Stereopsis and Stereoblindness
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UC Berkeley UC Berkeley Previously Published Works Title Recovering stereo vision by squashing virtual bugs in a virtual reality environment. Permalink https://escholarship.org/uc/item/6hb7321d Journal Philosophical transactions of the Royal Society of London. Series B, Biological sciences, 371(1697) ISSN 0962-8436 Authors Vedamurthy, Indu Knill, David C Huang, Samuel J et al. Publication Date 2016-06-01 DOI 10.1098/rstb.2015.0264 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Submitted to Phil. Trans. R. Soc. B - Issue Recovering stereo vision by squashing virtual bugs in a virtual reality environment. For ReviewJournal: Philosophical Only Transactions B Manuscript ID RSTB-2015-0264.R2 Article Type: Research Date Submitted by the Author: n/a Complete List of Authors: Vedamurthy, Indu; University of Rochester, Brain & Cognitive Sciences Knill, David; University of Rochester, Brain & Cognitive Sciences Huang, Sam; University of Rochester, Brain & Cognitive Sciences Yung, Amanda; University of Rochester, Brain & Cognitive Sciences Ding, Jian; University of California, Berkeley, Optometry Kwon, Oh-Sang; Ulsan National Institute of Science and Technology, School of Design & Human Engineering Bavelier, Daphne; University of Geneva, Faculty of Psychology and Education Sciences; University of Rochester, Brain & Cognitive Sciences Levi, Dennis; University of California, Berkeley, Optometry; Issue Code: Click <a href=http://rstb.royalsocietypublishing.org/site/misc/issue- 3DVIS codes.xhtml target=_new>here</a> to find the code for your issue.: Subject: Neuroscience < BIOLOGY Stereopsis, Strabismus, Amblyopia, Virtual Keywords: Reality, Perceptual learning, stereoblindness http://mc.manuscriptcentral.com/issue-ptrsb Page 1 of 29 Submitted to Phil. Trans. R. Soc. B - Issue Phil. -
3D Computational Modeling and Perceptual Analysis of Kinetic Depth Effects
Computational Visual Media DOI 10.1007/s41095-xxx-xxxx-x Vol. x, No. x, month year, xx–xx Research Article 3D Computational Modeling and Perceptual Analysis of Kinetic Depth Effects Meng-Yao Cui1, Shao-Ping Lu1( ), Miao Wang2, Yong-Liang Yang3, Yu-Kun Lai4, and Paul L. Rosin4 c The Author(s) 2020. This article is published with open access at Springerlink.com Abstract Humans have the ability to perceive 3D shapes from 2D projections of rotating 3D objects, which is called Kinetic Depth Effects. This process is based on a variety of visual cues such as lighting and shading effects. However, when such cues are weakened or missing, perception can become faulty, as demonstrated by the famous silhouette illusion example – the Spinning Dancer. Inspired by this, we establish objective and subjective evaluation models of rotated 3D objects by taking their projected 2D images as input. We investigate five different cues: ambient Fig. 1 The Spinning Dancer. Due to the lack of visual cues, it confuses humans luminance, shading, rotation speed, perspective, and color as to whether rotation is clockwise or counterclockwise. Here we show 3 of 34 difference between the objects and background. In the frames from the original animation [21]. Image courtesy of Nobuyuki Kayahara. objective evaluation model, we first apply 3D reconstruction algorithms to obtain an objective reconstruction quality 1 Introduction metric, and then use a quadratic stepwise regression analysis method to determine the weights among depth cues to The human perception mechanism of the 3D world has represent the reconstruction quality. In the subjective long been studied. -
Daily Mixed Visual Experience That Prevents Amblyopia in Cats Does Not Always Allow the Development of Good Binocular Depth Perception
Journal of Vision (2009) 9(5):22, 1–7 http://journalofvision.org/9/5/22/ 1 Daily mixed visual experience that prevents amblyopia in cats does not always allow the development of good binocular depth perception Department of Psychology, Dalhousie University, Donald E. Mitchell Halifax, NS, Canada Department of Psychology, Dalhousie University, Jan Kennie Halifax, NS, Canada WT Centre for Neuroimaging, UCL Institute of Neurology, D. Samuel Schwarzkopf London, UK School of Biosciences, Cardiff University, Frank Sengpiel Cardiff, Wales, UK Kittens reared with mixed daily visual input that consists of episodes of normal (binocular) exposure followed by abnormal (monocular) exposure can develop normal visual acuity in both eyes if the length of the former exposure exceeds a critical amount. However, later studies of the tuning of cells in primary visual cortex of animals reared in this manner revealed that their responses to interocular differences in phase were not reliable suggesting that their binocular depth perception may not be normal. We examined this possibility in 3 kittens reared with mixed daily visual exposure (2 hrs binocular vision followed by 5 hrs monocular exposure) that allowed development of normal visual acuity in both eyes. Measurements made of the threshold differences in depth that could be perceived under monocular and binocular viewing revealed a 10-fold superiority of binocular over monocular depth thresholds in one animal while the depth thresholds of the other two animals were poor and there was no binocular superiority. Thus, there was evidence that only one animal possessed stereopsis while the other two were likely stereoblind. While 2 hrs of daily binocular vision protected against the development of amblyopia, the poor outcome with respect to stereopsis points to the need for additional measures to promote binocular vision. -
CS 534: Computer Vision Stereo Imaging Outlines
CS 534 A. Elgammal Rutgers University CS 534: Computer Vision Stereo Imaging Ahmed Elgammal Dept of Computer Science Rutgers University CS 534 – Stereo Imaging - 1 Outlines • Depth Cues • Simple Stereo Geometry • Epipolar Geometry • Stereo correspondence problem • Algorithms CS 534 – Stereo Imaging - 2 1 CS 534 A. Elgammal Rutgers University Recovering the World From Images We know: • 2D Images are projections of 3D world. • A given image point is the projection of any world point on the line of sight • So how can we recover depth information CS 534 – Stereo Imaging - 3 Why to recover depth ? • Recover 3D structure, reconstruct 3D scene model, many computer graphics applications • Visual Robot Navigation • Aerial reconnaissance • Medical applications The Stanford Cart, H. Moravec, 1979. The INRIA Mobile Robot, 1990. CS 534 – Stereo Imaging - 4 2 CS 534 A. Elgammal Rutgers University CS 534 – Stereo Imaging - 5 CS 534 – Stereo Imaging - 6 3 CS 534 A. Elgammal Rutgers University Motion parallax CS 534 – Stereo Imaging - 7 Depth Cues • Monocular Cues – Occlusion – Interposition – Relative height: the object closer to the horizon is perceived as farther away, and the object further from the horizon is perceived as closer. – Familiar size: when an object is familiar to us, our brain compares the perceived size of the object to this expected size and thus acquires information about the distance of the object. – Texture Gradient: all surfaces have a texture, and as the surface goes into the distance, it becomes smoother and finer. – Shadows – Perspective – Focus • Motion Parallax (also Monocular) • Binocular Cues • In computer vision: large research on shape-from-X (should be called depth from X) CS 534 – Stereo Imaging - 8 4 CS 534 A. -
Interacting with Autostereograms
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/336204498 Interacting with Autostereograms Conference Paper · October 2019 DOI: 10.1145/3338286.3340141 CITATIONS READS 0 39 5 authors, including: William Delamare Pourang Irani Kochi University of Technology University of Manitoba 14 PUBLICATIONS 55 CITATIONS 184 PUBLICATIONS 2,641 CITATIONS SEE PROFILE SEE PROFILE Xiangshi Ren Kochi University of Technology 182 PUBLICATIONS 1,280 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Color Perception in Augmented Reality HMDs View project Collaboration Meets Interactive Spaces: A Springer Book View project All content following this page was uploaded by William Delamare on 21 October 2019. The user has requested enhancement of the downloaded file. Interacting with Autostereograms William Delamare∗ Junhyeok Kim Kochi University of Technology University of Waterloo Kochi, Japan Ontario, Canada University of Manitoba University of Manitoba Winnipeg, Canada Winnipeg, Canada [email protected] [email protected] Daichi Harada Pourang Irani Xiangshi Ren Kochi University of Technology University of Manitoba Kochi University of Technology Kochi, Japan Winnipeg, Canada Kochi, Japan [email protected] [email protected] [email protected] Figure 1: Illustrative examples using autostereograms. a) Password input. b) Wearable e-mail notification. c) Private space in collaborative conditions. d) 3D video game. e) Bar gamified special menu. Black elements represent the hidden 3D scene content. ABSTRACT practice. This learning effect transfers across display devices Autostereograms are 2D images that can reveal 3D content (smartphone to desktop screen). when viewed with a specific eye convergence, without using CCS CONCEPTS extra-apparatus. -
Algorithms for Single Image Random Dot Stereograms
Displaying 3D Images: Algorithms for Single Image Random Dot Stereograms Harold W. Thimbleby,† Stuart Inglis,‡ and Ian H. Witten§* Abstract This paper describes how to generate a single image which, when viewed in the appropriate way, appears to the brain as a 3D scene. The image is a stereogram composed of seemingly random dots. A new, simple and symmetric algorithm for generating such images from a solid model is given, along with the design parameters and their influence on the display. The algorithm improves on previously-described ones in several ways: it is symmetric and hence free from directional (right-to-left or left-to-right) bias, it corrects a slight distortion in the rendering of depth, it removes hidden parts of surfaces, and it also eliminates a type of artifact that we call an “echo”. Random dot stereograms have one remaining problem: difficulty of initial viewing. If a computer screen rather than paper is used for output, the problem can be ameliorated by shimmering, or time-multiplexing of pixel values. We also describe a simple computational technique for determining what is present in a stereogram so that, if viewing is difficult, one can ascertain what to look for. Keywords: Single image random dot stereograms, SIRDS, autostereograms, stereoscopic pictures, optical illusions † Department of Psychology, University of Stirling, Stirling, Scotland. Phone (+44) 786–467679; fax 786–467641; email [email protected] ‡ Department of Computer Science, University of Waikato, Hamilton, New Zealand. Phone (+64 7) 856–2889; fax 838–4155; email [email protected]. § Department of Computer Science, University of Waikato, Hamilton, New Zealand. -
Stereoscopic Therapy: Fun Or Remedy?
STEREOSCOPIC THERAPY: FUN OR REMEDY? SARA RAPOSO Abstract (INDEPENDENT SCHOLAR , PORTUGAL ) Once the material of playful gatherings, stereoscop ic photographs of cities, the moon, landscapes and fashion scenes are now cherished collectors’ items that keep on inspiring new generations of enthusiasts. Nevertheless, for a stereoblind observer, a stereoscopic photograph will merely be two similar images placed side by side. The perspective created by stereoscop ic fusion can only be experienced by those who have binocular vision, or stereopsis. There are several caus es of a lack of stereopsis. They include eye disorders such as strabismus with double vision. Interestingly, stereoscopy can be used as a therapy for that con dition. This paper approaches this kind of therapy through the exploration of North American collections of stereoscopic charts that were used for diagnosis and training purposes until recently. Keywords. binocular vision; strabismus; amblyopia; ste- reoscopic therapy; optometry. 48 1. Binocular vision and stone (18021875), which “seem to have access to the visual system at the same stereopsis escaped the attention of every philos time and form a unitary visual impres opher and artist” allowed the invention sion. According to the suppression the Vision and the process of forming im of a “simple instrument” (Wheatstone, ory, both similar and dissimilar images ages, is an issue that has challenged 1838): the stereoscope. Using pictures from the two eyes engage in alternat the most curious minds from the time of as a tool for his study (Figure 1) and in ing suppression at a low level of visual Aristotle and Euclid to the present day. -
Relative Importance of Binocular Disparity and Motion Parallax for Depth Estimation: a Computer Vision Approach
remote sensing Article Relative Importance of Binocular Disparity and Motion Parallax for Depth Estimation: A Computer Vision Approach Mostafa Mansour 1,2 , Pavel Davidson 1,* , Oleg Stepanov 2 and Robert Piché 1 1 Faculty of Information Technology and Communication Sciences, Tampere University, 33720 Tampere, Finland 2 Department of Information and Navigation Systems, ITMO University, 197101 St. Petersburg, Russia * Correspondence: pavel.davidson@tuni.fi Received: 4 July 2019; Accepted: 20 August 2019; Published: 23 August 2019 Abstract: Binocular disparity and motion parallax are the most important cues for depth estimation in human and computer vision. Here, we present an experimental study to evaluate the accuracy of these two cues in depth estimation to stationary objects in a static environment. Depth estimation via binocular disparity is most commonly implemented using stereo vision, which uses images from two or more cameras to triangulate and estimate distances. We use a commercial stereo camera mounted on a wheeled robot to create a depth map of the environment. The sequence of images obtained by one of these two cameras as well as the camera motion parameters serve as the input to our motion parallax-based depth estimation algorithm. The measured camera motion parameters include translational and angular velocities. Reference distance to the tracked features is provided by a LiDAR. Overall, our results show that at short distances stereo vision is more accurate, but at large distances the combination of parallax and camera motion provide better depth estimation. Therefore, by combining the two cues, one obtains depth estimation with greater range than is possible using either cue individually. -
Chromostereo.Pdf
ChromoStereoscopic Rendering for Trichromatic Displays Le¨ıla Schemali1;2 Elmar Eisemann3 1Telecom ParisTech CNRS LTCI 2XtremViz 3Delft University of Technology Figure 1: ChromaDepth R glasses act like a prism that disperses incoming light and induces a differing depth perception for different light wavelengths. As most displays are limited to mixing three primaries (RGB), the depth effect can be significantly reduced, when using the usual mapping of depth to hue. Our red to white to blue mapping and shading cues achieve a significant improvement. Abstract The chromostereopsis phenomenom leads to a differing depth per- ception of different color hues, e.g., red is perceived slightly in front of blue. In chromostereoscopic rendering 2D images are produced that encode depth in color. While the natural chromostereopsis of our human visual system is rather low, it can be enhanced via ChromaDepth R glasses, which induce chromatic aberrations in one Figure 2: Chromostereopsis can be due to: (a) longitunal chro- eye by refracting light of different wavelengths differently, hereby matic aberration, focus of blue shifts forward with respect to red, offsetting the projected position slightly in one eye. Although, it or (b) transverse chromatic aberration, blue shifts further toward might seem natural to map depth linearly to hue, which was also the the nasal part of the retina than red. (c) Shift in position leads to a basis of previous solutions, we demonstrate that such a mapping re- depth impression. duces the stereoscopic effect when using standard trichromatic dis- plays or printing systems. We propose an algorithm, which enables an improved stereoscopic experience with reduced artifacts. -
Two Eyes See More Than One Human Beings Have Two Eyes Located About 6 Cm (About 2.4 In.) Apart
ivi act ty 2 TTwowo EyesEyes SeeSee MoreMore ThanThan OneOne OBJECTIVES 1 straw 1 card, index (cut in half widthwise) Students discover how having two eyes helps us see in three dimensions and 3 pennies* increases our field of vision. 1 ruler, metric* The students For the class discover that each eye sees objects from a 1 roll string slightly different viewpoint to give us depth 1 roll tape, masking perception 1 pair scissors* observe that depth perception decreases *provided by the teacher with the use of just one eye measure their field of vision observe that their field of vision decreases PREPARATION with the use of just one eye Session I 1 Make a copy of Activity Sheet 2, Part A, for each student. SCHEDULE 2 Each team of two will need a metric ruler, Session I About 30 minutes three paper cups, and three pennies. Session II About 40 minutes Students will either close or cover their eyes, or you may use blindfolds. (Students should use their own blindfold—a bandanna or long strip VOCABULARY of cloth brought from home and stored in their science journals for use—in this depth perception and other activities.) field of vision peripheral vision Session II 1 Make a copy of Activity Sheet 2, Part B, for each student. MATERIALS 2 For each team, cut a length of string 50 cm (about 20 in.) long. Cut enough index For each student cards in half (widthwise) to give each team 1 Activity Sheet 2, Parts A and B half a card. Snip the corners of the cards to eliminate sharp edges. -
Binocular Vision
BINOCULAR VISION Rahul Bhola, MD Pediatric Ophthalmology Fellow The University of Iowa Department of Ophthalmology & Visual Sciences posted Jan. 18, 2006, updated Jan. 23, 2006 Binocular vision is one of the hallmarks of the human race that has bestowed on it the supremacy in the hierarchy of the animal kingdom. It is an asset with normal alignment of the two eyes, but becomes a liability when the alignment is lost. Binocular Single Vision may be defined as the state of simultaneous vision, which is achieved by the coordinated use of both eyes, so that separate and slightly dissimilar images arising in each eye are appreciated as a single image by the process of fusion. Thus binocular vision implies fusion, the blending of sight from the two eyes to form a single percept. Binocular Single Vision can be: 1. Normal – Binocular Single vision can be classified as normal when it is bifoveal and there is no manifest deviation. 2. Anomalous - Binocular Single vision is anomalous when the images of the fixated object are projected from the fovea of one eye and an extrafoveal area of the other eye i.e. when the visual direction of the retinal elements has changed. A small manifest strabismus is therefore always present in anomalous Binocular Single vision. Normal Binocular Single vision requires: 1. Clear Visual Axis leading to a reasonably clear vision in both eyes 2. The ability of the retino-cortical elements to function in association with each other to promote the fusion of two slightly dissimilar images i.e. Sensory fusion. 3. The precise co-ordination of the two eyes for all direction of gazes, so that corresponding retino-cortical element are placed in a position to deal with two images i.e. -
Investigating Intermittent Stereoscopy: Its Effects on Perception and Visual Fatigue
©2016 Society for Imaging Science and Technology DOI: 10.2352/ISSN.2470-1173.2016.5.SDA-041 INVESTIGATING INTERMITTENT STEREOSCOPY: ITS EFFECTS ON PERCEPTION AND VISUAL FATIGUE Ari A. Bouaniche, Laure Leroy; Laboratoire Paragraphe, Université Paris 8; Saint-Denis; France Abstract distance in virtual environments does not clearly indicate that the In a context in which virtual reality making use of S3D is use of binocular disparity yields a better performance, and a ubiquitous in certain industries, as well as the substantial amount cursory look at the literature concerning the viewing of of literature about the visual fatigue S3D causes, we wondered stereoscopic 3D (henceforth abbreviated S3D) content leaves little whether the presentation of intermittent S3D stimuli would lead to doubt as to some negative consequences on the visual system, at improved depth perception (over monoscopic) while reducing least for a certain part of the population. subjects’ visual asthenopia. In a between-subjects design, 60 While we do not question the utility of S3D and its use in individuals under 40 years old were tested in four different immersive environments in this paper, we aim to position conditions, with head-tracking enabled: two intermittent S3D ourselves from the point of view of user safety: if, for example, the conditions (Stereo @ beginning, Stereo @ end) and two control use of S3D is a given in a company setting, can an implementation conditions (Mono, Stereo). Several optometric variables were of intermittent horizontal disparities aid in depth perception (and measured pre- and post-experiment, and a subjective questionnaire therefore in task completion) while impacting the visual system assessing discomfort was administered.