DOCSLIB.ORG

MICHAEL KISSAUN Film & Television

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MICHAEL KISSAUN Film & Television MICHAEL KISSAUN Film & Television PRODUCER LINE PRODUCER 1st ASSISTANT DIRECTOR CONTACT [email protected] +356 99540307 www.kissaun.com Member of "The Directors Guild of Germany" Michael, has lived in Malta, Rome, Paris, London and Germany, he has been working in the film business since 1979 and began his career with “Popeye” a Paramount / Walt Disney Production, Directed by Robert Altman. His training as a 1st AD took off under Carlo Cotti - then Franco Zeffirelli’s 1st AD. Since then Michael has worked constantly internationally Michael’s experience ranges from Big Budget Advertising and International Cinema to High profile Prime Time TV Movies and Low Budget Advertising. His ability to converse in English, German, Italian and Maltese (an Semitic/Arabic dialect) and a working knowledge of French add to his ability to co-ordinate international crews. Although Michael has also worked in the Production Department in all capacities, he is essentially a creative person and in December 2000, Michael successfully completed a Directors training course with Mark Travis – UCLA - DGA. In 2009 Michael completed a EU Media/ FFA Berlin sponsored Course in Line Producing. Primarily working as a 1st Assistant Director, Michael’s experience on Location in Cornwall. UK expands the Globe, having assisted in various productions filming in Canada, New Zealand, Caribbean; Central America; the USA; Morocco, Germany, Austria, Ireland; Italy; Venice and the UK. After living in Germany and working in the German film industry for 20 years, Michael has, in 2013, reallocated back to Malta. � CV - LOCATION EXPIERENCE • Malta • Germany (North, South & Alps) • Austria • England (Cornwall – Devon - London) • Italy • Venice • Morocco (Marrakesh & Zagora) • USA - Bar Harbor & Martha’s Vineyard • Canada - Calgary & Rockies National Park – Montreal – Quebec. St Lawrence River – Prince Edward Island • Ireland – Dublin & Westport & Various locations West Ireland • New Zealand – Auckland – Wellington • Croatia - Dubrovnick - Zadar - Kornati National Park on Location in Vilnius. Lituania • MS Deutschland (Luxury Cruise Ship) • Mexico – Acapulco. • Central America • Puerto Rico • Seville - Spain • Vilnius - Lithuania � CV - LANGUAGES English • (Mother tongue.) German • (Fluent written & oral.) Maltese • (2nd Mother tongue - Semitic /Arabic Dialect) Italian • (very good oral.) on Location Kornati National Park French • (very Rusty – out of practice.) Japanese • (Learnt basics of Kanji, Hiragana & Katakana.) � CV - Film Experience & Credits • Producer • 1st Assistant Direction. • Post Production Supervison • Budget and Scheduling • Single & multi Camera • Casting & Direction of Main Actors, Minor Cast • Casting & Co-ordination of Front Liners & Extras • Film experience, working with Children & Animals • Vast experience in Open Sea Shooting • Specialist in Water & Storm EFX & Co-ordination • Experience in Underwater Shooting and Co-ordination on Location in Calgary. Canada • Experience in High Profile Automobile Advertising • Vast experience with Stunts, SFX and Explosive Shoots • Practical experience with Editing and DVD Authoring • Final Cut Pro, DVD Pro. Soundtrack & Shake • 2nd Unit Direction • Experience in Location Research: Historical & Modern • Experience in Period & Costume Films • Experience in Air to Air, Ground to Air & Air to Ground Filming • Vast experience in mixed (nationality) Crews � CV - PERSONAL DEVELOPMENT Directors Training A Directors Journey Directors Master Class Directors Workshop Coaching Director: Mark W Travis (Directors Guild of America) on Location in Wellington. New Zealand Line Producing Training – ( Film Budgeting ) Production Value/Focal.ch Sponsored by EU Media/ FFA Berlin (Federal Film Board Germany) � CV FILM & TV Production assistant “Popeye” Paramount Pictures 1st. Assistant Director “Wildbach” Ard/Br/ Helbos Film. (35mm film) Walt Disney Corp. (16mm Episode 33/34/35) München. Germ Director: Robert Altman USA Director: Karin Hercher 2nd.Assistant Director “Samraat” 7 Arts Pictures 1st. Assistant Director “Unser Charly” Zdf/Phoenix Film (35mm Film) Bombay. India (16mm Pilot & Episodes 1-5) Berlin. Germany Director: Mohan Segal Director: Helmut Förnbacher 2nd.Assistant Director “Trenchcoat” Touchstone Films 1st. Assistant Director “Flughafenklinik” RTL/Bavaria Film GmbH (35mm Film) Jerry Leider Prod. (16mm Episode 1,2 & 3) München. Germany Director: Michael Tuckner USA Director: Niki Stein Extras Coordinator. “Reilly Ace Of Spies” Thames Tv / Euston Films 1st. Assistant Director “Der Fahnder” ARD/Colonia Media (35mm Episodes 1 & 2) London. England. (16mm Episode 136/137/138) Köln. Germany Director: Malcolm Craddock/ Jim Goddard Director: Michael Zens 2nd. Assistant Director. “Naumechos” Rai,Rome. Italy 1st. Assistant Director “Alter Schützt Vor Rotlicht Nicht” BR Fernsehen (16mm 6 Episodes) Director: Hannes Maier München Germany Director: Bruno Vilati 1st. Assistant Director “Sexy Lissy” RTL/Telemünchen Gmbh 2nd. Assistant Director. “Christopher Columbus” Lorimar/CBS (16mm 93'00) München. Germany (35mm 6 Episodes) Clesi Film/RAI Director: Peter Ily Huemer Director: Alberto Lattuada 1st. Assistant Director “Hat Recht, Wer Schreit” BR Fernsehen 2nd Assistant Director. “Final Justice” L & G Film, USA Director: Hannes Maier München. Germany (35mm Film) Med. Film Prod. Director: Lou Grade 1st. Assistant Director “Der Tod On Line” RTL/ Zeitsprung GmbH (16mm 93'00) Köln. Germany Assistant Floor Manager “Inside Story” Anglia TV England Director: Peter Ily Huemer Unit & Location Manager “The Burning Shore” Penta Films/ 1st. Assistant Director “Fair Sicher Gelassen” BR Fernsehen (35mm 6 Episodes) Laser Films. Italy. Director: Hannes Maier München. Germany Director: Janot Szwarc 1st. Assistant Director “Neon Nächte” RTL/ NDF Unit & Location Manager “The Burning Shore” Penta Films/ (16mm 93'00) Hamburg. Germany 2nd Unit. (35mm 6 Episodes) Laser Films. Italy. Director: Peter Ily Huemer Director: Janot Szwarc 1st. Assistant Director “Lupo Und Der Muezzin“ ARD/Arte /Diana Film 1st. Assistant Director “Dr. Stefan Frank” RTL/ Phoenix Film (16mm 93'00) Düsseldorf. Germany Director: Dagmar Wagner (16mm Episode.11,12,13) Berlin. Germany Director: Udo Witte � CV FILM & TV 1st. Assistant Director “Seven Days” RTL/Real Film GmbH 1st. Assistant Director “Im Tal Der Wilden Rosen“ ZDF/ Videoscope (16mm 93') Köln. Germany "Gipfel Der Liebe“ Fernsehfilm GmbH Director: Peter Ily Huemer (16mm 93’00) Berlin.Germany Director: Stefan Bartmann. Calgary.Canada 1st. Assistant Director “Jets “ Pro 7 / FFP Enter (16mm Episode 8,9 & 10 ) München. Germany 1st. Assistant Director “Im Tal Der Wilden Rosen“ ZDF/ Videoscope. Director: Stefan Klisch "Liebe Im Schatten Des Zweifels“ Fernsehfilm GmbH (16mm 93'00) Berlin. Germany 1st. Assistant Director “Fussball Ist Unser Leben“ Sat 1 /Novamedia. Director: Stefan Bartmann. Calgary. Canada (16mm Cinema.) München.Germany Director: Tommy Wigand 1st. Assistant Director “Im Tal Der Wilden Rosen“ ZDF/ Videoscope. "Zerrissene Herzen“ Fernsehfilm GmbH 1st. Assistant Director “Mind Hunter” RTL/WUF/CLT-Ufa (16mm 93'00) Berlin. Germany (16mm Film 93'00) Berlin. Germany Director: Michael Keusch. Calgary. Canada Director: J.Schäuffelen 1st. Assistant Director “Im Tal Der Wilden Rosen“ ZDF/ Videoscope 1st. Assistant Director “Schlosshotel Orth” Satel Film /Austria "Die Macht Der Liebe“ Fernsehfilm GmbH (16mm 15 x 45‘ Episodes) ZDF/ORF. (16mm 93'00) Berlin. Germany Director: Stefan Klisch Director: Michael Keusch. Calgary.Canada 1st. Assistant Director “Schalker Kreisel” Sat 1/R+M Projekt Film 1st. Assistant Director “Rosemunde Pilcher“ ZDF/FFP New Media 1st. Unit (16mm 93'00) Köln. Germany “Herzenssehnsucht“ München. Germany. Director: G.Heberling (16mm 90’00) Ireland Director: Stefan Bartmann. 1st. Assistant Director “Schalker Kreisel” Sat 1/R+M Projekt Film 2nd. Unit (16mm 93'00) Köln.Germany 1st. Assistant Director “Rosemunde Pilcher“ ZDF/FFP New Media Director: G.Heberling "Liebe Gegen Der Rest Der Welt“ München. Germany (16mm 90'00) Devon. England 1st. Assistant Director “Rosenheim Cops” ZDF/ Bavaria Film Director: Stefan Bartmann. (16mm 3 x 45’00 Episodes) München. Germany Director: Stefan Klisch 1st. Assistant Director “Rosemunde Pilcher“ ZDF/FFP New Media “Lass Es Liebe Sein” München. Germany 1st. Assistant Director. “La Chiavi Di Casa” RAI/ Achab Film. Italy (16mm 90'00) Devon. England (Part Munich) (35mm Film) Polapandora Film Berlin Director: Stefan Bartmann. Director: Gianni Amelio 1st. Assistant Director “Traumschiff” ZDF/Polyphon Film 1st. Assistant Director. "Kuckuck_Ich Bin Der Mörder" Kuckuck Prod “Indian Summer” Und-Fernsehg.mbH Pre-Production (35mm) Triberg Germany (16mm 96’00) Hamburg. Germany Director: Max Nüchtern Director: Stefan Bartmann Canada/USA Ms Deutschland 1st. Assistant Director “Die Zeit, Die Man Leben Nennt” ZDF/Rich & Famous (16mm 93'00) Filmproduktion Director: Sharon V. Wietersheim München. Germany Epo Film- Austria � CV FILM & TV 1st. Assistant Director “Rosemunde Pilcher“ ZDF/FFP New Media 1st. Assistant Director “Rosemunde Pilcher” ZDF/FFP New Media “Heartbreak” München. Germany “A Question Of Honour” München. Germany (16mm 90’00) Devon. England (16mm 90'00) Cornwall. England Director: Stefan Bartmann Director: Stefan Bartmann. 1st. Assistant Director “Rosemunde Pilcher” ZDF/ FFP New Media 1st. Assistant Director “The Maltese Fighter” Spy Films. “Questions Of The Heart” München. Germany (4k-20’) Toronto.Canada (16mm 90'00) Devon. England Director: Arev Manoukian. Malta Film. Malta Director: Stefan
Load more

Recommended publications
  • Annual Report 2019 Key Figures
    ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % RTL Group share price development PROSIEBENSAT1 for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020.
    [Show full text]
  • Apple TV+ Book Noviembre2019 Una Publicación De
    revista sobre programación de plataformas 186/noviembre/2019 de televisión de pago en españa ejemplar gratuito Apple TV+ book noviembre2019 una publicación de www.neeo.es Sony Pictures Television Networks Iberia, S.L. Turner Broadcasting System España The Walt Disney Company Iberia Discovery Networks International Canal Cosmopolitan Iberia AMC Networks International | Iberia NBC Universal Global Networks España Viacom International Media Networks Fox Networks Group España neeo no se responsabiliza de los DTS Distribuidora de Televisión Digital posibles cambios que puedan Netflix España realizar los diversos canales en su TV5Monde programación. HBO España Amazon.com, Inc Ejemplar gratuito. cine y series s extra amazon prime video sundancetv canal cocina amc tcm decasa apple tv+ tnt axn xtrm axn white música calle 13 sol música canal hollywood infantil comedy central canal panda cosmo nick jr. dark nickedoleon filmin fox fox life hbo españa documentales movistar estrenos blaze movistar cinedoc&roll cazavisión movistar series crimen + investigación mtv discovery channel netflix historia paramount network national geographic sky odisea starzplay somos book cine series book amazon prime video 4K amazon.com, inc. 2ª Temporada Tom Clancy´s Jack Ryan En la segunda temporada de Tom Clancy’s Jack Ryan, tras rastrear un sospechoso envío de armas ilegales en la selva venezolana, el oficial de la CIA Jack Ryan, interpretado por John Krasinski (Un lugar tranquilo), se dirige a Sudamérica para investigar. Cuando la investigación de Jack amenaza con desenmascarar una conspiración de gran alcance, el presidente de Venezuela lanza un contrataque que golpea a Jack en su propio hogar, conduciéndole a él y a sus operativos a una misión global que los llevará a Estados Unidos, Reino Unido, Rusia y Venezuela para desarmar el perverso plan del presidente y llevar estabilidad a un país al borde del caos.
    [Show full text]
  • Labor Relations, 16Mm Film and Euston Films
    Scope: An Online Journal of Film and Television Studies Issue 26 February 2014 Labor Relations, 16mm Film and Euston Films Max Sexton, Birkbeck College, University of London Film as a technology has been used, adapted and implemented in particular ways within television. This article provides examples of this process along with its complexities and demonstrates how a system of regulated labor on British television during the 1970s shaped the aesthetic form that 16mm film was used to develop. The questions of how far the production process was guided by institutionalized conventions, however, is one that the article seeks to answer in its analysis of the function and form of the filmed television series produced by Euston Films, a subsidiary of Thames Television. Charles Barr (1996) has discussed the legacy of live television that seeks to develop analyses of the developing formal systems of early television. For example, the telerecordings of most of the Quatermass serials were only “television films” because they were recorded on film, but were not constructed or edited as film, although they may have used some film inserts. According to Barr, television drama may have been shot on film, but it was different from film. It was only later in the 1960s and 1970s that shooting on film meant that the studio drama was replaced by shooting on location on 16mm. Barr notes that in Britain, unlike in the US, if a growing proportion of drama was shot on film, dramas were still referred to as “plays.” Consequently, the TV plays-on-film were distinct from “films.” However, as this article demonstrates, the development of the 16mm film from the 1970s complicates some of the notions that television drama was either live or continued to be planned, shot and edited as a live play.
    [Show full text]
  • Celluloid Television Culture the Specificity of Film on Television: The
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. https://eprints.bbk.ac.uk/id/eprint/40025/ Version: Full Version Citation: Sexton, Max (2013) Celluloid Television Culture The Speci- ficity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. Max Sexton A thesis submitted for the Degree of Doctor of Philosophy, Birkbeck, University of London, 2012. Declaration I hereby declare that the thesis presented by me for examination of the PhD degree is solely my own work, other than where I have clearly indicated. Birkbeck, University of London Abstract of Thesis (5ST) Notes for Candidate: 1. Type your abstract on the other side of this sheet. 2. Use single-spacing typing. Limit your abstract to one side of the sheet. 3. Please submit this copy of your abstract to the Research Student Unit, Birkbeck, University of London, Registry, Malet Street, London, WC1E 7HX, at the same time as you submit copies of your thesis. 4. This abstract will be forwarded to the University Library, which will send this sheet to the British Library and to ASLIB (Association of Special Libraries and Information Bureaux) for publication to Index to Theses .
    [Show full text]
  • Our Strategy OUR STRATEGY FOUR KEY TRENDS SHAPING RTL GROUP’S STRATEGY THREE PRIORITIES for LONG-TERM GROWTH
    Our strategy OUR STRATEGY FOUR KEY TRENDS SHAPING RTL GROUP’S STRATEGY THREE PRIORITIES FOR LONG-TERM GROWTH 1 / CREATE MUST-SEE TV 1 / COMPETITION 4 / CONSOLIDATION What we said What we achieved What’s next As video offers become ever more In recent years, the media industry ubiquitous, the television market moved more towards consolidation – “Finding the new hits – both big Mediengruppe RTL Deutschland signed Further strengthen the development of continues to undergo fragmentation. 3 / COMPLEXITY in broadcast, content and digital. and small – is a shared priority a deal with NBC Universal for the local fiction and factual entertainment Lower barriers to entry make In the media market some of the for both our broadcasters and our development of US procedural dramas formats (for example: Vox has launching new linear TV channels Digitisation also increases the biggest mergers are being proposed: content production arm, as they consistently generate higher commissioned a third season of local easier than in the past. This importance of technology – whether AT&T and Time Warner announced FremantleMedia.”1 ratings than serialised dramas on free-TV fiction series Club der roten Bänder) fragmentation results in increasing for aggregating content or for plans for a merger, Liberty Global is channels in Europe. In November 2016, competition for viewing time advertising sales. For example, a actively investing in the European “We have to develop our own Gone was announced as the first drama UFA Fiction will produce Deutschland 86 and audience – both linear and non- multi-channel network (MCN) needs markets, as is Discovery, while 21st formats because they strengthen from this partnership in collaboration with Amazon Prime linear.
    [Show full text]
  • Annual Report 2019
    ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % PROSIEBENSAT1 RTL Group share price development for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020.
    [Show full text]
  • Annual Report 2015 Entertain. Inform. Engage
    Annual Report 2015 Entertain. Inform. Engage. Key fi gures SHARE PRICE PERFORMANCE 30/04/2013 – 31/12/2015* + 42.7 % )RTL GROUP + 54.5 % MDAX + 48.1 % DJ STOXX 600 INDEX = 100 * RTL Group shares have been listed in the Prime Standard of the Frankfurt Stock Exchange since 30 April 2013. RTL GROUP REVENUE SPLIT In 2015, TV advertising accounted for 49.4 per cent of RTL Group’s total revenue, making the Group one of the most diversified groups when it comes to revenue. Content represented 22 per cent of the total, while greater exposure to fast-growing digital revenue streams and higher margin platform revenue will further improve the mix. 11.8 % OTHER 8.4 % DIGITAL 49.4 % TV ADVERTISING 22.0 % CONTENT 4.1 % PLATFORM REVENUE 4.3 % RADIO ADVERTISING Key fi gures REVENUE 2011 – 2015 (€ million) EBITA 2011 – 2015 (€ million) 15 6,029 15 1,167 14 5,808 14 1,144* 13 5,824* 13 1,148** 12 5,998 12 1,078 11 5,765 11 1,134 * Restated for IFRS 11 * Restated for changes in purchase price allocation ** Restated for IFRS 11 NET PROFIT ATTRIBUTABLE TO RTL GROUP SHAREHOLDERS 2011 – 2015 (€ million) EQUITY 2011 – 2015 (€ million) 15 789 15 3,409 14 652* 14 3,275* 13 870 13 3,593 12 597 12 4,858 11 696 11 5,093 * Restated for changes in purchase price allocation * Restated for changes in purchase price allocation TOTAL DIVIDEND/ MARKET CAPITALISATION* 2011 – 2015 (€ billion) DIVIDEND YIELD PER SHARE 2011 – 2015 (€ )(%) 15 11.9 15 4.00* 4.9 14 12.2 14 5.50** 6.8 13 14.4 13 7.00*** 10.0 12 11.7 12 10.50 13.9 11 11.9 11 5.10 6.6 * As of 31 December * Including
    [Show full text]
  • Annual Report 2019
    ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % PROSIEBENSAT1 RTL Group share price development for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€) (%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00*****4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020.
    [Show full text]
  • 2020 Financial Statements for Bertelsmann SE & Co. Kgaa
    Financial Statements and Combined Management Report Bertelsmann SE & Co. KGaA, Gütersloh December 31, 2020 Contents Balance sheet Income statement Notes to the financial statements Combined Management Report Responsibility Statement Auditor’s report 1 FINANCIAL STATEMENTS Assets as of December 31, 2020 in € millions Notes 12/31/2020 12/31/2019 Non-current assets Intangible assets Acquired industrial property rights and similar rights as well as licenses to such rights 1 9 8 9 8 Tangible assets Land, rights equivalent to land and buildings 1 306 311 Technical equipment and machinery 1 1 1 Other equipment, fixtures, furniture and office equipment 1 42 47 Advance payments and construction in progress 1 7 2 356 361 Financial assets Investments in affiliated companies 1 15,974 14,960 Loans to affiliated companies 1 230 712 Investments 1 - - Non-current securities 1 1,461 1,252 17,665 16,924 18,030 17,293 Current assets Receivables and other assets Accounts receivable from affiliated companies 2 4,893 4,392 Other assets 2 94 148 4,987 4,540 Securities Other securities - - Cash on hand and bank balances 3 2,476 513 7,463 5,053 Prepaid expenses and deferred charges 4 20 20 25,513 22,366 2 Equity and liabilities as of December 31, 2020 in € millions Notes 12/31/2020 12/31/2019 Equity Subscribed capital 5 1,000 1,000 Capital reserve 2,600 2,600 Retained earnings Legal reserve 100 100 Other retained earnings 6 5,685 5,485 5,785 5,585 Net retained profits 898 663 10,283 9,848 Provisions Provisions for pensions and similar obligations 7 377 357 Provision
    [Show full text]
  • Annual Financial Statements and Combined Management Report Bertelsmann SE & Co. Kgaa, Gütersloh December 31, 2016
    Annual Financial Statements and Combined Management Report Bertelsmann SE & Co. KGaA, Gütersloh December 31, 2016 Annual financial statements 2016 Contents Balance sheet Income statement Notes “List of shareholdings” annex to the notes in accordance with section 285 (11) HGB Combined management report 2 Annual financial statements 2016 Bertelsmann SE & Co. KGaA Balance sheet as of December 31, 2016 Assets 12/31/2016 Previous year Notes € € millions Fixed assets Intangible assets Acquired patents and similar rights and licenses to such rights (1) 849,173.00 1 Advance payments (1) - - 849,173.00 1 Tangible assets Land, rights equivalent to land, and buildings (1) 294,086,838.29 254 Technical equipment and machinery (1) 338,777.00 - Other equipment, fixtures, furniture, and office equipment (1) 54,222,767.11 57 Advance payments and construction in progress (1) 9,127,130.40 10 357,775,512.80 321 Financial assets Investments in affiliated companies (1) 13,348,864,049.21 12,671 Loans to affiliated companies (1) - 500 Participations (1) 21,300.00 - Long-term securities (1) 1,365,143,791.75 1,185 14,714,029,140.96 14,356 15,072,653,826.76 14,678 Current assets Receivables and other assets Accounts receivable from affiliated companies (2) 4,018,087,691.42 2,987 Other assets (2) 49,306,559.25 95 4,067,394,250.67 3,082 Securities Other securities 1.00 - Cash on hand and bank balances (3) 325,615,627.30 500 4,393,009,878.97 3,582 Prepaid expenses and deferred charges (4) 16,552,761.48 12 19,482,216,467.21 18,272 3 Annual financial statements 2016 Bertelsmann SE & Co.
    [Show full text]
  • SARAH GRUNDY Make-Up Artist and Hair Designer BA (Hons) Fine Art
    SARAH GRUNDY Make-Up Artist and Hair Designer BA (Hons) Fine Art FILM HONEYCOMB LODGE Make-Up Designer Laughing Stock / Honeycombe Lodge Limited Director: Lesley Manning Cast: Tilly Vosburgh, Paul Bhattacharjee, Shanaya Rafaat, Sohm Kalipa, Surendra Kochar HOW TO MAKE LOVE LIKE AN Make-Up Artist ENGLISHMAN Director: Tom Vaughan PalmStar Entertainment WINTER Make-Up and Hair Designer Vortex Pictures Ltd Director: Heidi Greensmith Cast: Tommy Flanagan, Kate Magowen, Jessica Hynes VAMPIRE ACADEMY: BLOOD Make-Up Artist (Additional Photography) SISTERS Director: Mark Waters Angry Films GHOSTWATCH: Make-Up and Hair Designer BEHIND THE CURTAINS Director: Rich Lawden Cast: Mike Aiton, David Baldwin THE WHITE ROOM Make-Up and Hair Designer New Black Films Ltd. Director: James Erskine Cast: Bill Paterson, Oscar Jaenada THE ACCIDENTAL DEATH OF A CYCLIST Make-Up and Hair Designer Media Squared Productions Director: Steve Kelly Cast: Conan Sweeney THE SHOUTING MEN Make-Up and Hair Designer Purple Rogue Films Director: Steve Kelly Cast: Craig Fairbrass, Warren Llambias DESIRE Make-Up and Hair Designer Scenario Films Director: Gareth Jones Cast: Oscar Pearce, Tella Kpomahou SOMERS TOWN Make-Up and Hair Designer Tomboy Films Director: Shane Meadows Cast: Tommo Turgoose LIFE & LYRICS Make-Up and Hair Designer Fiesta Productions Director: Richard Laxton Cast: Ashley Walters, Christopher Steward SHOOTING DOGS Make-Up and Hair Designer Kivu Films/BBC Films Director: Michael Caton-Jones Cast: John Hurt, Hugh Dancy THE MILTON AGENCY Sarah Grundy 1st Floor
    [Show full text]
  • January to March 2018
    INTERIM REPORT JANUARY TO MARCH 2018 ENTERTAIN. INFORM. ENGAGE. WorldReginfo - b8892007-3fc9-457e-94fd-45b39044e336 HIGHLIGHTS Diverse talents of United Screens COLLABORATION BEARS FRUIT During the first three months of 2018, three of RTL Group’s business units (re-)launched their VOD offers – all of them based on the solid architecture of Groupe M6's on-demand ACCELERATING service 6play: RTL Play in Croatia (launched 12 January 2018) and Belgium (launched 26 March 2018), as well as RTL Most! THE in Hungary (launched 1 February 2018). The platforms, TOTAL VIDEO developed together with M6 Web, are the result of a fruitful collaboration following M6 Web’s pitch to the Group’s STRATEGY Distribution Synergy Committee in Zagreb, in December 2016. In January 2018, RTL Group announced it had The platform's very user-friendly interface makes it easy for fully acquired United Screens, the leading multi-platform users to find what they want from a wide range of content. network (MPN) in the Nordic countries. With this investment, Thanks to the new platforms, the local families of channels RTL Group expanded its footprint as the leading European can offer their advertisers improved services, such as more media company in online video. targeting, brand safety, a high level of attention and bigger reach on all devices. Since its launch in late 2013, United Screens, based in Stockholm, has shown excellent growth. Based on a hand- picked premium selection from many of the best video creators in the Nordics, and an award-winning sales team, United Screens has developed state-of-the-art branded content campaign capabilities.
    [Show full text]