Defining Crochet
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Schmetz Needle Guide
NEEDLE GUIDE Needle Anatomy Butt: The beveled end allows easy insertion in the needle bar. Shank: Household needles have a flat shank, while commercial and industrial needles have round, threaded, notched or other special shanks. Shanks allow perfect positioning of the needle in the sewing machine needle bar. Shoulder: The sloping area transitioning between the shank and blade. Schmetz color codes appear on the shoulder. Blade: Needle size is determined by the blade diameter (i.e., size 75 is .75mm) Groove: The groove cradles and guides thread to the eye. The length and size of the groove vary according to needle type. Scarf: The indentation above the eye that allows the bobbin hook to smoothly grab the thread under the throat plate to create a stitch. The shape and size of the scarf vary according to needle type. Eye: The hole through which thread passes. The shape and size of the eye vary according to needle type. Point and Tip: Length, shape and size vary according to needle types. Change Your Needle 130/705 H Damaged or worn needles result in: Household sewing machines require a needle with a flattened shank. All needles in this system have a flattened shank for perfect needle • Broken or shredded threads positioning in the needle bar in relation to the hook. • Skipped stitches • Puckered fabrics • Damaged fabrics Schmetz Works with All Sewing Machines! • Uneven threads Schmetz needles work with all new, current and older household sewing machines! Replace Your Needle It’s the easiest way to How to Read a Needle Package improve your stitch quality. -
Stitch Guide by Johanna Lindahl
1 Stitch Guide By Johanna Lindahl In this stitch guide all the uncommon stitches used in my patterns are described. Note that sometimes stitches are made in a different way than in this guide and in that case that specific stitch is described in the pattern. Content, US terms: • Picot • Popcorn (pop) • Puff • Front post slip stitch (FPss) • Front post single crochet (FPsc) • Double crochet 2 together (dc2tog) • Double crochet 3 together (dc3tog) • Front post double crochet (FPdc) • Front post treble (FPtr) • Front post trebles 2 together (FPtr2tog) • Back post slip stitch (BPss) • Back post single crochet (BPsc) • Back post half double crochet (BPhdc) • Back post double crochet (BPdc) • Back post treble (BPtr) • Spike single crochet • Standing single crochet • Standing double crochet • Invisible join Ravelry Store: Johanna Lindahl Designs Blogg: mijocrochet.se | Facebook: Mijo Crochet | Instagram: @mijocrochet Mijo Crochet 2018. Picot 2 Chain one (or more). Then you make a slip stitch through the front loop and the front vertical loop in the single crochet (or dc) just made. Popcorn (pop) Make 4 double crochet in the specified stitch. Drop the loop from your hook and then insert your hook in the first double crochet you made. Grab the dropped loop and pull it through the stitch. Ravelry Store: Johanna Lindahl Designs Blogg: mijocrochet.se | Facebook: Mijo Crochet | Instagram: @mijocrochet Mijo Crochet 2018. Puff 3 Yo, insert the hook into the specified stitch. Pull the yarn through the stitch. [Yo and insert the hook into the same stitch and yo again. Pull the yarn through the stitch] 3 more times. -
Faculty Development Grant Report Sumi Lee Professor of Fashion
Faculty Development Grant Report Sumi Lee Professor of Fashion Design Faculty Development Grant Report Submitted Sep.11th, 2017 Sumi Lee Professor of Fashion Design Project Description: In Fall 2016, I received a Faculty Development Grant to fund a textile art workshop titled “Places, Spaces and Traces” in Les Carroz, France. This workshop focused on creating artistic textile surfaces, while experimenting with found materials, different media, novel techniques, mark-making (i.e., use of stitch as a “line”), and paint methods on fabric (e.g., sun prints with silk dyes). These different approaches to creating textiles are often described as “painting with cloth.” This workshop was instructed by a renowned textile artist from the U.K., Cas Holmes, author of several books and articles including “The Found Object in Textile Art” and “Stitch Stories”. She utilizes a unique “hands-on” approach that showcases her experimental use of found materials and inventive application of textile and mixed media procedures. Significant Activities: According to Cas Holmes, the most important aspect of “creating art” is the process of developing one’s own approach to subject matter in a meaningful way. Specifically, Holmes showed how she makes connections to natural environments in developing her narratives and her personal vision as a textile artist. #1. Stitch- Sketching: Drawing and recording daily observation, and the realization of those ideas in textile is a process. Sketchbook by Cas Holms Sketchbook by Sumi Lee The colors, textures, and changing light over the meadows, fields and landscape can provide a stimulus for the narrative, formal, or abstract quality in textile works. -
Sewing Technique: Lock Stitch (Hem 1”)
Sewing Technique: Lock Stitch (Hem 1”) The lock stitch is a hand stitch used for hemming purposes. It gives a secure hold with limited view of the thread on the outer side of the garment. STEP 1: Stay stitch ¼-inch from the fabric edge. (A stay stitch is a single line that is used for guidance and to keep the fabric from fraying. It is a normal stitch length and backstitching is a personal preference.) STEP 2: Fold the hem edge back 1-inch. Press fold in order to make a crease in the fabric. Press fabric 1 again ¼-inch. This press will follow the stay stitch seam. STEP 3: Secure thread to the folded edge of fabric on stay stitch line in order to hide the knot. STEP 4: Moving left, make a small stitch (1/2 to ¾ inch). The stitch should first go through the ¼-inch fold; then a small stitch is made that only goes through the outside layer of the garment. Pull thread gently back through to the inside of the garment. Avoid pulling the thread tight as the needle passes back through the loop created from the stitch. 5 3 5 STEP 6: To tighten lock stitch, pull thread to the left. STEP 7: Continue moving left and repeating step 5 until seam is complete. STEP 8: Once finished, secure thread to prevent it from unraveling. NOTE: The lock stitch can be used in place of a catch stitch. 7 6 Industry Standards for a Well-Constructed Hem: • Hem is level • Hem lies flat • No puckers, twists, or extra bulk • Hand stitching is not visible on correct side of garment • Hand stitches are evenly spaced • Topstitching is even and parallel to hemline References: Readers Digest. -
Charles A. Whitaker Auction Co. October 29-30 Session Two Lot 549-1244
Charles A. Whitaker Auction Co. October 29-30 Session Two Lot 549-1244 549 FRENCH CHINOISERIE BROCADE SILK, c. 1740-1750. Four small panels including one pieced, having ivory pattern on raspberry ground. Three pieces 24 wide x 15 1/2, 26 and 31. One 28 1/2 x 17. Holes and tears, fair. $57.50 550 LOT of SILK TEXILES, 18th C. Consisting of a red velvet panel, cushion cover and valance, the valance having shield-form tabs (applique and tassels removed), and a panel with narrow stripes in cream, dusty rose, yellow and green on a tiny checked weave. Fair. $34.50 551 THREE PRINTED COTTON PANELS, 19th C. One striped in teal with small white leaves and white with red and tan botehs, probably Persian. One English floral print. Both excellent. One large pieced panel with pomegranate trees, probably Indian, (oxidizing browns, mends and tears) poor. $103.50 552 BEADED NEEDLEWORK VICTORIAN BELL PULL. Wool flowers with beaded foliage on a ground of crystal beads having a Bohemian glass finial. (Glass cracked, backing shattered, minor bead loss) needlework intact, fair. $230.00 553 LOT of ASSORTED SMALL BEAD and NEEDLEWORK, 18th-19th C. Including two 18th C. petit point rectangles of figures in landscapes, three rectangles of needlework birds, a silk satin embroidered bag having gilt metal doves and chenille bell tassels, two framed 18th C embroideries: one eagle in tree, one basket of fruit. Good-excellent. $345.00 554 TWO PIECED SILK TEXTILES with FLORAL BROCADE, 18th C. Dusty pink damask bedcover with a serpentine floral in pastel hues, backed in blue silk, (some splits, mostly at seams). -
Instruction Manual Manuel D'instructions Manual De
Instruction Manual Manuel d’instructions Manual de instrucciones Manual de Instruções "IMPORTANT SAFETY INSTRUCTIONS" When using the sewing machine, basic safety precautions should always be followed, including the following: "Read all instructions before using." DANGER – To reduce the risk of electric shock: 1. The sewing machine should never be left unattended when plugged in. Always unplug this sewing machine from the electrical outlet immediately after using and before cleaning. 2. Always unplug before changing the light bulb. Replace bulb with same type rated 15 watts. WARNING – To reduce the risk of burns, fire, electric shock, or injury to persons: 1. Do not allow this machine to be used as a toy. Close attention is necessary when the sewing machine is used by or near children. 2. Use this sewing machine only for its intended use as described in this manual. Use only accessories recommended by the manufacturer as contained in this manual. 3. Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return the sewing machine to the nearest authorized dealer or service center for examination, repair, electrical or mechanical adjustment. 4. Never operate the sewing machine with any of the air openings blocked. Keep the ventilation openings of the sewing machine and foot controller free from the accumulation of lint, dust and loose cloth. 5. Never drop or insert any object into any openings. 6. Do not use this machine outdoors. 7. Do not operate this machine where aerosol (spray) products are being used or where oxygen is being administered. -
Learn to Sew!
Fun at Home Learn to Sew When people think of sewing, they think of sewing machines. Sewing machines are wonderful but are still a fairly new invention. What were humans doing before machines? Sewing by hand! Humans started sewing by hand as far back as 40,000 years ago. The original sewing needles, like all tools, were made from bone, antler, and ivory. At Bone needles found at Historic Jamestown this time, humans were making cordage, or twined fibers, to use as thread. The first record of an invention like the sewing machine dates to a man named Thomas Saint in 1790. The first successful machine came in 1830 from a Frenchman named Barthelemy Thimmonnier. On the American front, no one is as well known as Isaac Merrit Singer. Singer worked off the designs of other inventors, including Thimmonnier and American Walter Hunt, to create his Singer Sewing A Singer Sewing Machine, machine. Since its creation, it has allowed for easier Smithsonian Archives and quicker creations. There’s an example of a sewing machine in our 1890s Farm House. There have been improvements since Singer’s original designs. For example, Helen Blanchard has 22 patents for sewing machine related inventions! Even though machines make tasks easier, it’s always a good idea to learn how to do things by hand. Learn two basic stitches to fix and sew some projects of your own! Helen Blanchard Craft: Stitches Here is an outline for two basic stitches. All you need is a needle, thread, and some scrap pieces of fabric. Once you get the hang of these, search for more to master! The Running Stitch 1. -
Just Sew-It Twin Needles
BERNINA eBook Series JUST SEW IT! Exploring Twin Needles Written by Megann Freese EXPLORING TWIN NEEDLES In the wide array of techniques used in the sewing, quilting, and embroidery worlds, different needles are needed to provide the best results for every project. Twin needles, or double needles, are a type of needle that is often overlooked, but prove to be very useful in every category of sewing, not to mention that they are fun to use. Twin needles are two needles leading to two identical rows of parallel stitching accomplished using a single bobbin. Available in different types, sizes, and needle distances, there are few techniques that the twin needle cannot accomplish. This eBook discusses the anatomy of the twin needle, the different sizes and types, how to set up the sewing machine to operate with this type of needle, and different sewing techniques that are enhanced with the twin needle. ANATOMY How is the twin needle designed? The anatomy is simple: The two needles are connected to a single shank by a plastic bridge piece. The bridge piece acts as the shoulder for both needle shafts. Each needle has its own groove, eye, and point; however, both are the exact same size. The shank of a twin needle has a flat side, like that of a singular needle, which should be positioned to the back when inserted into the machine. Each needle has its own thread supply. Two spools of thread are needed for proper threading. NEEDLE ANATOMY LABELED Point Eye Shank Bridge Groove Two Needles PAGE 1 © 2020 BERNINA of America bernina.com EXPLORING TWIN NEEDLES HOW THE STITCHES ARE MADE In order to use a twin needle, or double needle, the sewing machine must be able to do a zigzag stitch. -
The Priscilla Filet Crochet Book; a Collection of Beautiful Designs In
I (y^ \f Hollinger Corp. pH8.5 TT 820 .R7 Copy 1 tide ^risiciUaJfilet Crocijet poofe A COLLECTION OF BEAUTIFUL DESIGNS IN FILET CROCHET EQUALLY ADAPTED TO CROSS-STITCH BEADS AND CANVAS WITH Wotkin^ directions; BY BELLE ROBINSON PRICE. 25 CENTS PUBLISHED BY tETfje $rt£;ciUa ^uiilifiitjing Company 85 BROAD STREET. BOSTON. MASS. Copyright. 1911, by The PriicilU Publiihing Company. Botlon, Mau. ^ No. 1450. Pillow in Filet Crochet and Cross Stitch Embroidery See Page 5 and Figs. 12, 13, 15, 16, 18 i^ ©ci.A:u»3aoo Ho. ( 4th row — Turn with triangle, x open, 2 solid, i open, i solid, i open. Turn with $ chain. 5th row — Three open, i solid, i MmMwWM open, I triangle. 6th row — Turn with triangle, 2 open, I solid, I open. Fig. 3 Patternof Fig. 2 7th row — Turn with open, i mil 5, 3 triangle, etc. In Filet, it is a rare e.xception that has not one mm row, or more, of open meshes outside the design, and we should follow the same rule in Filet Crochet. The edge of a medallion or insert is usually covered with single crochet, three stitches over each chain of two and four stitches over each triangular mesh. This corresponds nicely with the Fig. 2 buttonhole-stitch with which the netted medallion Working Model of Pattern Fig. 3 is invariably finished. It will always be one more than a multiple of 3, Figure 6 is a model of the border of Doily, as io, 13, 16, 19, etc. 4, 7, Fig. 22, showing how to mitre the corner in a way In the 3d row (following Working Model, Fig. -
What's Inside
ECIPE R CH T I NEEDLE PUNCH ST Issue 25 $6.95 What’s Inside • Embroidered Wallflowers • Scattered Leaves Vest • The Happy Bag • Stable Stitches Page4 • Jubilee Tee • Going Round and Round • Something Fishy • Embroidery Special Effects • Southwest Stitches Pillow • The Eyes Have It! • Spontaneous Combustion table of contents EMBRoidered WALLFLowers 4 With colorful fabrics and wonderful variegated threads, this beautiful quilt made from a Benartex kit was only missing one thing…Embroidery! See how to create designs that fit the pieces of the quilt using only one design and Embroidery Software v5. SCAttered LEAves Vest 8 This simple vest becomes fabulous when you start with a colorful fabric, add painted accents, then a touch of embroidery, and finish with sparkling glitz. 34 thE hAPPy BAg 11 What makes this simple tote bag so spectacular? the large 12” x 12” design is created by arranging several motifs into a “square” using the BERNINA Embroidery Software and is easily stitched in one hooping using the happy voyager 12-needle embroidery machine. StABLE StItChes 14 One of the most important keys to creating professional-looking embroidery is choosing the correct stabilizer. Find the answers to your stabilizer questions that will yield the best embroidery results for your projects. JUBILEE tEE 18 See what happens when you combine My Label 3D Fashion Pattern Software with the multi-hooping feature of version 5 BERNINA Embroidery Software. Create a custom-embroidered one-of-a-kind t-shirt that adds style and panache to your wardrobe. goINg RoUND AND RoUND 20 Simple needle-punched shapes sprinkled with embroidered elements add impact to an otherwise non-descript garment. -
Braiding Foot (ESG-BF) Instructions
Baby Lock Sewing Accessories Braiding Foot (ESG-BF) Instructions The Baby Lock adjustable Braiding Foot allows great flexibility in the width of braid, cord, or elastic you can apply. Create beautiful Passementerie work with the Baby Lock Select a stitch that will encase, but not crush, the cord you are Braiding Foot. Passementerie work refers to the trimming of applying. fabrics with braids, cords, or beads in many forms or shapes. Couching is another technique where you can use the Baby Here is a good exercise you can try with this foot: Select a Lock Braiding Foot. zigzag stitch and adjust the width to 5mm. Use 1/8” elastic and insert it through the opening on the braiding foot (see MACHINE SETTINGS diagram). Sew over the elastic to the width of fabric without Set your Baby Lock machine for a zigzag stitch. Place the catching it. After stitching, pull the elastic to fit. This could be width of the zigzag just wide enough to clear the braid, cord, used for doll clothes or children’s sleeves. or elastic that you are using. Use a 2.0 twin needle and sew both sides of a 1/8” ribbon at Loosen the silver screw on the left of the foot to allow the same time as you guide it through the Braiding Foot. you to move the adjustable plate forward and back to accommodate varying widths of braid, cord, or elastic. Snug the plate close to the braid that you are applying to help guide the braid. Let the braid feed in as you guide the fabric on the transferred design. -
Ttu Pmbc01 000022.Pdf (11.24Mb)
<.ti-. i,: J A/UX' u // B u s I tifs ^'"'^'WlTl E R AND VOCABULARY BY EDWARD H. ELDRIDGE, PH.D. HEAD OF DEPARTMENT OF SECRETARIAL STUDIES SIMMONS COLLEGE, BOSTON AMERICAN BOOK COMPANY NEW YORK CINCINNATI CHICAGO COPYBIGHT, 1913, BY EDWARD II. ELDRIDGE. COFYKIGHT, 1913, IN GfiEAT BRITAINO ^ / / / / ^ W, P. 2 PREFACE IN offering a new business speller, it seems desirable to indicate some of the features in which the book differs from other publications and to suggest methods in which it may be employed. It is in some ways desirable that words in a spelling book should be presented in a manner as nearly like the way they appear in ordinary print as is possible. In endeavoring to do this there has been a tend ency in recent years to neglect syllabication, that other great aid to spelling. In this book the words are divided into syllables, but, in order to retain the similarity to original print, hyphens are not inserted between the syllables. It is undesirable to respell more than is necessary, for in respelling false ideas are given as to the proper spelling of the word. Only those words have been, yespelled where there would be doubt as to ftie pro nunciation, f"^;'/^ /^ r r ,-f: . ^ Some general principles regarding pronunciation of vowels are given in the beginning of the book, and an application of these principles has made it necessary to respell only a comparatively few words. No word has been respelled which is in strict conformity with these gen eral principles, unless it is a word which is generally mispronounced.