conference ‘The Deep History of Stories’, organised by The International Association for Comparative Mythology and The Traditional Cosmology Society, Edinburgh, Scotland, United Kingdom, 28-30 August 2007, revised version, 11 September 2007 DRAFT BIBLIOGRAPHY Aarne, Antti, and Stith Thompson, 1961, The Types of the Folktale: A Classification and Bibliography. FF Communications, no. 184. Helsinki: Suomalainen Tiedeakatemia, 1961. Alpers, E.A., 1984, ‘ ‘‘Ordinary household chores’’: Ritual and power in a 19th-century Swahili women’s spirit possession cult’, International Journal of African Historical Studies, 17, 4: 677-702. Ammerman, A., and L. L. Cavalli-Sforza, 1979, ‘The Wave of Advance Model for the Spread of Agriculture in Europe’, In: Renfrew, C., & K.L. Cooke, eds., Transformations: Mathematical Approaches to Culture Change, pp. 270-93, New York: Academic Press. Ammerman, A., and L. L. Cavalli-Sforza. 1973. "A Population Model for the Diffusion of Early Farming in Europe." In: C. Renfrew, ed., The Explanation of Culture Change, epp. 343-57. London: Duckworth. Amselle, J.-L., 2001, Branchements: Anthropologie de l’universalité des cultures, Paris: Flammarion Anati, E., 1999, La religion des origines, Paris: Bayard; French tr. of La religione delle origini, n.p.: Edizione delle origini, 1995. Arsuaga, Juan Luis, 2004, Het halssnoer van de Neanderthaler: Op zoek naar de eerste denkers, Amsterdam: Wereldbibliotheek, Dutch tr. of: El collar del neandertal, 1999 Barbujani, G., A. -
Fombandrazana Vezo: Ethnic Identity and Subsistence
FOMBANDRAZANA VEZO: ETHNIC IDENTITY AND SUBSISTENCE STRATEGIES AMONG COASTAL FISHERS OF WESTERN MADAGASCAR by EARL FURMAN SANDERS (Under the Direction of THEODORE GRAGSON) ABSTRACT The complex dynamic among coastal peoples of western Madagascar involves spread of cultural elements due to extensive seasonal migrations, tribes and ethnic groups merging into progressively broader ethnic groups, distinctions based on interethnic and intra-ethnic boundaries, and lumping of peoples with remotely similar subsistence patterns which has perpetuated ethnonym vagaries. This study analyzes the cultural bases of the Vezo, a group of marine fishers inhabiting the west coast of Madagascar, with the intent of presenting a clearer image of what is entailed within the ethnonym, Vezo, both with respect to subsistence strategies and cultural identity. Three broad areas of inquiry, ethnohistory, ecological niche as understood from the Eltonian definition, and geographical scope inform the field research. Access to these areas leans heavily on oral histories, which in turn is greatly facilitated by intensive participant observation and work in the native language. The analysis shows that the Vezo constitute a distinct ethnic group composed of diverse named patrilineal descent groups. This ethnic group is defined by common origins and a shared sense of common history, which along with the origins of the taboos are maintained within their oral histories. Within the ethnonym, Vezo, there are subsistence as well as other cultural distinctions, most notably the taboos. These distinctions are the bases of the ethnic boundaries separating those who belong to the Vezo cultural group and others who are referred to as Vezo (Vezom-potake and Vezo-loatse) due to geographical disposition. -
African Studies Series
2012 New & Forthcoming Titles including a complete list of African Studies Books in Print AFRICA OHIO UNIVERSITY PRESS UNIVERSITY OHIO NEW AFRICAN HISTORIES Series editors: Jean Allman and Allen Isaacman Table of contents RECENT TITLES NEW AFRICAN HISTORIES 3 AFRICA IN WORLD HISTORY 4 Literature 5 MODERN AFRICAN WRITING 6 Film 7 SERIES IN ECOLOGY AND HISTORY Transnational & Comparative 7 Series editor: James L. A. Webb, Jr. CAMBRIDGE CENTRE OF AFRICAN STUDIES SERIES 12 Southern Africa 12 East Africa 14 Sudan 14 Eritrea/Ethiopia 15 Kenya 15 Tanzania 16 Somalia 17 Uganda 17 West Africa 17 SERIES IN ECOLOGY & HISTORY 19 Ecology in Africa 21 MODERN RESEARCH IN INTERNATIONAL African STUDIES AFRICA 21 Writing BOOKS IN PRINT By author/editor 23 By title 33 INDEX Index of recent titles 35 ORDERING Order form 36 AFRICA IN ELECTRONIC BOOKS WORLD HISTORY Ohio University Press offers many books as Adobe Digital Edition ebooks. Some books are available for a thirty-day period for as little as Series editors: $5. Please check the book pages at ohioswallow. David Robinson com to see the available formats for the books & Joseph C. Mller you want to purchase or use for classes. Cover photo: Edwin Wes NEW AFRICAN HISTORIES segregation, also saw their activities in South Africa as a Daniel R. Magaziner divinely ordained mission to establish “Africa for Africans,” NEW AFRICAN HISTORIES liberated from European empires. Though these liberation The Law and the Prophets Black Consciousness in South Africa, 1968–1977 SERIES EDITORS: JEAN ALLMAN prophecies went unfulfilled, black South Africans contin- & ALLEN ISAACMAN ued to view African Americans as inspirational models and “Among the many threads woven together by the Black as critical partners in the global antiapartheid struggle. -
Gender in the Arts Le Genre Dans Les Arts
DOCUMENTATION AND INFORMATION CENTRE CENTRE DE DOCUMENTATION ET D’INFORMATION Gender in the Arts Le genre dans les arts Bibliography - Bibliographie CODICE June/Juin, 2006 Gender in the Arts – Le genre dans les arts Introduction Introduction The topic of the 2006 session of the Gender La session 2006 de l’institut du genre porte sur Institute is “Gender in the arts”. The arts have « le Genre dans les arts ». been defined according to the Larousse dictionary Les arts, définis d’après le Larousse comme étant as being “All specific human activities, based on « l’ensemble des activités humaines spécifiques, sensory, aesthetic and intellectual faculties”. In faisant appel à certaines facultés sensorielles, other words, arts relate to: music, painting, esthétiques et intellectuelles ». En d’autres theatre, dance, cinematography, literature, termes, les arts se confondent à tout ce qui se orature, fashion, advertisement etc. rapporte à : la musique, la peinture, le théâtre, la danse, le cinéma, la littérature, l’oralité, la mode, This bibliography produced by the CODESRIA la publicité etc. Documentation and Information Centre (CODICE) within the framework of this institute lists Cette bibliographie produite par le Centre de documents covering all the concepts on arts. It is documentation et d’information du CODESRIA divided into four parts: (CODICE) dans le cadre de cet institut recense - References compiled from CODICE Bibliographic des documents en prenant en considération tous data base; les concepts liés aux arts. Elle est divisée en - New documents ordered for this institute; quatre parties : - Specialized journals on the topic of gender and - Les références tirées de la base de arts; données du CODICE. -
~ 'J R. La Papa Serie Winrock De Literatura Orientada Al Desarrollo
.C. 47 t, 1 /411 *30~W dd ~ 'j r. La papa Serie Winrock de Literatura Orientada al Desarrollo Editor de la Serie: Steven A. Breth "La Papa: Producci6n, Comercializaci6n y Programas," fue escrito originalmente en ingl6s con el auspicio del Instituto Internacional Winrock para el Desarrollo Agricola, el Centro Internacional de 1a Papa y el Instituto Internacional de Investigaci6n en Politica Alimentaria. Hacen parte de la serie: "Rice in the Tropics: Aguide to the Development of National Programas," Robert F.Chandler, Jr. "Smaii Farm Development: Unuerstanding and Improving Farming Systerns in the Humid Tropics," Richard R. Harwood "Successful Seed Programs: A planning and Management Guide," Johnson E. Douglas (En espa~iol: Programa de Semillas, Gu[a de Planeaci6n y Manejo) "Tomatoes in the Tropics", Ruben L.Vilareal "Wheat in the Third World, Haldore Hanson," Norman E.Borlag, and R. Glen Anderson "Cassava New Potential for a Neglected Crop," James H. Cock "Potatoes: Production, Marketing, and Programs for Developing Countries," Douglas Horton La Papa: Produccion, Comercializaci6n y programas Douglas Horton Copub!icaci6n de Centro Internacional de la Papa (CIP), Lima, Editorial Hemisferio Sur, Montevideo, con autorizaci6n de "Winrock International" 1992 Titulo del original en ingl6s: POTATOES. Production, Marketing, and Programs for Developing Countries. Serie Winrock de Literatura Orientada a Desarrollo. Autor: Douglas Horton Titulo en espaiol: LA PAPA. Producci6n, Comercializaci6n y Programas. Traducido por: Ing. Agr. Heber Marrapodi Ing. Agr. Francisco Vilar6 © Copyright, 1987, versi6n en ingl6s: Winrock International ISBN (U.S.): 0-8133-7197-X ISBN (U.K.): 0-946688-09-5 © Derechos reservados, 1992, versi6n en espafiol: Centro Internacional de la Papa ISBN: 92-9060-154-X Todos los derechos reservados. -
Durham E-Theses
Durham E-Theses TIME, IDENTITY AND NATION IN GERMAN TRAVEL WRITING ON AFRICA 1848-1914 Reimann-Dawe, Tracey How to cite: Reimann-Dawe, Tracey (2009) TIME, IDENTITY AND NATION IN GERMAN TRAVEL WRITING ON AFRICA 1848-1914, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/165/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 TIME, IDENTITY AND NATION IN GERMAN TRAVEL WRITING ON AFRICA 1848-1914 THESIS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY TRACEY REIMANN-DAWE DURHAM UNIVERSITY SCHOOL OF MODERN LANGUAGES AND CULTURES 2009 ABSTRACT Between 1848 and 1914 a wave of German explorers travelled to Africa, enticed by the promise of geographical, botanical and anthropological discovery. Each Afrikareisender composed a narrative account of his German-African encounters and so produced a characteristic mode of travel writing. -
Collection: Green, Max: Files Folder Title: Terrorism (5) Box: 27
Ronald Reagan Presidential Library Digital Library Collections This is a PDF of a folder from our textual collections. Collection: Green, Max: Files Folder Title: Terrorism (5) Box: 27 To see more digitized collections visit: https://reaganlibrary.gov/archives/digital-library To see all Ronald Reagan Presidential Library inventories visit: https://reaganlibrary.gov/document-collection Contact a reference archivist at: [email protected] Citation Guidelines: https://reaganlibrary.gov/citing National Archives Catalogue: https://catalog.archives.gov/ 5 August 1986 THIS PUBLICATION IS PREPARED BY THE AIR FORCE (SAF/AA) AS EXECUTIVE AGENT FDR THE DEPARTMENT OF DEFENSE TO BRING TO THE ATTENTION OF KEY DOD PERSONNEL NEWS ITEMS OF INTEREST TO THEM IN THEIR OFFICIAL CAPACITIES. IT IS NOT INTENDED TO SUBSTITUTE FOR NEWSPAPERS, PERIODICALS AND BROADCASTS AS A MEANS OF KEEPING INFORMED ABOUT THE NATURE, MEANING ANO IMPACT OF NEWS DEVELOPMENTS. USE OF THESE ARTICLES DOES NOT REFLECT OFFICIAL ENDORSEMENT. FURTHER REPRODUCTION FOR PRIVATE USE OR GAIN IS SUBJECT TD THE ORIGINAL COPYRIGHT RESTRICTIONS. 'Pgs. 38, 39, 40-48, 49-52, 53-55, WORLD&! · March 1986 56-63, 64-65, 66-69, 70-75, 76-80, 81-86, 87-91, 92-97, 98-102 A Publication of lfJe ~ington timff C.Orporation SPECIAL REPORT 2 9 23 TERRORISM TRAONG LIBYA'S SHADOWY · CASTRO'S aJBA1 CONDUIT TO This new global warfar. DEEDS GLOBAL nRRORISM has~ th. foe. of Yonah Alexander L. Francis Bouchey international politia, Is it just a series of 12 28 1pOnta11eous outbursts by independent opeiatives? ABU NIDAL-THE SPUNTER "nRRORISM'S TENAOOUS ROOTS Or is rt...