The Documentary This Is Orson Welles Will Premiere
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Jeder Tag Ist Ein Geschenk«
»Jeder Tag ist ein Geschenk« Menschen | Zum Tod der großen Schauspielerin Jeanne Moreau 2003 hatte Jeanne Moreau (halb im Scherz) einen künstlerischen Wunsch geäußert, der sich allerdings nie erfüllt hat: »Shakespeares Lear. Den spiele ich, wenn ich achtzig bin!« Von PETER MOHR Mit dem ›Lear‹ ist es zwar nichts geworden, doch die Blitzlichter der Fotografen zog sie bis ins hohe Alter immer noch beinahe magisch an, wie etwa bei ihrem Kurzauftritt als Ehrengast bei der Europäischen Filmpreisgala im Jahr 2007 in Berlin. Sie war nicht nur eine der wirklich großen Schauspielerinnen, sondern war auch der Schwarm einer ganzen Männergeneration, ihr Name wird in einem Atemzug mit Marlene Dietrich und Greta Garbo genannt, vom liebeshungrigen Luder bis zur rachsüchtigen Ehefrau hat sie alles verkörpert, und ihre eigene Vita würde genug Stoff für einen abendfüllenden Kinofilm hergeben. Jeanne Moreau, die am 23. Januar 1928 in Paris als Tochter eines Hoteliers geboren und als 20-jährige bereits in die ehrwürdige Comédie-Française aufgenommen wurde, hat als Schauspielerin nicht nur die großen Regisseure, sondern auch als Privatperson viele Prominente fasziniert: Louis Malle, Orson Welles, John Frankenheimer, Jean-Louis Richard (aus der Ehe stammt Sohn Jérome, der heute ein erfolgreicher Maler ist), Modeschöpfer Pierre Cardin, der 14 Jahre jüngere Schriftsteller Peter Handke, und der Regisseur Tony Richardson (die Affäre führte zu seiner Scheidung von Vanessa Redgrave) waren ihre Lebensgefährten. Zwar hatte Jeanne Moreau Anfang der 1950er Jahre auf der Theaterbühne unter der Regie von Peter Brook in Tennessee Willliams‘ ›Die Katze auf dem heißen Blechdach‹ und an der Seite von Lino Ventura und Jean Gabin als Luder Josy in ›Wenn es Nacht wird in Paris‹ (1953) für Furore gesorgt, doch der große Durchbruch gelang ihr ausgerechnet unter der Regie eines Debütanten – in Louis Malles ›Fahrstuhl zum Schafott‹ (1957). -
Script Sample
At the Movies with Kenneth and Asher a one-act play © 2019 by the author Draft 5-31-19 Cast Kenneth boy fourteen or fifteen any ethnicity a Raymond Babbit/Salieri/Chief Bromden/etc. type Asher boy fourteen or fifteen any ethnicity a Charlie Babbit/Mozart/Randle McMurphy/etc. type Olivia de Havilland* woman eighty-six any ethnicity the Olivia de Havilland—more specifically, the Olivia de Havilland from her interview on the special features of the Gone With The Wind DVD Naomi* woman thirties/forties Kenneth’s and Asher’s theatre teacher any ethnicity a Carolyn Burnham/Jenny Curran/Annie Hall/etc. type *May be played by the same actor Setting Winter 2003/2004. The exterior of a movie theatre in a shopping center in South Florida, the part of it that leads to the back of the shopping center, close to the theaters’ emergency exit doors and the dumpsters. Past this area is some parking, followed by a large collection of trees, dark, illuminated only by a tall yellow streetlamp—the closest thing South Florida has to a forest. Production Design There’s a bench. There are a few “Now Playing” and/or “Coming Soon” movie posters in light boxes on the wall of the building. It’s Oscar season. The sun is beginning to set. It’s hot. It’s so hot. It’s so unbelievably hot. And muggy. At the Movies with Kenneth and Asher 1 Asher storms on, coming from the main entrance of the movie theatre. He has a sweatshirt tied around his waist. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
JEANNE MOREAU: NOUVELLE VAGUE and BEYOND February 25 - March 18, 1994
The Museum of Modern Art For Immediate Release February 1994 JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND February 25 - March 18, 1994 A film retrospective of the legendary French actress Jeanne Moreau, spanning her remarkable forty-five year career, opens at The Museum of Modern Art on February 25, 1994. JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND traces the actress's steady rise from the French cinema of the 1950s and international renown as muse and icon of the New Wave movement to the present. On view through March 18, the exhibition shows Moreau to be one of the few performing artists who both epitomize and transcend their eras by the originality of their work. The retrospective comprises thirty films, including three that Moreau directed. Two films in the series are United States premieres: The Old Woman Mho Wades in the Sea (1991, Laurent Heynemann), and her most recent film, A Foreign Field (1993, Charles Sturridge), in which Moreau stars with Lauren Bacall and Alec Guinness. Other highlights include The Queen Margot (1953, Jean Dreville), which has not been shown in the United States since its original release; the uncut version of Eva (1962, Joseph Losey); the rarely seen Mata Hari, Agent H 21 (1964, Jean-Louis Richard), and Joanna Francesa (1973, Carlos Diegues). Alternately playful, seductive, or somber, Moreau brought something truly modern to the screen -- a compelling but ultimately elusive persona. After perfecting her craft as a principal member of the Comedie Frangaise and the Theatre National Populaire, she appeared in such films as Louis Malle's Elevator to the Gallows (1957) and The Lovers (1958), the latter of which she created a scandal with her portrayal of an adultress. -
March 1, 2020 (TBD by Approval) to December 31, 2021
*Catalog effective: March 1, 2020 (TBD by approval) to December 31, 2021 The Los Angeles Acting Conservatory (LAAC) is a private institution approved for operation by the Bureau of Private Postsecondary Education (BPPE). Approval to operate means the institution is compliant with the minimum standards contained in the California Private Postsecondary Education Act of 2009 (as amended) and Division 7.5 of Title 5 of the California Code of Regulations. www.bppe.ca.gov This catalog is reviewed and updated each school year. As a prospective student, you are encouraged to review this catalog prior to signing an enrollment agreement. You are also encouraged to review the School Performance Fact Sheet, which must be provided to you prior to signing an enrollment agreement. You may request a copy of the catalog and SPFS by emailing [email protected] 1 Location & Contact Info 3 History 4 Purpose 4 Mission 4 Objectives 4 Educational Programs 5 Associate Degree in Acting 5 Associate Degree in Filmmaking 16 Admission Requirements 22 Financial Aid Policy 25 Return & Cancellation Policies 26 Notice Concerning Transferability of Units Earned at Our School 28 Attendance & Scheduling Policy 29 Student Services 31 Academic & Grading Policy 33 Licensing & Approvals 37 Facility & Equipment 39 Library Resources 40 Disciplinary Policy 43 Code of Conduct 47 International Student Information 53 Faculty 57 Academic Calendar 65 2 Location & Contact Info Nestled between a café, salon, retail shops, and a popular restaurant, Edgemar Center for the Arts is the anchor of the Edgemar complex on Main Street in Santa Monica. A couple blocks away from the beach, near the 10 freeway, the Los Angeles Acting Conservatory (LAAC) is housed in its own state-of-the-art building design by renowned architect Frank Gehry, which includes two theater spaces and an art gallery. -
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d. -
The KIRBY RESIDENTS
the PINECONEThe Magazine of Kirby Pines Retirement Community • January 2015 | V. 33 | I. 1 KIRBY RESIDENTS HELPING CLEAN UP MEMPHIS Senior Fit Test | Opportunity Knocks | Resident Spotlight: Catherine Prewett | Social Scenes A Look Back at a Wonderful Year Kirby Pines Retirement Community at Kirby Pines is managed by Happy New Year, everyone! Each hours should once again surpass the year seems to get here quicker, with previous year’s total because of the little difference from the previous year. expanded hours due to the move of the However, 2015 will not be one of those Blossom Shop to the second floor. BOARD OF DIRECTORS years. Before I begin to write about improvements made in 2014, let me thank In early summer Kirby Pines was once Dr. James Latimer, Chairman each of you for another wonderful year of again named the area’s Best Retirement Mr. Rudy Herzke, President service at Kirby Pines. Community, an honor bestowed upon Mr. Berry Terry, Secretary/Treasurer Kirby for eight consecutive years now. Mr. Larry Braughton Rev. Richard Coons In 2014 we made several No other retirement community in our improvements in our meal service venues tri-state area has been able to earn this Mr. Jim Ethridge Dr. Fred Grogan and one of the most successful was the public recognition. With the unique event Ms. Mary Ann Hodges creation of a Live Action Station in the Cheryl created inviting area merchants to Mr. Boyd Rhodes, Jr. dining room. Originally done as a chef participate in our first Carousel of Shops, special, the Live Action Station proved to we should be able to hold on to our top RCA STAFF be such a hit that we went from once a spot again in 2015. -
It's a Conspiracy
IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse. -
Croatian War Fiction Detachment and Personal Experience1 Jurica Pavi I
Croatian War Fiction Detachment and Personal Experience1 Jurica Pavi�i� There is probably no expression that is as untrue as inter arma musae silent. War is an extremely distorted social condition and has always provided an inexhaust- ible supply of themes, destinies, motives and images for the art of story telling. War is an extreme condition, a time when, in the words of Jan Kott, 'history has broken loose from its chain', and when a society nervously turns to fiction to tame history, to classify and tidy it up, to verify it against narrative, aesthetic parameters. War is also a time when literature, especially narrative prose, is faced with the unspeakable proximity of ethnic cleansing, slaughter, death camps, rape, fire, all kinds of cruelty and vice, accumulated hatred and material and spiritual damage that will not heal for decades, and when it must quickly redefine its poetic principles and values. We cannot avoid considering the thought expressed in Bertold Brecht's verses, that in terrible times 'it is almost a crime to talk about trees because it means to be silent about atrocity'. Of course it is not a crime to 'talk about trees', but in the conditions it is unexpected, an act of rejection. The war will scar every work of fiction: either through its absence, or its presence. Reality is steeped in such horror that it is impossible to tame and order it: the channel of communication is simply too restricted for the enormity and the intensity of horror. Croatian writers are faced with the problem of how to express in literature what they have gone through. -
Innovators: Filmmakers
NBER WORKING PAPER SERIES INNOVATORS: FILMMAKERS David W. Galenson Working Paper 15930 http://www.nber.org/papers/w15930 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 April 2010 The views expressed herein are those of the author and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2010 by David W. Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Filmmakers David W. Galenson NBER Working Paper No. 15930 April 2010 JEL No. Z11 ABSTRACT John Ford and Alfred Hitchcock were experimental filmmakers: both believed images were more important to movies than words, and considered movies a form of entertainment. Their styles developed gradually over long careers, and both made the films that are generally considered their greatest during their late 50s and 60s. In contrast, Orson Welles and Jean-Luc Godard were conceptual filmmakers: both believed words were more important to their films than images, and both wanted to use film to educate their audiences. Their greatest innovations came in their first films, as Welles made the revolutionary Citizen Kane when he was 26, and Godard made the equally revolutionary Breathless when he was 30. Film thus provides yet another example of an art in which the most important practitioners have had radically different goals and methods, and have followed sharply contrasting life cycles of creativity. -
The Godfather Family Album
Downloads ePUB The Godfather Family Album The Godfather Family Album - - Descriptions "It's dangerous to be an honest man." --Michael Corleone, Godfather IIIAs special photographer on the sets and locations of Francis Ford Coppola's The Godfather trilogy, Steve Schapiro had the remarkable experience of witnessing legendary actors giving some of their most memorable performances. Schapiro immortalized Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall, and Diane Keaton in photos that have since become iconic images, instantly recognizable and endlessly imitated. Gathered together in this book are Schapiro's finest photographs from all three Godfather films, lovingly reproduced from the original negatives. With contextual essays and interviews covering the trilogy in its entirety, this book contains over 400 color and black-and-white images.Schapiro's images take us behind the scenes of this epic and inimitable cinematic saga, revealing the director's working process, capturing the moods and personalities involved, and providing insight into the making . Books Appearances (NATURAL),(SUPPORTED),(SKYROCKET),(LEFT BEHIND),(ADVANTAGE),(EXHILARATED),(SPONTANEOUS),(DEFINITELY),(EXTRA),(DE FINITELY),(JOVIAL)(UPBEAT),(EXHILARATED),(GRACEFUL),(BRIGHT) If you want to download or read The Godfather Family Album, click button download in the last page Step-By Step To Download "The Way They Learn" ● Click The Button "DOWNLOAD" Or "READ ONLINE" ● Sign UP registration to access The Way They Learn & UNLIMITED BOOKS ● DOWNLOAD as many books as you like (personal use) ● CANCEL the membership at ANY TIME if not satisfied Join Over 80.000 & Happy Readers. ● CLICK HERE TO READ ONLINE "The Way They Learn" FULL BOOK CLICK HERE TO READ ONLINE "The Godfather Family Album" OR . -
April 07Cal.Pmd
April ’07 EXHIBITS In the Main Gallery 4 WEDNESDAY 11 WEDNESDAY 17 TUESDAY 24 TUESDAY JUDITH HUTTNER: Inner Sanctum, water- A BIRTHDAY TRIBUTE TO BETTE DAVIS: A BIRTHDAY TRIBUTE TO BETTE COOKING WITH GRANNY OR GRAMPY: SHAKESPEARE, PART I: Aspects of Love. colors, through April 26. Sponsored by the William Wyler’s Jezebel (1938-103 min.). A DAVIS: What Ever Happened to Baby Jane Register beginning April 17 for a workshop This literary dash through several of the Art Advisory Council. Southern belle (Bette, winning her second (1962-133 min.). Aging, demented child on Saturday, May 12 at 11 a.m. You don’t Bard’s plays will explore the many splen- In the Photography Gallery Oscar) goes too far to make her fiancé star Baby Jane Hudson (Davis) torments have to be a grandparent to attend this fun, dors, as well as the many frustrations, in- (Henry Fonda) jealous. Clements Ripley, her sister Blanche (Joan Crawford), a hands-on “cooking” workshop with the spe- herent in male/female relationships. Join MARK BERGHASH: I’s Closed I’s Open: Abem Finkel and John Huston scripted, from former movie actress crippled in an auto ac- cial child or children in your life. Chef Frank Shakespeare scholar John Broza, retired The Inner Self, through April 30. Look for the play by Owen Davis, Sr. Max Steiner cident. Lukas Heller scripted this suspense Miale will show how to make classic no-bake Schreiber English Department Chairman, a slide talk with Mark Berghash on Mon- composed the score. 12 noon. classic, from Henry Farrell’s novel, for pro- snacks such as Rice Krispie Treats, s’mores for an enthusiastic and authoritative explo- day, April 16 at 7:30 p.m.