Twenty-Seventh Annual Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Grave of John Keats Revisited
The Keats-Shelley Review ISSN: 0952-4142 (Print) 2042-1362 (Online) Journal homepage: https://www.tandfonline.com/loi/yksr20 The Grave of John Keats Revisited Nicholas Stanley-Price To cite this article: Nicholas Stanley-Price (2019) The Grave of John Keats Revisited, The Keats- Shelley Review, 33:2, 175-193, DOI: 10.1080/09524142.2019.1659018 To link to this article: https://doi.org/10.1080/09524142.2019.1659018 Published online: 18 Sep 2019. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=yksr20 THE KEATS-SHELLEY REVIEW 2019, VOL. 33, NO. 2, 175–193 https://doi.org/10.1080/09524142.2019.1659018 ARTICLE The Grave of John Keats Revisited Nicholas Stanley-Price Advisory Committee, Non-Catholic Cemetery for Foreigners, Rome ABSTRACT KEYWORDS Many visitors in the nineteenth century to the grave of John Keats in John Keats; Rome; Rome thought it ‘neglected’ or ‘solitary’ and ‘unshaded’.Today’scritics Protestant cemetery; poet’s often characterize the grave as ‘marginal’, both literally and metaphori- grave; Percy Bysshe Shelley; cally, while ignoring the city authorities’ proposal to demolish it in the Joseph Severn; Romantics 1880s. An analysis of the grave’s original setting and its subsequent renovations suggests instead that it enjoyed a privileged position. Historical descriptions, when considered together with visitors’ accounts – avaluablesourceifusedcritically– and little-known artists’ depictions of Keats’s grave prompt a re-assessment of ideas of its ‘marginality’ and ‘neglect’ in the nineteenth century. The grave lies quite alone, and is evidently much neglected. -
Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
CHAPARRAL BOOKS St 1975 SW 1 Ave, Ste
Volume 1 of 3 catalogs of original, source material; signed letters, Western Journals and historical ephemera by significant authors of history, Western Americana and their publisher: The Arthur H. Clark Company. Prepared By: CHAPARRAL BOOKS st 1975 SW 1 Ave, Ste. L st Portland, OR 97 & 2075 SW 1 Ave, Ste. 1C [email protected] [email protected] 503-887-0823 503-319-6358 The Arthur H. Clark Company, founded in 1902, was a significant publisher of source material related to the history of the Western United States. During a century of publishing and bookselling they published over 700 books, many of which are quite scarce and collectible. Their international reputation for academic excellence and original source material is further established by their association with authors having received the Justin Winsor, Loubet and Pulitzer Prize. The company was named for its founder Arthur Henry Clark (1868-1951). He was born and raised in England and attended the University of Oxford for a time before having to find work because of reverses in his family finances. He then began an apprenticeship with the publishing house of Henry Southern & Company. After completing his apprenticeship, he moved to Chicago, IL where he took a job in Gen. Alexander C. McClurg’s publishing house. In 1892 Clark established his own bookstore in Chicago. He was then recruited by Burrows Brothers of Cleveland where he became manager of their rare book sales. While with Burrows Brothers, Clark was the main force behind the publication of The Jesuit Relations by Reuben Gold Thwaites. In 1902 Clark established Arthur H. -
Dallas Fine Art Auction 2235 Monitor Street Dallas, TX 75207
Dallas Fine Art Auction 2235 Monitor Street Dallas, TX 75207 Phone: 214-653-3900 Fax: 214-653-3912 January 28, 2012 1/28/2012 LOT # LOT # 1 Alexandre Hogue (1898-1994), "Rattler" lithograph. 5 Edward Dawson-Watson (1893-1978), "Buckin' Steer" Sight: 6.25"H x 11.25"W; Frame: 14''H x tempera on paper board. Image: 5"H x 8.25"W; 18.25''W. Signed and dated lower right, Frame: 11.75"H x 15"W. Signed lower right in "Alexandre Hogue - 1938"; titled and numbered pencil on mat: "Edward Dawson Watson"; titled 13/50 lower left. The theme of man versus lower left in pencil on mat. nature is found in Hogue's paintings during the 800.00 - 1,200.00 1930s. This lithograph of "Rattler" is an excellent example of that. The horseshoe, symbolizing man's presence, and of course the snake being nature. 6 Reveau Bassett (1897-1981), "Ducks" (1) pencil 1,500.00 - 3,000.00 drawing and (1) corresponding etching. Sight: 10"H x 13"W; Frame: 15.25"H x 18.75"W. Signed lower right in pencil, "Reveau Bassett". 1,500.00 - 2,500.00 2 Frank Reaugh (1860-1945), "Untitled" (Creek Scene ) 1896 pastel on paper. Paper: 9.25"H x 4.75"W. Unsigned. A letter of authenticity from Mr. Michael Grauer, Associate 7 Donna Howell-Sickles (b. 1949), "Cowgirls" mixed Director for Curatorial Affairs/Curator for Art, media on canvas. Canvas: 48"H x 48"W; Frame: Panhandle-Plains Historical Museum, Canyon, 49''H x 49''W. -
Crystal Reports
Unknown American View of Hudson from the West, ca. 1800–1815 Watercolor and pen and black ink on cream wove paper 24.5 x 34.6 cm. (9 5/8 x 13 5/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-44) Unknown American Figures in a Garden, ca. 1830 Pen and black ink, watercolor and gouache on beige wove paper 47.3 x 60.3 cm. (18 5/8 x 23 3/4 in.) frame: 51 × 64.6 × 3.5 cm (20 1/16 × 25 7/16 × 1 3/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-45) Unknown American The Milkmaid, ca. 1840 – 1850 Watercolor on wove paper 27.9 x 22.9 cm (11 x 9 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-49) John James Audubon, American, 1785–1851 Yellow-throated Vireo, 1827 Watercolor over graphite on cream wove paper mat: 48.7 × 36.2 cm (19 3/16 × 14 1/4 in.) Graphic Arts Collection, Rare Books and Special Collections, Princeton University Library. Gift of John S. Williams, Class of 1924. Milton Avery, American, 1893–1965 Harbor View with Shipwrecked Hull, 1927 Gouache on black wove paper 45.7 x 30.2 cm. (18 x 11 7/8 in.) Princeton University Art Museum. Bequest of Edward T. Cone, Class of 1939, Professor of Music 1946-1985 (2005-102) Robert Frederick Blum, American, 1857–1903 Chinese street scene, after 1890 Watercolor and gouache over graphite on cream wove paper 22.8 x 15.3 cm. -
British & European Paintings & Watercolours Old Master & Modern Prints
Printed Books, Maps & Documents 16 JUNE 2021 British & European Paintings & Watercolours Old Master & Modern Prints including The Oliver Hoare Collection 23 JULY 2021 Gerald Leslie Brockhurst (1890-1978). Dorette, 1932, etching on wove paper, one of 111 proofs, published May 1932, signed in pencil, plate size 234 x 187 mm (9.25 x 7.3 ins). Wright 72, vi/vi; Fletcher 72. Estimate £1500-2000 For further information or to consign please contact Nathan Winter or Susanna Winters: [email protected] [email protected] 01285 860006 PRINTED BOOKS, MAPS & DOCUMENTS 16 June 2021 commencing at 10am VIEWING: By appointment only AUCTIONEERS Nathan Winter Chris Albury John Trevers William Roman-Hilditch Mallard House, Broadway Lane, South Cerney, Cirencester, Gloucestershire, GL7 5UQ T: +44 (0) 1285 860006 E: [email protected] www.dominicwinter.co.uk IMPORTANT SALE INFORMATION: COVID-19 Please note that due to the UK government's COVID-19 lockdown restrictions currently in place for England there may be no bidding in person for this sale. Viewing for this sale is available by booked appointment only. Please check our website or contact the offices to make an appointment or for more information. All lots are fully illustrated on our website (www.dominicwinter.co.uk) and all our specialist staff are ready to provide detailed condition reports and additional images on request. We recommend that customers visit the online catalogue regularly as extra lot information and images will be added in the lead-up to the sale. CONDITION REPORTS -
Some Remarks on Keats and His Friends
SOME REMARKS ON KEATS AND HIS FRIENDS By SIR ROBERT ARMSTRONG-JONES, C.B.E., M.D., D.L. LONDON, ENGLAND HE function of poetry is to of short stature, with a long and oval express and embody beautiful face, arresting features even to the and elevated ideas in language casual passer-by, every lineament that can stir the emotions and strongly cut and delicately alive. His Tit has an orderly, methodical wayhead of was well shaped, his eyes were presenting its creations, generally with dark, sensitive, large and glowing. His metrical and rhythmic periods. Ebe hair was golden brown, thick and curly. poet is a creator, who begins with the Severn said his eyes were like the hazel concrete and leads on to abstract eyes of a wild gipsy maid. Haydon said thought, so as to arouse pleasurable he had an eye that had an inward look sentiments in combination with a feel perfectly divine like a Delphic priestess ing of power, wonder, curiosity, respect, that had visions. affection, exaltation and love or some He was born on October 31, 1795, in times of envy and hatred. a posting-house, the Swan and Hoop, Probably no poet has ever kindled now 85 Moorgate, London; opposite a deeper feeling of pity and sympathy the entrance to Finsbury Circus, and for than Keats, mingled as this has been this accident he was taunted as the with a compelling admiration for his “cockney” poet as contrasted with the brilliant but short life’s work, shorter “Lakists.” His father, Thomas Keats, than that of any noted English poet. -
Sometimes Boswell Can Be As Interesting As Johnson. the Artist
Boston pale by comparison. Rather than 50, there turned out to be nearly 700 Sometimes it took days to transcribe a sill letters from Severn to his wife, spanning the years from 1833 to 1861. And they gle letter and weeks to identify specific were in extraordinarily good condition, despite d1e fact that they had been held words and annotate names and references. together by twine, bundled into aprons and shitt boxes and stored for years in the In the end it was the correspondence family horse stables. with Severn's descendants that proved as The excitement of discove1y was considerable, though nothing matched with rewarding as the labor of making the the experience of unfolding one day a letter written in January 1841. At this time book. On publication, I was invited to the Severn family was preparing for a move to London after 20 years in Italy. In give a talk at Keats House ill London. May 1840, Elizabeth had gone ahead to England to house hunt and to see about There I was delighted to find myself in the schools for their two boys. Severn had stayed in Rome to continue his painting. midst of a Severn family reunion. They By January, Elizabeth had been gone for eight months and Severn missed her had come from all corners of the British deeply. In the letter he tells of a trip he takes to the verdant grounds of the Villa Isles to hear about their famous ancestor. Doria-Pamphili on the outskitts of Rome and reminisces about "the many delightful Afterwards we dilled at an Italian restau visits we have made there with our dear little ones scrambling for the flowers ." As rant in Hampstead, toasted our man and a memento of his visit, he illcludes "an Anemone & a Violet & I hope they may drank happily illto the night. -
Antique Furniture & Collectors' Items, Books, Maps & Ephemera Vintage
f e b r u a r y S a L e o f Antique Furniture & Collectors’ items, Books, Maps & Ephemera Vintage & Modern Wines & Spirits V i e w i n g Antique Furniture & Collectors' Items Books, Maps & Ephemera Friday 26th January 9.00 pm - 8.00 pm Saturday 27th January 9.00 am - 4.00 pm Thursday 1st February 9.00 am - 6.00 pm Morning of the sale from 9.00 am Vintage & Modern Wines & Spirits Friday 2nd February 9.00 am - 8.00 pm Morning of the sale from 9.00 am a u c t i o n Antique Furniture & Collectors' Items Books, Maps & Ephemera Friday 2nd February 2018 Commencing at 11.00 am and 3.00pm Vintage & Modern Wines & Spirits Saturday 3rd February 2018 Commencing at 10.30 am LiVe internet bidding c a t a L o g u e S £5 by post, online at www.peacockauction.co.uk Valuation days Friday 9th, 23rd February 10.00am - 3.00pm If you have an individual item or a collection that you are thinking of selling we would be delighted to provide complimentary valuation advice at one of our scheduled events. Alternatively, you may prefer to email us an image of your collection or treasures, or ring us to arrange a house visit by one of our specialists. auction entries invited Bedford Auction Centre, Eastcotts Park, Wallis Way, Bedford, MK42 0PE 01234 266 366 or [email protected] peacockauction.co.uk Furniture, Clocks, Works of Art & Orientalware Lot 82 furniture, clocks, works of art and orientalware 1 7 A reproduction mahogany dining suite, the A 19th century mahogany work table, the two table with three pedestals, max. -
The Finding Aid to the Alf Evers Archive
FINDING AID TO THE ALF EVERS’ ARCHIVE A Account books & Ledgers Ledger, dark brown with leather-bound spine, 13 ¼ x 8 ½”: in front, 15 pp. of minutes in pen & ink of meetings of officers of Oriental Manufacturing Co., Ltd., dating from 8/9/1898 to 9/15/1899, from its incorporation to the company’s sale; in back, 42 pp. in pencil, lists of proverbs; also 2 pages of proverbs in pencil following the minutes Notebook, 7 ½ x 6”, sold by C.W. & R.A. Chipp, Kingston, N.Y.: 20 pp. of charges & payments for goods, 1841-52 (fragile) 20 unbound pages, 6 x 4”, c. 1837, Bastion Place(?), listing of charges, payments by patrons (Jacob Bonesteel, William Britt, Andrew Britt, Nicolas Britt, George Eighmey, William H. Hendricks, Shultis mentioned) Ledger, tan leather- bound, 6 ¾ x 4”, labeled “Kingston Route”, c. 1866: misc. scattered notations Notebook with ledger entries, brown cardboard, 8 x 6 ¼”, missing back cover, names & charges throughout; page 1 has pasted illustration over entries, pp. 6-7 pasted paragraphs & poems, p. 6 from back, pasted prayer; p. 23 from back, pasted poems, pp. 34-35 from back, pasted story, “The Departed,” 1831-c.1842 Notebook, cat. no. 2004.001.0937/2036, 5 1/8 x 3 ¼”, inscr. back of front cover “March 13, 1885, Charles Hoyt’s book”(?) (only a few pages have entries; appear to be personal financial entries) Accounts – Shops & Stores – see file under Glass-making c. 1853 Adams, Arthur G., letter, 1973 Adirondack Mountains Advertisements Alderfer, Doug and Judy Alexander, William, 1726-1783 Altenau, H., see Saugerties, Population History files American Revolution Typescript by AE: list of Woodstock residents who served in armed forces during the Revolution & lived in Woodstock before and after the Revolution Photocopy, “Three Cemeteries of the Wynkoop Family,” N.Y. -
Richmond Hill (Ontario, CANADA) Estate Online Auction - Paradelle Drive (Condo)
09/29/21 03:07:33 Richmond Hill (Ontario, CANADA) Estate Online Auction - Paradelle Drive (Condo) Auction Opens: Mon, Jun 6 5:00pm ET Auction Closes: Thu, Jun 16 7:30pm ET Lot Title Lot Title 0001 Antique Book "Beauties Of England And 0030 Antique Medical Books Wales" 0031 Antique Medical Books 0002 "History Of England" 1835 0032 Antique Medical Books 0003 "History Of Great Britain" 0033 Antique Medical Books 0004 "History Of Ireland" 1833 0034 Antique Books 0005 "Picturesque Rides And Walks" By Hassell 0035 Antique Books 0006 "French And English Cathedrals" By B. Winkles 0036 Antique Medical Books 0007 "Map Of The County Of Devon With City And 0037 Antique Medical Books County Of Exeter" 0038 Nature's Children Reference Books 0008 "The Anatomy Of The Human Gravid Uterus" 0039 Children's Books 0009 "Picturesque America" 0040 Children's Books 0010 "Ireland Illustrated" 0041 Sotheby's Auction Books 0011 "Scenery Of Ireland" 0042 Asian Art Books 0012 "Scotland Illustrated" 0043 Plant Books 0013 "Scotland Illustrated" 0044 Books 0014 "Picturesque Europe" 0045 Assorted Books 0015 "The Tour Of Doctor Syntax In Search Of The A Poem" 0046 Marcel Marceau Lithograph 0016 Antique Books 0047 Engravings By Harding 0017 Antique Books 0048 Bartlett Prints 0018 "Timbs Curiosities Of London" 0049 Assorted Art 0019 Antique Cookbooks 0050 Original Art 0020 Antique Books 0051 Inuit Print 0021 Canada Book Collection 0052 Inuit Print 0022 "The Dispensatory Of The Royal College Of 0053 Bartlett Engravings Physicians" 0054 Devonshire Map By Robert Morden 0023 Antique Medical Books 0055 Thai Original Art 0024 "The British Herbal" By Nicholas Culpepper 0056 Plaqued Art 0025 Antique Books 0057 Art 0026 "Book Of The Axe" 0058 Aquatint Picture By Gray 0027 Antique Books 0059 Map Of England and Wales 0028 Antique Medical Books 0060 Bokhara Wool Hand Knotted Rug 0029 Antique Medical Books 0061 Original Acrylic On Paper 1/2 09/29/21 03:07:33 Lot Title 0062 Lithographs 0063 Kerman Rug 0064 Bronze Falcon By J. -
Alexander Conze, on the Origin of the Visual Arts, Lecture Held on July 30, 1896 [In the Royal Prussian Academy of Sciences] Translated and Edited by Karl Johns
Alexander Conze, On the Origin of the Visual Arts, Lecture held on July 30, 1896 [in the Royal Prussian Academy of Sciences] translated and edited by Karl Johns Editor’s introduction: Alexander Conze: The Bureaucrat and Art- Historiography Like a number of his colleagues, Alexander Conze (Hanover December 10, 1831- Berlin July 19, 1914), came to classical archaeology after first studying law. His interests and gifts seem to have tended more toward curatorial and administrative work rather than lecturing, and he will be primarily remembered for his part in bringing the Pergamon Altar to the Berlin museums. It may therefore seem ironic that he nevertheless had a great influence as a teacher and probably the greatest influence in another field, which was only later to be defined and brought to fruition in academia by his students as ‘the history of art.’ For the purposes of art historiography it is therefore significant that after nearly ten years at Halle as Extraordinarius, he was called to the University of Vienna as Ordinarius, taught from 1869 to 1877, where Franz Wickhoff, Alois Riegl, Emanuel Löwy and Julius Schlosser, among others, were influenced by his teachings. In the lectures given by Conze to the Prussian academy later in his career, it is not difficult to recognize a similarity to Schlosser in the binocular attraction of more abstract questions on the one hand and the aesthetic appeal of the individual object on the other. Conze also anticipated and presumably inspired the later studies made by Ernst Garger on the ground in relief sculpture and the historical place of the Monument of the Julii.