Blueprints for a Sparkling Tomorrow
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
Elvis Presley Music
Vogue Madonna Take on Me a-ha Africa Toto Sweet Dreams (Are Made of This) Eurythmics You Make My Dreams Daryl Hall and John Oates Taited Love Soft Cell Don't You (Forget About Me) Simple Minds Heaven Is a Place on Earth Belinda Carlisle I'm Still Standing Elton John Wake Me Up Before You Go-GoWham! Blue Monday New Order Superstition Stevie Wonder Move On Up Curtis Mayfield For Once In My Life Stevie Wonder Red Red Wine UB40 Send Me On My Way Rusted Root Hungry Eyes Eric Carmen Good Vibrations The Beach Boys MMMBop Hanson Boom, Boom, Boom!! Vengaboys Relight My Fire Take That, LuLu Picture Of You Boyzone Pray Take That Shoop Salt-N-Pepa Doo Wop (That Thing) Ms Lauryn Hill One Week Barenaked Ladies In the Summertime Shaggy, Payvon Bills, Bills, Bills Destiny's Child Miami Will Smith Gonna Make You Sweat (Everbody Dance Now) C & C Music Factory Return of the Mack Mark Morrison Proud Heather Small Ironic Alanis Morissette Don't You Want Me The Human League Just Cant Get Enough Depeche Mode The Safety Dance Men Without Hats Eye of the Tiger Survivor Like a Prayer Madonna Rocket Man Elton John My Generation The Who A Little Less Conversation Elvis Presley ABC The Jackson 5 Lessons In Love Level 42 In the Air Tonight Phil Collins September Earth, Wind & Fire In Your Eyes Kylie Minogue I Want You Back The Jackson 5 Jump (For My Love) The Pointer Sisters Rock the Boat Hues Corportation Jolene Dolly Parton Never Too Much Luther Vandross Kiss Prince Karma Chameleon Culture Club Blame It On the Boogie The Jacksons Everywhere Fleetwood Mac Beat It -
The Three Phases of Arendt's Theory of Totalitarianism*
The Three Phases of Arendt's Theory of Totalitarianism* X~1ANNAH Arendt's The Origins of Totalitarianism, first published in 1951, is a bewilderingly wide-ranging work, a book about much more than just totalitarianism and its immediate origins.' In fact, it is not really about those immediate origins at all. The book's peculiar organization creates a certain ambiguity regarding its intended subject-matter and scope.^ The first part, "Anti- semitism," tells the story of tbe rise of modern, secular anti-Semi- tism (as distinct from what the author calls "religious Jew-hatred") up to the turn of the twentieth century, and ends with the Drey- fus affair in Erance—a "dress rehearsal," in Arendt's words, for things still worse to come (10). The second part, "Imperialism," surveys an assortment of pathologies in the world politics of the late nineteenth and early twentieth centuries, leading to (but not direcdy involving) the Eirst World War. This part of the book examines the European powers' rapacious expansionist policies in Africa and Asia—in which overseas investment became the pre- text for raw, openly racist exploitation—and the concomitant emergence in Central and Eastern Europe of "tribalist" ethnic movements whose (failed) ambition was the replication of those *Earlier versions of this essay were presented at the University of Virginia and at the conference commemorating the fiftieth anniversary of The Origins of Toudilarianism hosted by the Hannah Arendt-Zentrum at Carl Ossietzky University in Oldenburg, Ger- many. I am grateful to Joshua Dienstag and Antonia Gnmenberg. respectively, for arrang- ing these (wo occasions, and also to the inembers of the audience at each—especially Lawrie Balfour, Wolfgang Heuer, George KJosko, Allan Megili, Alfons Sollner, and Zoltan Szankay—for their helpful commeiiLs and criticisms. -
Calendrical Calculations: the Millennium Edition Edward M
Errata and Notes for Calendrical Calculations: The Millennium Edition Edward M. Reingold and Nachum Dershowitz Cambridge University Press, 2001 4:45pm, December 7, 2006 Do I contradict myself ? Very well then I contradict myself. (I am large, I contain multitudes.) —Walt Whitman: Song of Myself All those complaints that they mutter about. are on account of many places I have corrected. The Creator knows that in most cases I was misled by following. others whom I will spare the embarrassment of mention. But even were I at fault, I do not claim that I reached my ultimate perfection from the outset, nor that I never erred. Just the opposite, I always retract anything the contrary of which becomes clear to me, whether in my writings or my nature. —Maimonides: Letter to his student Joseph ben Yehuda (circa 1190), Iggerot HaRambam, I. Shilat, Maaliyot, Maaleh Adumim, 1987, volume 1, page 295 [in Judeo-Arabic] If you find errors not given below or can suggest improvements to the book, please send us the details (email to [email protected] or hard copy to Edward M. Reingold, Department of Computer Science, Illinois Institute of Technology, 10 West 31st Street, Suite 236, Chicago, IL 60616-3729 U.S.A.). If you have occasion to refer to errors below in corresponding with the authors, please refer to the item by page and line numbers in the book, not by item number. Unless otherwise indicated, line counts used in describing the errata are positive counting down from the first line of text on the page, excluding the header, and negative counting up from the last line of text on the page including footnote lines. -
Crossing Guard Manuals As References
KANSAS GUIDELINES FOR SCHOOL CROSSING GUARDS PRODUCED BY THE KANSAS DEPARTMENT OF TRANSPORTATION (KDOT) AND THE KANSAS SCHOOL CROSSING GUARD COMMITTEE Summer 2006 ACKNOWLEDGMENTS Sincere appreciation is expressed to the following persons who where instrumental in preparing this document, "Kansas Guidelines for School Crossing Guards." Kansas School Crossing Guard Committee David A. Church, Bureau Chief Bureau of Traffic Engineering Kansas Department of Transportation Cheryl Hendrixson, Traffic Engineer Bureau of Traffic Engineering Kansas Department of Transportation Larry E. Bluthardt, Supervisor School Bus Safety Education Unit Kansas Department of Education David Schwartz, Highway Safety Engineer Bureau of Traffic Safety Kansas Department of Transportation Paul Ahlenius, Statewide Bicycle and Pedestrian Coordinator Bureau of Transportation Planning Kansas Department of Transportation Vicky Johnson, Attorney IV Office of Chief Counsel Kansas Department of Transportation Adam Pritchard, Traffic Engineer Bureau of Traffic Engineering Kansas Department of Transportation Additional copies of these guidelines can be obtained by calling or writing: Kansas Department of Transportation Bureau of Traffic Engineering Eisenhower State Office Building 700 SW Harrison, 6th floor Topeka, KS 66603-3754 Telephone: 785-296-8593 FAX: 785 296-3619 Electronic copies are also available at the following website: http://www.ksdot.org/burTrafficEng/sztoolbox/default.asp 3 TABLE OF CONTENTS ACKNOWLEDGMENTS ....................................................................................................... -
Šæ–¯ Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É— ´È¡¨)
艾塔·瓊斯 音樂專輯 串行 (专辑 & æ—¶é— ´è¡¨) So Warm https://zh.listvote.com/lists/music/albums/so-warm-17036017/songs Love Shout https://zh.listvote.com/lists/music/albums/love-shout-17035896/songs From the Heart https://zh.listvote.com/lists/music/albums/from-the-heart-17005776/songs At Last https://zh.listvote.com/lists/music/albums/at-last-48789908/songs Christmas with Etta Jones https://zh.listvote.com/lists/music/albums/christmas-with-etta-jones-48789904/songs My Buddy: Etta Jones Sings the Songs https://zh.listvote.com/lists/music/albums/my-buddy%3A-etta-jones-sings-the-songs- of Buddy Johnson of-buddy-johnson-55624258/songs My Mother's Eyes https://zh.listvote.com/lists/music/albums/my-mother%27s-eyes-48789547/songs Reverse the Charges https://zh.listvote.com/lists/music/albums/reverse-the-charges-43302960/songs All the Way – Etta Jones Sings https://zh.listvote.com/lists/music/albums/all-the-way-%E2%80%93-etta-jones-sings- Sammy Cahn sammy-cahn-55603684/songs Easy Living https://zh.listvote.com/lists/music/albums/easy-living-55610446/songs The Melody Lingers On https://zh.listvote.com/lists/music/albums/the-melody-lingers-on-55635383/songs Ms. Jones to You https://zh.listvote.com/lists/music/albums/ms.-jones-to-you-43303049/songs Etta Jones Sings Lady Day https://zh.listvote.com/lists/music/albums/etta-jones-sings-lady-day-55611114/songs https://zh.listvote.com/lists/music/albums/the-way-we-were-%E2%80%93-live-in- The Way We Were – Live in Concert concert-55635622/songs Together at Christmas https://zh.listvote.com/lists/music/albums/together-at-christmas-55635959/songs -
Northwestern University “Mise En Vie” and Intra-Culturalism: Performing
Northwestern University “Mise en vie ” and Intra-culturalism: Performing the Life of Black Migrants to Italy A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN THE PARTIAL FULFILLMENT OF THE REQUIREMENTS For the degree DOCTOR OF PHILOSOPHY Field of Performance Studies By Raffaele Furno Evanston, Illinois December 2008 2 ABSTRACT “Mise en vie ” and Intra-culturalism: Performing the Life of Black Migrants to Italy Raffaele Furno The dissertation aims to explore the intersection between the artistic performance of blackness in contemporary Italian theater and the country’s social stigmatization of black immigrants as a problem or national emergency. I argue that Italians live in a state of “historic forgetfulness” since they have not been able to absorb the racist discourse strongly implemented during the fascist regime. Tracing “historic forgetfulness” as an implicit ideology within contemporary restrictive immigration laws, and in the mass media focus on the illegal aspects of the migratory phenomenon, I use performance as a methodology and category to analyze the world and individuate viable alternatives to Italy’s (un)welcoming reaction to African immigrants. Through archival research, interviews and participant observation, I follow the work of the Afro-Romagnole ensemble Teatro delle Albe. The Albe perceives theater as a tool to show the richness and endless possibilities contained in religious, linguistic, and cultural differences. The group’s productions raise doubts on any dichotomous separation between right and wrong, legal and illegal, white and black. Working on the specificity of each individual, the Albe brings ethnic background to what it should be: one element of the far more complicated personal identity that encompass gender, sexuality, education, personal experiences, emotions, aspirations, and more. -
Olivia Rodrigo's
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 1, 2021 Page 1 of 27 Leader; Travis Denning Makes History INSIDE Olivia Rodrigo’s ‘Drivers License’ Tops Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Morgan Albums Wallen’s chart dated AprilHot 18. In its first 100 week (ending for April 9),7th it Week, Chris Brown & earned‘Dangerous’ 46,000 equivalentBecomes album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingOnly to Country Nielsen Album Music/MRC Data.Young Thug’s ‘Goand total Crazy’ Country Airplay No. Jumps1 as “Catch” (Big Machine to Label No. Group) ascends 3 Southsideto Spend marksFirst Seven Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartWeeks and fourth at No. top 1 10.on It follows freshman LP BY GARY TRUST Young’s first of six chart entries, “Sleep With- MontevalloBillboard, which 200 arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Olivia Rodrigo’s “Drivers License” logs a seventh ing Feb. -
New Jersey Laws and Legislation
Part III. RESOURCES New Jersey Laws and Legislation New Jersey Laws and Legislation NEW JERSEY LAWS and LEGISLATION Laws, Regulations, Policies • When considering traffic laws and regulations, knowing the difference between laws and regulations may be helpful. • A Law is a directive that compels or prohibits behavior. That is, a law in intended to make people do something, like pay taxes, or not do something, like stealing. Generally, laws are the work of the legislature. Congress makes laws. • A Regulation is a rule or set of rules to carry out the intent of the law. So, if the legislature makes a law that you must pay taxes, regulations must be developed that decide who might be exempt and under what conditions, or how often payments need to be made to the treasury. Generally, regulations are the work of the executive branch, also known as the bureaucracy. • A Policy is a plan or course of action that guides decisions, but may not carry the full force of law or a regulation to carry out a law. A policy might be how your local IRS office decides who to audit. • That motorists must obey a crossing guard’s directive to stop is supported by law and by regulation. How a crossing guard moves their arms to effectively issue their directive is policy. CROSSING GUARDS 40A:9-154.1. Adult school crossing guards; appointment; term; revocation; qualifications; supervision and direction The governing body, or the chief executive, or the chief administrative officer, as appropriate to the form of government of any municipality, may appoint adult school crossing guards for terms not exceeding one year and revoke such appointments for cause and after proper hearing before the chief of police or other chief law enforcement officer of the municipality. -
Stop Or Yield Required
CHAPTER 65 STOP OR YIELD REQUIRED 65.01 Stop or Yield 65.04 Stop When Traffic Is Obstructed 65.02 School Stops 65.05 Yield to Pedestrians in Crosswalks 65.03 Stop Before Crossing Sidewalk 65.06 Yielding the Right-of-Way to School Crossing Guards 65.01 STOP OR YIELD. Every driver of a vehicle shall stop or yield as directed by traffic control devices posted in accordance with Chapter 61 of this Traffic Code. 65.02 SCHOOL STOPS. At any school crossing zone, every driver of a vehicle approaching said zone shall bring the vehicle to a full stop at a point ten (10) feet from the approach side of the crosswalk marked by an authorized school stop sign and thereafter proceed in a careful and prudent manner until the vehicle shall have passed through such school crossing zone. (Code of Iowa, Sec. 321.249) 65.03 STOP BEFORE CROSSING SIDEWALK. The driver of a vehicle emerging from a private roadway, alley, driveway, or building shall stop such vehicle immediately prior to driving onto the sidewalk area and thereafter shall proceed into the sidewalk area only when able to do so without danger to pedestrian traffic and shall yield the right-of- way to any vehicular traffic on the street into which the vehicle is entering. (Code of Iowa, Sec. 321.353) 65.04 STOP WHEN TRAFFIC IS OBSTRUCTED. Notwithstanding any traffic control signal indication to proceed, no driver shall enter an intersection or a marked crosswalk unless there is sufficient space on the other side of the intersection or crosswalk to accommodate the vehicle. -
Lexical Semantic Analysis in Natural Language Text
Lexical Semantic Analysis in Natural Language Text Nathan Schneider Language Technologies Institute School of Computer Science Carnegie Mellon University ◇ July 28, 2014 Submitted in partial fulfillment of the requirements for the degree of doctor of philosophy in language and information technologies Abstract Computer programs that make inferences about natural language are easily fooled by the often haphazard relationship between words and their meanings. This thesis develops Lexical Semantic Analysis (LxSA), a general-purpose framework for describing word groupings and meanings in context. LxSA marries comprehensive linguistic annotation of corpora with engineering of statistical natural lan- guage processing tools. The framework does not require any lexical resource or syntactic parser, so it will be relatively simple to adapt to new languages and domains. The contributions of this thesis are: a formal representation of lexical segments and coarse semantic classes; a well-tested linguistic annotation scheme with detailed guidelines for identifying multi- word expressions and categorizing nouns, verbs, and prepositions; an English web corpus annotated with this scheme; and an open source NLP system that automates the analysis by statistical se- quence tagging. Finally, we motivate the applicability of lexical se- mantic information to sentence-level language technologies (such as semantic parsing and machine translation) and to corpus-based linguistic inquiry. i I, Nathan Schneider, do solemnly swear that this thesis is my own To my parents, who gave me language. work, and that everything therein is, to the best of my knowledge, true, accurate, and properly cited, so help me Vinken. § ∗ In memory of Charles “Chuck” Fillmore, one of the great linguists. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.