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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
February 2018 at BFI Southbank Events
BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola. -
April 07Cal.Pmd
April ’07 EXHIBITS In the Main Gallery 4 WEDNESDAY 11 WEDNESDAY 17 TUESDAY 24 TUESDAY JUDITH HUTTNER: Inner Sanctum, water- A BIRTHDAY TRIBUTE TO BETTE DAVIS: A BIRTHDAY TRIBUTE TO BETTE COOKING WITH GRANNY OR GRAMPY: SHAKESPEARE, PART I: Aspects of Love. colors, through April 26. Sponsored by the William Wyler’s Jezebel (1938-103 min.). A DAVIS: What Ever Happened to Baby Jane Register beginning April 17 for a workshop This literary dash through several of the Art Advisory Council. Southern belle (Bette, winning her second (1962-133 min.). Aging, demented child on Saturday, May 12 at 11 a.m. You don’t Bard’s plays will explore the many splen- In the Photography Gallery Oscar) goes too far to make her fiancé star Baby Jane Hudson (Davis) torments have to be a grandparent to attend this fun, dors, as well as the many frustrations, in- (Henry Fonda) jealous. Clements Ripley, her sister Blanche (Joan Crawford), a hands-on “cooking” workshop with the spe- herent in male/female relationships. Join MARK BERGHASH: I’s Closed I’s Open: Abem Finkel and John Huston scripted, from former movie actress crippled in an auto ac- cial child or children in your life. Chef Frank Shakespeare scholar John Broza, retired The Inner Self, through April 30. Look for the play by Owen Davis, Sr. Max Steiner cident. Lukas Heller scripted this suspense Miale will show how to make classic no-bake Schreiber English Department Chairman, a slide talk with Mark Berghash on Mon- composed the score. 12 noon. classic, from Henry Farrell’s novel, for pro- snacks such as Rice Krispie Treats, s’mores for an enthusiastic and authoritative explo- day, April 16 at 7:30 p.m. -
Father Riggs of Yale by Stephen Schmalhofer
Dispatch March 24, 2021 05:11 pm Father Riggs of Yale by Stephen Schmalhofer We open in Venice. On an Italian holiday in 1926, early on in his Broadway career, Richard Rodgers bumped into Noël Coward. Together they strolled the Lido before ducking into a friend’s beach cabana, where Coward introduced Rodgers for the first time to “a slight, delicate-featured man with soft saucer eyes.” Cole Porter grinned up at the visitors and insisted that both men join him for dinner that evening at a little place he was renting. Porter sent one of his gondoliers to pick up Rodgers. At his destination, liveried footmen helped him out of the boat. He gazed in wonder up the grand staircase of Porter’s “little place,” the three-story Ca’ Rezzonico, where Robert Browning died and John Singer Sargent once kept a studio. This was not the only dramatic understatement from Porter that day. In the music room after dinner, their host urged Rodgers and Coward to play some of their songs. Afterwards Porter took his turn. “As soon as he touched the keyboard to play ‘a few of my little things,’ I became aware that here was not merely a talented dilettante, but a genuinely gifted theatre composer and lyricist,” recalled Rodgers in his autobiography, Musical Stages. “Songs like ‘Let’s Do It,’ ‘Let’s Misbehave,’ and ‘Two Babes in the Wood,’ which I heard that night for the first time, fairly cried out to be heard from the stage.” Rodgers wondered aloud what Porter was doing wasting his talent and time in a life of Venetian indolence. -
1947-05-02, [P ]
Friday, May 2, 1947 T O L E D O U N T O N J 0 U R N A L Pape Five Award Winners In Cast of Gold win Film Samuel Goldwvn presents. “The Best Years Of Our Lives”, starring Myrna Loy, Fredric March, Dana Andrews, Teresa Wright. Virginia < ' ' *'> ’ ’ ** Mavo and introducing Cathy O’ Don neil with Hoagy Carmichael. Glady- George, Harold Russell, Steve Cockran Rom art Bohnen, Ray Collins, anfl Victor Cutler? _ _ Released through RKO Radm Pic A (Afincint! Hlow “Swordsman” Crew tures Inc. Directed by William Wyler t.- * Jean Porter Cast Screen plav by Robert E. Sherwood Hayworth On European Tour Hold Loral Reunion From * novel by MacKinlay Kantor H ith Jimmy Lydon Director Of Photography Oregj HOLLYWOOD — Remin Toland. HOLLYWOOD — Jimmy iscing Is the vogue on the set Now Showing At State Theatre Lydon has been east to play For “Doan To Earth” of “The Swordsman' at Co- By Burny Zawodny the male lead opposite Jeaa lumhia these day* and for Porter in “Sweet Gene good reason. .' # ‘ * a Rita Hayworth, star of Columbia’s forthcoming Technicolor Samuel Goldwyn, who had vieve” the high school mu On the first day Of production ■Down To Earth” arrived in New York, Saturday ihooting, been in the movie industry since sical to be produced hy Sana Larry parks, male star of the 913, certainly is no man to go •' 1■■■ Katzmaa for Columbia re- (April 12) on the first leg of a goodwill tour ef Europe in con Technicolor film, discovered overboard in his expectations lease. nection with the forthcoming top-flight film. -
Metadata Dictionary and Usage Guide (Version 5) — Published January 2019
Metadata Dictionary and Usage Guide (Version 5) — Published January 2019 This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Page 2 Abstract The purpose of this dictionary and best practices guide is to assist organizations participating in the New York Heritage Digital Collections project as they create metadata for their digital items. It strives to ensure consistency and quality control across the collections which, in turn, will result in a better experience for users. Quality metadata make it more likely that end users will find digital items, especially when the data is repurposed with other online digital collections. Moreover, consistent metadata expedites the process of getting your materials into the Digital Public Library of America (DPLA) through our partners at the Empire State Digital Network. Use this dictionary to determine definitions, how and where to enter metadata, and to better understand what types of terms should be used. Metadata Dictionary and Best Practices Guide, v.5 Page 3 Table of Contents Version 5: Change Report 6 General Guidelines and Instructions 10 Controlled Vocabularies 10 Using Controlled Vocabularies 11 Multiple Controlled Vocabularies 11 Creating Controlled Vocabularies 11 Controlled Vocabulary Source Lists 12 Additional CONTENTdm-Based Controlled Vocabularies 13 Metadata Field Element Chart 14 Metadata Details by Field 15 1. Title 15 2. Description 16 3. Creator 18 4. Subject 20 5. Location 21 6. Contributors 22 7. Publisher of Original 24 8. Date of Original 25 9. Hidden Date 26 10. Physical Format 28 11. Physical Description 29 12. Local Location 31 13. Relation 32 14. -
1947-08-22, [P ]
August it, 1847 TOLEDO UNION JOURNAL Five & Cry Wolf9 Combines Adventure, ttomance in Thrilling Tashion •T f A . I ‘ ' r - > r -------- --.-II.- I/-............................ ---------- I Warner Bros.’ screen version of Marjorie Carleton’s popular 'ftovel. “Cry Wolf,” which opened at the Paramount Theatre, RETURNS TO MGM proves to be a highly ^warding motion picture experience. Be MelcMor end 'Chief Heflin, Hart Join Calvert; To Appear HOLLYWOOD — For her role sides the superlative performances turned in by Errol Flynn and Give Duet ‘Weight1 Barbara Stanwyck 5X ith James Mason in “Cass Timberlane,” starring Barbara Stanwyck in this, their initial co starring venture, the HOLLYWOOD — Phyllis Cal picture boasts a remarkably HOLLYWOOD — “Luxury HOLLYWOOD — Outstand Spencer Tracy and Lana Turner, vert’s next film assignment, lively pace set down under the £ Liner,” Metro-Goldwyn-Mayer ing performances in Metro-Gold- Rose Hobart returned to Metro- Technicolor production, will wyn-Mayer’s soon to be rleased when she completes her starring able direction of Peter Godfrey role opposite Melvyn Douglas Goldwyn-Mayer after an ab in the film’s exciting opening feature the “heaviest” duet “Green Dolphin Street,” opposite in Paramount’s "My Own True sence of four years. She was sequence and artfully maintain ever seen on the nation’s mo- Lana Turner, have won for Van Love,” will be a bit part in an previously at M-G-M in "Su ed throughout, right up to the tion picture screens. san and God” and “Swing-shift Helfin and Richard Hart the untitled picture which James Maisie ” c’—^hing climax. “Five hundred thirty powerful male leading roles as Mason is writing »pd producing »L mie story, essentially a mod in New York. -
Rocky Puts Tuition Pressure on CUNY by Adele Zylber Education, Will Suggest a Uniform Education
Vol. 10 No. 5 York College of the City University of New York Jamaica-Bayside, New York 339 March 8,1973 Same Old Crop Rocky Puts Tuition Pressure on CUNY by Adele Zylber Education, will suggest a uniform Education. At present, all the of this effort." The political an eventuality at all, as long as tuition for students in the City board members are selected by the science club is now trying to enlist there are individuals who feel "There is a wolf at the door," University System. They have Mayor. students into the fight. Students strongly about the need to stated Arthur Marcus at a recent offered the alternative of financial The meeting held on Tuesday, who wish to help can contact the maintain a free university." meeting of students against the aid for all low income students February 27 at 12:00 was met to Student Caucus in Room 125, and Dean Lewis J. Bodi is also budget cuts which was prompted which would cover all tuition fees, conceive ideas for the organization leave their names. opposed to the elimination of free by the disclosure that Governor but President Bassin believes this of an opposition force of the entire Many members of the faculty tuition, but he has more Rockefeller and his special is only "the carrot that is being college community. "We are trying and administration are against the pessimistic points of view of the commission on Higher Education held out'to effect the dropping of right now," stated Mr. Marcus, governors plan. President Bassin situation. He states, "the question will once again try to impose a free tuition. -
V, A, Offers Jobs to Vets
81 NEW EXAMS SET STATE RECORD V, A, OFFERS liEAPER, JOBS TO VETS Americans Largest Weekly for Public Emnloype'^ See Page 9 Vol. 7—No. 49 Tuesday, August 20, 1946 Price Five Cents MORE Tests Rushed StateAssn. FBI Accepting Nominates To Put State on Olficers Applicants for Committee Suggests Pre-War Basis That the Incumbents 9 Other Jobs Special to The LEADER Special to The LEADER ALBANY, Aug-. 20—A series of 81 open-competitive Be Held—Executive WASHINGTON, Aug. 20—The Federal Bureau of examinations offering opportunities to enter the service Council Candidates Investigation will start a new class in a few months for of the State or its counties and villages was opened today. Special Agent training, for which candidates may apply 'Applications for most of the positions will be accepted Also Are Homed now. The G-man job pays $4,149.60. In NYC application until August 31. The large number of tests set a State forms may be obtained in Room 234, Federal Building, Special to The LEADER ''^record. ALBANY, Aug. 20—The Nomi- Foley Square, Manhattan. Blanks may be obtained also Both written and unwritten ex- Officials Confer nating Committee of the Associa- at the FBI offices in Albany and Buffalo. aminations are on the list, and tion of State Civil Service Em- Also, the FBI announced the the positions offered range from To Prevent Big Drop ployees has finished its delibera- following nine examinations: ' clerical jobs to highly-paid tech- tions as to candidates for the 5.000 Jobs Soon Document Identification Spe- nical and medical positions. -
Living Well Is the Best Revenge Calvin Tomkins
Tomkins In France in the 1920s, Gerald and Sara In France in the 1920s, Gerald and Murphy lived an extraordinary life. First Sara Murphy lived an extraordinary in Paris and then in Antibes, on the Med- life. First in Paris and then in Antibes, iterranean not far from Cannes, these two on the Mediterranean not far from American expatriates played host to some Cannes, these two American expatriates Calvin Tomkins is a longtime staff writer for The New Yorker. of the most memorable creative spirits of the played host to some of the most memo- He has also written more than a dozen books, including the best- era, including Pablo Picasso, Cole Porter, rable creative spirits of the era, includ- Fernand Léger, Ernest Hemingway, and seller Living Well Is the Best Revenge, Merchants and Masterpieces: ing Pablo Picasso, Cole Porter, Fernand Scott and Zelda Fitzgerald. Gerald Murphy The Story of the Metropolitan Museum of Art, and the widely Léger, Ernest Hemingway, and Scott was himself a painter, and although he acclaimed Off the Wall: Robert Rauschenberg and the Art World and Zelda Fitzgerald. Gerald Murphy practiced for only eight years, and left few of Our Time. Tomkins was awarded the first Clark Prize for was himself a painter, and although he canvases behind, his work holds its own in Best Revenge Is the Living Well practiced for only eight years, and left distinguished writing on the arts in 2007. He lives in New York the collection of The Museum of Modern few canvases behind, his work holds its City with his wife, Dodie Kazanjian. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L.