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Weaverswaver00stocrich.Pdf
University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
Cora Ginsburg Catalogue 2015
CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest. -
Senior Textile Artist Badge Workshop
Senior Textile Artist Badge Workshop An At-Home Program GSCCC Senior Textile Artist Badge Workshop (At-Home) • When you see fabrics, yarn, or string off all colors and textures what do you think of? Do you envision all of the things you could create? Let’s turn those visions into reality! Program Outline Materials: - Computer - Internet access - Materials for craft of choice Step 1: Choose your textile art There are a number of textile arts in the world from macramé to crocheting to quilting and much more. In this step you will be doing some research to learn about a textile art that you find interesting and that you would like to learn. Some of the most common textile arts are macramé, embroidery, cross-stitch, needlework, knitting, crocheting, weaving, and quilting. Do some research to find out about these or other textile arts. Below are some helpful links to start with. Here are a few links to get your search started – crochet, macramé, embroidery, weaving. Click here to see what some current textile artists are doing. Step 2: Find your tools and materials Now that you have chosen your art, you need to gather materials. Crocheting needs crochet hooks and yarn. Embroidery needs needles, embroidery floss, hoops, and fabric. Do some research about what you will need for your chosen textile art form. What all is involved? Do you know anyone who already has the supplies? Would they be willing to lend you some materials? Below are some great resources to learn about materials needed for the most common textile arts. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
Federal Register Volume 30 • Number 208
FEDERAL REGISTER VOLUME 30 • NUMBER 208 Wednesday, October 27,1965 • Washington, D.C. Pages 13619-13678 Agencies in this issue— The President Agriculture Department Air Force Department Atomic Energy Commission Civil Aeronautics Board Civil Service Commission Coast Guard Consumer and Marketing Service Customs Bureau Education Office Federal Aviation Agency Federal Communications Commission Federal Maritime Commission Federal Power Commission Fish and Wildlife Service Food and Drug Administration Indian Affairs Bureau Internal Revenue Service Interstate Commerce Commission Securities and Exchange Commission Treasury Department Detailed list of Contents appears inside. / Announcing a New Information Service Beginning August 2,1965, the General Services Admin The Weekly Compilation carries a Monday dateline. istration inaugurated a new information service, the It includes an Index of Contents on the first page and a “Weekly Compilation of Presidential Documents.” The Cumulative Index at the end. Other finding aids include service makes available transcripts of the President’s lists of laws approved by the President and of nomina news conferences, messages to Congress, public speeches tions submitted to the Senate, and a checklist of White and statements, and other Presidential materials released House releases. by the White House up to 5 p.m. of each Friday. The official distribution for the Weekly Compilation of The Weekly Compilation was developed in response to Presidential Documents is governed by regulations pub many requests received by the White House and the lished in the F ederal R egister dated July 31, 1965 (30 Bureau of the Budget for a better means of distributing F.R. 9573; 1 CFR 32.40). Members of Congress and Presidential materials. -
August 2021.Indd
Search Press Ltd August 2021 The Complete Book of patchwork, Quilting & Appliqué by Linda Seward www.searchpress.com/trade SEARCH PRESS LIMITED The world’s finest art and craft books ADVANCE INFORMATION Drawing - A Complete Guide: Nature Giovanni Civardi Publication 31st August 2021 Price £12.99 ISBN 9781782218807 Format Paperback 218 x 152 mm Extent 400 pages Illustrations 960 Black & white illustrations Publisher Search Press Classification Drawing & sketching BIC CODE/S AFF, WFA SALES REGIONS WORLD Key Selling Points Giovanni Civardi is a best-selling author and artist who has sold over 600,000 books worldwide No-nonsense advice on the key skills for drawing nature – from understanding perspective to capturing light and shade Subjects include favourites such as country scenes, flowers, fruit, animals and more Perfect book for both beginner and experienced artists looking for an inspirational yet informative introduction to drawing natural subjects This guide is bind-up of seven books from Search Press’s successful Art of Drawing series: Drawing Techniques; Understanding Perspective; Drawing Scenery; Drawing Light & Shade; Flowers, Fruit & Vegetables; Drawing Pets; and Wild Animals. Description Learn to draw the natural world with this inspiring and accessible guide by master-artist Giovanni Civardi. Beginning with the key drawing methods and essential materials you’ll need to start your artistic journey, along with advice on drawing perspective as well as light and shade, learn to sketch country scenes, fruit, vegetables, animals and more. Throughout you’ll find hundreds of helpful and practical illustrations, along with stunning examples of Civardi’s work that exemplify his favourite techniques for capturing the natural world. -
Books Updated 9/15/20
Library of the Central Coast Weavers Books Updated 9/15/20 Author Title Subject Adrosko, Rita Natural dyes and home dyeing. – 2 copies Dyeing Albers, Anni On weaving. – 2 copies Weaving Albers, Josef Interaction of color. Color Alderman, Sharon A handweaver’s notebook; swatch collections from Weaving Handwoven magazine. Alderman, Sharon Handwoven, tailormade. Sewing Alderman, Sharon Mastering weave structures. Weaving Allard, Mary Rug making: techniques and design. Rugs Allen, Elsie Pomo basketmaking. Basketry Allen, Heather Weaving contemporary rag rugs. Weaving Allen, Jeanne Showing your colors; a designer’s guide to coordinating your Color wardrobe. Alvarez, Nilda Callanaupa Weaving in the Peruvian highlands. Weaving Ambuter, Carolyn The open canvas. Embroidery Amini, Majid Oriental rugs; care and repair Rugs Amos, Alden The Alden Amos big book of handspinning. Spinning Amsden, Charles Avery Navaho weaving, its technic and history Navajo rugs Anders, Nedda Applique – old and new. Applique Anderson, Beryl Creative spinning, weaving & plant dyeing. Weaving Anderson, Clarita Weave structures used in North American coverlets. Weaving Anderson, Sarah B. The spinner’s book of yarn design. Spinning Arn-Grischott, Ursina Doubleweave on four to eight shafts – ideas for weaving double Doubleweave and multilayered fabrics. Ashley, Clifford The Ashley book of knots. Knotting Aswani, K. T. Fancy weaving mechanisms. Looms Atwater, Mary Meigs Byways in hand-weaving. – 2 copies Weaving Atwater, Mary Meigs Design and the handweaver. Weaving Atwater, Mary Meigs Handwoven rugs. Weaving Atwater, Mary Meigs The Shuttle-Craft book of American Handweaving. – 3 copies Weaving Atwater, Mary Meigs Shuttle-Craft guild recipe book. Weaving Badger, Ros Little badger knitwear: knitted projects for babies and toddlers. -
Textile Society of America Newsletter 21:3 — Fall 2009 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2009 Textile Society of America Newsletter 21:3 — Fall 2009 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 21:3 — Fall 2009" (2009). Textile Society of America Newsletters. 56. https://digitalcommons.unl.edu/tsanews/56 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. T VOLUME 21 NUMBER 3 FALL, 2009 S A Conservation of Three Hawaiian Feather Cloaks by Elizabeth Nunan and Aimée Ducey CONTENTS ACRED GARMENTS ONCE to fully support the cloaks and and the feathers determined the worn by the male mem- provide a culturally appropriate scope of the treatment. 1 Conservation of Three Hawaiian bers of the Hawaiian ali’i, display. The museum plans to The Chapman cloak is Feather Cloaks S or chiefs, feather cloaks and stabilize the entire collection in thought to be the oldest in the 2 Symposium 2010: Activities and capes serve today as iconic order to alternate the exhibition collection, dating to the mid-18th Exhibitions symbols of Hawaiian culture. of the cloaks, therefore shorten- century, and it is also the most 3 From the President During the summer of 2007 ing the display period of any deteriorated. -
Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California. -
Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204) Julia Galliker University of Michigan
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Terminologies from the Orient to the Centre for Textile Research Mediterranean and Europe, 1000 BC to 1000 AD 2017 Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204) Julia Galliker University of Michigan Follow this and additional works at: http://digitalcommons.unl.edu/texterm Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Art and Materials Conservation Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, Fiber, Textile, and Weaving Arts Commons, Indo-European Linguistics and Philology Commons, Jewish Studies Commons, Museum Studies Commons, Near Eastern Languages and Societies Commons, and the Other History of Art, Architecture, and Archaeology Commons Galliker, Julia, "Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204)" (2017). Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD. 27. http://digitalcommons.unl.edu/texterm/27 This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204) Julia Galliker, University of Michigan In Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, ed. Salvatore Gaspa, Cécile Michel, & Marie-Louise Nosch (Lincoln, NE: Zea Books, 2017), pp. 346-373. -
Reference (Ref)
The Quilters’ Guild of the British Isles LIBRARY CATALOGUE – REFERENCE (REF) Shelf Author Title ISBN Copy Mark Number REF/142 (Japanese Publication) QUILTS IN BRITAIN 142 REF/163 A NEEDLECRAFT PRODUCTION QUILTING BY PENELOPE 000N53 REF/81 A NEEDLECRAFT PRODUCTION QUILTING BY PENELOPE book 2 000N52 REF/61 ADLER & BARNARD ASAFO! AFRICAN FLAGS OF THE FANTE 0-500-27684-6 968 REF/42 AGUTTER MARGARET MODERN PATCHWORK PITMANS CRAFT FOR ALL SERIES 1439 REF/140 ALLAN ROSEMARY E QUILTS & COVERLETS: The Beamish Collections 905054113 R140 REF/116 ALLEN ROSEMARY E NORTH COUNTRY QUILTS & COVERLETS FROM BEAMISH MUSEUM 0 905054 03 2 26297 REF/93 ARCHER DR BERNICE PATCHWORK OF INTERNMENT 0953-0174-5-1 000N77 REF/69 BALLARD LINDA ULSTER NEEDLEWORK 0 902588 435 99 REF/101 BALLEY JOY & BRIGHT MEMENTO FOR BRIDGET 26293 CATHERINE REF/109 BASSETT LYNNE Z & LARKIN NORTHERN COMFORT: NEW ENGLAND'S EARLY QUILTS 1780-1850 1-55853-655-8 00N1056 JACK REF/173 BERENSON KATHRYN MARSEILLE - THE CRADLE OF WHITE CORDED QUILTING 9.78E+12 262742 REF/41 BETTERTON SHIELA QUILTS & COVERLETS 950497142 1438 REF/17 BEYER ALICE QUILTING 710 REF/102 BISHOP ROBERT NEW DISCOVERIES IN AMERICAN QUILTS 0-525-16552-5 00N1055 REF/52 BLACKETT-ORD ROSEMARY THE HELBECK COLLECTION . AN EXHIBITION OF ENGLISH PATCHWORK 1629 QUILTS & COVERLET DE TOILES DE JOUE & PATTERN BOOKS REF/95 BOSTON DIANA PATCHWORKS OF LUCY BOSTON 0-905899-21-0 00N629 REF BQSG QUILT STUDIES ISSUE 1 1999 1467-2723 00N154 REF BQSG QUILT STUDIES ISSUE 3 2001 1467-2723 00N158 REF 153 BQSG QUILT STUDIES ISSUE 10 2009 REF 153 -
At High Country Quilts?
• Newsletter• Newsletter & Class & Class Schedule Schedule for High for High Country Country Quilts Quilts • Winter • Fall 2009 2007 • $1.25• at High Country Quilts? The weather is still frosty and January is here. We have some great offerings for you to start the New Year! HIGH COUNTRY QUILTS Sue McMillin will give you some wise advice 4771 North Academy Boulevard regarding organizing your space so you can spend more Colorado Springs, CO 80918 of your free time sewing! Sue is a professional, whose 719/598-1312 business, With Time to Spare, has helped pull us from http://www.hcquilts.com/ Conveniently Located… the mire of clutter we had built up around the shop. Behind Denny’s at the southeast corner of We’re not finished yet, but, boy, do we have the tools to SHOP HOURS Academy and Flintridge get the rest of the job done! Thanks, Sue! Monday through Saturday 9:30 a.m.–6:00 p.m. There are several Block of the Month patterns for Closed Sundays you to choose from and some new clubs too. We can’t seem to restrain our excitement when we see some of the projects we think you’ll enjoy. Each one has its own Wildflower Quilt charm and appeal. We’re offering our “traditional” Instructor: Staff block of the month (at least we think of it as a tradition) Level: Advanced in two different flavors this year. It is a very cool pattern Beginner from the book Kansas Spirit by Jeanne Poore, which Registration: $50 we are stitching up in a neat set of taupes, blacks, and (setting and pattern lights.