Rosemary Marks

Total Page：16

File Type：pdf, Size：1020Kb

ROSEMARY MARKS DGA UPM, 399 Location Manager, PGA, British and Australian Passports Producer THE ‘M’ WORD – Rainbow Films Director: Henry Jaglom Cast: Michael Imperioli, Tanna Frederick, Corey Feldman Producer JUST 45 MINUTES FROM BROADWAY – Rainbow Director: Henry Jaglom Cast: Tanna Frederick Producer QUEEN OF THE LOT – Rainbow Films Director: Henry Jaglom Cast: Noah Wyle, Tanna Frederick Line Producer LOVE AT FIRST HICCUP Director: Barbara Rothenborg Producer: Bob Engelman Line Producer BABY O Director: Charlie Matthau Cast: Billy Burke, Theresa Russell, Line Producer ENDLESS BUMMER Director: Sam Pillsbury Cast: Matthew Lillard, Khan Chittenden Line Producer DEAD OF NIGHT Director: Jeff Fisher Cast: Paul Wesley, Kaley Cuoco Producer IRENE IN TIME – Rainbow Releasing Director: Henry Jaglom Cast: Tanna Frederick Co-Producer THIRTEEN – Fox Searchlight/Working Title Director: Catherine Hardwicke Producers: Michael London/Jeff Levy-Hinte Producer HOLLYWOOD DREAMS – Rainbow Films Director: Henry Jaglom Cast: Tanna Frederick, Justin Kirk 828 Alandele Avenue, Los Angeles, CA 90036 C: 323-206-1949 E: [email protected] ROSEMARY MARKS Producer THE VIRGIN OF JUAREZ Director: Kevin James Dobson Cast: Minnie Driver, Esai Morales UPM GOOD SHARMA Director: Suri Krishnamma Cast: Joan Allen, Shernaz Patel UPM GUARDING EDDY – Freedom Films Director: Scott McKinsey Producer: Brian Presley Line Producer TOURNAMENT OF DREAMS – Miracle Director: Don Abernathy Producer: Peter Beale Line Producer GOING SHOPPING – Jagtoria Films Director: Henry Jaglom Producer: John Goldstone Line Producer FESTIVAL IN CANNES – Paramount Director: Henry Jaglom Producer: John Goldstone Production Coordinator CROCODILE DUNDEE IN L.A. – Paramount Director: Simon Wincer Key Asst Loc. Manager BLADES OF GLORY – Dreamworks Loc. Man: Jay Traynor Key Asst Loc. Manager BEWITCHED – Columbia Pictures Director: Nora Ephron Loc. Man: Mark B. Johnson Asst Loc. Manager SPAN’GLISH – Columbia Pictures Director: James L. Brooks Loc. Man: Mark B. Johnson Asst Loc. Manager SWAT – Columbia Pictures Director: Clark Johnson Loc. Man: Mark B. Johnson Key Asst Loc. Manager HELL ON EARTH – CBS Paramount TV Loc. Man. Jim McCabe Key Asst Location Manager STAND OFF – Fox TV Loc. Man. Larry Pearson Page 2 828 Alandele Avenue, Los Angeles, CA 90036 C: 323-206-1949 E: [email protected].

Copy Link

Recommended publications

March 1, 2020 (TBD by Approval) to December 31, 2021
*Catalog effective: March 1, 2020 (TBD by approval) to December 31, 2021 The Los Angeles Acting Conservatory (LAAC) is a private institution approved for operation by the Bureau of Private Postsecondary Education (BPPE). Approval to operate means the institution is compliant with the minimum standards contained in the California Private Postsecondary Education Act of 2009 (as amended) and Division 7.5 of Title 5 of the California Code of Regulations. www.bppe.ca.gov This catalog is reviewed and updated each school year. As a prospective student, you are encouraged to review this catalog prior to signing an enrollment agreement. You are also encouraged to review the School Performance Fact Sheet, which must be provided to you prior to signing an enrollment agreement. You may request a copy of the catalog and SPFS by emailing [email protected] 1 Location & Contact Info 3 History 4 Purpose 4 Mission 4 Objectives 4 Educational Programs 5 Associate Degree in Acting 5 Associate Degree in Filmmaking 16 Admission Requirements 22 Financial Aid Policy 25 Return & Cancellation Policies 26 Notice Concerning Transferability of Units Earned at Our School 28 Attendance & Scheduling Policy 29 Student Services 31 Academic & Grading Policy 33 Licensing & Approvals 37 Facility & Equipment 39 Library Resources 40 Disciplinary Policy 43 Code of Conduct 47 International Student Information 53 Faculty 57 Academic Calendar 65 2 Location & Contact Info Nestled between a café, salon, retail shops, and a popular restaurant, Edgemar Center for the Arts is the anchor of the Edgemar complex on Main Street in Santa Monica. A couple blocks away from the beach, near the 10 freeway, the Los Angeles Acting Conservatory (LAAC) is housed in its own state-of-the-art building design by renowned architect Frank Gehry, which includes two theater spaces and an art gallery.
[Show full text]
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d.
[Show full text]
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE
[Show full text]
Les Productions BBS Et Le Nouvel Hollywood Bruno Dequen
Document generated on 09/29/2021 5:10 p.m. 24 images En quête de l’Amérique Les productions BBS et le Nouvel Hollywood Bruno Dequen Des villes et des hommes Number 153, September 2011 URI: https://id.erudit.org/iderudit/65072ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article Dequen, B. (2011). En quête de l’Amérique : les productions BBS et le Nouvel Hollywood. 24 images, (153), 48–49. Tous droits réservés © 24/30 I/S, 2011 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DVD Les productions bbs et le Nouvel Hollywood En quête de l’Amérique par Bruno Dequen What we need are good old American – and that’s not to be confused with European – Art Films. […] The whole damn country’s one big real place to utilize and film, and God’s a great gaffer ! – Dennis Hopper1 You know, this used to be a hell of a good country. I can’t understand what’s gone wrong with it. – George Hanson (Jack Nicholson) dans Easy Rider ’est la fin des années 1960.
[Show full text]
Conversations Entre Orson Welles Et Henry Jaglom Luc Chaput
Document generated on 09/27/2021 7:29 p.m. Séquences : la revue de cinéma En tête à tête avec Orson : conversations entre Orson Welles et Henry Jaglom Luc Chaput Nicolas Boukhrief Made in France Number 302, May 2016 URI: https://id.erudit.org/iderudit/82180ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Chaput, L. (2016). En tête à tête avec Orson : conversations entre Orson Welles et Henry Jaglom. Séquences : la revue de cinéma, (302), 44–44. Tous droits réservés © La revue Séquences Inc., 2016 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 44 | RECENSION Le Cinéma, un art imaginaire ? En tête à tête avec Orson : ournaliste, chargée d’études, auteure de plusieurs textes Conversations entre Orson Janalytiques ou littéraires, Patricia Yves signe un livre où, paradoxalement, l’évidente approche anticinéma place le 7e art Welles et Henry Jaglom parmi l’une des expressions les plus louangées de l’activité humaine. Cet ouvrage, sorte de our le 30e anniversaire de la miroir, de reflet de notre condi- Pmort de ce géant aux pieds tion, même si « cantonner l’art d’argile que fut Orson Welles, de à re-présenter le monde, à le nombreuses éditions de livres et doubler, condamne peut-être de documents de tous genres ont l’art à n’être que récréatif plutôt vu le jour.
[Show full text]
La Jolla Concerts by the Sea Nomads to Hold Tryouts the Camp, Also Under Bamford’S for Goalkeepers June 19 Direction, Is for Boys and Girls Ages Presents 6 to 17
FREE ONE WEEK PASS!* *proof of residence required FREE FITNESS ASSESMENT FREE PRIVATE YOGA SESSION FREE PILATES REFORMER SESSION FREE TRIAL MEMBERSHIP FREE BOOT CAMP LIVE LIFE FIT...START TODAY! 858.456.2595 7825 Fay Ave. La Jolla, CA 92037 San Diego Community NewspaperNewspaper Group THURSDAY, JUNE 18, 2009 www.SDNEWS.com Volume 14, Number 32 Parent groups partner as SDUSD eyes foundations BY ALYSSA RAMOS | VILLAGE NEWS During Tuesday’s San Diego Uni- fied School District (SDUSD) board About ten parents representing meeting, board members voted to foundation organizations from sev- form a committee scrutinizing poli- eral San Diego city schools — cies regarding hiring teachers including Torrey Pines and La Jolla through foundation-raised funding. elementary schools — gathered SDUSD board member John de Monday, June 15 outside a Scripps Beck said the board intended to set Ranch Starbucks to discuss con- up a policy allowing “funding sup- cerns regarding an agenda item port for regular district positions slated for Tuesday’s school board that include all the benefits and meeting taking aim on “Founda- rights of certificated positions — tion-Funded Teachers.” except tenure and transfer por- Parent Teacher Organizations tions — when the source of funds (PTOs) use school foundations to are not regular district monies.” raise money, in many cases writing SDUSD education board mem- checks directly funding programs bers held a special meeting June such as choral, art, computers and 16 that included taking “direction” libraries. In addition, La Jolla’s Tor- on foundation-funded teachers. rey Pines Elementary School Board members voted to form a VILLAGE NEWS | PAUL HANSEN (TPES) and other schools use the committee that included represen- SCHOLARS funds to hire support teachers in SEE Page 4 an effort to reduce class sizes.
[Show full text]
Orson Welles 100 at the Film Forum
DECEMBER 25-31 ♦ One Week JANUARY 1-FEBRUARY 3 Five Weeks Celebrating his Centennial Year RSON ELLES OProgrammed by BRUCE GOLDSTEIN W Series Consultant: JOSEPH MCBRIDE Mr. McBride’s book What Ever Happened to Orson Welles?: A Portrait of an Independent Career 100 (University Press of Kentucky) will be on sale at our concession during the series. Presented with support from JANUARY 1 8 Special thanks to NICOLE WOODS, KRISTIE NAKAMURA (WARNER BROS.), BRIAN BELOVARAC, LAURA COXSON (JANUS FILMS), PAUL GINSBURG, - Eight Days JANICE SIMPSON (UNIVERSAL PICTURES), GROVER CRISP, CHRIS LANE, MICHAEL HORNE (SONY PICTURES), JULIE PEARCE, CHARLIE BLIGH (BFI), CRISTINA BERNALDEZ (FILMOTECA ESPAÑOLA, MADRID), ANDREA KALAS, JUDY NICAUD (PARAMOUNT PICTURES), CAITLIN ROBERTSON, JOE REID (20TH CENTURY FOX), ERIC DIBERNARDO, ADRIENNE HALPERN (RIALTO PICTURES), CHRIS CHOUINARD (PARK CIRCUS FILMS), MAY HADUONG, CASSIE BLAKE (ACADEMY FILM ARCHIVE), CALANTHA MANSFIELD (CARLOTTA FILMS U.S.), TODD WIENER, STEVEN HILL (UCLA FILM ARCHIVE), ERNST LUBITSCH’S RON SIMON (PALEY CENTER), LYNANNE SCHWEIGHOFER (LIBRARY OF CONGRESS), PAOLO CHERCHI USAI, DANIEL BISH (GEORGE EASTMAN HOUSE), JAKE PERLIN 4K (MAYSLES FILMS), SHARON LESTER KOHN (RAINbow RELEASING), EMILIANA PIEDRA, LOLA PIEDRA, EMMA PIEDRA, SOLEDAD FOX, AND JOSEPH MCBRIDE. ORSON WELLES ON TELEVISION at Paley Center for Media RESTORATION Over two consecutive weekends (February 7-8 and February 14-15), The Paley Center for Media (215 W. 52nd St.), will present Welles television rarities, including his landmark TV pilot Fountain of Youth; starring roles in The Man Who Came to Dinner and King Lear; a compilation of classic interviews; and even an episode of I Love Lucy. For complete schedule, go to paleycenter.org.
[Show full text]
Newsletter 02/14 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 02/14 DIGITAL EDITION Nr. 337 - März 2014 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 02/14 (Nr. 337) März 2014 editorial Hallo Laserdisc- und DVD-Fans, neuestes Filmprojekt REMEMBERING nen perfekten Heimkinoabend an. Garan- liebe Filmfreunde! WIDESCREEN wird seine Weltpremiere tiert. auf dem “Widescreen Weekend” in Haben Sie sich schon einmal mit veganer Bradford erleben. Inzwischen ist der Ist bei Ihnen auch schon der Frühling aus- Lebensweise beschäftigt oder sind Sie be- Screening-Termin bekannt: Samstag, 12. gebrochen? Uns zumindest lächelt die Son- reits Veganer? Wie auch immer – Marc April 2014, 10:00 Uhr. Wir freuen uns ne ständig durch die Bürofenster auf derart Pierschels Dokumentarfilm LIVE AND darauf! Alle weiteren Infos zum Festival nette Weise an, dass es uns als eine gute LET LIVE bringt Wissende wie Unwissen- gibt es im Netz unter http:// Idee erscheint, dieses Editorial hiermit zu de auf den neuesten Stand und beleuchtet www.nationalmediamuseum.org.uk/ beenden und den Newsletter schleunigst alle Aspekte des Veganismus. Der Filmema- bradfordinternationalfilmfestival fertigzustellen, um uns einem ausführlichen cher, der seine abendfüllende Dokumentati- Spaziergang hinzugeben. Wäre mal etwas on während seiner Freizeit angefertigt hat, Freunden harter Thriller sei ein Film ganz anderes als nur im Heimkino Filme zu präsentierte das Werk vor Kurzem in Stutt- besonders ans Herzen gelegt, der uns im schauen, oder? gart einem interessierten Kinopublikum.
[Show full text]
AM Bing Crosby TCA Bios FINAL Rev071614
Press Contact: Natasha Padilla, WNET 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , #AmericanMasters American Masters Bing Crosby Rediscovered Premieres nationally Tuesday, December 2, 8-9:30 p.m. on PBS Holiday Encore Presentation Friday, December 26, 9-10:30 p.m. on PBS (check local listings) TCA Bios Kathryn Crosby Bing Crosby’s Wife Bing Crosby’s wife Kathryn was a rising star in Hollywood when she met Bing at Paramount Studios. For their first date, Bing took Kathryn to the 1955 Academy Awards ceremony (Bing was nominated as Best Actor for The Country Girl ). Kathryn was under contract to Columbia Pictures, where she had roles in a number of films, including The Phenix City Story and Operation Mad Ball . She also maintained a busy schedule of live television performances on shows like Lux Video Theater and Ford Television Theater . Bing and Kathryn were married on October 24, 1957. She continued working on television and in film; her credits include Anatomy of a Murder , The 7 th Voyage of Sinbad , Living It Up (with Dean Martin and Jerry Lewis), Casanova’s Big Night (with Bob Hope) and a small role in Alfred Hitchcock’s Rear Window . Kathryn put her career on hold when she and Bing started a family, but she appeared on several television broadcasts with Bing and later with their children Harry, Mary and Nathaniel. In the mid-1970s, she hosted The Kathryn Crosby Show on KPIX in San Francisco and appeared in several touring musical theater productions.
[Show full text]
Media 10: Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Fall 2016 READ THIS DOCUMENT CAREFULLY! Welcome to the Fall Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced.
[Show full text]
Rosemary Marks
RO SEMA RY M A RKS Co-Producer DEAD OF NIGHT Director: Jeff Fisher Cast: Kelly Carlson, Rob Buckley Producer IRENE IN TIME – Rainbow Releasing Director: Henry Jaglom Cast: Tanna Frederick Line Producer GOOD SHARMA Director: Suri Krishnamma Cast: Joan Allen, Shernaz Patel Producer HOLLYWOOD DREAMS – Rainbow Films Director: Henry Jaglom Cast: Tanna Frederick, Justin Kirk Producer THE VIRGIN OF JUAREZ Director: Kevin James Dobson Cast: Minnie Driver, Esai Morales Co-Producer THIRTEEN – Fox Searchlight/Working Title Director: Catherine Hardwicke Producers: Michael London/Jeff Levy-Hinte Line Producer GUARDING EDDY – Freedom Films Director: Scott McKinsey Producer: Brian Presley Line Producer MIND GAMES – Purloined Productions Director: Adrian Carr Line Producer TOURNAMENT OF DREAMS – Miracle Director: Don Abernathy Producer: Peter Beale UPM GOING SHOPPING – Jagtoria Films Director: Henry Jaglom Producer: John Goldstone UPM FESTIVAL IN CANNES – Paramount Director: Henry Jaglom Producer: John Goldstone Production Coordinator CROCODILE DUNDEE IN L.A. – Paramount Director: Simon Wincer Key Asst. Location Manager BLADES OF GLORY – Dreamworks Producer: Ben Stiller Loc. Manager: Jay Traynor Key Asst. Location Manager BEWITCHED – Columbia Pictures Director: Nora Ephron Loc. Manager: Mark B. Johnson Assistant Location Manager SPAN’GLISH – Columbia Pictures Director: James L. Brooks Loc. Manager: Mark B. Johnson Assistant Location Manager SWAT – Columbia Pictures Director: Clark Johnson Loc. Manager: Mark B. Johnson Production Accountant BE MY BABY
[Show full text]
The M Word Heats Things Up
April 24 - May 7, 2014 | Vol. 24 Issue 8 | Always Free THE M WORD HEATS THINGS UP STUDENTS SHARE ONLINE DATING TRIALS & TRIBULATIONS STILL NEED HELP PICKING YOUR MAJOR? PLUS CHRISTINA PERRI GETS PERSONAL ON HEAD OR HEART ©2014 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM FREE pickup of large bu lk y I t e m s CALL 3-1-1 or 800-773-2489 Please call BEFORE placing Bulky Items on curb As a covered entity under Title II of the Americans with Disabilities Act, the City of Los Angeles does not discriminate on the basis of disability and upon request, will provide reasonable accommodations to ensure equal access to its programs, services and activities. 2 CAMPUS CIRCLE April 24 - May 7, 2014 Film | Music | Culture TABLE OF CONTENTS April 24 - May 7, 2014 WHAT’SINSIDE Vol. 24 Issue 8 Editor-in-Chief Sydney Champion [email protected] Art Director 6 16 Sean Michael Beyer NEWS Film Editor [email protected] 04 The Latest from L.A. and Beyond Music Editor [email protected] REAL 911 Calls sure to make you... Calendar Editor COLLEGE CENTRAL Frederick Mintchell Laugh Your [email protected] 05 Students Answer: Arse Off! Editorial Interns Truth is by far funnier than fiction, and this collection of real calls “Why Did You Pick Your Major?” to law enforcement in Hometown Police Blotter is exactly that. Diego Girgado Whether you give it a gander atop the throne, or share it with Blanca Palacios friends, it’s sure to bring a smile to everyone’s face and then some.
[Show full text]