Tybee Islād's 14Th Annual Piėte
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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Aftermath of the Porn Rock Wars
Loyola of Los Angeles Entertainment Law Review Volume 7 Number 2 Article 1 3-1-1987 Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars Jonathan Michael Roldan Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Jonathan Michael Roldan, Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars, 7 Loy. L.A. Ent. L. Rev. 217 (1987). Available at: https://digitalcommons.lmu.edu/elr/vol7/iss2/1 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. RADIO-ACTIVE FALLOUT AND AN UNEASY TRUCE-THE AFTERMATH OF THE PORN ROCK WARS Jonathan Michael Roldan * "Temperatures rise inside my sugar walls." - Sheena Easton from the song "Sugar Walls."' "Tight action, rear traction so hot you blow me away... I want a piece of your action." - M6tley Criie from the album Shout at the Devil.2 "I'm a fairly with-it person, but this stuff is curling my hair." - Tipper Gore, parent.3 "Fundamentalist frogwash." - Frank Zappa, musician.4 I. OVERTURE TO CONFLICT It began as an innocent listening of Prince's award-winning album, "Purple Rain,"5 and climaxed with heated testimony before the Senate Committee on Commerce in September 1985.6 In the interim the phrase "cleaning up the air" took on new dimensions as one group of parents * B.A., Journalism/Political Science, Cal. -
Press Release
Contact Marketing / Promotion Label: UDR GmbH Süderwungweg 10 thomas@udr‐music.com 25813 Husum . Germany serena@udr‐music.com Phone: +49 (0)4841 - 66 821 67 Mail: [email protected] Mobile: +49 (0)151 - 2523 7051 Fax: +49 (0) 4841 - 66 821 68 Label @ Facebook: www.facebook.com/UDR.Music Label @ Web: www.udr‐music.com Saxon @ Facebook: www.facebook.com/saxon Saxon @ Web: www.saxon747.com Press Release COVER CD I Tracklist – including performers: 1. Crazy Train 7. Goodbye to Romance Vocals: Serj Tankiann Vocals: Ripper Gtrs: Tom Morello Gtrs: Gus G. Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 2. Over the Mountain 8. Back To The Coast (Quiet Riot) Vocals: Ripper Vocals: Kelle Rhoads Gtrs: Jon Donais Gtrs: Bruce Kulick Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Frankie Banali Drums Frankie Banali 3. Mr Crowley 9. Killer Girl. (Quiet Riot) Vocals: Chuck Billy Vocals: Ripper Owens Gtrs: Alexi Laiho Gtrs: Joel Hoekstra Keyboards: Kelle Rhoads Bass: Rudy Sarzo Bass Rudy: Sarzo Drums: Brett Chassen Drums: Vinny Appice 10. Believer 4. Suicide Solution Vocals: Ripper Vocals: Ripper Gtrs: Doug Aldrich Gtrs: Brad Gillis Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 11. S A T 0 5. I Don't Know Vocals: Ripper Owens Vocals: Ripper Rhythm guitars: Bob Kulick Gtrs: George Lynch Lead guitar: Dweezil Zappa Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Brett Chassen Drums: Vinny Appice 6. Flying High Again Vocals: Ripper Gtrs: Bernie Torme Bass: Rudy Sarzo Drums: Brett Chassen Press Release: IMMORTAL RANDY RHOADS – THE ULTIMATE TRIBUTE wird weltweit über UDR Music im März 2015 veröffentlicht. -
The Right to Rock » Blog Archive » Frankie Banali & Friends
The Right To Rock » Blog Archive » Frankie Banali & Friends - 24/7/3... http://therighttorock.com/?p=156 TIME IS LIKE A FUSE, SHORT AND BURNING FAST - "Fight Fire With Fire", Metallica « Podcast #31: Covers Over Kill - Immortalis » Frankie Banali & Friends - 24/7/365 The Tribute to Led Zeppelin Is it a crime to cover one of hard rock’s most legendary bands? Well Quiet Riot drummer Frankie Banali is on a mission to do the unthinkable and cover some of the greatest tunes ever recorded by none other than Led Zeppelin. What is the reason for this unimaginable feat? Well, I can say it in two words: John Bonham . Frankie has assembled an all star line up of musicians to pay homage to the man that inspired him to pick up the stix. He enlisted the services of fretless bass master, Tony Franklin, to solidify the rhythm section and then he brought in a who’s who of guitarists and vocalists to round out the project. Frankie carefully picked the musicians for each song so that each would be treated with the respect that it deserved. Alex Ligertwood starts off the festivities with a truly killer remake of The Wanton Song, with monster guitarist Doug Aldrich manning the axe. It doesn’t slow down from there with Glenn Hughes’ incredible interpretation of Four Sticks. Glenn adds a bit of soul to the tune that just makes it sound bigger than ever. To top off all of the vocal giants on this record, vocalist Paul Shortino delivers big on Ramble On, rivaling the original. -
RAW POWER MAGAZINE Our Ads Are Cheap! C/O Quick Draw Phone: 888-7205 23938 I'1ariano Woodland Hills, CA 91367
25¢ RAW POWER . tnetal tnachine n1agazine N0.3 LEGS DIAMOND SPEAKS NEW WAVE SHOWS MORE! • • • 3 Staff the Town 4 Quick Draw Quick Draw Show . 5-6 & Bobalouie s Diamond Speaks 7-8-9 (He gets an (A) for · laziness and does nothing) From a Rocker's Point of View . 10 Photography & Promotion Bullwinkle J. Moose of Rock . 10 Other Contributions: the Whiskey .. 11-12-13 Kevin Dubrow bum Reviews . • . • • • 14 Mervyn Griffiths Linda Hartman Paul Phraser Amos Talbert all letters and mail to: RAW POWER MAGAZINE Our ads are cheap! c/o Quick Draw Phone: 888-7205 23938 i'1ariano Woodland Hills, CA 91367 Raw Power Magazine is published bi monthly. This is ~he August, 1977, ' 1ssue. Subscrip- ~ tions are $3.00 ,~ for one year. Don' use any of this without permission. 'r ! ! ! I I } ~ I f i LETTERS Hey you guys, Anyway, lots of luck with your It's good to see a real rock mag. Just keep "babies" like the magazine in the stores instead of Babys and Queen out! that junk they sell that doe-sn't Shake appeal, even mention any L.A. bands. I Jacki Ramirez just got both of your issues and (San Diego) they were pretty damn good. The only disappointment was that in Hey you damn jerks, the issue with Shock on the cover, What kinda joke is this? I you didn't do a long enough story picked up issues 1 and 2 of Raw Joke on them. A bunch of us saw them and was shocked. In issue one I read at the ?roud Bird and we all agreed what I consider the most illiterate that Shock was about the hottest album review ever! How can you say band -around. -
Pop Music Trivia Questions X
POP MUSIC TRIVIA QUESTIONS X ( www.TriviaChamp.com ) 1> Every day I'm shuffling. In 2011, what band brought us Party Rock Anthem? 2> What Green Day frontman was kicked off a Southwest flight for wearing saggy pants? 3> What widely derided song by Starship was the first #1 song written by Bernie Taupin without Elton John as his writing partner? 4> Sampling the Clash song "Straight to Hell", what song's gunshots were censored out during a performance on the Letterman show? 5> What rapper started out as a biracial Jewish kid from Toronto's wealthy Forest Hills suburb? 6> What composer, known for his work on Star Wars and with Steven Spielberg, had grandchildren who formed a band called the Belle Brigade? 7> In 1995, Brian May, Roger Taylor and John Deacon overdubbed their dead lead singer's final piano and vocal recordings to create what band's ghoulishly named Made in Heaven album? 8> In 2010 who got the same heart outline on her right pinkie finger that her father Billy Ray got? 9> Less famous cover versions of this Dolly Parton song include one by Linda Ronstadt. Elvis nearly recorded it, too, but wanted half the publishing rights. What song is it? 10> Per the lyrics of his biggest hit, who also promises to never let you down, run around and desert you, make you cry, say goodbye, or tell a lie and hurt you? 11> "What 80s metal band reluctantly recorded a cover of Slade's Cum On Feel the Noize, so much so that singer Kevin DuBrow deliberately sang it loud and out of tune? 12> What rapper was actually a Muslim from Tallahassee named Faheem Rasheed Najm? 13> Whose 2011 concert in New Zealand rocked so hard that it caused earthquake-like tremors detected by nearby seismic stations? 14> Woo-hoo! What Blur song, written and recorded in less than 15 minutes as a warm-up, was a huge hit, but made 20 times as much money from licensing? 15> Inspired by the movie The Gods Must Be Crazy, what Sacramento dance- punk band adopted a name that makes them nearly un-Google-able? Answers: 1> LMFAO - Party rockers in the house tonight. -
Late 1960'S - Early 1970'S
Late 1960's - Early 1970's The birth of heavy metal. Groups like Black Sabbath, Led Zeppelin and Deep Purple were the first heavy metal bands. Late 1970's The rise of the New Wave of British Heavy Metal. Bands like Iron Maiden and Judas Priest become very popular. 1978 Van Halen released their debut album. This began the Los Angeles/Sunset Strip scene, and many bands would come out of this era, including Motley Crue and Quiet Riot. The so called "hair bands" like Poison, Warrant and Ratt came from that scene as well. The Who's Keith Moon died. Bands formed this year: Dokken, Ratt, Whitesnake A sample of heavy metal albums released in 1978: Black Sabbath - Never Say Die Judas Priest - Stained Class UFO - Obsession 1979 The German band Accept releases their self-titled debut album. They are considered to be the first European power metal band. Ozzy Osbourne was fired from Black Sabbath and replaced by Ronnie James Dio. Bands formed this year: Europe, Hanoi Rocks, Trouble and Venom. A sample of heavy metal albums released in 1979: AC/DC - Highway To Hell Judas Priest - Hell Bent For Leather Led Zeppelin - In Through The Out Door Kiss - Dynasty Saxon - Saxon Scorpions - Lovedrive 1980 Best Heavy Metal Album Of 1980: AC/DC - Back In Black AC/DC lead singer Bon Scott dies and is replaced by Brian Johnson. Also Led Zeppelin drummer John Bonham dies. Bands formed this year: Manowar, Mercyful Fate, Overkill A sample of heavy metal albums released in 1980: Angel Witch - Angel Witch Black Sabbath - Heaven And Hell Def Leppard - On Through The Night Diamond Head - Lightning To The Nations Iron Maiden - Iron Maiden Judas Priest - British Steel Motorhead - Ace Of Spades Ozzy Osbourne - Blizzard Of Ozz Saxon - Wheels Of Steel 1981 Best Heavy Metal Album Of 1981: Motley Crue - Too Fast For Love Venom's first album was released, beginning the genre of black metal. -
Artists in Transition New on the Charts This Month
Vol. 30 No. 10 10 www.notc.com Artists In Transition New On The Charts This Month ¥ POP, COUNTRY & URBAN CREDITS - w/Contacts at WWW.NOTC.COM ¥ PUBLISHER'S NEWSLETTER - Who Needs Songs ¥ SOUNDTRACK NEWSLETTER - Films & TV that need Music ¥ MUSIC VIDEOS - Titles, Producers and Directors This is a listing of ARTISTS that previously recorded for a major label, and now control their own master rights, as noted in New On The Charts ¥ INTERNATIONAL DEALS AVAILABLE THE MUSIC BUSINESS INFORMATION SERVICE / OCTOBER 2005 this past year. (Please note however, that some of these acts may have new situations since the original time of printing.) Ambrosia Pepper Formerly: Warner Bros.- After a series of hits like “Biggest Part Of Formerly: MCA then Lava/Atlantic- Melodic blend of alt/pop, rock, Me” and “You’re The Only Woman” in the 80’s,the group went punk, and reggae, described as The Police meets Steel Pulse, now their separate ways as session musicians & producers,and have wth a new EP due for release called “Stitches” on Law Records come back together to tour & record Contact: Jon Phillips- Silverback Mgm’t. 1013 N. Orange Dr. L.A. CA Contact: Richard Rees- Blue Blood Artist Mgm’t. 322 Summit St. 90038 (310)559-8990FAX:(310)559-8993 e-mail: Ashland OR 975202 (323)650-4488FAX:(323)983-8687 e-mail: [email protected] [email protected] Primus Meleni Formerly: Interscope- Les Claypool’s multi-platinum selling excentric Formerly: Epic- With her songs in the “Hitch” soundtrack and TV’s rock group were on hiatus as he worked on solo projects but are now “Boston Public” and touring as back-up to Me’Shell Ndegeocello, back together working on a new LP Meleni then signed to Sony/Epic, but is now in the studio and Contact: Brad Sands- Red Light Mgm’t. -
Unacclaimed Great
Haymer An 'Unacclaimed Great' By GEORGE HOEFER of a large orchestra playing a Another instrument, the tenor -axophone of Herb Haymer, sweet arrangement He was able 1» gone from the inner circle of unacclaimed greats in jazz to improvise n series of hot cho music- Unlike (roodman, Armstrong, Teagarden, and other ruses of dynamic intensity or ace instrumentalists who have led their own bands to fame. play beautifully intoned phrases. Kay Asks $50,000 His fine ear, chord sense, in ■he in«h ■■■ the inner circle, like* . — - musician a musician. herent beat, and originality per tazóla and Haymer, are famous to — . Haymer’s unique musical talent mitted him a rich style. A note musicians only. Herbie Haymer made him equally at home in a worthy economy of notes further possessed all the attributes of a jam session or in the reed section (Modulate to Page 13) From Bop City Ops By JOHN S. WILSON New York—Monte Kay, whose intrmluction of bop and accompanying gimmicks at the Royal Roost helped change Ö. that spot from a struggling chicken joint to an operation so 3M successful its policies were imitated across the country, is preparing to bring suit for $50,000 against the operator* of Bop City for allegedly easing him out of his interest in th* new local bop mecca. Fire Wrecks VOL. 16—NO. 10 CHICAGO. JUNE 3. 1949 Ralph Watkins, one of the oper (Copyright, 1949, Down Beat, Inc.) ators of Bop City, says Kay was let out because there wasn’t any- Monroe Bus thing for him to do at the spot. -
AXS TV Schedule for Mon. August 31, 2020 to Sun. September 6, 2020 Monday August 31, 2020
AXS TV Schedule for Mon. August 31, 2020 to Sun. September 6, 2020 Monday August 31, 2020 6:20 PM ET / 3:20 PM PT 8:00 AM ET / 5:00 AM PT Plain Spoken: John Mellencamp TrunkFest with Eddie Trunk This stunning, cinematic concert film captures John with his full band, along with special guest Louder Than Life - Eddie visits Louisville, Kentucky, for the Louder Than Life Festival. Metal icons Carlene Carter, performing his most cherished songs. “Small Town,” “Minutes to Memories,” “Pop Rob Zombie and John 5 speak with Eddie during this bourbon-drenched excursion. Singer,” “Longest Days,” “The Full Catastrophe,” “Rain on the Scarecrow,” “Paper in Fire,” “Authority Song,” “Pink Houses” and “Cherry Bomb” are some of the gems found on this spectacular concert 8:30 AM ET / 5:30 AM PT film. Rock & Roll Road Trip With Sammy Hagar Save a Horse, Ride a Rockstar - Sammy heads to Nashville to visit the homes of country icons Premiere John Rich and Big Kenny of Big & Rich. He hits John Rich’s legendary rooftop for an acoustic 8:00 PM ET / 5:00 PM PT version of “Save a Horse, Ride a Cowboy” with both artists. Nothing But Trailers Sometimes the best part of the movie is the preview! Watch some of the best trailers, old and 9:00 AM ET / 6:00 AM PT new, during this special presentation. The Big Interview Steven Van Zandt - Dan Rather sits down with New Jersey’s own rock and roller Steven Van Zandt Premiere to talk music, Bruce Springsteen and the Sopranos. -
2012 NAMM Show Opens in Anaheim
FOR IMMEDIATE RELEASE MEDIA CONTACTS: Kymberly Drake PR Manager, NAMM Ph: (760) 438-8007 x162 email: [email protected] 2012 NAMM Show Opens In Anaheim ANAHEIM, Calif. Jan. 19, 2012—The NAMM Show, one of the largest music products trade shows in the world hosted by the National Association of Music Merchants (NAMM), opened today at the Anaheim Convention Center, welcoming an expected crowd of 90,000 musical instrument manufacturers, retailers, associates and their invited guests from all over the world to the industry’s annual gathering. This year marks the 110th anniversary of the legendary trade show and is the meeting place for musical instrument retailers to view and purchase the latest musical innovations being shown by more than 1,400 manufacturers. The estimated economic impact of the 2012 NAMM Show for the Orange County, Calif. economy is nearly $80 million. Key indicators including overall pre-registration, number of pre-registered buyers, international registrants, number of exhibiting companies and total exhibit space sold have all shown solid increases over last year’s event, another positive sign demonstrating steady industry recovery following the economic downturn. Themed “Make It Count,” the 2012 NAMM Show’s educational sessions will place the spotlight on innovation and ingenuity in the music products industry, highlighting music product manufacturers and retailers that have instituted new and creative ways to maintain successful businesses amidst an economic downturn. “We’re grateful to once again bring the global music and sound industry together in Anaheim for the NAMM Show,” said Lamond. “This is truly the ‘crossroads’ of product and business innovation and our members will have the opportunity to see the latest in gear, attend world- class education sessions and network with friends and peers.