Newsletter En-38
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alexander Conze, on the Origin of the Visual Arts, Lecture Held on July 30, 1896 [In the Royal Prussian Academy of Sciences] Translated and Edited by Karl Johns
Alexander Conze, On the Origin of the Visual Arts, Lecture held on July 30, 1896 [in the Royal Prussian Academy of Sciences] translated and edited by Karl Johns Editor’s introduction: Alexander Conze: The Bureaucrat and Art- Historiography Like a number of his colleagues, Alexander Conze (Hanover December 10, 1831- Berlin July 19, 1914), came to classical archaeology after first studying law. His interests and gifts seem to have tended more toward curatorial and administrative work rather than lecturing, and he will be primarily remembered for his part in bringing the Pergamon Altar to the Berlin museums. It may therefore seem ironic that he nevertheless had a great influence as a teacher and probably the greatest influence in another field, which was only later to be defined and brought to fruition in academia by his students as ‘the history of art.’ For the purposes of art historiography it is therefore significant that after nearly ten years at Halle as Extraordinarius, he was called to the University of Vienna as Ordinarius, taught from 1869 to 1877, where Franz Wickhoff, Alois Riegl, Emanuel Löwy and Julius Schlosser, among others, were influenced by his teachings. In the lectures given by Conze to the Prussian academy later in his career, it is not difficult to recognize a similarity to Schlosser in the binocular attraction of more abstract questions on the one hand and the aesthetic appeal of the individual object on the other. Conze also anticipated and presumably inspired the later studies made by Ernst Garger on the ground in relief sculpture and the historical place of the Monument of the Julii. -
Literaturliste.Pdf
A# Mark B. Abbe, A Roman Replica of the ‘South Slope Head’. Polychromy and Identification, Source. Notes in Abbe 2011 History of Art 30, 2011, S. 18–24. Abeken 1838 Wilhelm Abeken, Morgenblatt für gebildete Stände / Kunstblatt 19, 1838. Abgusssammlung Bonn 1981 Verzeichnis der Abguss-Sammlung des Akademischen Kunstmuseums der Universität Bonn (Berlin 1981). Abgusssammlung Göttingen Klaus Fittschen, Verzeichnis der Gipsabgüsse des Archäologischen Instituts der Georg-August-Universität 1990 Göttingen (Göttingen 1990). Abgusssammlung Zürich Christian Zindel (Hrsg.), Verzeichnis der Abgüsse und Nachbildungen in der Archäologischen Sammlung der 1998 Universität Zürich (Zürich 1998). ABr Paul Arndt – Friedrich Bruckmann (Hrsg.), Griechische und römische Porträts (München 1891–1942). Michael Abramić, Antike Kopien griechischer Skulpturen in Dalmatien, in: Beiträge zur älteren europäischen Abramić 1952 Geschichte. FS für Rudolf Egger I (Klagenfurt 1952) S. 303–326. Inventarium Von dem Königlichen Schloße zu Sanssouci, und den neuen Cammern, so wie solches dem Acta Inventur Schloss Castellan Herr Hackel übergeben worden. Aufgenommen den 20 Merz 1782, fol. 59r-66r: Nachtrag Mai Sanssouci 1782−1796 1796, in: Acta Die Inventur Angelegenheiten von Sanssouci betreffend. Sanssouci Inventar 1782-1825, vol. I. (SPSG, Hist. Akten, Nr. 5). Acta betreffend das Kunst- und Raritaeten-Cabinet unter Aufsicht des Herrn Henry 1798, 1799, 1800, 1801. Acta Kunst-und Königliche Akademie der Wissenschaften, Abschnitt I. von 1700–1811, Abth. XV., No. 3 die Königs Cabinette Raritätenkabinett 1798–1801 a[?] des Kunst-Medaillen u. Nat. Cab. Acta Commissionii Reclamationen über gestohlene Kunstsachen. 1814, vol. 1, fol. 4r–33v: Bericht Rabes über gestohlene Kunstsachen an Staatskanzler von Hardenberg, 12. Februar 1814, fol. 81r–82r: Brief Acta Kunstsachen 1814 Henrys an Wilhelm von Humboldt, 26. -
A Private Spectacle in Antioch: Investigation of an Initiation Scene
ABSTRACT Title of Dissertation / Thesis: A PRIVATE SPECTACLE IN ANTIOCH: INVESTIGATION OF AN INITIATION SCENE Ozge Gencay, Master of Arts, 2004 Dissertation / Thesis Directed By: Professor Marjorie S. Venit Department of Art History and Archaeology The House of the Mysteries of Isis, contains a controversial mosaic pavement identified as Mors Voluntaria. It shows a female and a male figure with Hermes on their right, standing in front of a door. The subject has been identified as an initiation scene into the cult of a motherly goddess ± either Isis or Demeter--, but the lack of scenes depicting mysteries and the singularity of the iconography have also led to the suggestion of a theatrical representation. This paper aims to explain the choice of iconography from the standpoint of the ancient viewer. After a brief historical survey, each object and each figure and its gesture are investigated separately and compared with elements in contemporary works of art. These comparisons suggest a scene of the initiation into the cult of a deity with an hidden identity, which provides a secret spectacle for the pavement' s patron. A PRIVATE SPECTACLE IN ANTIOCH: INVESTIGATION OF AN INITIATION SCENE By Ozge Gencay Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2004 Advisory Committee: Professor Marjorie S. Venit, Chair Professor Marie Spiro Professor Eva Marie Stehle Acknowledgements I would like to thank to Prof. Marjorie Venit for her infinite patience and help in the preparation of this work. -
Archaeology Worldwide – Volume Four – Berlin, December 2016 – DAI Here’S How to Help
2016 • If we want to preserve 2 ARCHAEOLOGY our cultural heritage, WORLDWIDE 2 • 2016 we need your support. Magazine of the German Archaeological Institute AEOLOGY WORLDWIDE ch AR T WG Archaeology Worldwide – volume four – Berlin, December 2016 – DAI Here’s how to help: WWW.TWGES.DE Gesellschaft der Freunde des Deutschen Archäologischen Instituts TheodorW iegand Gesellschaft e. V. Wissenschaftszentrum Bonn Ahrstraße 45, 53175 Bonn Photo: Gerlach Nadja Kajan Tel.: +49 228 30 20 It began all of 8,000 years ago. Contacts over a long period between Southern Arabia and the Fax: +49 228 30 22 70 Horn of Africa can be established archaeologically. Just how extensive Southern Arabian influ- [email protected] ence on Ethiopia was is being investigated by the German Archaeological Institute in a project at Yeha funded by the German Research Foundation (DFG). Impressive evidence of these trans- TheodorW iegand Gesellschaft regional contacts is provided by the Great Temple of Yeha. This remarkable monument is being Deutsche Bank AG, Essen restored with the help of local workers as part of a joint Ethiopian-German project under way IBAN DE20 3607 0050 0247 1944 00 since 2009. To stabilize the building, steel scaffolding began to be erected in autumn 2016, re- TITLE STORY BIC DEUTDEDEXXX placing a temporary scaffold structure. or Bonner Sparkasse, Bonn IBAN DE88 3705 0198 0029 0058 08 IENT WORLD C Surveying BIC COLSDE33XXX E AN H Your donations are the Ancient World tax-deductible. The natural sciences in archaeology Thank you! SURVEYING T EVERYDAY AR ch AEOLOGY CULTURAL HERITAGE FO C US Close-up Palace of Lasting Happiness Mergers and acquisitions www.dainst.org Everyday life in an ancient Sino-German cooperation The institutionalization of the Egyptian town natural sciences at the DAI THE NEPHRITE SCEPTRE FROM XOM REN in northern Vietnam measures 64 cm and is the biggest ornamental stone artefact from south-east Asia. -
Alexander Conze, 'Greek Relief Sculpture'
Alexander Conze, ‘Greek Relief Sculpture’ translated and edited by Karl Johns Editor’s introduction: Alexander Conze: The Bureaucrat and Art- Historiography Like a number of his colleagues, Alexander Conze (Hanover December 10, 1831- Berlin July 19, 1914), came to classical archaeology after first studying law. His interests and gifts seem to have tended more toward curatorial and administrative work rather than lecturing, and he will be primarily remembered for his part in bringing the Pergamon Altar to the Berlin museums. It may therefore seem ironic that he nevertheless had a great influence as a teacher and probably the greatest influence in another field, which was only later to be defined and brought to fruition in academia by his students as ‘the history of art.’ For the purposes of art historiography it is therefore significant that after nearly ten years at Halle as Extraordinarius, he was called to the University of Vienna as Ordinarius, taught from 1869 to 1877, where Franz Wickhoff, Alois Riegl, Emanuel Löwy and Julius Schlosser, among others, were influenced by his teachings. In the lectures given by Conze to the Prussian academy later in his career, it is not difficult to recognize a similarity to Schlosser in the binocular attraction of more abstract questions on the one hand and the aesthetic appeal of the individual object on the other. Conze also anticipated and presumably inspired the later studies made by Ernst Garger on the ground in relief sculpture and the historical place of the Monument of the Julii. Conze’s theoretical bent towards the origins and early developments of art must have been a primary feature of his lectures in Vienna. -
JAANIKA ANDERSON Reception of Ancient
DISSERTATIONES JAANIKA ANDERSON JAANIKA STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS 7 Reception of Ancient Art: the Cast Collections of the University of Tartu Art Museum of Ancient Art: of Tartu the Cast Collections of University Reception JAANIKA ANDERSON Reception of Ancient Art: the Cast Collections of the University of Tartu Art Museum in the Historical, Ideological and Academic Context of Europe (1803–1918) Tartu 2015 ISSN 1406-8192 ISBN 978-9949-32-768-3 DISSERTATIONES STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS 7 DISSERTATIONES STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS 7 JAANIKA ANDERSON Reception of Ancient Art: the Cast Collections of the University of Tartu Art Museum in the Historical, Ideological and Academic Context of Europe (1803–1918) Faculty of Philosophy, University of Tartu This dissertation was accepted for the commencement of the decree of Doctor of Philosophy (Classical Philology) on January 30, 2015 by the Committee of the College of Foreign Languages and Cultures of the University of Tartu. Supervisors: Kristi Viiding, Professor of Classical Philology, Department of Classical Philology, University of Tartu Epi Tohvri, Associate Professor, Department of Technology, Tartu College of Tallinn University of Technology Opponents: Prof. Dr. Lorenz Winkler-Horaček, curator, Institut für Klassische Archäologie der Freien Universität Berlin und Abguss-Sammlung Antiker Plastik, Berlin Dr. Aira Võsa, researcher, Tartu University Library Commencement: on March 20, 2015 at 12.15, in the Senate room of the Uni- versity of Tartu (Ülikooli 18). ISSN 1406-8192 ISBN 978-9949-32-768-3 (print) ISBN 978-9949-32-769-0 (pdf) Copyright: Jaanika Anderson, 2015 University of Tartu Press www.tyk.ee ACKNOWLEDGEMENTS I am very grateful to the people who have directly or indirectly contributed to the completion of this dissertation. -
Twenty-Seventh Annual Report
TWENTY-SEVENTH ANNUAL REPORT THE ART INSTITUTE. Main Entrance Hall, looking South. 20 P"'INTING S BLACK.STOI'Ir: HAL.!... EGYPTIAN. ARCHITECTURAL CA STS 16 ASSYRIAN cp,ssiCAL AND EGYPTIAN GB!EK 15 A'ffiOUITI ES MODERN PHI DIAN 14 MODERN tATEB GREEK lZ MAIN-FLOOR PLAN. CHI EFLY CASTS OF SCUl.PTURR . Q 46 .51 25 48 - - D.50 53 a: z <I: 4.3 ~26 r1 z ) 44 fs4 25 27 a: (J a: . 57 35 33 ::> MUNG~R 40 STICKNE:Y Fl MASTERS 30 31 COLLECTION 39 3B .32 ROOM COLLECTION : D PAINTIN GS SBCOND-FLOOR PLAN. 36 34 CHIHFL V PAINTINGS. THE ART INSTITUTE OF CHICAGO TWENTY-SEVENTH ANNUAL REPORT JUNE I, 1905-JUNE I, 1906 CONTENTS TRUSTEES AND OFFICERS 9 REPORT OF THE TRUSTEES II REPORT OF THE TREASURER 21 REPORT OF THE DIRECTOR 24 LisT ,qF ExHIBITIONS OF I 90 5-6 25 LIST OF LECTURES I 90 5-6 33 LisT OF PuBLICATIONS 1 9o 5-6 39 REPORT OF THE LIBRARIAN 45 LIST OF GIFTS TO MusEUM 52 LIST OF GIFTS TO LIBRARY s6 BY-LAWS 73 FoRM oF ,BEQUEST 79 LIST OF HoNORARY MEMBERS Bo LIST OF GovERNING LIFE MEMBERS So LIST OF GovERNING MEMBERS Sr LIST OF LIFE MEMBERS Sf LIST OF ANNUAL MEMBERS ss Trustees of the Art Institute of Chicago I 906-7 EDWARD E. A YER CHARLltS L. HUTCHINSON SAMUEL It. BARRltTT BRYAN LATHROP ADOLPHUS C, BARTLETT FRANK G. LOGAN JOHN C. BLACK R, HALL McCORMICK CHA UN CitY J. BLAIR STANLltY McCORMICK CLARltNClt BUCKINGHAM JOHN J. -
Divine Corinna’: Pre-Twentieth Century Receptions of an Artistic Authority1
‘Divine Corinna’: Pre-Twentieth Century Receptions of an Artistic Authority1 THEA S. THORSEN The Norwegian University of Science and Technology [email protected] Introduction At the heart of the reception history of Corinna of Tanagra lies an asto- nishing idea. This is the idea that she was not only a poet, but also honou- red as an authority in the artistic and intellectual domain of literature and a champion in poetic contest against Pindar2, her alleged Boeotian compatriot, poet-colleague and fellow student3. Indeed, as such, the idea 1 — I wish to thank the editors Jacqueline Fabre-Serris and Judith Hallett for kindly welco- ming this article and helping me improve my argument. Thanks are also due to the anonymous referees, whose efforts to aid me in improving this article have been beyond what could reasonably be expected; for generous help of various other kinds I am grateful to (in alphabetical order) Benedetto Benedetti, Robert Emil Berge, Stephen Harrison, Daria Lanzuolo, Maria Emelia Masci and last, but not least, Marina Prusac-Lindhagen. 2 — The coinage ‘artistic authority’ is meant to evoke all these aspects; Corinna’s occupation as poet, her standing as honoured and her alleged superiority over Pindar. 3 — Pindar’s name occurs twice in Corinna’s extant fragments. One instance is preserved in the grammarian Apollonius Dyscolus: Βοιωτοὶ <ἱών>, ὡς μὲν Τρύφων... ὡς δὲ ἔνιοι, ὧν ἐστιν ὁ Ἅβρων, θέμα ἐστίν, ὃ συζύγως οἱ αὐτοί φασι, τῇ μὲν ἐγών τὴν ἱών, <τῇ δὲ ἐγώνη τὴν ἱώνει>, εἴγε τὸ παρὰ Δωριεῦσιν η εἰς ει μεταβάλλεται, τῇ δ’ ἐγώνγα τὴν ἱώνγα. -
Athletes, Warriors and Heroes from the British Museum, 17 December 2021 to 1 May 2022
International loans to the National Museum of Australia’s exhibition, Ancient Greeks: Athletes, Warriors and Heroes from the British Museum, 17 December 2021 to 1 May 2022 Image Registration number Object description Material Dates/periods Collection Acquisition Date of Field collector Place of Provenance/ findspot Country/place of origin acquisition production 1857,1220.334 Figure of Nike Marble 1st century BCE Acquired from Sir Charles 1857 Excavated by Sir Roman Villa, in Turkey (architectural Newton’s excavations in Charles Newton Halicarnassus, Bodrum, sculpture) Hellenistic Period Bodrum on behalf of the Turkey British Museum 1873,0820.544 Figure of Nike Terracotta 3rd century BCE – Purchased from 1873 Canosa di Puglia, Puglia, Italy 2nd century BCE Alessandro Castellani Italy 1892,0823.2 Pinhead in form of Silver and gold 100–200 CE Purchased from 1892 No provenance figure of Nike (gilded) Wolfgang Helbig holding wreath Roman 1867,0508.448 Earring in the form Gold (embossed 4th century BCE – Purchased from Louis, 1867 Same, Cephalonia, Greece Greece of a figure of Nike, and filigree) 3rd century BCE Duc de Blacas d’Aulps holding a disk with the head of Helios at centre (1/2) 1867,0508.449 Earring in the form Gold (embossed 4th century BCE – Purchased from Louis, 1867 Same, Cephalonia, Greece Greece of a figure of Nike, and filigree) 3rd century BCE Duc de Blacas d’Aulps holding a disk with the head of Helios at centre (2/2) 1867,0508.1120 Red-figured neck- Pottery 470–460 BCE Purchased from Louis, 1867 Attributed to the Nola, Campania, -
On the Literature and Thought of the German Classical Era
On the Literature and Thought of the N German Classical Era: Collected Essays ISBET HUGH BARR NISBET On the Literature and Thought of German Classical Era This volume provides a valuable contributi on to our knowledge of eighteenth- and nine- teenth-century intellectual life inside and outside Germany. Prof. Karl S. Guthke, Harvard University This elegant collec� on of essays ranges across eighteenth and nineteenth-century thought, covering philosophy, science, literature and religion in the ‘Age of Goethe.’ A recognised authority in the fi eld, Nisbet grapples with the major voices of the Enlightenment and gives pride of place to the fi gures of Lessing, Herder, Goethe and Schiller. The book ranges widely in its compass of thought and intellectual discourse, dealing incisively with themes including the philosophical implica� ons of literature and the rela� onship between religion, science and poli� cs. The result is an accomplished refl ec� on On the Literature and Thought on German thought, but also on its rebirth, as Nisbet argues for the relevance of these Enlightenment thinkers for the readers of today. of the German Classical Era The fi rst half of this collec� on focuses predominantly on eighteenth-century thought, where names like Lessing, Goethe and Herder, but also Locke and Voltaire, feature. The second has a wider chronological scope, discussing authors such as Winckelmann and Schiller, Collected Essays while branching out from discussions of religion, philosophy and literature to explore the sciences. Issues of biology, early environmentalism, and natural history also form part of this volume. The collec� on concludes with an examina� on of changing a� tudes towards HUGH BARR NISBET art in the a� ermath of the ‘Age of Goethe.’ The essays in this volume are brought together in this collec� on to present Nisbet’s widely- acclaimed perspec� ves on this fascina� ng period of German thought. -
Baedeker's Travel Guides
Baedeker’s Travel Guides 1832-1990 Bibliography 1832-1944; Listing 1948-1990 History of the publishing house With illustrations and additional overviews This electronic publication is a part translation of: 2nd edition Hinrichsen, Alex: Baedeker's Reisehandbücher: 1832-1990; Bibliographie 1832-1944, Verzeichnis 1948-1990. 2. Aufl, Bevern 1991. by ISBN 3-922293-19-0 Alex W. Hinrichsen The original publication copyright © 1991 Verlag Ursula Hinrichsen, D-3454 Bevern This translation copyright © 2008 Alex W. Hinrichsen and bdkr.com You may download and print a copy or copies of this publication for Published in electronic form by bdkr.com your private use, but any commercial use or resale of the publication is 2008 prohibited without prior permission from the copyright holders. In all cases, this notice must remain intact. Baedeker history 1 Table of Contents Preface to the second edition After the very good reception of the first edition of the bibliography in Preface 1 1981 and also of the Baedeker catalogue in 1988, we now follow with Translator's note 3 the second edition which contains a few innovations. These are as Introduction 4 follows: Karl Baedeker 6 • the combination of the bibliography (1832-1944) with the catalogue continued until 1990. Ernst Baedeker 29 • the volume by volume valuation for the antique German Karl Baedeker (II) 31 language Baedekers. Organisational arrangements 36 • listing of Baedeker numbers to speed the location of over 2000 Fritz Baedeker 44 volumes. Hans Baedeker 60 • separate list of loose enclosures. Karl Friedrich Baedeker 72 • a more comprehensive publishing history. Endnotes 82 • a more comprehensive literature list. -
(1879-1978) by Larissa Bonfante and Matthias Recke Margarete Bieber
MARGARETE BIEBER (1879-1978) By Larissa Bonfante and Matthias Recke Margarete Bieber: Two Worlds Larissa Bonfante and Matthias Recke Introduction Soon after Margarete Bieber's death in 1979 Larissa Bonfante wrote a short biography of her former teacher, long-time friend and neighbor in New York, which appeared in Claire Richter Sherman's Women as Interpreters of the Visual Arts (1981). Much of it was based on the unpublished manuscript of Dr. Bieber's Autobiography of a Female Scholar, which she gave to the author. This autobiography recounted the story of her life and her work, first in Germany and, after the coming of the Nazi era, in America. Twenty-five years later, these two worlds of the archaeologist, in Germany and America, Giessen and New York, are brought together by the two authors of this chapter. Matthias Recke became interested in Dr. Bieber's life when he was working on the history of the Archaeological Institute of the University of Giessen in which she played such an important part. His research in the archives of the Institute and the University led to the discovery of important letters, documents and material which illuminate the historical situation and often put the author's actions and interpretation of the facts in a new light. The two authors therefore determined to collaborate on a new account of the life of Margarete Bieber and of her remarkable career, which spanned two continents and almost a hundred years of a dramatic period of history. Much has changed in the quarter century since Margarete Bieber’s death in terms of both information and attitudes.