Practical Writing Tip—Rhetorical Modes

Total Page:16

File Type:pdf, Size:1020Kb

Practical Writing Tip—Rhetorical Modes Practical Writing Tip—Rhetorical Modes What is rhetoric? The word “rhetoric” refers to the use of the available modes, or “idea patterns” to inform and perhaps persuade your audience. The basic types of academic writing are referred to as rhetorical modes. What are common rhetorical modes? 1. Description 2. Narration 3. Process Analysis 4. Division and Classification 5. Definition 6. Exemplification 7. Cause/Effect (Causal analysis) 8. Argumentation 9. Comparison/contrast 10. Problem-solving 1. What is Description? Giving a verbal picture using sensory and/or spatial (place) details. The purpose of description is to recreate, invent, or visually present a person, place, event, or action so that the reader can picture that which is being described. It is heavily based on sensory details: what we experience through our senses. In academic writing, description almost always requires the support of other rhetorical modes. 2. What is Narration? Telling about an event using time order, The purpose of narration is to tell a story or relate an event. Narration is an especially useful tool for sequencing or putting details and information into some kind of logical order, usually chronological. Literature uses narration heavily, but it also can be useful in non- fiction, academic writing for strong impact. In short academic essays, avoid narration unless it is extremely brief and being used to provide a summary. 3. What is Process Analysis? Analyzing a process can also be thought of as “how-to” instruction. Technical writing includes a lot of process analysis, for instance. Academic writing can incorporate process analysis to show how an existing problem came to be, or how it might be solved, by following a clear series of steps. Writers who are attempting process analysis should clearly understand their purpose and audience (is the audience expected to be able to actually perform the process, or merely to understand better how the process happens?) and also to possibly provide a list of ingredients, tools, and/or warnings. 4. What is Division and Classification? Division takes one large concept, and divides it into individual pieces. A nice result from this type of writing is that it helps the reader to understand a complex topic by focusing on its smaller parts. This is particularly useful when an author has a unique way of dividing up the concepts, to provide new insight into the ways it might be viewed. Classification, similar to comparison/contrast, takes one large group and divides it into logical and smaller subgroups (genres, for example) in order to present the similarities or differences between the groups. Classification may be used to show that one subgroup is “better” than the others, or merely to illustrate the differences and similarities between the groups. 5. What is Definition? A definition essay takes the concept of “definition” more broadly, moving beyond a dictionary definition to deeply examine a word or concept as we actually use and understand it more clearly, or even to possibly suggest a “new” definition. 6. What is Exemplification? It’s common to see examples used in all kinds of situations—an idea can be considered too general or abstract until we see it in action. An exemplification essay extends this idea even further: it carries one or more examples into great detail, in order to show the details of a complex problem in a way that’s easy for readers to understand. 7. What is Cause/Effect? If narration offers a sequence of events, cause/effect essays offer an explanation about why that sequence matters. Cause/effect writing is particularly powerful when the author can provide a cause/effect relationship that the reader wasn’t expecting, and as a result see the situation in a new light. Cause/effect writers must be careful to clearly show the causal relationship, not merely to state it. 8. What is ArGumentation? Academic argumentation is used to defend a position or to challenge an assumption. Academic argumentation relies heavily on the proper use of logic and providing “proper” information that the academic reader will accept. Argumentation also may use counter argumentation, refutation, and qualification. 9. What is Comparison/Contrast? Comparison focuses on similarities between things, and contrast focuses on their differences. We innately make comparisons all the time, and they appear in many kinds of writings. The goal of comparison and contrast in academic essays is generally to show that one item is superior to another, based on a set of evaluations included as part of the writing. 10. What is problem solvinG? This type of academic writing, also known as a “problem/solution essay,” has two equally important tasks: clearly identifying a problem, and then providing a logical, practical solution for that problem. Establishing that a particular situation IS a problem can sometimes be a challenge—many readers might assume that a given situation is “just the way it is,” and not actually a “problem” that needs to be solved. Problem solving essays often use cause/effect. process analysis. and argumentation in their approach. How are these rhetorical modes used? Are they used together or alone? Rhetorical modes are often used in a “hybrid” approach, but many modes can stand alone. However, in academic writing, an entire essay based upon “narration,” “description” or “exemplification” would probably be unacceptable to the academic audience. What are the 5 elements of Style? 1. Syntax (sentence patterns) 2. Language (overall language ability) 3. Diction (specific word choices or phrasing) 4. Punctuation 5. Tone What is syntax concerned with? The effective use of sentence patterns (including “sentence variety” or using a blend of grammatical structures). Is the syntax purely “natural,” or has the writer intentionally altered normal syntax to create some effect upon the audience? Personal tip—when I catch students cheatinG on their essays, “style” and especially “syntax” is often my first clue! .
Recommended publications
  • A Rhetorical Analysis of Examination Essays In
    A RHETORICAL ANALYSIS OF EXAMINATION ESSAYS IN THREE DISCIPLINES: THE CASE OF GHANAIAN UNDERGRADUATE STUDENTS JOSEPH BENJAMIN ARCHIBALD AFFUL (B.A. (Hons), Dip. Ed., MPhil) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE NATIONAL UNIVERSITY OF SINGAPORE 2005 ACKNOWLEDGEMENT I am very grateful to many people from diverse backgrounds for their invaluable contributions in several forms towards the completion of this work. First, I owe a great debt of gratitude to Dr. Sunita Anne Abraham, who has been helpful as principal supervisor and inspiring with her invaluable guidance, able supervision, and unflagging interest in my research. I would also like to express my profound gratitude to Associate Professor Christopher Stroud and Dr. Peter Tan Kok Wan, the other members of my thesis committee, for their encouragement, which has made the completion of this work possible. I have greatly benefited from discussions with Professor Desmond Allison, Associate Professor Paul Matsuda, Professor Ken Hyland, Professor Tony Silva, Dr. Paul Bruthiaux, Dr Lawe-Davies, and Ms. Juno Price during the initial stages of the work, while shaping the research proposal. Their suggestions were very helpful in guiding me to current literature in the area of study. I am indebted to the National University of Singapore (NUS) for offering me both admission and a research scholarship to enable me to conduct the study. I am thankful to my mates in the Department of English Language and Literature – Ms. Anggara Mah and Ms. Jennifer Tan – and fellow students from other departments in NUS – Mr. Edward Bannerman-Wood, Mr.
    [Show full text]
  • Youtube and the Vernacular Rhetorics of Web 2.0
    i REMEDIATING DEMOCRACY: YOUTUBE AND THE VERNACULAR RHETORICS OF WEB 2.0 Erin Dietel-McLaughlin A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Kristine Blair, Advisor Louisa Ha Graduate Faculty Representative Michael Butterworth Lee Nickoson ii ABSTRACT Kristine Blair, Advisor This dissertation examines the extent to which composing practices and rhetorical strategies common to ―Web 2.0‖ arenas may reinvigorate democracy. The project examines several digital composing practices as examples of what Gerard Hauser (1999) and others have dubbed ―vernacular rhetoric,‖ or common modes of communication that may resist or challenge more institutionalized forms of discourse. Using a cultural studies approach, this dissertation focuses on the popular video-sharing site, YouTube, and attempts to theorize several vernacular composing practices. First, this dissertation discusses the rhetorical trope of irreverence, with particular attention to the ways in which irreverent strategies such as new media parody transcend more traditional modes of public discourse. Second, this dissertation discusses three approaches to video remix (collection, Detournement, and mashing) as political strategies facilitated by Web 2.0 technologies, with particular attention to the ways in which these strategies challenge the construct of authorship and the power relationships inherent in that construct. This dissertation then considers the extent to which sites like YouTube remediate traditional rhetorical modes by focusing on the genre of epideictic rhetoric and the ways in which sites like YouTube encourage epideictic practice. Finally, in light of what these discussions reveal in terms of rhetorical practice and democracy in Web 2.0 arenas, this dissertation offers a concluding discussion of what our ―Web 2.0 world‖ might mean for composition studies in terms of theory, practice, and the teaching of writing.
    [Show full text]
  • Best of Student Essays
    Volunteer State Community College Best of Student Essays from the 2014-2015 Academic Year Expository Essays & Research Writing This publication is made possible with funding from the VSCC Humanities Division, Department of English Faculty, and the support of Bedford/St. Martin’s Publishers. Acknowledgements Dean of Humanities: Alycia Ehlert, Ed.D. English Department Chair: Laura Black Best Essays Committee Chair: Leslie LaChance Best Essays Selection Committee: Laura Black, Jessica Cocita, Mickey Hall, Deborah Moore, Kelly Ormsby, Jaime Sanchez, Cynthia Wyatt Support Staff: Rhonda Custer, Debra Lindsay Editing and Layout: Leslie LaChance Production and Design: Eric Melcher, Coordinator of Communications ii Introduction Volunteer State Community College Best Essays is a new incarnation of a previous publication entitled VSCC English Department’s Best Essays. As the early version has done over the past decade, this publication will continue to showcase some of the best writing being done by students at Volunteer State, and we have just expanded the publication to include examples of excellent writing from a variety of academic disciplines. While much of the work appearing here is nominated by faculty in the Department of English, which publishes this book, faculty from other disciplines are now also invited to nominate student essays for collection. This year, we are pleased to include our first essay from a discipline other than English, “Patriarchy’s Roots,” written by Amy Leu for History 1110, World Civilization 1. Each year, instructors at Volunteer State nominate students who have demonstrated excellence in writing and invite them to submit an essay to our selection committee; that committee of Vol State faculty then works collaboratively to choose superior student work for publication.
    [Show full text]
  • Black Rhetoric: the Art of Thinking Being
    BLACK RHETORIC: THE ART OF THINKING BEING by APRIL LEIGH KINKEAD Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON May 2013 Copyright © by April Leigh Kinkead 2013 All Rights Reserved ii Acknowledgements This project would not have been possible without the guidance, advice, and support of others. I would like to thank my advisor, Cedrick May, for his taking on the task of directing my dissertation. His knowledge, advice, and encouragement helped to keep me on track and made my completing this project possible. I am grateful to Penelope Ingram for her willingness to join this project late in its development. Her insights and advice were as encouraging as they were beneficial to my project’s aims. I am indebted to Kevin Gustafson, whose careful reading and revisions gave my writing skills the boost they needed. I am a better writer today thanks to his teachings. I also wish to extend my gratitude to my school colleagues who encouraged me along the way and made this journey an enjoyable experience. I also wish to thank the late Emory Estes, who inspired me to pursue graduate studies. I am equally grateful to Luanne Frank for introducing me to Martin Heidegger’s theories early in my graduate career. This dissertation would not have come into being without that introduction or her guiding my journey through Heidegger’s theories. I must also thank my family and friends who have stood by my side throughout this long journey.
    [Show full text]
  • Description, Narrative, and Reflection
    EmpoWord: A Student-Centered Anthology & Handbook for College Writers Part One: Description, Narrative, and Reflection Author: Shane Abrams, Portland State University This chapter is licensed with a Creative Commons Attribution-NonCommercial 4.0 International License Download this book free at: https://pdxscholar.library.pdx.edu/pdxopen/20/ Part One: Description, Narration, and Reflection 55 Section Introduction: Description, Narration, and Reflection Chapter Vocabulary Vocabulary Definition a rhetorical mode that emphasizes eye-catching, specific, and vivid description portrayal of a subject. Often integrates imagery and thick description to this end. a rhetorical mode involving the construction and relation of stories. narration Typically integrates description as a technique. a rhetorical gesture by which an author looks back, through the diegetic gap, to demonstrate knowledge or understanding gained from the subject on which they are reflecting. May also include consideration of reflection the impact of that past subject on the author’s future—“Looking back in order to look forward.” the circumstances in which rhetoric is produced, understood using the constituent elements of subject, occasion, audience, and purpose. Each element of the rhetorical situation carries assumptions and imperatives rhetorical situation about the kind of rhetoric that will be well received. Rhetorical situation will also influence mode and medium. Storytelling is one of few rituals that permeates all cultures. Indeed, there’s nothing quite as satisfying as a well-told story. But what exactly makes for a well-told story? Of course, the answer to that question depends on your rhetorical situation: your audience, your sociohistorical position, and your purpose will determine how you tell your story.
    [Show full text]
  • Why Wargaming Works Peter P
    Naval War College Review Volume 64 Article 8 Number 3 Summer 2011 Why Wargaming Works Peter P. Perla ED McGrady Follow this and additional works at: https://digital-commons.usnwc.edu/nwc-review Recommended Citation Perla, Peter P. and McGrady, ED (2011) "Why Wargaming Works," Naval War College Review: Vol. 64 : No. 3 , Article 8. Available at: https://digital-commons.usnwc.edu/nwc-review/vol64/iss3/8 This Article is brought to you for free and open access by the Journals at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Naval War College Review by an authorized editor of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. Color profile: Disabled Composite Default screen Perla and McGrady: Why Wargaming Works WHY WARGAMING WORKS Peter P. Perla and ED McGrady argaming has a long history as an important tool for military training, 1 Weducation, and research. In its broader application to nonmilitary con- flict situations (see, for example, the recent books Wargaming for Leaders and Business War Games), the technique is increasing in popularity, particularly 2 among businesses seeking strategic advantages. (As a result, we will sometimes use the terms “wargaming” and “gaming” interchangeably; in the latter case, however, we mean what is called “serious gaming,” not the more general sense, 3 like gambling.) Despite that history and popularity, however, wargaming’s rec- ord of success is uneven. Some games seem to succeed very well in preparing im- Dr. Perla earned a PhD in statistics from Carnegie- portant decision makers for real-world environments Mellon University.
    [Show full text]
  • Phd Alumni Dissertation Abstracts 2009-2018
    English Department: PhD Alumni Dissertation Abstracts 2009-2018 Creel, James Wright. Rhetorics of Integrity: Constitutive Rhetoric in American Cinema and Television (2018) This dissertation addresses the ways in which Americans navigate between their gendered, raced, and national identities, and the role film and television play in that navigation. To do so, I draw from and build upon Maurice Charland's concept "constitutive rhetoric," which theorizes the construction of national identity as a process of interpellation, where a particular facet of identity is hailed as always already extant. But whereas Charland deals exclusively with symbolic identity, I argue that the premises for constitutive rhetoric also extend into the material world because identity is also a material, embodied phenomenon. As a result, I assert that scholars of rhetoric and culture can better conceptualize human bodies as material constructs, and material constructs (national monuments, statues) as bodies. Because identity is material, the calls to identification in constitutive rhetoric are simultaneously calls to embodiment, and a call to shift bodies is understandably often met with resistance. To explain this resistance, I develop a theory called "rhetorics of integrity," which are discursive and non-discursive appeals that privilege consistency and wholeness. Using this theory, I identify appeals to integrity in portrayals of raced, gendered, and national bodies in American cinema; in particular, I analyze how and why these bodies are destroyed and what interests are served by having certain bodies remain whole. Hakimi-Hood, Heidi Sabreena-Del. Locating Rural Cosmopolitanism in Long Nineteenth-Century British Writings (2018) The rural is often understood as marginalized, on the edges of cities, and rarely visible in print culture centers.
    [Show full text]
  • Rhetorical Devices and Terms Terminology J. Ritterson Washburn
    Rhetorical Devices and Terms J. Ritterson Terminology Washburn High School English Department Basic Abstract Not related to the concrete properties of an object; pertaining to ideas, concepts, or qualities, as opposed to physical attributes. Alliteration The repetition of initial consonant sounds or any vowel sounds within a formal grouping, such as a poetic line or stanza, or in close proximity in prose. Analytical A style of writing in which the subject is broken into its writing components and the components are subjected to detailed scrutiny. Anecdote A brief story or tale told by a character in a piece of literature. Antagonist Character or force in a literary work that opposes the main character, or protagonist. Argumentation is one of the four modes of discourse (see Description, Exposition, and Narration). It seeks to convince the reader of the truth or falseness of an idea. Writers sometimes accomplish this by appealing to readers' emotions as Orwell does in "Marrakech" or by appealing to readers' ethics as is the case in "None of This Is Fair" by Richard Rodriguez. Others, such as Andrew Hacker in "E.R.A.—R.I.P.," can argue for or against a volatile issue by appealing to the readers' sense of reason, though often in an argument these appeals are interrelated. Audience The person(s) reached by a piece of writing. Claim An assertion of something as fact; to demand as a right or as due. Closure Bringing to an end or conclusion. Coherence indicates an orderly relationship among the parts in a whole essay or other literary work.
    [Show full text]
  • Metonymy & Trauma
    ii METONYMY & TRAUMA RE-PRESENTING DEATH IN THE LITERATURE OF W. G. S E B A L D Andrew Michael Watts A research dissertation submitted in partial fulfillment of the requirements for the degree of PhD English University of New South Wales 2006 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: WATTS First name: ANDREW Other names: MICHAEL Abbreviation for degree as given in the University Calendar: PhD School: ENGLISH Faculty: ARTS Title: Metonymy & Trauma: Re-presenting Death in the Literature of W. G. Sebald Abstract 350 words maximim: (PLEASE TYPE) Novel: Fragments of a Former Moon The novel Fragments of a Former Moon (FFM) invokes the paradoxical earlier death of the still-living protagonist. The unmarried German woman is told that her skeletal remains have been discovered in Israel, thirty-eight years since her body was interred in 1967. This absurd premise raises issues of representing death in contemporary culture; death's destabilising effect on the individual's textual representation; post-Enlightenmentdissolution of the modern rational self; and problems of mimetic post- Holocaust representation. Using W G Sebald's fiction as a point of departure, FFM's photographic illustrations connote modes of textual representation that disrupt the autobiographical self, invoking mortality and its a-temporal (representational) displacement. As with Sebald's recurring references to the Holocaust, FFM depicts a psychologically unstable protagonist seeking to recover repressed memories of an absent past. Research dissertation: Metonymy &Trauma: Re-presenting Death in the Literature of W. G. Sebald The dissertation centres on the effect of metonymy in the rhetoric of textually-constructedidentity and its contemporary representation in the face of death.
    [Show full text]
  • Preferred Genres and Rhetorical Modes in the Humanities and Social Sciences
    Preferred genres and rhetorical modes in the humanities and social sciences Adelia Carstens Unit for Academic Literacy University of Pretoria [email protected] Abstract The article reports on a research project aimed at identifying salient written genres and text types/rhetorical modes in the Faculty of Humanities at a large university in Gauteng, South Africa. The main purpose of the research was to establish an empirical base for the design of intermediate-level undergraduate language courses. A survey was done by means of text analysis: study guides were requested from a representative sample of departments, after which writing prompts were identified and analysed using Wordsmith Tools. In terms of genre it has been established that the humanities prefer essays and critical analyses, while the social sciences prefer project reports and essays. The rhetorical modes required most frequently at undergraduate level are discussion, analysis, argumentation, explanation and description. Discussion, explanation and argumentation are favoured by academic essays, while description and evaluation are favoured by reports, and analysis, argumentation and discussion are favoured by critical analyses. Although most essays presuppose argumentation, it is often not explicated in writing prompts. Other complicating factors are the ambiguity and hidden assumptions associated with certain rhetorical verbs. The outcomes of the research suggest two possible approaches to designing writing courses for undergraduate students in the humantities and social sciences: semi-generic approach, of which the latter may be more feasible within the framework of a macro- university. Key words: academic essay, academic writing, genre, humanities, rhetorical mode, social sciences, text type Introduction This article reports on a research project aimed at gaining an impression of the written genres and rhetorical modes that are required by academic departments in a faculty of humanities at a large urban university, through examining a corpus of writing assignments included in study manuals.
    [Show full text]
  • The Multimodal Kitchen: Cookbooks As Women's Rhetorical Practice
    THE MULTIMODAL KITCHEN: COOKBOOKS AS WOMEN'S RHETORICAL PRACTICE Elizabeth J. Fleitz A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2009 Committee: Sue Carter Wood, Advisor Allie L. Terry Graduate Faculty Representative Kristine L. Blair Richard C. Gebhardt Lucy L. Long ii ABSTRACT Sue Carter Wood, Advisor This study positions cookbooks and their associated discourse as rhetorical, relevant to the field and worthy of scholarly study. I argue that cookbooks are more than a simple collection of recipes; the ways in which the texts construct and are constructed by society establish their significance as rhetorical texts. As women have been historically silenced and prevented from using dominant communicative methods, they have needed to develop alternative practices. Naming cooking as a women’s discourse created out of these alternative practices, I argue this form of communication constructed for women and by women has a powerful rhetorical impact which establishes women as experts within their own (private) sphere. This discourse not only enables women to value their own existence but it also gives them a space in which to perform rhetoric, in effect constructing a feminist practice. This analysis is based on synthesis between Certeau’s concept of “making do” and multimodal practice, as I argue cookery discourse is inherently multimodal. I develop my argument exploring what I identify as the major modes used in the discourse: social, visual, and performative. As my project works to extend theories of multimodality, making the concept more widely applicable in rhetorical scholarship, it also furthers work begun by Bizzell, Glenn, and others concerning the limited representation of women in the rhetorical canon, and aids in the rewriting of rhetorical history as women’s stories continue to be added.
    [Show full text]
  • Ap English Language and Composition Summer Homework 2020
    AP ENGLISH LANGUAGE AND COMPOSITION SUMMER HOMEWORK 2020 Dear Students, Welcome to AP Lang. Your first task will be to complete the summer homework. To do this, you will need to purchase the following three titles: The Great Gatsby by F. Scott Fitzgerald, Born a ​ ​ ​ Crime by Trevor Noah, and Lies My Teacher Told Me by James Loewen. Lies My Teacher Told Me ​ ​ ​ ​ ​ ​ has many editions. Please purchase an edition published after 2006. Earlier additions are missing some of the chapters that we study. For each book, you should read and mark the text. Suggestions for markings include … a. underlining words that you do not know and looking them up. b. circling words with powerful connotations and deciding what they reveal about the characters or the narrator. c. highlighting literary devices and identifying them in the margins. d. highlighting unique sentence patterns and attempting to identify them using the glossary. Your summer homework is intended to be an individual, not collaborative, effort. At the completion of The Great Gatsby and Born a Crime, you should write a 40-minute timed ​ ​ ​ ​ ​ ​ essay. Write each on loose-leaf paper using a blue or black ink pen. TIMED WRITING PROMPTS *Prior to writing this essay, please review the AP Essay Structures Chart included below. Born a Crime "Language, even more than color, defines who we are as people,” Noah writes. “Maybe I didn't look like you, but if I spoke like you, I was you." Do you agree with Noah? In a well-organized essay, defend, challenge, or qualify Noah’s statement about the relationship between language and humanity.
    [Show full text]