April 07Cal.Pmd

Total Page:16

File Type:pdf, Size:1020Kb

April 07Cal.Pmd April ’07 EXHIBITS In the Main Gallery 4 WEDNESDAY 11 WEDNESDAY 17 TUESDAY 24 TUESDAY JUDITH HUTTNER: Inner Sanctum, water- A BIRTHDAY TRIBUTE TO BETTE DAVIS: A BIRTHDAY TRIBUTE TO BETTE COOKING WITH GRANNY OR GRAMPY: SHAKESPEARE, PART I: Aspects of Love. colors, through April 26. Sponsored by the William Wyler’s Jezebel (1938-103 min.). A DAVIS: What Ever Happened to Baby Jane Register beginning April 17 for a workshop This literary dash through several of the Art Advisory Council. Southern belle (Bette, winning her second (1962-133 min.). Aging, demented child on Saturday, May 12 at 11 a.m. You don’t Bard’s plays will explore the many splen- In the Photography Gallery Oscar) goes too far to make her fiancé star Baby Jane Hudson (Davis) torments have to be a grandparent to attend this fun, dors, as well as the many frustrations, in- (Henry Fonda) jealous. Clements Ripley, her sister Blanche (Joan Crawford), a hands-on “cooking” workshop with the spe- herent in male/female relationships. Join MARK BERGHASH: I’s Closed I’s Open: Abem Finkel and John Huston scripted, from former movie actress crippled in an auto ac- cial child or children in your life. Chef Frank Shakespeare scholar John Broza, retired The Inner Self, through April 30. Look for the play by Owen Davis, Sr. Max Steiner cident. Lukas Heller scripted this suspense Miale will show how to make classic no-bake Schreiber English Department Chairman, a slide talk with Mark Berghash on Mon- composed the score. 12 noon. classic, from Henry Farrell’s novel, for pro- snacks such as Rice Krispie Treats, s’mores for an enthusiastic and authoritative explo- day, April 16 at 7:30 p.m. ducer/director Robert Aldrich. We will con- and more — then sample the results! This ration of the five comedies. Shakespeare, A BIRTHDAY TRIBUTE TO BETTE DAVIS: intergenerational event is for children ages Part II: Bad to the Bone will be presented In the Community Gallery The Man Who Came to Dinner clude our tribute to Bette Davis with Susan (1942-113 5 to 8 accompanied by a grandparent or sur- Sunday, April 29 at 2 p.m. Tonight’s pro- min.). When injury forces pompous critic Walker’s documentary, All About Bette “PIECES OF PORT,” April 4 through 30. An rogate grandparent. A materials fee of $5 gram at 7:30 p.m. FOL Sheridan Whiteside (Monty Woolley) to stay (1993-48 min.). 12 noon exhibit by Schreiber High School’s 2006-07 per adult registrant is payable at sign-up. with an ordinary Midwestern family for the AP photography class. This project was READING GROUP: A discussion facilitated winter, he and his wacky friends drive them “THE GREAT MATCH” (2006-88 min.). funded by the Port Washington Education by Lee Fertitta. Call 883-4400, Ext. 136 for crazy. Screenwriters Jules J. and Philip G. Three soccer fans living in Mongolia, Niger Foundation. Story in this issue. book title. 7 p.m. Epstein adapted George S. Kaufman and and Brazil, none of whom have ever met, In TeenSpace Moss Hart’s stage play for director William all determine to watch the TV broadcast of Keighley. The supporting cast includes Ann the World Cup Final. Gerardo Olivares di- 25 WEDNESDAY YOUNG PEOPLE’S POETRY WEEK, April Sheridan, Jimmy Durante, Billie Burke, rected this global comedy, from a script he PORT WRITES: A group of self motivated 16-22. Visit TeenSpace the week and Reginald Gardiner and Bette Davis as wrote with Chema Rodriguez. Also, writer/ sample some of the highlights from our Po- writers reading and discussing their work, Maggie Cutler. Also, Richard L. Bare’s com- FRIDAY director Lorenzo Vigas Castes’s short, El- facilitated by Michael Chaplan. Meets the etry Collection. Check out our “Poetry edy short So You Think You Need Glasses 13 ephants Never Forget (2004-13 min.). Both fourth Wednesday of each month. 8 p.m. Panes” — an interactive window poetry ac- (1942-11 min.) and Jean Negulesco’s musi- SANDWICHED IN: The Blockbuster Era films are subtitled. This screening comes to tivity. FOL cal short Six Hits and a Miss (1942-9 min.). in Hollywood. Brian Rose, professor in the us from Film Movement, an organization 7:30 p.m. department of Communication and Media that makes outstanding independent films, REGISTRATIONS Studies at Fordham University, will discuss documentaries and foreign films available to film production over the past three de- educational institutions. 7:30 p.m. In Progress cades. This program, which is free and FRIDAY Teen Dance Workshop. See April 5 open to the public, is made possible through 27 the support of the New York Council for the SANDWICHED IN: The Color of Water, A Walking Club . See April 16 THURSDAY Humanities’ Speakers in the Humanities Black Man’s Tribute to His White Mother. 5 program. 12:10 p.m. James McBride had been a journalist for Beginning April 10 SENIOR CONNECTIONS: Information and WEDNESDAY eight years when he quit his job as a Wash- Computer Classes . See April 10 referral service staffed by trained volun- LOOKING AT JAZZ: Vincent Wright, 18 ington Post feature writer and moved to New former Assistant Director of Education at teers designed to link older adults and their LIBRARY BOARD OF TRUSTEES MEET- York to pursue his first love: music. While Computers in Spanish . .See April 10 Lincoln Center for the Performing Arts, will families to needed resources. Thursdays ING: Executive session at 7 p.m. The pub- touring as a tenor sax player he came to re- discuss all the permutations of jazz, inviting Beginning April 17 from 10:30 a.m. to 12:30 p.m. lic is invited to attend at 7:30 p.m. alize that the most interesting person he’d the audience to participate by writing the ever known was his mother — a white im- Cooking with Granny or Grampy . GREAT BOOKS DISCUSSION GROUP: lyrics to a blues tune. His talk will be musi- PCLI: The Photography Club of Long Is- migrant daughter of a rabbi who married a . See April 17 The Bible Unearthed by Finkelstein and cally illustrated by Ken Kresge. 8 p.m. land meets. 8 p.m. Silberman. 8 p.m. black man, founded a church in Harlem and managed to send all 12 of her children DANCE & MOVEMENT IMPROVISA- through college. In this reading, enhanced TION WORKSHOP FOR TEENS: A pro- by jazz and traditional music, Debbie Starker gressive and innovative dance workshop for portrays Ruth McBride Jordan and David teens. NO dance experience necessary. In- Houston narrates. 12:10 p.m. 1 SUNDAY person registration in progress for teens in 15 SUNDAY 19 THURSDAY grades 7 through 12. Please register by READING GROUP: A discussion facilitated “INFAMOUS” (2006-118 min.). Truman A FORBIDDEN HOLLYWOOD DOUBLE Capote (played by British actor Toby Jones) FEATURE: Waterloo Bridge (1931-81 min.). April 3. Fee: $5. Workshop begins at 7 p.m. by Lee Fertitta. Call 883-4400, Ext. 136 for book title. 1:30 p.m. leaves the glittering literary scene of Man- A fallen woman (Mae Clarke) meets a young hattan to report on a brutal murder in rural soldier (Kent Douglass) in WWI-era London 3rd THURSDAY @ 3: The Color of Water. Kansas. Director Douglas McGrath also in this risqué yet touching romance from Elizabeth Olesh will discuss James scripted, from George Plimpton’s book, Benn Levy and Tim Reed (adapting Robert McBride’s The Color of Water, the Long Is- Truman Capote. Sandra Bullock plays Sherwood’s play) and director James Whale. FRIDAY land Reads selection for 2007. 3 p.m. FOL Capote’s traveling companion, Harper Lee, After a brief intermission, we present Baby 6 and Daniel Craig is the rugged killer Perry SOUNDSWAP: Tony Traguardo hosts an Face (1933-76 min.). This pre-Code classic Smith. Even if you’ve seen Philip Seymour SANDWICHED IN: A Birthday Tribute to evening of live music featuring Dave Gerard stars Barbara Stanwyck as Lily Powers, a Stardust: The Bette Davis Hoffman in Bennet Miller’s Capote (2005), Bette Davis. First, and David Bailey, who will perform original poor but ambitious woman who sleeps her Story we highly recommend this alternate ver- (2005-88 min.). Susan Sarandon nar- material as well as blues, r&b, western, way to the top — from the personnel office rates Peter Jones and Mark Catalena’s docu- sion of a fascinating true story. 7:30 p.m. to the filing department to mortgage to ac- swing, reggae and country. 7:30 p.m. Story mentary about the actress. After a short in- in this issue. FOL. counting, until she has powerful business- termission we present Old Acquaintance men wrapped around her finger. Gene (1943-110 min.). Writer Kit Marlowe (Bette) GREAT BOOKS DISCUSSION GROUP: A Markey and Kathryn Scola scripted for direc- possesses one thing all her own: literary ac- discussion of The Tempest by William tor Alfred E. Green. This recently discovered claim. Her melodramatic best friend Millie Shakespeare. 8 p.m. pre-release edition contains five minutes of Drake (Miriam Hopkins), who pens trashy previously unseen footage! 1:30 p.m. ADAM NEIMAN: The pianist performs se- 28 SATURDAY potboilers, has the husband (John Loder) Kit loves and the child Kit yearns to call her lections from Beethoven, Ravel, Rach- LATINO FESTIVAL: Celebrate Latino Cul- own. Gig Young and Anne Revere co-star in maninoff and Mussorgsky. Sponsored by ture. A family event. Story in this issue. FOL Vincent Sherman’s comedy-drama, which the Music Advisory Council. 3 p.m. Story in this issue.
Recommended publications
  • Completeandleft
    MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Belita ORIGINAL LIST $119.50 Slays a SENSATION! Hollywood THOUSANDS CHEER OPENING OF
    AMUSEMENTS. AMUSEMENTS. listener of many delightful and Two Young Artists eatchy, truly Viennese tunes, not two Anti-Nazi Drama Orson Welles’ Statues % of which are alike either Please in Concert in mood "Underground," a drama of the or tempo. Because of a certain Carter Carburetors imimiiinmnniTi hmhtti secret anti-Nazi radio system oper- By ELENA DE SAYN. sameness with which Miss Finna- FOR ALL CARS com treated the ating in Germany, will go into pro- Give Him Trouble Now Two young and attractive artists, arrangement only Liberal Trade Allowance for roar Carolyn Schulte, coloratura soprano, the last of that particular collec- duction at Warner Bros. Studio old carburetor in Hercules Not Be Unadorned; and Helene Finnacom, pianist, were tion, performed keeping with the February 14. Vincent Sherman,! May given a cordial reception at the composer's intentions, reached the whose handling of "Flight From Club auditorium last audience. The artist was rewarded MIUER-DUDHYfi Washington Destiny” brought him critical com- ■ I7lfi NODTH9300 ■ Henie Would Like to Be the She Sonja night. A friendly audience filled by generous applause. displayed mendation, will direct the picture. to with the overflow her brilliant technique in this and Her Own Producer hall capacity, Two brothers, one a Nazi, the other Associate taken care of In the room. in Liszt’s "Gnomenreigen,” which °' Theft ten Having Met in tea. adjoining anti-Nazi, and a girl with whom in a she in a ACADEMY Pe&c‘a?uSd riEot‘,D,‘’ Miss Schulte, becoming gown presented masterly fashion. both brothers are in be E. Uwrencf Theatre By SHE1LAH GRAHAM.
    [Show full text]
  • The KIRBY RESIDENTS
    the PINECONEThe Magazine of Kirby Pines Retirement Community • January 2015 | V. 33 | I. 1 KIRBY RESIDENTS HELPING CLEAN UP MEMPHIS Senior Fit Test | Opportunity Knocks | Resident Spotlight: Catherine Prewett | Social Scenes A Look Back at a Wonderful Year Kirby Pines Retirement Community at Kirby Pines is managed by Happy New Year, everyone! Each hours should once again surpass the year seems to get here quicker, with previous year’s total because of the little difference from the previous year. expanded hours due to the move of the However, 2015 will not be one of those Blossom Shop to the second floor. BOARD OF DIRECTORS years. Before I begin to write about improvements made in 2014, let me thank In early summer Kirby Pines was once Dr. James Latimer, Chairman each of you for another wonderful year of again named the area’s Best Retirement Mr. Rudy Herzke, President service at Kirby Pines. Community, an honor bestowed upon Mr. Berry Terry, Secretary/Treasurer Kirby for eight consecutive years now. Mr. Larry Braughton Rev. Richard Coons In 2014 we made several No other retirement community in our improvements in our meal service venues tri-state area has been able to earn this Mr. Jim Ethridge Dr. Fred Grogan and one of the most successful was the public recognition. With the unique event Ms. Mary Ann Hodges creation of a Live Action Station in the Cheryl created inviting area merchants to Mr. Boyd Rhodes, Jr. dining room. Originally done as a chef participate in our first Carousel of Shops, special, the Live Action Station proved to we should be able to hold on to our top RCA STAFF be such a hit that we went from once a spot again in 2015.
    [Show full text]
  • MOSTRA JOAN CRAWFORD SINOPSES 13 De Março a 2 De Abril De 2020 O Cavalheiro Pirata, De William A. Wellman (The Boob, EUA, 1926)
    MOSTRA JOAN CRAWFORD SINOPSES 13 de Março a 2 de Abril de 2020 O Cavalheiro Pirata, de William A. Wellman (The Boob, EUA, 1926) | Livre | 64’ Peter, um rapaz do campo, está apaixonado por Mary, mas ela por sua vez está apaixonada por Harry. Peter descobre que Harry na verdade é um contrabandista e conta para Mary. Impressionada, ela logo se apaixona por ele. O Monstro do Circo, de Tod Browning (The Unknown, EUA, 1927) | 10 anos | 63’ Alonzo (Lon Chaney) é um atirador de facas em um circo, e faz muito sucesso por não ter os braços, e usar os pés para fazer suas façanhas. Ele se apaixona por Nanon (Joan Crawford), sua assistente que não suporta ser envolvida pelos braços de um homem, o que é uma vantagem de Alonzo em cima do rival Malabar (Norman Kerry). Entretanto, o pai de Nanon se enfurece quando descobre um grave segredo do homem sem braços. Para esconder esse segredo e também preservar o amor que sente pela assistente, Alonzo comete atos que vão destruir a vida de todos envolvidos. Procelas do Coração, de William Nigh (Across to Singapore, EUA, 1928) | 12 anos | 85’ O conflito ocorre quando a namorada de infância de um jovem se torna noiva de seu irmão mais velho. Possuída, de Clarence Brown (Possessed, EUA, 1931) | 12 anos | 76’ Marian (Joan Crawford) é uma simples operária que torna-se amante de Mark Whitney (Clark Gable), um brilhante advogado com um futuro promissor na política. Quando Mark decide se candidatar a governador, seu relacionamento com Marian poderá levar tudo a perder.
    [Show full text]
  • Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit.
    [Show full text]
  • Father Riggs of Yale by Stephen Schmalhofer
    Dispatch March 24, 2021 05:11 pm Father Riggs of Yale by Stephen Schmalhofer We open in Venice. On an Italian holiday in 1926, early on in his Broadway career, Richard Rodgers bumped into Noël Coward. Together they strolled the Lido before ducking into a friend’s beach cabana, where Coward introduced Rodgers for the first time to “a slight, delicate-featured man with soft saucer eyes.” Cole Porter grinned up at the visitors and insisted that both men join him for dinner that evening at a little place he was renting. Porter sent one of his gondoliers to pick up Rodgers. At his destination, liveried footmen helped him out of the boat. He gazed in wonder up the grand staircase of Porter’s “little place,” the three-story Ca’ Rezzonico, where Robert Browning died and John Singer Sargent once kept a studio. This was not the only dramatic understatement from Porter that day. In the music room after dinner, their host urged Rodgers and Coward to play some of their songs. Afterwards Porter took his turn. “As soon as he touched the keyboard to play ‘a few of my little things,’ I became aware that here was not merely a talented dilettante, but a genuinely gifted theatre composer and lyricist,” recalled Rodgers in his autobiography, Musical Stages. “Songs like ‘Let’s Do It,’ ‘Let’s Misbehave,’ and ‘Two Babes in the Wood,’ which I heard that night for the first time, fairly cried out to be heard from the stage.” Rodgers wondered aloud what Porter was doing wasting his talent and time in a life of Venetian indolence.
    [Show full text]
  • ATINER's Conference Paper Series HUM2014-0814
    ATINER CONFERENCE PAPER SERIES No: HUM2014-0814 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series HUM2014-0814 Iconic Bodies/Exotic Pinups: The Mystique of Rita Hayworth and Zarah Leander Galina Bakhtiarova Associate Professor Western Connecticut State University USA 1 ATINER CONFERENCE PAPER SERIES No: HUM2014-0814 Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN 2241-2891 22/1/2014 2 ATINER CONFERENCE PAPER SERIES No: HUM2014-0814 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. The papers published in the series have not been refereed and are published as they were submitted by the author. The series serves two purposes. First, we want to disseminate the information as fast as possible. Second, by doing so, the authors can receive comments useful to revise their papers before they are considered for publication in one of ATINER's books, following our standard procedures of a blind review. Dr. Gregory T. Papanikos President Athens Institute for Education and Research 3 ATINER CONFERENCE PAPER SERIES No: HUM2014-0814 This paper should be cited as follows: Bakhtiarova, G.
    [Show full text]
  • ®J)E ®Uadjjrontcie Vol
    TO&t tKotoer of Campus acfjousut ana action ®J)e ®uADjjrontcie Vol. 50—No. 12 Duke University, Durham. N. C. Friday, October 29, 1954 Greenblatt's Winning Script Nets Nat Hoof Y Horn Prize By FRANK GREEN musical comedy style and all grimacing m'ght club owner Chronicle Assistant Editor were refreshingly original and Marty Jamison in the club's 1953 As the author of Hoof 'n' different. production, All's Fair in Love. Horn's $100 prizewinning script, "We chose Greenblatt's script, A freshman at the time, he was applauded by both Variety and Laughing With You—a new mus­ however, because in Laughing the Chronicle for an outstand­ ical comedy in two acts—lanky, With You he has given Hoof 'n' ing performance. likable Nat Greenblatt this Horn a show that is potentially the best in the club's history and The young playwright has week added another to a long served for a year on H 'n' H's list of theatrical achievements. has now surpassed himself in executive council, and this fall achieving one of Duke's highest Don Smith, president of Hoof was co-author of the club's literary honors," Smith added. Homecoming show. 'n' Horn, noted that this year for the first time four good But not all of his activites Duke Players Prepare for Nov. 4 Opener Greenblatt is perhaps best r have concerned themselves with scripts were turned in. "All of membered by patrons of Hoof the theater. A Chronicle col­ "I've always wanted to shoot somebody, but I never knew who them exhibited an awareness of 'n' Horn for his portaryal of the umnist, idea man for the Pep it should be." This profound utterance comes from the lips of Alvin Board and the Duke Band, and Fox, leading character.in Duke Player's forthcoming production, a frequent "Charleston" per­ as he ponders over his gun and a map of Europe.
    [Show full text]
  • • ASC Archival Photos
    ASC Archival Photos – All Captions Draft 8/31/2018 Affair in Trinidad - R. Hayworth (1952).jpg The film noir crime drama Affair in Trinidad (1952) — directed by Vincent Sherman and photographed by Joseph B. Walker, ASC — stars Rita Hayworth and Glenn Ford and was promoted as a re-teaming of the stars of the prior hit Gilda (1946). Considered a “comeback” effort following Hayworth’s difficult marriage to Prince Aly Khan, Trinidad was the star's first picture in four years and Columbia Pictures wanted one of their finest cinematographers to shoot it. Here, Walker (on right, wearing fedora) and his crew set a shot on Hayworth over Ford’s shoulder. Dick Tracy – W. Beatty (1990).jpg Directed by and starring Warren Beatty, Dick Tracy (1990) was a faithful ode to the timeless detective comic strip. To that end, Beatty and cinematographer Vittorio Storaro, ASC, AIC — seen here setting a shot during production — rendered the film almost entirely in reds, yellows and blues to replicate the look of the comic. Storaro earned an Oscar nomination for his efforts. The two filmmakers had previously collaborated on the period drama Reds and later on the political comedy Bullworth. Cries and Whispers - L. Ullman (1974).jpg Swedish cinematographer Sven Nykvist, ASC operates the camera while executing a dolly shot on actress Liv Ullman, capturing an iconic moment in Cries and Whispers (1974), directed by friend and frequent collaborator Ingmar Bergman. “Motion picture photography doesn't have to look absolutely realistic,” Nykvist told American Cinematographer. “It can be beautiful and realistic at the same time.
    [Show full text]
  • Metadata Dictionary and Usage Guide (Version 5) — Published January 2019
    Metadata Dictionary and Usage Guide (Version 5) — Published January 2019 This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Page 2 Abstract The purpose of this dictionary and best practices guide is to assist organizations participating in the New York Heritage Digital Collections project as they create metadata for their digital items. It strives to ensure consistency and quality control across the collections which, in turn, will result in a better experience for users. Quality metadata make it more likely that end users will find digital items, especially when the data is repurposed with other online digital collections. Moreover, consistent metadata expedites the process of getting your materials into the Digital Public Library of America (DPLA) through our ​ ​ partners at the Empire State Digital Network. Use this dictionary to determine definitions, ​ ​ how and where to enter metadata, and to better understand what types of terms should be used. Metadata Dictionary and Best Practices Guide, v.5 Page 3 Table of Contents Version 5: Change Report 6 General Guidelines and Instructions 10 Controlled Vocabularies 10 Using Controlled Vocabularies 11 Multiple Controlled Vocabularies 11 Creating Controlled Vocabularies 11 Controlled Vocabulary Source Lists 12 Additional CONTENTdm-Based Controlled Vocabularies 13 Metadata Field Element Chart 14 Metadata Details by Field 15 1. Title 15 2. Description 16 3. Creator 18 4. Subject 20 5. Location 21 6. Contributors 22 7. Publisher of Original 24 8. Date of Original 25 9. Hidden Date 26 10. Physical Format 28 11. Physical Description 29 12. Local Location 31 13. Relation 32 14.
    [Show full text]
  • CABARET SYNOPSIS the Scene Is a Sleazy Nightclub in Berlin As The
    CABARET SYNOPSIS The scene is a sleazy nightclub in Berlin as the 1920s are drawing to a close. Cliff Bradshaw, a young American writer, and Ernst Ludwig, a German, strike up a friendship on a train. Ernst gives Cliff an address in Berlin where he will find a room. Cliff takes this advice and Fräulein Schneider, a vivacious 60 year old, lets him have a room very cheaply. Cliff, at the Kit Kat Club, meets an English girl, Sally Bowles, who is working there as a singer and hostess. Next day, as Cliff is giving Ernst an English lesson, Sally arrives with all her luggage and moves in. Ernst comes to ask Cliff to collect something for him from Paris; he will pay well for the service. Cliff knows that this will involve smuggling currency, but agrees to go. Ernst's fee will be useful now that Cliff and Sally are to be married. Fraulein Schneider and her admirer, a Jewish greengrocer named Herr Schultz, also decide to become engaged and a celebration party is held in Herr Schultz shop. In the middle of the festivities Ernst arrives wearing a Nazi armband. Cliff realizes that his Paris errand was on behalf of the Nazi party and refuses Ernst's payment, but Sally accepts it. At Cliff's flat Sally gets ready to go back to work at the Kit Kat Klub. Cliff determines that they will leave for America but that evening he calls at the Klub and finds Sally there. He is furious, and when Ernst approaches him to perform another errand Cliff knocks him down.
    [Show full text]