Womad About Festival Roots Landscape
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Summary of Development Approved Applications February 2014 Summary of Development Approved Applications February 2014
Summary of Development Approved Applications February 2014 Summary of Development Approved Applications February 2014 Printed - 11/03/2014 10:13:47 AM Application 1: DA / 543 / 2013 / A / 1 Lodged: 21/02/2014 Description: Vary previous authorisation to carry out internal and external alterations and change the use from office to licensed premises with entertainment including signage - VARIATION - To permit the development to be undertaken in stages - Stage 1 - building modifications and use of premises (without music entertainment after 10pm)Stage 2 - Use of premises with music entertainment after 10pm **STAGE 1 ONLY** Property Address: Mr Goodbar Applicant : FUNDAMENTAL FLOW P/L 12-16 Union Street ADELAIDE SA 5000 Owner : Ms E Duff-Tytler Estimated Cost of Dev: To Be Advised Private Certifier : PBS AUSTRALIA P/L Consent: Development Approval Decision: Development Approval Granted Authority: Delegated to Administration Date: 27/02/2014 CITB Reference: 52739 Application 2: DA / 133 / 2014 Lodged: 21/02/2014 Description: Tenancy fitout (Chinese BBQ cafe) Property Address: 29 Field Street Applicant : BOCLOUD INTERNATIONAL ADELAIDE SA 5000 Owner : Mr C Karapetis Estimated Cost of Dev: $11,500 Private Certifier : BUILDING CERTIFICATION APPROVALS (SA) P/L Consent: Development Approval Decision: Development Approval Granted Authority: Delegated to Administration Date: 25/02/2014 CITB Reference: Application 3: DA / 132 / 2014 Lodged: 19/02/2014 Description: Shop fitout Property Address: La Vie En Rose - G.06 Applicant : CHECKPOINT Ground 77-91 Rundle Mall ADELAIDE SA 5000 Owner : ALTEMAN (SA) P/L Estimated Cost of Dev: $200,000 Private Certifier : PBS AUSTRALIA P/L Consent: Development Approval Decision: Development Approval Granted Authority: Delegated to Administration Date: 21/02/2014 CITB Reference: 52617 Application 4: DA / 131 / 2014 Lodged: 20/02/2014 Description: Erect wrap around temporary fencing 24/2/14 to 1/3/14. -
Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Brett Sheehy CONFESSIONS of a GATEKEEPER
Address To The Inaugural Currency House/ Australia Business Arts Foundation 2009 Arts And Public Life Breakfast 31 March At The Sofi tel, Melbourne On Collins Brett Sheehy CONFESSIONS OF A GATEKEEPER Hello and welcome everyone. I quickly want to thank Harold for introducing me today. Harold barely knew me when, in November 2001, he fl ew from Melbourne to Sydney to attend my fi rst ever festival launch in Customs House down at Sydney’s Circular Quay. His reason was simple - he loves the arts, I was a fairly new kid on the festival block, and he wanted to show his support. And that support has continues to this day, unabated. I appreciate it tremendously, and it’s a privilege to fi nally share a stage with him, in what is now, mutually, our hometown. So thank you Harold. These confessions of an arts gatekeeper which I’m going to share this morning are personal, frequently intuitive, born of 25 years of observation and experience in the arts, but also not absolutes – all are debatable, but not one, I think, is disprovable. An arts gatekeeper is really a kind of artistic ‘door bitch’, someone charged with the responsibility of deciding when the ‘velvet rope’ is lifted, and which art will, and will not, be seen by the public of Australia. And while the metaphor of the ‘velvet rope’ makes light of it here, the role is actually riven with anxiety and stress – so important do I think the responsibility is, and so potentially charged with hubris. Gatekeepers come in many guises – festival directors, artistic directors of theatre and dance companies, museum and gallery curators, music directors of opera houses and orchestras, arts centre programmers, book publishers and record producers. -
Festival Statistics: Key Concepts and Current Practices
2695 Festivals can provide substantive income and generate tourism at both local and national levels. There is growing recognition of the importance of collecting data in this field, particularly to gauge the social and economic contributions of festivals to host societies. This requires a greater understanding of how festivals can be measured and data collected in a standardised, systematic manner based on existing models and current practices. This handbook presents the theories, concepts and practices that are currently used in the effective measuring of festivals across the globe. It identifies prevailing theoretical perspectives on measuring festivals; current policy constructs concerning the collection of data on festivals; as well as best practices and processes for festival data collection and statistics based on experience from around the world. 2695 FESTIVAL STATISTICS Key concepts and current practices The UNESCO Institute for Statistics (UIS) is the statistical office of the United Nations Educational, Scientific and Cultural Organization (UNESCO) and is the UN depository for internationally comparable statistics in the fields of education, science and technology, culture and communication. 2009 UNESCO FRAMEWORK FOR CULTURAL STATISTICS HANDBOOK NO. 3 2009 FRAMEWORK FOR CULTURAL STATISTICS HANDBOOK NO. 3 Festival statistics: Key concepts and current practices UNESCO The constitution of the United Nations Educational, Scientific and Cultural Organization (UNESCO) was adopted by 20 countries at the London Conference in November -
Adelaide Festival 2019 Annual Report
ADELAIDE FESTIVAL CORPORATION 2018-19 Annual Report ADELAIDE FESTIVAL CORPORATION Level 9, 33 King William Street, Adelaide, 5000 www.adelaidefestival.com.au Contact phone number: +61(8)82164444 Contact email: [email protected] ISSN: 0431 Date presented to Minister: 27 September 2019 Adelaide Festival Corporation Annual Report 2018/19 2018-19 ANNUAL REPORT for the Adelaide Festival Corporation To: Hon Steven Marshall MP Premier of South Australia Dear Premier, This annual report will be presented to Parliament to meet the statutory reporting requirements of the Adelaide Festival Corporation Act 1998 and the requirements of Premier and Cabinet Circular PC013 Annual Reporting. This report is verified to be accurate for the purposes of annual reporting to the Parliament of South Australia. Submitted on behalf of the Adelaide Festival Corporation by: Rob Brookman Executive Director Adelaide Festival Corporation 27 September 2019 2 | P a g e 2018-19 ANNUAL REPORT for the Adelaide Festival Corporation From the Executive Director The 2019 Adelaide Festival was one of the most successful in its distinguished 59 - year history, with stellar artistic achievements matched by record-breaking box office receipts, excellent financial results and great outcomes for the State in terms of economic impact. Curated by Joint Artistic Directors Neil Armfield AO and Rachel Healy, the 2019 Adelaide Festival was steeped in exclusive events, standing ovations and critical acclaim. It set a new record with the biggest box office takings in the event’s history, achieving a total box office income of $6,056,904. This represents a 32% increase on the previous box office record set by Armfield and Healy’s second program in 2018. -
Country Arts SA Brings Biggest Season Yet to the Riverland
April 2017 Adelaide Cabaret Festival Roadshow is back - direct from the world’s best and biggest cabaret festival! Adelaide Festival Centre and Country Arts SA present Adelaide Cabaret Festival Roadshow, a spectacular variety evening of hand-picked sequined talent. Each year, Adelaide Cabaret Festival gathers artists from all over the world for 16 revolutionary nights. Featuring some of the most outrageous, raw, fierce (and fun!) performances around, Adelaide Cabaret Festival Roadshow brings festival favourites to you. Supported by a great band and the vivacious Eddie Bannon who will return for his third year hosting Adelaide Cabaret Festival Roadshow, artists performing include South Australian burlesque star Sapphire Snow, Cameron Goodall, Melissa Langton, Mark Jones, and the irreverent Tripod. Prepare yourself for a night of amazing musical prowess, impeccable comedic timing, and captivating characters. This is also your chance to experience the best emerging young talent from your region. The local Nathaniel O’Brien Class of Cabaret Scholarship recipient will grace the stage to impress and inspire. Adelaide Cabaret Festival Regional Roadshow is an annual event held in the lead up to Adelaide Cabaret Festival. The Roadshow brings renowned Australian cabaret artists to different regions in South Australia giving locals a taste of what the Festival offers. Expect unforgettable performances from some of the best cabaret artists around. Paul Roberts, spokesperson for Country Arts SA’s principal corporate partner SA Power Networks said: “The Adelaide Cabaret Festival Roadshow is a great night out. Book a table with friends and join in a gala evening that you won't forget!" Look out for an Adelaide Cabaret Festival car chock-full of cabaret artists heading to a region near you. -
ACCESS GUIDE Contents
26 FEB – 14 MAR 2021 ACCESS GUIDE Contents Access Information ................................................................. 1 Website Information ................................................................. 2 Booking Tickets ........................................................................... 3 Venue Facilities ........................................................................... 4 Access Ticket Prices ................................................................. 5 Auslan Interpreted Events ....................................................... 6 Audio Described Events ......................................................... 8 Sensory/Tactile Tour Events ............................................... 9 Events With Highly Visual Content ................................... 10 Events With Assistive Listening ............................................. 13 Venues With Wheelchair Access ............................................. 15 Open House ..................................................................................... 19 Adelaide Writers’ Week Access ............................................. 21 Calendar of Events ................................................................. 22 Map ............................................................................................... 25 Sponsor Thanks ........................................................................... 27 Access Information We make every effort to ensure Adelaide Festival events are accessible to our whole audience. Please check -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
2022 Adelaide Festival Awards for Literature Guidelines
ADELAIDE FESTIVAL AWARDS FOR LITERATURE 2022 GUIDELINES ADELAIDE FESTIVAL AWARDS FOR LITERATURE 2022 CONTENTS About the Awards 3 2022 National Awards for Published Works 4 2022 Awards for South Australian Writers 5 2022 Fellowships for South Australian Writers 6 How to Apply 7 Opening date March 2021 Closing date 5.00pm, Wednesday 30 June 2021 ADELAIDE FESTIVAL AWARDS FOR LITERATURE 2 ABOUT THE AWARDS The Adelaide Festival Awards for Literature (AFAL) are presented every two years during Adelaide Writers’ Week as part of the Adelaide Festival. Introduced in 1986 by the Government of South Australia, the awards celebrate South Australia’s writing culture by offering national and State-based literary prizes, as well as fellowships for South Australian writers. The awards are managed by the State Library of South Australia. The awards provide an opportunity to highlight the importance of our unique South Australian writers and contribute to and support community engagement with literature. Award winners will be invited to attend the award presentation. The State Library will arrange for interstate/intrastate return economy airfares to Adelaide, two nights accommodation, and transport to and from the airport for winning authors to attend the award presentation to be held during Writers’ Week in March 2022. Nominations for the 2022 Adelaide Festival Awards for Literature will close on Wednesday 30 June 2021. • Entries are acknowledged within one month of receipt. • Incomplete or late nominations will not be accepted. • Any breach of nomination conditions will render a nomination invalid. • Nominated publications will not be returned after the judging process. Publications will be added to the State Library Collection. -
A Christmas Celebration
A Christmas Celebration 10-12 December Festival Theatre A Christmas Celebration Welcome Luke Dollman Conductor It would be a joy to present this concert for you at the Mitchell Butel MC/Vocals/Creative Director end of any year, but right now that joy is tinged with Johanna Allen Vocals an awareness of what a challenging journey 2020 has The Idea of North Vocal quartet been. This is a season to be especially grateful that Freddy Ramly-Peck The Little Drummer Boy we are together again, in the company of the ASO, Mietta Brookman The Sugar Plum Fairy conductor Luke Dollman and the wonderful artists who will bring you magical Christmas entertainment. Duration Approx. 1 hr 20 mins, no interval 2020 has been a test of resilience, and a test of inventiveness too. Although the possibility of live performance evaporated in March, the ASO quickly GRUBER recognised the opportunities the online space Silent Night presented, and since then the musicians have kept the music-making alive through a series of virtual HURST concerts. Your response to these performances has A Welcome to Christmas been tremendously encouraging and you will see on the ASO website that new online performances GILLESPIE/COOTS (arr. YOUNG) continue to be available to you. Santa Claus is Coming to Town Adelaide Festival Centre took the first careful steps CAPPEAU/ADAM towards bringing live music back after the shutdowns, O Holy Night with a series of concerts at the redeveloped Her Majesty’s Theatre, and has continued to pioneer the HAIRSTON ( arr. TWIST) safe return of artists and audiences to venues. -
Factors That Influence Engagement in On-Site Environmentally Responsible
Factors that influence engagement in on-site environmentally responsible behaviours at music festivals Marisol Alonso Vazquez Bachelor in Foreign Trade Master in Marketing A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 Business School i Abstract The study of on-site environmentally responsible behaviours at outdoor events is important because of the negative environmental degradation that may be caused when hosting these events. Studying these behaviours is especially important at music festivals that are held in protected areas, and/or for festival managers who have an interest in controlling the events’ negative environmental impacts. Despite recent interest by event managers in developing strategies to encourage attendees’ environmentally responsible behaviours, this task is still a challenge because attendees may be disinterested in behaving pro-environmentally in the music festival context. Given this, event managers need to find novel ways to encourage attendees to participate more in on-site environmentally responsible behaviours. To contribute toward finding alternative ways to encourage more participation, this research investigated the major psychographic factors that influence attendees’ engagement in on-site environmentally responsible behaviours at music festivals. To identify these factors, the following research activities were carried out: phone interviews with music festival managers (10 participants); two online questionnaires (pre-visit and post-visit to festivals) across multiple music festivals (1,313 and 420 participants, respectively); and on-site interviews with attendees at a three-day music festival located near an Australian national park (81 participants). The findings of this study reveal that event managers consider it important to build a pro- environmental culture into their event communities in order to capitalise on attendees’ sense of community that may support environmentally responsible behaviours. -
Womadelaide 1992 – 2016 Artists Listed by Year/Festival
WOMADELAIDE 1992 – 2016 ARTISTS LISTED BY YEAR/FESTIVAL 2016 47SOUL (Palestine/Syria/Jordan) Ainslie Wills (Australia) Ajak Kwai (Sudan/Australia) All Our Exes Live in Texas (Australia) Alpine (Australia) Alsarah & the Nubatones (Sudan/USA) Angelique Kidjo (Benin) & the Adelaide Symphony Orchestra (Australia) APY Choir (Australia) Asha Bhosle (India) Asian Dub Foundation (UK) Australian Dance Theatre “The Beginning of Nature” (Australia) Calexico (USA) Cedric Burnside Project (USA) DakhaBrakha (Ukraine) Datakae – Electrolounge (Australia) De La Soul (USA) Debashish Bhattacharya (India) Diego el Cigala (Spain) Djuki Mala (Australia) Edmar Castañeda Trio (Colombia/USA) Eska (UK) – one show with Adelaide [big] String Ester Rada (Ethiopia/Israel) Hazmat Modine (USA) Husky (Australia) Ibeyi (Cuba/France) John Grant (USA) Kev Carmody (Australia) Ladysmith Black Mambazo (South Africa) Mahsa & Marjan Vahdat (Iran) Marcellus Pittman - DJ (USA) Marlon Williams & the Yarra Benders (NZ/Australia) Miles Cleret - DJ (UK) Mojo Juju (Australia) Mortisville vs The Chief – Electrolounge (Australia) Mountain Mocha Kilimanjaro (Japan) NO ZU (Australia) Orange Blossom (France/Egypt) Osunlade - DJ (USA) Problems - Electrolounge (Australia) Quarter Street (Australia) Radical Son (Tonga/Australia) Ripley (Australia) Sadar Bahar - DJ (USA) Sampa the Great (Zambia/Australia) Sarah Blasko (Australia) Savina Yannatou & Primavera en Salonico (Greece) Seun Kuti & Egypt 80 (Nigeria) Songhoy Blues (Mali) Spiro (UK) St Germain (France) Surahn (Australia) Tek Tek Ensemble