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Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
April 07Cal.Pmd
April ’07 EXHIBITS In the Main Gallery 4 WEDNESDAY 11 WEDNESDAY 17 TUESDAY 24 TUESDAY JUDITH HUTTNER: Inner Sanctum, water- A BIRTHDAY TRIBUTE TO BETTE DAVIS: A BIRTHDAY TRIBUTE TO BETTE COOKING WITH GRANNY OR GRAMPY: SHAKESPEARE, PART I: Aspects of Love. colors, through April 26. Sponsored by the William Wyler’s Jezebel (1938-103 min.). A DAVIS: What Ever Happened to Baby Jane Register beginning April 17 for a workshop This literary dash through several of the Art Advisory Council. Southern belle (Bette, winning her second (1962-133 min.). Aging, demented child on Saturday, May 12 at 11 a.m. You don’t Bard’s plays will explore the many splen- In the Photography Gallery Oscar) goes too far to make her fiancé star Baby Jane Hudson (Davis) torments have to be a grandparent to attend this fun, dors, as well as the many frustrations, in- (Henry Fonda) jealous. Clements Ripley, her sister Blanche (Joan Crawford), a hands-on “cooking” workshop with the spe- herent in male/female relationships. Join MARK BERGHASH: I’s Closed I’s Open: Abem Finkel and John Huston scripted, from former movie actress crippled in an auto ac- cial child or children in your life. Chef Frank Shakespeare scholar John Broza, retired The Inner Self, through April 30. Look for the play by Owen Davis, Sr. Max Steiner cident. Lukas Heller scripted this suspense Miale will show how to make classic no-bake Schreiber English Department Chairman, a slide talk with Mark Berghash on Mon- composed the score. 12 noon. classic, from Henry Farrell’s novel, for pro- snacks such as Rice Krispie Treats, s’mores for an enthusiastic and authoritative explo- day, April 16 at 7:30 p.m. -
Father Riggs of Yale by Stephen Schmalhofer
Dispatch March 24, 2021 05:11 pm Father Riggs of Yale by Stephen Schmalhofer We open in Venice. On an Italian holiday in 1926, early on in his Broadway career, Richard Rodgers bumped into Noël Coward. Together they strolled the Lido before ducking into a friend’s beach cabana, where Coward introduced Rodgers for the first time to “a slight, delicate-featured man with soft saucer eyes.” Cole Porter grinned up at the visitors and insisted that both men join him for dinner that evening at a little place he was renting. Porter sent one of his gondoliers to pick up Rodgers. At his destination, liveried footmen helped him out of the boat. He gazed in wonder up the grand staircase of Porter’s “little place,” the three-story Ca’ Rezzonico, where Robert Browning died and John Singer Sargent once kept a studio. This was not the only dramatic understatement from Porter that day. In the music room after dinner, their host urged Rodgers and Coward to play some of their songs. Afterwards Porter took his turn. “As soon as he touched the keyboard to play ‘a few of my little things,’ I became aware that here was not merely a talented dilettante, but a genuinely gifted theatre composer and lyricist,” recalled Rodgers in his autobiography, Musical Stages. “Songs like ‘Let’s Do It,’ ‘Let’s Misbehave,’ and ‘Two Babes in the Wood,’ which I heard that night for the first time, fairly cried out to be heard from the stage.” Rodgers wondered aloud what Porter was doing wasting his talent and time in a life of Venetian indolence. -
Metadata Dictionary and Usage Guide (Version 5) — Published January 2019
Metadata Dictionary and Usage Guide (Version 5) — Published January 2019 This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Page 2 Abstract The purpose of this dictionary and best practices guide is to assist organizations participating in the New York Heritage Digital Collections project as they create metadata for their digital items. It strives to ensure consistency and quality control across the collections which, in turn, will result in a better experience for users. Quality metadata make it more likely that end users will find digital items, especially when the data is repurposed with other online digital collections. Moreover, consistent metadata expedites the process of getting your materials into the Digital Public Library of America (DPLA) through our partners at the Empire State Digital Network. Use this dictionary to determine definitions, how and where to enter metadata, and to better understand what types of terms should be used. Metadata Dictionary and Best Practices Guide, v.5 Page 3 Table of Contents Version 5: Change Report 6 General Guidelines and Instructions 10 Controlled Vocabularies 10 Using Controlled Vocabularies 11 Multiple Controlled Vocabularies 11 Creating Controlled Vocabularies 11 Controlled Vocabulary Source Lists 12 Additional CONTENTdm-Based Controlled Vocabularies 13 Metadata Field Element Chart 14 Metadata Details by Field 15 1. Title 15 2. Description 16 3. Creator 18 4. Subject 20 5. Location 21 6. Contributors 22 7. Publisher of Original 24 8. Date of Original 25 9. Hidden Date 26 10. Physical Format 28 11. Physical Description 29 12. Local Location 31 13. Relation 32 14. -
Living Well Is the Best Revenge Calvin Tomkins
Tomkins In France in the 1920s, Gerald and Sara In France in the 1920s, Gerald and Murphy lived an extraordinary life. First Sara Murphy lived an extraordinary in Paris and then in Antibes, on the Med- life. First in Paris and then in Antibes, iterranean not far from Cannes, these two on the Mediterranean not far from American expatriates played host to some Cannes, these two American expatriates Calvin Tomkins is a longtime staff writer for The New Yorker. of the most memorable creative spirits of the played host to some of the most memo- He has also written more than a dozen books, including the best- era, including Pablo Picasso, Cole Porter, rable creative spirits of the era, includ- Fernand Léger, Ernest Hemingway, and seller Living Well Is the Best Revenge, Merchants and Masterpieces: ing Pablo Picasso, Cole Porter, Fernand Scott and Zelda Fitzgerald. Gerald Murphy The Story of the Metropolitan Museum of Art, and the widely Léger, Ernest Hemingway, and Scott was himself a painter, and although he acclaimed Off the Wall: Robert Rauschenberg and the Art World and Zelda Fitzgerald. Gerald Murphy practiced for only eight years, and left few of Our Time. Tomkins was awarded the first Clark Prize for was himself a painter, and although he canvases behind, his work holds its own in Best Revenge Is the Living Well practiced for only eight years, and left distinguished writing on the arts in 2007. He lives in New York the collection of The Museum of Modern few canvases behind, his work holds its City with his wife, Dodie Kazanjian. -
TO a 44-HOUR WEEK Aviation Career Directory Overtime Halved Opportunities to Hagertys for 31 P.C
U M ANALYSIS OF U. S. PAY LAW I See Page 10 T QAAHJL S^CAAJ-ICJT NYC Sanitation, Police LEADER And Firelists to Last 2 Years America9s Largest Weekly for Public Employees See Page 3 Vol. 6—No. 44 Tuesday, July 10, 1945 Price Five Cents TRUMAN CUTS 826,000 TO A 44-HOUR WEEK Aviation Career Directory Overtime Halved Opportunities To HagertyS For 31 P.C. of All Special to The LEADER ALBANY, June 10—A ca- reer man in the New York U. S. Employees Top Job List City Civil Service, Philip E. Hagerty, personnel expert By HAL MILLER Special to The LEADER Thousands of jobs in private industry and civil service with years of experience, has been appointed to the WASHINGTON, July 10—Another pay raise battle are waiting to be filled in the metropolitan area. Many is coming if and when the U. S. Government moves to opportunities are available for unskilled workers, and important State post of Di- rector of Salary Standard- cut working time to 40 hours a week. there are plentiful opportunities for persons who want to This was indicated following the cutback this week learn a trade while being paid for their work. An espe- ization at $6,700 a year. The appointment came to him from 48 to 44 hours a week, affecting about 126,000 Gov- cially attractive opportunity for a career in aviation, with unsolicited. He was recommended ernment white-collar employees in Washington and 700,- preliminary training right in NYC, and you get paid while to the State Commission, which 000 of the 2,879,000 throughout the country, or 826,000 a trainee. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L. -
Picture F?Tj Cjlou,Ellci J~^Cu'sons Hollywood /Mrs
PART 2. PAGE 7 Sunday. December 27. 1912 DETROIT SUNDAY TIMES /7V7OYr CHERRY ericcin picture f?tj cJlou,ellci j~^cu'sons Hollywood /Mrs. Miniver7 Players To Welcome Dominate Starting 11; 43 in Stride Alternates Also Picked MB dß' By LOUELLA O. PARSON’S By BILL WICkKRSIIAM Hr' Motion Picture Editor International Nrw» Service »pr< lai |4> TUK IIKTROIT TLMKH HOLLYWOOD, !>c. 26 jPWBTV' HOLLYWOOD, Dec. 26. r PIME was when practically morning! 1 every filmtown notable Let * hope you will be on speaking terms with Year * Eve turned out on New motion to make swank whoopee and. at me after I print my annual All-American ihe magical moment of midnight, picture team for 1942. This annual feature, in- to raise the glasses in toasts GOOD 12 years ago, is offend after serious augurated to personal good fortune consideration. If you don’t agree with me, write and let mu throughout the coming year. nothing than a good argument. year, however, rev- know. I love better This their Garson, captains my team eling will not be so swank. Their irai Congratulations to Greer who toasts will be drunk to victory. for 1942. 1 name her for her never-to-be-forgotten perform- And that one burst of spirit will ance in "Mrs. Miniver," and place her on my team as center. l*e about it. Not because of the to her credit which will 12 o’clock cocktail curfew, but Greer also has "Random Harvest" because, ere the echo of their ¦** v win her additional fame. subsided, they’ll team in half a dozen shouting has d MR James Cagney, who hasn't made the ’%! i+ making grim resolution" to JWT i k 'iti-uW' years, gets the oovdtd quarterback spot. -
4.Roaring.Intellectuals.7.18.19.09
THE INSTITUTE FOR THE STUDY OF WESTERN CIVILIZATION THE ROARING TWENTIES LECTURE 4: THE INTELLECTUALS AND THE BABE SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 SaturdayJuly 20, 2019 As theater critic: “Miss Hepburn ran the whole gamut of emotions—from A to B.” SaturdayJuly 20, 2019 As literary critic SaturdayJuly 20, 2019 As etymologist: Asked to use the word “horticulture” in a sentence, she replied: “You can lead a horticulture, but you can’t make her think.” SaturdayJuly 20, 2019 As mentor for younger writers: “If you have any young friends who aspire to become writers, the second greatest favor you can do for them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy.” SaturdayJuly 20, 2019 As love poet: By the time you swear you’re his, Shivering and sighing, And he vows his passion is Infinite, undying— Lady, make a note of this: One of you is lying. SaturdayJuly 20, 2019 In youth, it was a way I had, To do my best to please. And change, with every passing lad, To suit his theories. But now I know the things I know And do the things I do, And if you do not like me so, To hell, my love, with you. SaturdayJuly 20, 2019 Clockwise: Art Samuels, Harpo Marx, Alexander Woollcott, Dorothy Parker, Charles MacArthur SaturdayJuly 20, 2019 Alexander Woollcott 1924 SaturdayJuly 20, 2019 Alexander Woollcott (1887-1943) SaturdayJuly 20, 2019 Monty Woolley, Bette Davis, and Ann Sheridan in The Man Who Came to Dinner (1941) SaturdayJuly 20, 2019 George S. -
Film Collection
Film Collection 1. Abe Lincoln in Illinois, US 1940 (110 min) bw (DVD) d John Cromwell, play Robert E. Sherwood, ph James Wong Howe, with Raymond Massey, Ruth Gordon, Gene Lockhart, Howard de Silva AAN Raymond Massey, James Wong Howe 2. Advise and Consent, US 1962 (139 min) (DVD) d Otto Preminger, novel Allen Drury, ph Sam Leavitt, with Don Murray, Charles Laughton, Henry Fonda, Walter Pidgeon. 3. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, m Elmer Bernstein, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. 4. Alexander France/US/UK/Germany, Netherlands 2004 (175 min) (DVD) d Oliver Stone, m Vangelis, with Antony Hopkins, Val Kilmer, Colin Farrell 5. Alexander Nevsky, USSR 1938 (112 min) bw d Sergei Eisenstein, w Pyotr Pavlenko, Sergei Eisenstein, m Prokofiev, ph Edouard Tiss´e, with Nikolai Cherkassov, Nikolai Okhlopkov, Andrei Abrkikosov. 6. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. AA Best Costume Design AAN Best Music; Best Screenplay; Winona Ryder; 7. The Agony and the Ecstacy, US 1965 (140 min) (DVD) d Carol Reed, novel Irving Stone, ph Leon Shamroy, with Charlton Heston, Rex Harrison, Diane Cilento, Harry Andrews. 8. All Quiet on the Western Front, US 1930 (130 min) bw (DVD) d Lewis Milestone (in a manner reminiscent of Eisenstein and Lang), novel Erich Maria Remarque, ph Arthur Edeson, with Lew Ayres, Louis Wolheim, Slilm Sum- merville, John Wray, Raymond Griffith. -
MARK HELLINGER THEATER (Originally Hollywood Theater), 217-239 West 51St Street, Manhattan
Landmarks Preservation Commission January 5, 1988; Designation List 199 LP-1338 MARK HELLINGER THEATER (originally Hollywood Theater), 217-239 West 51st Street, Manhattan. Built 1929; architect, Thomas Lamb. Landmark Site: Borough of Manhattan Tax Map Block 1023, Lot 11. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Mark Hellinger Theater and the proposed designation of the related Landmark Site (Item No. 34). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Mark He 11 inger Theater survives today as one of the few intact grand movie palaces in Manhattan, as well as one of the historic theaters that symbolize American theater for both New York and the nation. Built for Warner Brothers in 1929 as the Hollywood Theater, it showcased movies and then vaudeville until 1934, when it was first converted for use as a legitimate theater. Warner Brothers was one of the great studios dominating American film making in the 1920s. Having successfully developed sound movies, the company in 1928 embarked on a campaign to buy or build theaters in which to exhibit its new sound productions. -
PDF Download Heroes of Hollywood Boulevard
HEROES OF HOLLYWOOD BOULEVARD PDF, EPUB, EBOOK David Louden | 152 pages | 31 Jan 2016 | Createspace Independent Publishing Platform | 9781523286539 | English | United States Heroes of Hollywood Boulevard PDF Book Cali Sunshine Bilal. Archived from the original on December 4, Cancel Report. Pick up a shoot sheet , or just look for the large white trailers parked around the city, and you can watch Hollywood movie-making on location throughout the vast L. Retrieved on December 11, Retrieved May 18, June 8, The mistake was fixed, but years later the television actor Dan Haggerty of Grizzly Adams fame, no relation to Don also received a star. Why not pick up one, and stand in front of the Dolby Theater, with your prize in hand, for your ultimate Hollywood selfie? Sign Up. Of the two, Moment's seemed a tad sharper, but we were thrilled with both. LA Times. The few studios that remain within the borders of Hollywood present only blank walls and faceless sound stages to the outside world. Full Cast and Crew. Retrieved 22 August The stars are permanent public monuments to achievement in the entertainment industry , bearing the names of a mix of musicians, actors, directors, producers, musical and theatrical groups, fictional characters, and others. The bill proposes registration for a license to perform in Times Square and that the performers be fingerprinted as well. Monty Woolley , the veteran film and stage actor best known for The Man Who Came to Dinner and the line "Time flies when you're having fun", is officially listed in the motion picture category, [] but his star on the Walk of Fame bears the television emblem.