DOCSLIB.ORG

Furniture Dealer, POWDER P. H, DWYER. [1ST & J. G. GREGORY's

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Furniture Dealer, POWDER P. H, DWYER. [1ST & J. G. GREGORY's rngsmsm -mss- mm mmm iJ! • "• - - si-'i V-m<-i * mmIfiliffSIl- fit*:: An Enterprising Republican Journal}"especially (footed to Local News and Interests Two DOLLARS A YEAH ESTABLISHED 1800 NORWALK, CONN., WEDNESDAY, APRIL 10, Number 15. Volume LXXXIX. tiieui ttud compelling them-to TistenTo me, BUYING MONTHLY PAYMENTS. ^•pT »TiBOX-« THE MADDING CROWD. A HAUNTED COURT HOUSE. rxm c"> _ W A.RP HER VOICE. but a little crowd of passers by had gathered, THE WORK OF A MAIiSTONE P. H, DWYER. Purchasers Pay WeU for the Privilege of some of whom were curiously making inquiry ' '' Securing Goods on Time. HAROENBROOK'S BLOCK. WALL STREET, A hidden choir of door southern birds of their neighbors as to the cause of the ex­ HOW IT "HURRIES ALONG, WITH RKSTLESSS SPOOKS IN A TENNES­ The largest Stock of Haines; ; Hare made their home in her fair throat, citement, who answered in whispered re­ INFORMATION ON THIS SUBJECT In a general way the monthly payment FAMILY GROCERIES, Voicing the tender passion of unspoken worda SORROW AND SONG." SEE COUNTY BUILDING. stores afford a good index of the prosperity marks, with leers and knowing looks cast at FROM A RELIABLE SOURCE.. "• - EVER DISPUTED 1 TOWN. IBS In many a sweet heart stirring not®. of the middle and lower classes. Hard times Sometimes the arch and tricksy mocking bird mo. All FIrat-Claas, Hand Stitelied, OakTaniiea Wishing to avoid a repetition of the scene, and lack of. employment invariably make Pennsylvania Leather ' ' -SRs Laughs in her happy. Jocund tone; Tho Hailstone is Found Only In n Deer's Velvet and Raits, Virtu® and Vicc, Cold­ Workmen Itefnse to Tenr tlio Old ITouso themselves felt in delay or stoppage of pay­ Again, the yearning of the dove la heard. I rushed down the side street from which I •'-'.THIRD CLASS PRIC£S.''f||i , ness and Pity Commingled in tho Kaleid­ Dovn to Slake Room for a New One. ments, and the duration of stringent circum­ G-. IET- S3YX«rC3r'r 03V, As when she mourns her mate alone; had come, bearing the baby, the innocent Stomach—Tho Manner of Its ITso—It Call early as I Intend to sell at SMALL PROFIT, SP •Washington, D. C. And now the red bird with his vibrant trill cause of the tumult, with me. What could I Draws tlio Poison Oat of the IMoml—Tho oscope of tho City'* Strtet—^"Wandering Th> Stories That Aro Told In Explaim- stances can readily be measured by the way 10 ycars in u. e. |]njiiQ t] hventors MSIIEU n6& Showers a rain of music on theair, tho payments are resumed. A furniture SEYEN1 Y-F1VE r do with it? As 1 rushed headlong down the Symptoms of Hydrophobia, Like Children in the Dark." tion of tlio Popular Boiler. PATENT OFFICE. Or the swamp robin makes the pulses thrill streot I racked my brains in vain to think of f' dealer was interviewed by a reporter: Like some soul burdened choral prayer.' Have you ever watched a ^crowded street Workmen refuse to tear down the old court "What course do you take in case of delin­ Our spirit's song, blest by her voice, will be the location of a foundling asylum. There Seeing in your valued paper an account of was no river near into which I could pitch the Womack case of hydrophobia, and a do- in a great city aiid seen the sorgo of human­ house building at Washington, Tenn., on ac­ quency in payment?" a.-"*? ijh*. Set Siuile M OooMe Ha.m P 11. 1*. UKAUFURD,' ' Attuned to heaven's fullest harmony I ity dMft to and fro? - • count of a mystery which has surrounded the "There is only one advisable courso, and 1 ><-?' -* -Mel R. Colquitt. it A sudden impulse seized me to knock its gire to hear from any person owning: a mad- HARDENBROOK HALL, ppl bead against a stone, and throw it over a. stone, I writ© to you in regard to the true It is a pleasant sight to mark tho figures structure for nearly Mlirty years, and which that is to tide over those who can't take up is vouched for by tho representative citizens Over Mitchell's Market, next door to P. n. Dwy- i' & wall. My innate pity checked my madness. madstone and its effects. The stone used in coino and go in ono ceaseless current, cach their monthly notes. Tho public, I think, has er's old stand. I4lf f&l* nvestiiieiits, Real Estate aM Insurance, I would lay it on the low stoop of one of the the case alluded to is not a madstotio. The with separate aims and interests but con­ of the county. Tho county seat of Rhea distorted views about the monthly payment TOPSY. houses, and run off as fast as I could. No; a madstone is only found in the stomach of the nected by an • inseparable bond of sympathy county was recently removed from Washing­ stores. There are, doubtless, some sharks ItOOM 2, MASONIC BUILDING. big policeman just then loomed up in thq dis­ deer. They are of different sizes and shapes, and dependence. Like a strand of many col­ ton to Dayton, and the court house, which among us, but most of us aim to do n fair, - PETER L. ttUIGIUfi, |l ored beads, tho brilliant and gold are wedged has stood for over fifty years, has become so legitimate businer charging but 10 per cent I detest babies. Gentle reader, you are tance. He would see me, give chase, I would but each one hha a ring around the side of. a be captured, hauled up before- the police brownish' color. The color when first taVen close against; tho somber and black, and all out of repair that it is deemed advisable to more for our goods that the men who sell for ready to declare me to be a cynical old bach­ held together by the lictfe silken thread of tear it down, and especially so as the county cosh do. Taking back of goods is always Win. Locktvood, elor; and if you are a woman, more espe­ courts for desertion, it would aU get into the from the stomach of the deer is a light ash [1ST & papers, my reputation, my business would be #olor, which darkens with age. The first one humanity. Qr similar to an immense piece has no further uso for it. Tho ground which avoided, for there is no money in a sale if the 'Mi cially a young woman, and an unmarried of human tapostjry/fah'eW the shuttle of fate it occupies is wanted for tho purpose of erect­ Real Estate, Insurance and Investment ruined. How the reporters, those soulless that I ever saw was in Larned, Kan., and I stock has to be taken back and turned over to UNION AVENUE, „,r one at that, you have already made up your Mnet ing a poor house, but it now appears impos­ vultures, would gloat over my unfortunate will relate the circumstances of the case. has f""dmitot*»dpeiwit tints. Deep the auction stores. It is only the monthly North of Norwalk Cemetery, ' ~ • Securities. mind to detest me for the brutal remark phidcWf ito nt^'flgmaf'staJKHn bold relief, sible to obtain workmen who aro willing' to predicament With what fiendish avidity r payment stores which keep second hand fur- MOWEH: TO IiOAW- with which I have introduced myself, and TttB WORK OF bNlf ttiSQ* J 'T J tear down tho old building, as it has been ROAWALK, - - C©WK they would run oyer all the towu to In l8& f was living there, arid fwijth here uuL there. A flash of crimson and nitur- that can profit by the utter failure of ."y Insurance l» ilrst-ClnsH Companies are forthwith ready to declare you will not purple, bi^llmi^ghL *U! is-tangled the jet knovni for years as the "haunted. court their patrons. We have families that we POWDER Dealer in In Green House ana Hot Honse and| read anything that such a heartless wretch gather up every scrap of my past history, mad dog made his appearance and.befqre he uir.re-Cor.MAlH & WAU. STS., KORWALK how I came by the mysterious baby. Strange­ bl^ck thread that-destiny fovea to weave in hous«."?3fi * 4ave carried along a year, and I doubt not Bedding and Vegetable Plants, Frnlt and Ornamen • would write. But 1 beg of you to withhold was killed' by Mr. Davittt&tt' hd M bitten evbry phase of lifk*-As4 you watch this sea iM-M "JIMMY LONESOME."-"*... •.-> .-I Absolutely Pure. ly 13 , ly enough, the idea t^at somebody would find four dogs, a 'calf, a cat and a young man. that other monthly payment stores have like­ tal Trees Shrubbery, Vines. Cut Flowers a!wa;s your indignation till I qualify my remark by of i moving, swarming beings there you will It has been nearly thirty ycars since the wise. To harass patrons would be to work This Powder never varies. A marvel of pure on hand and allsorts of deslgnsln Flowers arranged • ' further declaring that the antipathy which out whero the baby belonged gave me-a Tlie young man died in ten days in great cuppased spirits took possession of it, and they sense of relief during these, distracting recogntie1 indolence and labor, piety and sin, against our own interest. So far as rates of strength and wholesomeness. More economic to order. 4iys TliELUEN llllIII.lillTT. exists in my breast for these necessary mem­ ffiSaanazsAvarice and charity, all drifting with the havo- remained there ever since.
Load more

Recommended publications
  • Instruction Manual Manuel D'instructions Manual De
    Instruction Manual Manuel d’instructions Manual de instrucciones Manual de Instruções "IMPORTANT SAFETY INSTRUCTIONS" When using the sewing machine, basic safety precautions should always be followed, including the following: "Read all instructions before using." DANGER – To reduce the risk of electric shock: 1. The sewing machine should never be left unattended when plugged in. Always unplug this sewing machine from the electrical outlet immediately after using and before cleaning. 2. Always unplug before changing the light bulb. Replace bulb with same type rated 15 watts. WARNING – To reduce the risk of burns, fire, electric shock, or injury to persons: 1. Do not allow this machine to be used as a toy. Close attention is necessary when the sewing machine is used by or near children. 2. Use this sewing machine only for its intended use as described in this manual. Use only accessories recommended by the manufacturer as contained in this manual. 3. Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return the sewing machine to the nearest authorized dealer or service center for examination, repair, electrical or mechanical adjustment. 4. Never operate the sewing machine with any of the air openings blocked. Keep the ventilation openings of the sewing machine and foot controller free from the accumulation of lint, dust and loose cloth. 5. Never drop or insert any object into any openings. 6. Do not use this machine outdoors. 7. Do not operate this machine where aerosol (spray) products are being used or where oxygen is being administered.
    [Show full text]
  • What's Inside
    ECIPE R CH T I NEEDLE PUNCH ST Issue 25 $6.95 What’s Inside • Embroidered Wallflowers • Scattered Leaves Vest • The Happy Bag • Stable Stitches Page4 • Jubilee Tee • Going Round and Round • Something Fishy • Embroidery Special Effects • Southwest Stitches Pillow • The Eyes Have It! • Spontaneous Combustion table of contents EMBRoidered WALLFLowers 4 With colorful fabrics and wonderful variegated threads, this beautiful quilt made from a Benartex kit was only missing one thing…Embroidery! See how to create designs that fit the pieces of the quilt using only one design and Embroidery Software v5. SCAttered LEAves Vest 8 This simple vest becomes fabulous when you start with a colorful fabric, add painted accents, then a touch of embroidery, and finish with sparkling glitz. 34 thE hAPPy BAg 11 What makes this simple tote bag so spectacular? the large 12” x 12” design is created by arranging several motifs into a “square” using the BERNINA Embroidery Software and is easily stitched in one hooping using the happy voyager 12-needle embroidery machine. StABLE StItChes 14 One of the most important keys to creating professional-looking embroidery is choosing the correct stabilizer. Find the answers to your stabilizer questions that will yield the best embroidery results for your projects. JUBILEE tEE 18 See what happens when you combine My Label 3D Fashion Pattern Software with the multi-hooping feature of version 5 BERNINA Embroidery Software. Create a custom-embroidered one-of-a-kind t-shirt that adds style and panache to your wardrobe. goINg RoUND AND RoUND 20 Simple needle-punched shapes sprinkled with embroidered elements add impact to an otherwise non-descript garment.
    [Show full text]
  • Braiding Foot (ESG-BF) Instructions
    Baby Lock Sewing Accessories Braiding Foot (ESG-BF) Instructions The Baby Lock adjustable Braiding Foot allows great flexibility in the width of braid, cord, or elastic you can apply. Create beautiful Passementerie work with the Baby Lock Select a stitch that will encase, but not crush, the cord you are Braiding Foot. Passementerie work refers to the trimming of applying. fabrics with braids, cords, or beads in many forms or shapes. Couching is another technique where you can use the Baby Here is a good exercise you can try with this foot: Select a Lock Braiding Foot. zigzag stitch and adjust the width to 5mm. Use 1/8” elastic and insert it through the opening on the braiding foot (see MACHINE SETTINGS diagram). Sew over the elastic to the width of fabric without Set your Baby Lock machine for a zigzag stitch. Place the catching it. After stitching, pull the elastic to fit. This could be width of the zigzag just wide enough to clear the braid, cord, used for doll clothes or children’s sleeves. or elastic that you are using. Use a 2.0 twin needle and sew both sides of a 1/8” ribbon at Loosen the silver screw on the left of the foot to allow the same time as you guide it through the Braiding Foot. you to move the adjustable plate forward and back to accommodate varying widths of braid, cord, or elastic. Snug the plate close to the braid that you are applying to help guide the braid. Let the braid feed in as you guide the fabric on the transferred design.
    [Show full text]
  • Ttu Pmbc01 000022.Pdf (11.24Mb)
    <.ti-. i,: J A/UX' u // B u s I tifs ^'"'^'WlTl E R AND VOCABULARY BY EDWARD H. ELDRIDGE, PH.D. HEAD OF DEPARTMENT OF SECRETARIAL STUDIES SIMMONS COLLEGE, BOSTON AMERICAN BOOK COMPANY NEW YORK CINCINNATI CHICAGO COPYBIGHT, 1913, BY EDWARD II. ELDRIDGE. COFYKIGHT, 1913, IN GfiEAT BRITAINO ^ / / / / ^ W, P. 2 PREFACE IN offering a new business speller, it seems desirable to indicate some of the features in which the book differs from other publications and to suggest methods in which it may be employed. It is in some ways desirable that words in a spelling book should be presented in a manner as nearly like the way they appear in ordinary print as is possible. In endeavoring to do this there has been a tend­ ency in recent years to neglect syllabication, that other great aid to spelling. In this book the words are divided into syllables, but, in order to retain the similarity to original print, hyphens are not inserted between the syllables. It is undesirable to respell more than is necessary, for in respelling false ideas are given as to the proper spelling of the word. Only those words have been, yespelled where there would be doubt as to ftie pro­ nunciation, f"^;'/^ /^ r r ,-f: . ^ Some general principles regarding pronunciation of vowels are given in the beginning of the book, and an application of these principles has made it necessary to respell only a comparatively few words. No word has been respelled which is in strict conformity with these gen­ eral principles, unless it is a word which is generally mispronounced.
    [Show full text]
  • Ursula Wagner
    TextielLabTeexxttiieellL ab – YearbookYYeYearearararbboook 2012220112 Contents Cones Up Close P. 2 – 3 – Chapter 1 Special Collaborations & Independent Projects TextielLab Interiors & Products P. 6 – 47 Fashion P. 48 – 61 Young Talent P. 62 – 79 – Chapter 2 TextielMuseum Collection P. 80 – 89 – Chapter 3 Education P. 90 – 111 – Yearbook 2012 Yearbook Colophon P. 112 Insert TextielLab: Research & Development P. I - XXIV 1 2012 CONES UP CLOSE TextielLab FELT LUREX, STEV ABACA TREVIRA CS PAPER YARN P. – 34 P. – 102 P. – 102 P. – 18 P. – 102 Yearbook 2012 Yearbook ELIREX LUREX PMR 3720 / COPPER YARN TREVIRA CS POLYESTER RAFFIA ORGANIC COTTON METAL YARN P. – 42 P. – 102 P. – 18 P. – 42 P. – 42 P. – 102 Yearbook 2012 Yearbook TextielLab VISCOSE RAFFIA TREVIRA CS POLYAMIDE GLOW IN THE DARK TREVIRA CS P. – 42 P. – 18 P. – 42 P. – 34 P. – 18 2 3 Introduction The TextielLab is the inspiring atelier of the TextielMuseum where knowledge, technical expertise and materials come together. It is a creative laboratory allow- ing innovation to take centre stage. Where the factory looms of C. Mommers wove woollen cloth for 100 years, now computer-controlled textile machines have joined the ranks of traditional, mechanical looms. They are in constant use by international designers, artists and students, aided by a specialist team from the museum. Weaving is the main discipline at the TextielLab and increasingly the Lab is approached to advise in ambitious (interior design) projects as well to support designers in the development of textiles. A good example is the com- TextielLab mission from the Noordbrabants Museum in ’s-Hertogenbosch. Together with Chapter 01 – Special Collaborations & designer Kiki van Eijk, fire-retardant wallcoverings were made for the Statenzaal Independent Projects (State Hall) of the former provincial government building.
    [Show full text]
  • Attic Sampler Newsletter 04292011
    Where Samplers Rule Just 15 minutes from the Airport at the NE CORNER OF CENTER & MCKELLIPS 106 E. McKellips Rd, Suite 111 THE ATTIC Mesa, AZ 85201 2011 April 29 Issue No. 11-14 www.atticneedlework.com TELEPHONE (480)898-1838 FACSIMILE (480)898-0332 Rosewood Manor’s English Tapestry Sewing Box April’s Sampler of the Month As our April Sampler of the Month, you may save 15% on your purchase of 2 of the following: • chart $13 • 32c hand-dyed linen ~ minimum needed for just the sewing box, $19 OR enough to also stitch the needlebook and scissors fob designs included as “Be Creative!” extras $31. Both linen cuts include 2 Kelmscott Bluebell threadrings for the closure. • NPI silk $64 OR Belle Soie $75 OR the hand- dyed silk combo shown below (Belle Soie, Dinky Dyes, Gloriana & Gumnut) $101.25. May’s Sampler of the Month Our presentation to you of May's Sampler of the Month must wait a bit longer because our conversion to overdyed silks is still a work in progress. The photograph on the left shows some of the best fun of all: playing in beautiful silk threads and linen to select the palette. I know I said that the next edition of the newsletter would announce this sampler, but it’s not quite ready ... and it’s not quite May either ... AND there are still a few remaining days in April to save 15% on the gorgeous English Tapestry Sewing Box from Karen/Rosewood Manor. The Attic, Mesa, AZ Toll-Free: 1.888.94-ATTIC (1.888.942.8842) www.atticneedlework.com THE ATTIC! PAGE2 As a member of our Attic Addicts Club, during June April you may save 15% on your purchase of any April Saturday, June 4.
    [Show full text]
  • Great Article
    DEFINITIVE DESIGN + DECOR FASHION + HOME STYLING A WELL-DRESSED SPACE WITH Hermès Houlès Kamperett Charles de Lisle + Rachel Comey EDITOR’S NOTE DEAR FRIENDS, Walls wrapped in navy blue silk. A sleek midcentury sofa. Our Covet pages highlight the sartorial fabrics, lighting, The softest hand-knotted rug. A supremely stylish interior, accessories, and, of course, mirrors that give a space just like a couture wardrobe, starts with an impeccable polish and presence. And not to overlook the home foundation. The 2018 edition of 3D celebrates the afn- where your vêtements live, we feature made-to-measure ity between fashion and home, showcasing the exquisite wardrobes by Christopher Peacock. Our final feature tailoring, refined materials, and superb craftsmanship that showcases the stylish getaway San Francisco interior define the collections of the San Francisco Design Center. designer Kendall Wilkinson created for one of her clients. Highlighted by sophisticated fabrics and sharp silhou- We’re delighted to bring you pieces drawn from global ettes, it’s the epitome of a timeless ensemble. fashion capitals: Hermès and Houlès from Paris, Zinc from London, and Natasha Baradaran from Los Angeles. We also As you begin to tailor your own space, remember the share fashion inspiration closer to home: We explore the words of Givenchy: “Luxury is in each detail.” At the iconoclastic boutiques that San Francisco interior designer SFDC, that’s the foundation for everything. Charles de Lisle created for Rachel Comey, and the fashion mavens at Kamperett, known for elegant, minimal looks, curate their favorite pieces from the SFDC. ALISA CARROLL Editor-in-Chief 20 THE SAN FRANCISCO DESIGN CENTER 2018 FASHION + HOME FRAME FEATURES DEBUTS 37 LA MAISON HERMÈS 78 The hottest new furnishings Textiles and wallcoverings by the storied from the SFDC.
    [Show full text]
  • Embellishments: Exploring Dress in Detail
    Embellishments: Exploring Dress in Detail Madeleine Byrne Autumn Quarter 2018 Thesis submitted in completion of Honors Senior Capstone requirements for the DePaul University Honors Program Advisor: Deanna Aliosius, Head of Costume Technology, The Theatre School Faculty Reader: Cheryl Bachand, History of Art and Architecture Abstract: This exhibit and supporting written materials were created to explore historic costume in detail through a variety of techniques and contexts. Using a methods and materials based framework, this exhibit examines three objects and their construction. The supporting framework and theory behind this exhibit has been established by identifying the ways that fashion exhibits in museums have evolved over the 20th and 21st centuries, featuring case study examples from the Victoria and Albert Museum, the Museum of Modern Art, and the Chicago History Museum. This exhibit serves as an example of how fashion might be displayed in museums in the future to better serve its visitors. Table of Contents 1. Theory and Framework Paper 2. Exhibition Catalogue 3. Exhibit Text Deconstructing Fashion in Museums: Theory and Framework Fashion in museums is more present than ever, drawing crowds and perhaps even reinvigorating institutions in need of visitorship. However, despite the commercial success of fashion exhibits that center designers and aesthetics, fashion in the museum setting has greater potential to educate than the current model of blockbuster fashion exhibits allows. Clothing construction methods and materials have much to teach us about fashion objects beyond aesthetic appreciation. Museums must ask what the public stands to gain from exhibits of dress and fashion. Exhibits rooted in scholarship and research centering around materials, construction, and design approach have the potential for greater education and impact than those that frame fashion as pure artistic expression.
    [Show full text]
  • Needle and Sewing
    278 MARGRETHE HALD: ANCIENT DANISH TEXTILES FROM BOGS AND BURIALS CHAPTER IX NEEDLE AND SEWING The earliest needles among Danish finds are those of bone from the Mesolithic Period. A grave in Borrebyl) from the Neolithic Period contained a needle barely 7 em long, and about 1;2 em thick at the middle, which is pierced by an eye. This specimen gives the impression of being a sewing needle. Fig. 281 shows a number of bone and bronze needles all dating to the late Bronze Age2), but although one or two are relatively fine, there seems to be none which would meet the standard of sewing found among our prehistoric material. For example, not one of the needles is suf- ficiently fine to have executed the embroidery at the neck opening of the Skrydstrup poncho. I reached this conclusion after having to use the finest obtainable tapestry needle in order to copy this embroidery. We may therefore assume that already in the early Bronze Age sewing was accomplished with needles finer than the late Bronze Age finds would lead us to suppose. Evidence of sewing needles among Iron Age finds is sparse in Denmark. Needles, both long and short and mostly bronze, with oblong eyes near one end, are known from the Roman Iron Age. They resemble coarse darning needles3), but as they are found in burials in the same position as hairpins and pin ornaments, it cannot be absolutely certain that they were used for sewing. Bone needle cases, five in all, containing one or two needles of iron or bronze, and with an eye, have been recovered from Roman Iron Age sites4).
    [Show full text]
  • Twist Cord Pompom Fringe Guimpe & Passementerie
    Guimpe & Passementerie Twist Cord Guimpe is a narrow flat trim made with a tightly woven tiny cord-like Twist cord has 2, 3 or 4 plys of different twisted colors or fibers, with or material. This trim is made in such a way that it will turn easily when without a lip. trimming complex surfaces. The lip cord can be inserted in between 2 layers of fabric so only the cord Guimpe can be sewn by hand or machine, as well as glued, to trim pillows, is visible and is traditionally used on pillows and slipcovers. Lip cord may be furniture, curtains, lamp shades, apparel and craft items. used in the seams of garments as an embellishment. Cords without the lip Passementerie is an elaborate scroll-like design usually made by knitted are used as drawstrings or may be sewn on top of a garment passementarie metallic or other fibers that can be hand or machine sewn or glued to style, such as for frog closures. Twist cord can be hand or machine sewn or projects. It is often used as a top trim on special occasion apparel and glued onto craft projects, jewelry, home decor projects or apparel like: home decor projects. Passementerie is a great choice to use on holiday shoes, belts, totes and purses. pageant garments, ornaments and gifts, as well as Halloween costumes. Jewelry Pompom Fringe Pompom fringe has evenly spaced pompom balls attached to a plain or Tote Bag lace & trim guide & trim lace decorative header in a variety of sizes. It can be hand or machine sewn or glued, inserted into a seam or onto the surface to allow the header to show.
    [Show full text]
  • Slw07710 Passementerie – Grand Tassels with Multiple Moulds
    SHORT COURSE DETAILS SLW07710 PASSEMENTERIE – GRAND TASSELS WITH MULTIPLE MOULDS Tutor: ANNA CRUTCHLEY Dates: LONG WEEKEND THURSDAY 15 MARCH – SUNDAY 18 MARCH ABOUT YOUR COURSE: The most elegant tassels found in the great country houses of Europe usually comprise of a series of tassels moulds, some rolled horizontally with gimp thread, and others covered vertically with yarn and decorated with striping, snailing or nets, and with skirts hung with overbullions. In this course we will design a tassel with multiple moulds, looking at how to plan the shapes to give a beautiful silhouette, how to place colour to give the tassel the right ‘weight’ and how to decorate the moulds to enhance the design. Cords and skirts will also be designed to co-ordinate and increase its delicacy. This workshop will suit beginners, as well as those who feel confident with basic techniques and have attended a previous tassel making course with the tutor. Beginners will work in a mix of linen and rayon yarns which give rich texture and colour combinations. LEVEL: BEGINNERS/INTERMEDIATE For those with little or no experience and for those who have taken a related course. Suited to those who would like a structured introduction to a subject, with further building of skills to work towards independent practise. ABOUT YOUR TUTOR: Anna Crutchley trained in woven textiles and is a designer-maker of bespoke furnishing trimmings. She researches the history of tassel making, and is author of a number of popular books. TIMETABLE: Arrival day: Thursday 15 March From 4.00pm Arrival for residential students 6.45pm Non-residential students please arrive by 6.45pm for welcome chat and dinner 7.00pm Dinner 8.00pm – 9.00pm First teaching session – attendance is an essential part of the course.
    [Show full text]
  • Textile | Passementerie | Wallcoverings | Furniture | Accessoires
    Textile | Passementerie | Wallcoverings | Furniture | Accessoires ARDECORA ETAMINE HODSOLL McKENZIE TRAVERS WARNER FABRICS ZIMMER+ROHDE 1 MALAYA CHAMP ARISTO LAGOON PLAY ALANIS GEO WESTEND LIMA WILDLIFE OCEAN CHILL OUT ALITO LODGE COLON MAP BURMA COSTA ATLAS FESTIVAL SPHERE BAGAN 1 COSMOPOLITAN BORNEO HAVANNA JAKARTA INFINITY LINEN LOOK TAJO PARADISO INFINITY COTTON FEEL MARCO POLO 2 3 4 5 6 DESTINATIONS The Zimmer + Rohde collection chronicles the fascination of travel. Following the footsteps of Marco Polo, we set off on an expedition around the globe of the 21st century to discover the amazing variety of different places and cultures on our planet. Along our journey, we drew inspiration from exotic colour combinations and unusual shapes, shedding new light on the old and familiar. 2 3 HAVANNA A highly durable faux leather, in a classic braid style. This cool and uncomplicated material can be used in many different interior design genres, from contemporary to classic, and intimate to grander settings. FESTIVAL The pattern has a sketched look that takes on a life of its own every time the fabric moves – it looks like a blurred, colourful reflection of the surface of a body of water. Meticulous allover embroidery creates a feast of colours bound by gorgeous textile artistry. 2 1 3 4 1 Festival 275 | 2 Havanna 896 | 3 Champ 665 | 4 Infinity Cotton Feel 323 Left Page: Festival 275 First Page: 1 Cosmopolitan 426 | 2 Infinity Cotton Feel 543 | 3 Infinity Cotton Feel 183 4 Festival 516 | 5 Infinity Cotton Feel 993 | 6 Infinity Cotton Feel 443 5 1 2 3 4 1 2 3 4 5 1 Alanis 996 | 2 Champ 665 | 3 Champ 776 | 4 Champ 987 | 5 Champ 495 Right Page: 1 Paradiso 638 | 2 Ocean 657 | 3 Wildlife 775 | 4 Infinity Cotton Feel 666 | 5 Luna 457 5 6 LODGE The Far Eastern look of this weave is created using matte bouclé yarns on an elegant, finely threaded warp.
    [Show full text]